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Ritual Landscapes and Borders Within Rock Art Research Stebergløkken, Berge, Lindgaard and Vangen Stuedal (Eds)
Stebergløkken, Berge, Lindgaard and Vangen Stuedal (eds) and Vangen Lindgaard Berge, Stebergløkken, Art Research within Rock and Borders Ritual Landscapes Ritual Landscapes and Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' Borders within long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research. The contributions discuss many different kinds of borders: those between landscapes, cultures, Rock Art Research traditions, settlements, power relations, symbolism, research traditions, theory and methods. We are grateful to the Department of Historical studies, NTNU; the Faculty of Humanities; NTNU, Papers in Honour of The Royal Norwegian Society of Sciences and Letters and The Norwegian Archaeological Society (Norsk arkeologisk selskap) for funding this volume that will add new knowledge to the field and Professor Kalle Sognnes will be of importance to researchers and students of rock art in Scandinavia and abroad. edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology www.archaeopress.com Steberglokken cover.indd 1 03/09/2015 17:30:19 Ritual Landscapes and Borders within Rock Art Research Papers in Honour of Professor Kalle Sognnes edited by Heidrun Stebergløkken, Ragnhild Berge, Eva Lindgaard and Helle Vangen Stuedal Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 9781784911584 ISBN 978 1 78491 159 1 (e-Pdf) © Archaeopress and the individual authors 2015 Cover image: Crossing borders. Leirfall in Stjørdal, central Norway. Photo: Helle Vangen Stuedal All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. -
The Reception of Palaeolithic Art at the Turn of the Twentieth Century: Between Archaeology and Art History
The reception of Palaeolithic art at the turn of the twentieth century: between archaeology and art history Oscar Moro Abadía If I am asked to define any further what I mean by ‘the primitive’ I must refer the reader to the pages of this book, which will show that the term was associated in its time with early Greek vases, with quattrocento painting and with tribal art.1 These words by Ernst Gombrich summarize some of the main meanings associated with the term ‘primitive’ in the field of art history. In its original sense, the word refers to a movement of taste that, in the story of art, runs parallel to the progress towards naturalism. According to Gombrich, while art history may be described as the story of how ‘the artist got better and better in the imitation of nature’,2 there have been a number of artistic movements that have called for a deliberate abandonment of classical standards.3 This ‘preference for the primitive’ has been expressed in ‘the revulsion from that very perfection that art had been said to aim at’.4 During the last years of the nineteenth century, the theory of evolution ‘gave a new meaning to the term ‘primitive’ which […] came to denote the beginnings of human civilization’.5 As a result of this development, the term ‘primitive art’ was incorporated into art historians’ vocabulary to refer to a set of non-Western arts coming from Africa, America and Oceania.6 At the beginning of the twentieth century, ‘primitive art’ was used interchangeably with terms such as ‘savage art’, ‘tribal art’ and ‘art nègre’.7 Since then, the label has been intensively criticized for Acknowledgements. -
World Karst Science Reviews
REVIEWS AND REPORTS / POROčILA world karst science reviews International Journal of Speleology ISSN 0392-6672 October 2008 Volume 37, Number 3 Contact: Jo De Waele [email protected] Website: �ttp://www.ijs.speleo.it/ Special issue on Palaeoclimate, guest editor: Dominique Genty TABLE OF CONTENTS Report of a t�ree-year monitoring programme at Hes�ang Cave, Central C�ina. Hu C., Henderson G.M., Huang J., C�en Z. and Jo�nson K.R., pp. 143 -151. The environmental features of t�e Monte Corc�ia cave system (Apuan Alps, Central Italy) and t�eir effects on spele- ot�em growt�. Piccini L., Zanc�etta G., Drysdale R.N., Hellstrom J., Isola I., Fallick A.E., Leone G., Doveri M., Mussi M., Mantelli F., Molli G., Lotti L., Roncioni A., Regattieri E., Mecc�eri M. and Vaselli L., pp. 153-172. Palaeoclimate Researc� in Villars Cave (Dordogne, SW-France). Genty D., pp. 173-191. Annually Laminated Speleot�ems: a Review. Baker A., Smit� C.L., Jex C., Fairc�ild I.J., Genty D. and Fuller L., pp. 193-206. Environmental Monitoring in t�e Mec�ara caves, Sout�eastern Et�iopia: Implications for Speleot�em Palaeoclimate Studies. Asrat A., Baker A., Leng M.J., Gunn J. and Umer M., pp. 207-220. Monitoring climatological, �ydrological and geoc�emical parameters in t�e Père Noël cave (Belgium): implication for t�e interpretation of speleot�em isotopic and geoc�emical time-series. Ver�eyden S., Genty D., Deflandre G., Quinif Y. and Keppens E., pp. 221-234. BOOK REVIEWS Jo De Waele Inside mot�er Eart� (Max Wiss�ak, Edition Reuss, 152 pages, 2008 - ISBN 978-3-934020-67-2) Arrigo A. -
1422 Dating French and Spanish Prehistoric
DATING FRENCH AND SPANISH PREHISTORIC DECORATED CAVES IN THEIR ARCHAEOLOGICAL CONTEXTS H Valladas1 • E Kaltnecker1 • A Quiles1 • N Tisnérat-Laborde1 • D Genty1 • M Arnold2 • E Delqué-KoliË3 • C Moreau3 • D Baffier4 • J J Cleyet Merle5 • J Clottes6 • M Girard7 • J Monney8 • R Montes9 • C Sainz10 • J L Sanchidrian11 • R Simonnet12 ABSTRACT. The Laboratoire des Sciences du Climat et de l’Environnement (LSCE) research program on prehistoric art conducts chronological studies of parietal representations with their associated archaeological context. This multidisciplinary approach provides chronological arguments about the creation period of parietal representations. This article presents chrono- logical investigations carried out in several decorated caves in France (La Grande Grotte, Labastide, Lascaux, La Tête-du- Lion, Villars) and Spain (La Garma, Nerja, La Pileta, Urdiales). Several types of organic materials, collected from different areas of the caves close to the walls and in connection with parietal art, were dated to determine the periods of human presence in the cave, a presence that may have been related to artistic activities. These new radiocarbon results range from 33,000– 29,000 (La Grande Grotte) to 16,000–14,000 cal BP (Urdiales). INTRODUCTION Developing a chronological framework for Paleolithic parietal art (paintings and drawings) remains a difficult and controversial issue. Indeed, direct radiocarbon dating on paintings is exceptional, pri- marily because of preservation concerns and also due to the scarcity of organic pigments. Therefore, the results are not numerous and are often challenged. Reservations bear upon the taphonomic evo- lution of cave walls and especially upon the possible presence of extraneous organic materials, which can contaminate the parietal representations and thus distort the dating results. -
Homo Aestheticus’
Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared. -
Palaeolithic Continental Europe
World Archaeology at the Pitt Rivers Museum: A Characterization edited by Dan Hicks and Alice Stevenson, Archaeopress 2013, page 216-239 10 Palaeolithic Continental Europe Alison Roberts 10.1 Introduction The collection of Palaeolithic material from Continental Europe in the Pitt Rivers Museum (PRM) is almost of equivalent size to the collection from the British Isles (see Chapter 9), but is not nearly as well known or as well published. It consists mainly of material from France that seems to have been an under-acknowledged highlight of the PRM archaeological collections for most of the 20th century. Despite the obvious care with which French Palaeolithic material was acquired by the museum, especially during the curatorship of Henry Balfour, the collection has mainly been used for teaching and display, rather than as a research resource. Due to the historic lack of work on the collection so far, this chapter presents a preliminary overview, to orient and inform future research, rather than a full account of the collections. The exact numbers of Palaeolithic objects from Europe are difficult to state with certainty due to factors such as unquantified batch registration of groups of objects in the past, and missing or incorrect cultural attributions in the documentation. However, it is estimated that there are c. 3,760 Palaeolithic objects from continental Europe in the PRM, c. 534 of which are from the founding collection of the PRM (PRMFC)(1). The majority of the material comprises c. 3,585 objects from France (Figure 10.1), with smaller collections from Belgium (c. 63 objects), Italy (c. -
Bataille Looking 125
NOLAND / bataille looking 125 Bataille Looking Carrie Noland “Dans ce livre, j’ai voulu montrer . .” MODERNISM / modernity Georges Bataille’s Lascaux, ou la naissance de l’art (Lascaux, VOLUME ELEVEN, NUMBER or the Birth of Art) is a commissioned work.1 And, like all com- ONE, PP 125–160. missioned works, Lascaux bears the scars of compromise. To a © 2004 THE JOHNS reader well-versed in Bataille’s major works of the 1930s, how- HOPKINS UNIVERSITY PRESS ever, the large-format, lushly illustrated volume of 1955 appears almost lacerated, a patchwork of textual summaries (of Johan Huizinga’s Homo Ludens and Roger Caillois’s L’Homme et le sacré, for instance) roughly stitched together at the seams. Bataille seems to have set himself the ambitious task of fitting all the pieces together, reconciling a generation of speculations on Paleolithic image-making with his own already well-devel- oped theories on the implication of art in religious action. Many of Bataille’s most faithful readers have found his study of “pre- historic art” disappointing, signaling a “retrenchment” rather than an advance.2 In Jay Caplan’s words, Bataille’s arguments in Lascaux are all too “familiar,”3 while for Michel Surya the work as a whole is “of less interest” than the contemporaneous La Carrie J. Noland is 4 souveraineté (1954) or Ma mère (1955). Associate Professor of In contrast, I will argue here that Lascaux is indeed a signifi- French at the University cant book, not only in its own right but also as a precursor to of California, Irvine. -
High Resolution Microclimate Study of Hollow Ridge Cave
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 High Resolution Microclimate Study of Hollow Ridge Cave: Relationships Between Cave Meteorology, Air Chemistry, and Hydrology and the Impact on Speleothem Deposition Andrew Kowalczk Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES HIGH RESOLUTION MICROCLIMATE STUDY OF HOLLOW RIDGE CAVE: RELATIONSHIPS BETWEEN CAVE METEOROLOGY, AIR CHEMISTRY, AND HYDROLOGY AND THE IMPACT ON SPELEOTHEM DEPOSITION By ANDREW KOWALCZK A Thesis submitted to the Department of Oceanography in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Fall Semester, 2009 Copyright © 2009 Andrew Kowalczk All Rights Reserved The members of the committee approve the thesis of Andrew Kowalczk defended on October 12, 2009. __________________________________ Philip N Froelich Professor Directing Thesis __________________________________ Yang Wang Committee Member __________________________________ Doron Nof Committee Member __________________________________ Tom Scott Committee Member __________________________________ Bill Burnett Committee Member Approved: _____________________________________ William Dewar, Chair, Oceanography The Graduate School has verified and approved the above-named committee members. ii ACKNOWLEDGEMENTS The author would like to thank Nicole Tibbitts, Sammbuddha Misra, Ricky Peterson, Darrel Tremaine, Dr. Bill Burnett, Dr. Tom Scott, and Allen Mosler for editorial comments. The author would like to thank Darrel Tremaine, Craig Gaffka, Brian Kilgore, and Allen Mosler for assistance with field sampling. The author would like to thank Nicole Tibbitts, Sammbuddha Misra, Ricky Peterson, Natasha Dimova, Claire Langford, Dr. Michael Bizimus, Dr. Yang Wang, Dr. Yingfeng Xu, and Dr. Jeff Chanton for assistance in sample analyses and interpretation. -
Historiographical Approaches to Past Archaeological Research
Historiographical Approaches to Past Archaeological Research Gisela Eberhardt Fabian Link (eds.) BERLIN STUDIES OF THE ANCIENT WORLD has become increasingly diverse in recent years due to developments in the historiography of the sciences and the human- ities. A move away from hagiography and presentations of scientifi c processes as an inevitable progression has been requested in this context. Historians of archae- olo gy have begun to utilize approved and new histo- rio graphical concepts to trace how archaeological knowledge has been acquired as well as to refl ect on the historical conditions and contexts in which knowledge has been generated. This volume seeks to contribute to this trend. By linking theories and models with case studies from the nineteenth and twentieth century, the authors illuminate implications of communication on archaeological knowledge and scrutinize routines of early archaeological practices. The usefulness of di erent approaches such as narratological concepts or the concepts of habitus is thus considered. berlin studies of 32 the ancient world berlin studies of the ancient world · 32 edited by topoi excellence cluster Historiographical Approaches to Past Archaeological Research edited by Gisela Eberhardt Fabian Link Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. © 2015 Edition Topoi / Exzellenzcluster Topoi der Freien Universität Berlin und der Humboldt-Universität zu Berlin Typographic concept and cover design: Stephan Fiedler Printed and distributed by PRO BUSINESS digital printing Deutschland GmbH, Berlin ISBN 978-3-9816384-1-7 URN urn:nbn:de:kobv:11-100233492 First published 2015 The text of this publication is licensed under Creative Commons BY-NC 3.0 DE. -
Dordogne, Where the Largest Concentration of Prehistoric Art in the World Is Found
IINN DOORDOGNERDOGNE SSeptembereptember 1122 ttoo 220,0, 22013013 Dear Alumni, Parents and Friends: Join us for this unique opportunity to experience the authentic character of the historic villages in France’s picturesque southwestern département of Dordogne, where the largest concentration of prehistoric art in the world is found. For one full week, immerse yourself in the rich local culture and rhythms of daily life in Dordogne, and explore the history of early humans who etched their stories into cave walls. We are delighted to invite you to spend seven nights in the heart of Dordogne, where all of France’s provincial charms have been distilled into one of Europe’s most beautiful and intact medieval villages, Sarlat-la-Canéda. Stroll through its traditional, twice-weekly market and marvel at the warm, medieval ambiance of the honey-colored stone buildings on the square. Our expert-guided excursions explore four UNESCO World Heritage sites: the dramatic cliffside village of Rocamadour, L’Abri du Cap-Blanc, Rouffi gnac Cave and Les-Eyzies-de-Tayac; and see the prehistoric troglodyte village of La Roque Saint-Christophe. Specially arranged and exclusive, enriching lectures and the VILLAGE FORUM™ provide personal perspectives on daily life in the villages of Dordogne. This unique sojourn features traditional provincial ambiance and modern accommodations and amenities in the family-owned PLAZA MADELEINE HÔTEL. This hôtel de charme is located in a 19th-century building in medieval Sarlat-la-Canéda and the staff is known for its warm hospitality. VILLAGE LIFE™ IN DORDOGNE is exceedingly popular and includes all accommodations, specially arranged excursions and a great opportunity to experience an itinerary not available anywhere else! I encourage you to reserve now while Early Booking Savings and space are available. -
Aerosol Contributions to Speleothem Geochemistry
AEROSOL CONTRIBUTIONS TO SPELEOTHEM GEOCHEMISTRY Jonathan Dredge A thesis submitted to the University of Birmingham for the University of Birmingham and University of Melbourne joint degree of DOCTOR OF PHILOSOPHY School of Geography, Earth and Environmental Sciences College of Life and Environmental Sciences University of Birmingham April 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract There is developing interest in cave aerosols due to the increasing awareness of their impacts on the cave environment and speleothems. This study presents the first multidisciplinary investigation into cave aerosols and their potential contribution to speleothem geochemistry. Aerosols are shown to be sourced from a variety of external emission processes, and transported into cave networks. Both natural (marine sea-spray, terrestrial dust) and anthropogenic (e.g. vehicle emissions) aerosol emissions are detected throughout caves. Internal cave aerosol production by human disruption has also been shown to be of importance in caves open to the public. Aerosols produced from floor sediment suspension and release from clothing causes short term high amplitude aerosol suspension events. Cave aerosol transport, distribution and deposition are highly variable depending on cave situation. -
Speleothem Climate Capture of the Neanderthal Demise
Speleothem climate capture of the Neanderthal demise Laura Melanie Charlotte Deeprose BSc (Hons), MSc June 2018 This thesis is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy. i Abstract The Iberian Peninsula is a region of climatic and archaeological interest as it lies upon the boundary between the North Atlantic and Mediterranean climatic zones and was the last refuge of the Neanderthals. The influence of climate changes on Neanderthal populations remains a mystery due to the lack of independently-dated high-resolution terrestrial records of past climate and environmental change from the Iberian Peninsula. The primary aim of this project was to construct a palaeoclimate record using speleothems from Matienzo, northern Iberia, across the period encapsulating the Neanderthal demise. Contemporary cave monitoring of Cueva de las Perlas has demonstrated the potential for speleothems to be used as indicators of past climate and environmental conditions. Assessment of cave dynamics through a comprehensive monitoring programme has classified the karst hydrology, cave ventilation, processes influencing speleothem growth and proxies preserved within speleothem calcite. Three speleothems were used to develop records of past climate and environmental variability between 90,000 and 30,000 years ago. A long-term aridity trend was evident throughout the record which is interpreted as a response to orbital-forcing. Sub-orbital climate instability was superimposed onto this long-term trend as evidenced through wet-dry proxies (δ18O, δ13C, Mg and Sr). Millennial-scale events coincident with the timing of North Atlantic Heinrich Events have been identified and the sub-orbital climate variability resembles that of North Atlantic Dansgaard- Oeschger cycles.