Danjulo Ishizaka – Violoncello
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Daniel Sepec Viool Tabea Zimmermann Altviool Jean-Guihen Queyras Cello
Daniel Sepec viool Tabea Zimmermann altviool Jean-Guihen Queyras cello vr 6 mrt 2020 / Grote podia / Blauwe zaal 20 uur / pauze ca. 20.45 uur / einde ca. 21.55 uur inleiding Klaas Coulembier / 19.15 uur / Blauwe foyer 2019-2020 Beethoven integrale Isabelle Faust viool Alexander Melnikov piano do 28 nov 2019 Isabelle Faust viool Jean-Guihen Queyras cello Alexander Melnikov piano do 9 jan 2020 Novus String Quartet vr 24 jan 2020 Daniel Sepec viool Tabea Zimmermann altviool Jean-Guihen Queyras cello vr 6 mrt 2020 Alexander Melnikov piano Teunis van der Zwart hoorn Marcel Ponseele hobo Lorenzo Coppola klarinet Javier Zafra fagot za 7 mrt 2020 Quatuor Van Kuijk do 19 mrt 2020 Calidore String Quartet wo 27 mei 2020 teksten programmaboekje Klaas coördinatie programmaboekje deSingel Daniel Sepec viool Coulembier D/2020/5.497/027 Tabea Zimmermann altviool Jean-Guihen Queyras cello Ludwig van Beethoven (1770-1827) Strijktrio in Es, opus 3 42’ Allegro con brio Andante Menuetto: Allegretto Adagio Menuetto: Moderato Finale: Allegro pauze Strijktrio in D, opus 9 nr 2 25’ Allegretto Andante quasi Allegretto Menuetto: Allegro Rondo: Allegro Strijktrio in c, opus 9 nr 3 25’ Allegro con spirito Adagio con espressione Scherzo: Allegro molto e vivace Finale: Presto Gelieve uw GSM uit te schakelen Concertvleugels Met bijzondere dank aan Ortwin Moreau voor het stemmen en het onderhoud van de De inleidingen kan u achteraf beluisteren via concertvleugels van deSingel desingel.be Moreau Pianoservice / Kapucinessenstraat 32 / 2000 Selecteer hiervoor voorstelling / concert / Antwerpen / +32 (0)486 83 63 98 tentoonstelling van uw keuze. moreau-pianoservice.be Muziek voor drie solisten Ludwig van Beethoven drukte zijn stempel op vele muzika- le genres. -
The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Misha Amory, Viola Thomas Sauer, Piano Hsin-Yun Huang, Viola Photo by Claudio Papapietro Support Scholarships The Juilliard Scholarship Fund provides vital support to any student with need and helps make a Juilliard education possible for many deserving young actors, dancers, and musicians. With 90 percent of our students eligible for financial assistance, every scholarship gift represents important progress toward Juilliard’s goal of securing the resources required to meet the needs of our dedicated artists. Gifts in any amount are gratefully welcomed! Visit juilliard.edu/support or call Tori Brand at (212) 799-5000, ext. 692, to learn more. The Juilliard School presents Misha Amory, Viola Thomas Sauer, Piano Hsin-Yun Huang, Viola Part of the Daniel Saidenberg Faculty Recital Series Friday, October 18, 2019, 7:30pm Paul Hall ZOLTÁN KODÁLY Adagio (1905) (1882-1967) FRANK BRIDGE Pensiero (1908) (1879-1941) PAUL HINDEMITH “Thema con Variationen” from Sonata, (1895-1963) Op.31, No. 4 (1922) ARTHUR BLISS “Furiant” from Viola Sonata (1934) (1891-1975) BRUCE ADOLPHE Dreamsong (1989) (b.1955) GEORGE BENJAMIN Viola, Viola (1998) (b.1960) Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by the Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 ELLIOTT CARTER Elegy (1943) (1908-2012) IGOR STRAVINSKY Elegy (1944) (1882-1971) GYÖRGY KURTÁG Jelek (1965) (b.1926) Agitato Giusto Lento Vivo Adagio Risoluto DMITRI SHOSTAKOVICH “Adagio” from Viola Sonata (1975) (1906-75) Performance time: approximately 1 hour and 30 minutes, including an intermission The Viola in the 20th Century By Misha Amory The 20th century was transformative for the viola as a solo instrument. -
Thomas Dausgaard Viviane Hagner Thomas Dausgaard Dirigent Viviane Hagner Violine
05.06.2009 THOMAS DAUSGAARD VIVIANE HAGNER THOMAS DAUSGAARD DIRIGENT VIVIANE HAGNER VIOLINE SAISON 2008/2009 ABONNEMENTKONZERT D8 Freitag, 5. Juni 2009, 20 Uhr Hamburg, Laeiszhalle, Großer Saal THOMAS DAUSGAARD Das NDR Sinfonieorchester ist mit dem Programm dieses Abends DIRIGENT am 07.06.2009 in Neubrandenburg zu Gast; dieses Konzert wird live ab 16 Uhr auf NDR Kultur gesendet. Thomas Dausgaard ist seit August 2004 Chief Con- ductor des Danish National Symphony Orchestra/ Dirigent: THOMAS DAUSGAARD DR, mit dem er im Rahmen weltweiter Tourneen Solistin: VIVIANE HAGNER VIOLINE u. a. in Berlin, Wien, Paris, Amsterdam und London auftrat und zahlreiche Werke auf Tonträger ein- ANTONÍN DVOŘÁK (1841–1904) Scherzo capriccioso Des-Dur op. 66 (1883) spielte. Im Januar 2009 leitete der dänische Diri- Allegro con fuoco gent die Eröffnungskonzerte der neuen, von Jean Nouvel entworfenen Copenhagen Concert Hall, dem neuen Sitz des Danish National Symphony SERGEJ PROKOFJEW (1891–1953) Violinkonzert Nr. 2 g-moll op. 63 (1935) Orchestra/DR. Weiterhin ist Dausgaard seit 1997 Music Director des Swedish Chamber Orchestra, I. Allegro moderato das sich unter seiner Leitung zu einem internatio- II. Andante assai. Allegretto. Andante assai nal bedeutenden Klangkörper entwickelte und mit III. Allegro, ben marcato dem er ebenfalls zahlreiche von der Kritik hochge- lobte CDs einspielte (u. a. das orchestrale Gesamt- werk Beethovens und die Sinfonien Schumanns). Pause Im Oktober 2005 unternahmen Dausgaard und das Swedish Chamber Orchestra eine erfolgreiche Japan-Tournee, zu den jüngst vergangenen Gast- dirigierte das St. Petersburg Philharmonic Or - JEAN SIBELIUS (1865–1957) Sinfonie Nr. 2 D-Dur op. 43 (1901/1902) spielen zählen Konzertreisen nach Italien, Deutsch- chestra. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
International Viola Congress
CONNECTING CULTURES AND GENERATIONS rd 43 International Viola Congress concerts workshops| masterclasses | lectures | viola orchestra Cremona, October 4 - 8, 2016 Calendar of Events Tuesday October 4 8:30 am Competition Registration, Sala Mercanti 4:00 pm Tymendorf-Zamarra Recital, Sala Maffei 9:30 am-12:30 pm Competition Semifinal,Teatro Filo 4:00 pm Stanisławska, Guzowska, Maliszewski 10:00 am Congress Registration, Sala Mercanti Recital, Auditorium 12:30 pm Openinig Ceremony, Auditorium 5:10 pm Bruno Giuranna Lecture-Recital, Auditorium 1:00 pm Russo Rossi Opening Recital, Auditorium 6:10 pm Ettore Causa Recital, Sala Maffei 2:00 pm-5:00 pm Competition Semifinal,Teatro Filo 8:30 pm Competition Final, S.Agostino Church 2:00 pm Dalton Lecture, Sala Maffei Post-concert Café Viola, Locanda il Bissone 3:00 pm AIV General Meeting, Sala Mercanti 5:10 pm Tabea Zimmermann Master Class, Sala Maffei Friday October 7 6:10 pm Alfonso Ghedin Discuss Viola Set-Up, Sala Maffei 9:00 am ESMAE, Sala Maffei 8:30 pm Opening Concert, Auditorium 9:00 am Shore Workshop, Auditorium Post-concert Café Viola, Locanda il Bissone 10:00 am Giallombardo, Kipelainen Recital, Auditorium Wednesday October 5 11:10 am Palmizio Recital, Sala Maffei 12:10 pm Eckert Recital, Sala Maffei 9:00 am Kosmala Workshop, Sala Maffei 9:00 am Cuneo Workshop, Auditorium 12:10 pm Rotterdam/The Hague Recital, Auditorium 10:00 am Alvarez, Richman, Gerling Recital, Sala Maffei 1:00 pm Street Concerts, Various Locations 11:10 am Tabea Zimmermann Recital, Museo del Violino 2:00 pm Viola Orchestra -
Boston Symphony Orchestra Concert Programs, Season 126, 2006-2007, Subscription, Volume 02
BOSTON SYM PHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR BERNARD HAITINK CONDUCTOR EMERITUS SEIJI OZAWA MUSIC DIRECTOR LAUREATE • a (tie. Leaa richer J [fH1*V?*!?n w If John Hancock is proud to support the Boston Symphony Orchestra. the future is yours A World-Class Alcohol and Drug Treatment Program lliii View from The McLean Center, Princeton, MA E McLEAN CENTER AT FERNSIDE A comprehensive residential treatment program. Expertise in treating co-occurring psychiatric disorders. Highly discreet and individualized care for adults. Exceptional accommodations in a peaceful, rural setting. McLean Hospital: A Legacy of Compassionate Care and Superb Clinical Treatment wvvw.mclean.harvard.edu • 1-800-906-9531 McLean Hospital is a psychiatric teaching facility of Harvard Medical School, an affiliate of Partners Massachusetts General Hospital and a member of H E A I T H L \ R F Partners HealthCare. REASON #75 transplan exper s It takes more than just a steady hand to perform a successful organ transplant. The highly complicated nature of these procedures demands the utmost in experience and expertise. At Beth Israel Deaconess Medical Center, we offer one of the most comprehensive liver, kidney and pancreas transplant programs available today. Our doctors' exceptional knowledge and skill translate to enhanced safety and care in transplant surgery - and everything that goes into it. For more information on the Transplant Center, visit www.bidmc.harvard.edu or call 1-800-667-5356. A teaching hospital of Beth Israel Deaconess Harvard Medical School Medical Center Official | Hospital of the Boston Red Sox Affiliated with Joslin Clinic | A Research Partner of Dana-Farber/Harvard Cancer Center James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 Trustees of the Boston Symphony Orchestra, Inc. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Hideo Saito Memorial Fund Award Diaper Changing and Breastfeeding Rooms and Stroller Parking Spaces
Ⅲ. Fostering and Support of Young Artistic Talents Information on activities Organization and Sponsorship of International Competitions and Events Special Concert Series for Children Ⅰ . Provision of Opportunities for Children to Enjoy Quality Music Premium Concerts for Teens THE INTERNATIONAL OBOE COMPETITION OF JAPAN A concert series for the youth to enjoy quality music A triennial, worldly praised international competition dedicated solely to the oboe Organization, Planning and Commissioned Production of Concerts This concert series was launched in 2004 to offer first-hand “THE INTERNATIONAL OBOE COMPETITION OF JAPAN” has been held every three years since 1985, to experiences of works created by world-class artists. Mainly promote the true artistic value of oboe, as well as to contribute to the development of the culture of ~ ~ music with an international perspective by discovering and fostering talented musicians and help them Concert for Pre-Zero-Year-Olds Mom is My Premium Seat targeting teens, the series enjoy high popularity with A concert series since 1985 friendly to mothers-to-be descriptions of the music by performers themselves, expand their scope of activities in both Japan and abroad. With past winners going on to become reasonable price settings, and quality performances. The international figures making the world’s major orchestras their stages, it has established its recognition as Masaru Ibuka (1908-1997), Co-Founder of Sony Corporation, advocated concerts are open to children from first grade. an international competition which serves as the gateway to success for young oboists, The upcoming, the importance of prenatal nurturing of intelligence and sentiment. This 12th Competition is scheduled to take place in 2018. -
Digital Concert Hall
Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence. -
Danjulo Ishizaka & Markus Schirmer Duo Concert
Danjulo Ishizaka & Markus Schirmer Duo Concert Friday, 19 February 2010 Toppan Hall, Tokyo 主催 Presented by 助成 Supported by 財団法人 日本音楽財団 会長 小 林 實 「石坂団十郎 & マルクス・シルマー・デュオ・コンサート」へ ご来場いただき、誠にありがとうございます。 日本音楽財団は、中核事業である弦楽器名器の貸与事業を実 施しましてから15年が経過いたしました。現在保有する楽器 は、ストラディヴァリウス19挺、グァルネリ・デル・ジェス 2 挺の計21挺です。これら世界的文化遺産といわれる楽器を保 全し、次世代へ継承するための「管理者」の役割を担い、世界 を舞台に活躍する演奏家へ無償で貸与しております。 今夜は、ストラディヴァリウス1696年製チェロ「ロード・ アイレスフォード」の音色を石坂団十郎さんの演奏でお楽しみ いただきます。石坂さんは2001年に、難関として知られるミ ュンヘン国際音楽コンクールにおいて優勝されるなど、素晴ら しい受賞歴をお持ちでいらっしゃいます。国際舞台での活躍も めざましく、最も将来を嘱望される若手演奏家の一人です。 マルクス・シルマーさんはソリストとして、また、室内楽奏 者として輝かしいキャリアを積まれているピアニストです。現 在はグラーツ音楽大学で後進の演奏家の指導にもご尽力されて います。 今夜のプログラムは、現在お二人がテーマとして取り組んで おられるベートーヴェンの室内楽曲から選曲されました。石坂 さんはベートーヴェンと同じドイツのボンに生まれ、シルマー さんはこの作曲家が活躍したオーストリアのご出身です。公私 共に親交の深いお二人の息のあったハーモニーをお楽しみくだ さい。 本日のコンサートは、日本財団の多大なるご支援により実現 できました。この場をお借りして厚く御礼申し上げます。 Makoto Kobayashi Chairman, Nippon Music Foundation Thank you very much for attending the “Danjulo Ishizaka & Markus Schirmer Duo Concert”. It is over 15 years since Nippon Music Foundation started the “Acquisition and Loan of Stringed Instruments” project, one of the Foundation’s main pillars of activities. The Foundation has now come to own 19 Stradivarius and 2 Guarneri del Gesu, and as a custodian of the world cultural assets, maintains these precious instruments for future generations and loans them gratis to young promising musicians regardless of their nationalities. Tonight we present the concert by Danjulo Ishizaka, who plays the Stradivarius 1696 cello “Lord Aylesford”. He was the first prize winner of the renowned ARD Music Competition in Munich in 2001. He has been performing with the finest orchestras of the world and has established a distinguished position among the world’s foremost young musicians. The pianist Markus Schirmer has been building his international career as a soloist and as a chamber musician while bringing young talents to the world of music at the University of Music and Performing Arts Graz, Austria. -
Finger, Die Sehen Können Nahaufnahme: Im Theater Der Kreisstadt Itzehoe Zeigt Der Cellist Danjulo Ishizaka, 27, Ein Können, Mit Dem Er Die Welt Erobern Wird
Kultur Finger, die sehen können Nahaufnahme: Im Theater der Kreisstadt Itzehoe zeigt der Cellist Danjulo Ishizaka, 27, ein Können, mit dem er die Welt erobern wird. er Künstler, der in London, Paris nisch perfekten Streicher überragt, die den Hochschule „Hanns Eisler“ in Berlin den und Tokio und der noch immer Klassikmarkt derzeit regelrecht über- letzten Schliff im Handwerklichen und wird Dirgendwie legendären Carnegie schwemmt und die Suche nach dem Aus- in Richtung der Moderne beeinflusst. Ei- Hall in New York aufgetreten ist, hat an nahmetalent so notwendig und spannend nen Namen macht er sich bei Wettbewer- diesem Abend sein Debüt im Theater der macht: Er ist jenes Ausnahmetalent. ben, 2001 gewinnt er den ersten Preis beim norddeutschen Kreisstadt Itzehoe. Und das Über Ishizakas Technik braucht man ARD-Musikwettbewerb in München, 2002 Konzert ist noch nicht einmal ausverkauft. wenig zu reden, sie scheint vollendet. Es den Grand Prix Emanuel Feuermann der Es ist ein Knochenjob. Am Studiodach überzeugen: seine Ernsthaftigkeit, eine Kronberg Academy. Neben dem klassischen brummen leise die Scheinwerfer. Auf den Nervosität und Tiefe der Empfindung, die Repertoire (Haydn, Schumann, Dvoºák, fünf Stuhlreihen hat jene Itzehoer Bil- niemals nur dem Wohlklang und dem be- Tschaikowski) etabliert sich Ishizaka als dungselite – vorwiegend über 60, beige- rauschenden Gefühl verpflichtet sind, son- Spezialist für die gemäßigte Moderne, für farben gekleidet – Platz genommen, die dern einer tieferen Wahrheit, dem Klang Schostakowitsch, Penderecki, Witold Lu- an diesem Abend bereit ist, einmal nicht toslawski. Einen Benjamin Britten, fernzugucken, sondern sich für einen klas- etwa die C-Dur-Sonate, versteht sischen Konzertabend zu interessieren: der Cellist so vorzutragen, dass Schuberts A-Moll-Sonate, Zoltán Kodálys dieser nicht gerade einfache Kom- B-Moll-Sonate, Stücke von Anton Webern, ponist gleich beim ersten Hören Brahms, Chopin zum Ausklang.