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Press Release
LOOKING AT MUSIC: SIDE 2 EXPLORES THE CREATIVE EXCHANGE BETWEEN MUSICIANS AND ARTISTS IN NEW YORK CITY IN THE 1970s AND 1980s Photography, Music, Video, and Publications on Display, Including the Work of Jean-Michel Basquiat, Blondie, Richard Hell, Sonic Youth, and Patti Smith, Among Others Looking at Music: Side 2 June 10—November 30, 2009 The Yoshiko and Akio Morita Gallery, second floor Looking at Music: Side 2 Film Series September—November 2009 The Roy and Niuta Titus Theaters NEW YORK, June 5, 2009—The Museum of Modern Art presents Looking at Music: Side 2, a survey of over 120 photographs, music videos, drawings, audio recordings, publications, Super 8 films, and ephemera that look at New York City from the early 1970s to the early 1980s when the city became a haven for young renegade artists who often doubled as musicians and poets. Art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti- establishment ethos, with some artists plastering city walls with self-designed posters or spray painted monikers, while others commandeered abandoned buildings, turning vacant garages into makeshift theaters for Super 8 film screenings and raucous performances. Many artists found the experimental music scene more vital and conducive to their contrarian ideas than the handful of contemporary art galleries in the city. Artists in turn formed bands, performed in clubs and non- profit art galleries, and self-published their own records and zines while using public access cable channels as a venue for media experiments and cultural debates. Looking at Music: Side 2 is organized by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, and succeeds Looking at Music (2008), an examination of the interaction between artists and musicians of the 1960s and early 1970s. -
NY ACKER Awards Is Taken from an Archaic Dutch Word Meaning a Noticeable Movement in a Stream
1 THE NYC ACKER AWARDS CREATOR & PRODUCER CLAYTON PATTERSON This is our 6th successful year of the ACKER Awards. The meaning of ACKER in the NY ACKER Awards is taken from an archaic Dutch word meaning a noticeable movement in a stream. The stream is the mainstream and the noticeable movement is the avant grade. By documenting my community, on an almost daily base, I have come to understand that gentrification is much more than the changing face of real estate and forced population migrations. The influence of gen- trification can be seen in where we live and work, how we shop, bank, communicate, travel, law enforcement, doctor visits, etc. We will look back and realize that the impact of gentrification on our society is as powerful a force as the industrial revolution was. I witness the demise and obliteration of just about all of the recogniz- able parts of my community, including so much of our history. I be- lieve if we do not save our own history, then who will. The NY ACKERS are one part of a much larger vision and ambition. A vision and ambition that is not about me but it is about community. Our community. Our history. The history of the Individuals, the Outsid- ers, the Outlaws, the Misfits, the Radicals, the Visionaries, the Dream- ers, the contributors, those who provided spaces and venues which allowed creativity to flourish, wrote about, talked about, inspired, mentored the creative spirit, and those who gave much, but have not been, for whatever reason, recognized by the mainstream. -
John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and Much, Much More
The World’s Greatest Comic Magazine of Art, Literature and Music! Number 9 $5.95 John Lurie/Samuel Delany/Vladimir Mayakovsky/James Romberger Fred Frith/Marty Thau/ Larissa Shmailo/Darius James/Doug Rice/ and much, much more . SENSITIVE SKIN MAGAZINE is also available online at www.sensitiveskinmagazine.com. Publisher/Managing Editor: Bernard Meisler Associate Editors: Rob Hardin, Mike DeCapite & B. Kold Music Editor: Steve Horowitz Contributing Editors: Ron Kolm & Tim Beckett This issue is dedicated to Chris Bava. Front cover: Prime Directive, by J.D. King Back cover: James Romberger You can find us at: Facebook—www.facebook.com/sensitiveskin Twitter—www.twitter.com/sensitivemag YouTube—www.youtube.com/sensitiveskintv We also publish in various electronic formats (Kindle, iOS, etc.), and have our own line of books. For more info about SENSITIVE SKIN in other formats, SENSITIVE SKIN BOOKS, and books, films and music by our contributors, please go to www.sensitiveskinmagazine.com/store. To purchase back issues in print format, go to www.sensitiveskinmagazine.com/back-issues. You can contact us at [email protected]. Submissions: www.sensitiveskinmagazine.com/submissions. All work copyright the authors 2012. No part of this book may be used or reproduced in any manner whatsoever without the prior written permission of both the publisher and the copyright owner. All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental. ISBN-10: 0-9839271-6-2 Contents The Forgetting -
577-1201 [email protected] for IMMEDIATE
JAMES FUENTES 55 Delancey Street New York, NY 10002 (212) 577-1201 [email protected] FOR IMMEDIATE RELEASE JAMES ROMBERGER ANTON VAN DALEN MARTIN WONG January 23 – February 17, 2019 James Fuentes is pleased to present works by James Romberger, Anton van Dalen, and Martin Wong. The exhibition is presented alongside Jane Dickson, All That Is Solid Melts Into Air. This exhibition brings together multifaceted portraits of a complex city. Romberger, van Dalen, and Wong were each close observers and keen documenters of life in New York City during the 1980s, a tumultuous and violent period that saw the wreckage wrought by AIDS, crack, heroin, homelessness, and real estate development. These artists describe a crime-ridden and cop-flooded history. At the same time, their works are saturated with the brilliance and energy of the communities that surrounded them. Together, they offer a certain mythology of their lives in the city. Wong and van Dalen appear courtesy of PPOW Gallery, New York. Martin Wong (1946–1999) was a prolific painter of New York City’s gritty, textured cityscapes. His works stand as semi-autobiographical registers of the Lower East Side and Chinatown in the 1980s and ‘90s, merging details of his life with a rich and poetic imagination. The New York Times describes Wong as “the self-dramatist; the mythologist; the existential tourist; and the virtuoso realist.” Oftentimes he employed trompe l’oeil effects, mimicking the characteristics of his surroundings in combination with other recurring motifs—constellations, billows of smoke, shuttered storefronts—that give these scenes an apparation-like quality. -
Unseen 1976-1980 Roberta Bayley
P R E S S R E L E A S E Unseen 1976-1980 Roberta Bayley A unique, candid photographic memoir of one of New York’s iconic rock stars Debbie Harry and her band Blondie viewed through the lens of legendary rock photographer Roberta Bayley. ‘Hottest rock’n’roll band in the world.’ - Penthouse Marketing Points • Debbie Ha r ry joins Cyndi Lauper for the Human Rights Campaign To u r t h rough June 2007. • Vocalist Deborah Ha r ry remains among the foremost icons among women in rock, her unique combination of ice-cool beauty and streetwise sass propelled her to global prominence that endures to the pre s e n t . • Blondie we re the most commercially successful band to emerge from the New Yo rk punk scene of the mid 1970s, pro d u c i n g Number One albums between 1977 and 1982 and selling over 50 million re c o rds worldwide. • The group are acknowledged as a major influence on many of today’s biggest acts. • Blondie we re inducted into the Rock ‘n’ Roll Hall of Fame in Ma rch 2006. • Blondie reformed in 2005 and continue to play sold out concerts worldwide. • Blondie: Unseen 1976-1980 f e a t u res 235 photographs of the band and their iconic frontwoman. Many of these are unpub- lished and will delight the group's fanbase. Description Blondie: Unseen 1976-1980 c a p t u res a unique period in music and fashion as seen through the lens of Ro b e rta Ba y l e y, then among the New Yo rk punk scene’s most prominent photographers. -
Oral History Interview with Marguerite Van Cook, 2016 September 19-21
Oral history interview with Marguerite Van Cook, 2016 September 19-21 Funded by the Keith Haring Foundation. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Marguerite Van Cook on September 19 and 21, 2016. The interview took place in New York, N.Y., and was conducted by Alex Fialho for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project. Marguerite Van Cook and Alex Fialho have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ALEX FIALHO: This is Alex Fialho interviewing Marguerite Van Cook at the Visual AIDS office in New York City, New York, on September 19, 2016, for the Archives of American Art, Smithsonian Institution, card number one. So, Marguerite, let's start at the beginning and spend some time on how you grew up. When and where were you born? MARGUERITE VAN COOK: I was born in Portsmouth, in England, on the South Coast, and I grew up there, and I spent some of my life on the Isle of Wight. My mother—when I was around 12, my mother and her boyfriend got a place in the country on the Isle of Wight, and they used to go there on the weekends. -
Richard Hell & the Voidoids Blank Generation Mp3, Flac
Richard Hell & The Voidoids Blank Generation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Blank Generation Country: US Released: 1977 Style: Punk MP3 version RAR size: 1610 mb FLAC version RAR size: 1340 mb WMA version RAR size: 1943 mb Rating: 4.1 Votes: 629 Other Formats: AHX MP1 XM MP3 AIFF TTA MP4 Tracklist Hide Credits Original 1977 Album - Remastered Love Comes In Spurts 1-1 Engineer – Don Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 2:03 WilkesWritten-By – Hell* Liars Beware 1-2 Engineer – Jerry SolomonEngineer [Assistant] – Joel CohnWritten-By – 2:52 Julian*, Hell* New Pleasure 1-3 1:57 Engineer – Jerry SolomonEngineer [Assistant] – Joel CohnWritten-By – Hell* Betrayal Takes Two 1-4 Engineer – Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 3:36 WilkesWritten-By – Julian*, Hell* Down At The Rock And Roll Club 1-5 Engineer – Don Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 3:42 WilkesWritten-By – Hell* Who Says? 1-6 Engineer – Don Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 2:08 WilkesWritten-By – Hell* Blank Generation 1-7 Engineer – Don Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 2:43 WilkesWritten-By – Hell* Walking On The Water 1-8 Engineer – Don Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 2:16 WilkesWritten-By – J. C. Fogerty*, T. R. Fogerty* The Plan 1-9 Engineer – Don Hunerberg*, Rob FreemanEngineer [Assistant] – Fred 3:55 WilkesWritten-By – Hell* Another World 1-10 8:14 Engineer – Jerry SolomonEngineer [Assistant] – Joel CohnWritten-By – Hell* 40th Anniversary Deluxe Edition -
American Comic Books & the Aids Crisis
FATAL ATTRACTIONS: AMERICAN COMIC BOOKS & THE AIDS CRISIS A MASTER’S FINAL PROJECT FOR THE DEPARTMENT OF AMERICAN STUDIES Sean A. Guynes FATAL ATTRACTIONS: AMERICAN COMIC BOOKS AND THE AIDS CRISIS A Master’s Final Project Presented by SEAN A. GUYNES Submitted to the Department of American Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS June 2015 American Studies Program © 2015 by Sean A. Guynes All rights reserved Cover design after Alaniz (2014). Cover art by Richard Bennett, Uncanny X-Men #303 (August 1993), © Marvel Worldwide, Inc. Art below from 7 Miles A Second, story by David Wojnarowicz, art by James Romberger and Marguerite Van Cook (1996). ABSTRACT FATAL ATTRACTIONS: AMERICAN COMIC BOOKS AND THE AIDS CRISIS June 2015 Sean A. Guynes, B.A., Western Washington University M.A., University of Massachusetts Boston Advisor: Aaron Lecklider, Ph.D. Second Reader: Rachel Rubin, Ph.D. Between 1988 and 1994 American comic books engaged the politics, problematics, and crises of the AIDS epidemic by inserting the virus and its social, cultural, and epidemiological effects on gay men into the four-color fantasies of the superhero genre. As the comic-book industry was undergoing major internal changes that allowed for more mature, adult storylines, creators challenged the Comics Code Authority’s 1954 sanction against the representation of homosexuality to create, for the first time, openly gay characters. Creators’ efforts were driven by a desire to recognize the reality of gay men’s lived experiences, especially crucial in the epidemic time of the AIDS crisis. -
Marilyn Roberts
Phoebe Legere MC Phoebe Legere is a multi-disciplinary artist and composer. In the 80’s Legere was a founding member of the Monad Street Art Collective, a Performance Art Band known for spontaneous art actions in public spaces. Her riotgrrl band, 4 Nurses of the Apocalypse, was a political art advocacy unit in the mid 90’s. In 2006 Legere founded the New York Underground Museum. In 2016 Legere launched the Foundation for New American Art, a 501(c)(3) not-for-profit corporation that helps to educate, nurture and strengthen, the artistic and musical spirit of the children of low-income communities. Political activism and community advocacy is an integral part of Legere’s art practice.In 2002 Legere invented a musical instrument for disabled children. In 2013 she built the Shamancycle, a 15 person rideable sculpture and alternative fuel vehicle constructed from upcycled and repurposed junk. Her Epic poem with music: The Waterclown about Water Rights, Water Issues, and the way in which the characteristic movements of water have impacted the morphology of the human body was short listed for the Pulitzer Prize. Phoebe Legere has written 4 political plays with music. Her Queen of New England about Wampanoag Queen Weetamoo and the New England Native American Holocaust, received a NYCSCA award. Legere is known for her outspoken support of experimental and outsider sexual practices and for her lifelong passion for gay art, gay people and gay sex. Her Performance Art work “Shame, Depravity and Lesbianism in the Twilight of a Dying Civilization” won the Audience Favorite award at the Hong Kong Fringe Festival. -
Alog Strictly Devoted to the Subject
S K O OV E R S O C O S R A B C R E E H BB EE H TT T WW T EE EE NN CC AA T T AA LL O O G G E U E C U L R R E T 1188 44 :: CC E U OO UU NN TT COUNTERCULTURE: INTRODUCTION “The art of the Culture is to preserve order amid change; the art of the Counter Culture is to preserve change amid order.” – anonymous bookseller, possibly (or probably) plagiarized from someone else What is the Counter Culture? Although BTC has been dealing in Counter Cultural material pretty much since we’ve existed as an entity, we’ve never issued a catalog strictly devoted to the subject. When we started in the mid 1980s, some of the “Cultures” whose artifacts we’re now dealing in didn’t even exist. This goes to show, I guess, that the definition of Counter Culture is constantly evolving. I asked Ken Giese on our staff to define Counter Culture in ten seconds. Go! - “Arggghhh, hippies, it was the hippies, it was always the hippies for me!” Similarly incoherent responses were received from others on our staff, although Ashley Wildes well-considered “What?” stands out. Matt Histand probably did best when he said it was “Anything that youth was rebelling against that has since become part of the culture.” Obviously much of one’s perspective on this is or can be generational. And indeed the friction created by the interaction of the generations might actually be the proper definition. -
Special Poster Kdo Interview Exclusive
ACTUALITÉS LIVE REPORTS INTERVIEWS CHRONIQUES .com JANV/Fév/MARs 2021 N° 14 magazine SPECIAL Une exposition, qui regroupe Tous les intervenants du mouvement Punk Rock américain de sa genèse à nos jours ! INTERVIEW EXCLUSIVE Roberta Bayley Photographe des Ramones ! POSTER KDO NOUVEAU GRATUIT 16 pages .com Il y a des gens qui nous tirent vers le haut, et hélas, il y en a beaucoup d’autres, qui nous amènent vers le bas ! Aujourd’hui, je vais vous décrire une superbe personne, qui non seulement a évolué comme moi dans le Show Business, mais en plus, elle a évolué dans le bon sens, vers sa passion initiale, le Rock contestataire, comme je le redécouvre moi aussi ici. Nous avons fait nos parcours, chacun de notre côté de l’atlantique, en nous ayant croisé au début de nos carrières, dans notre première agence de presse Intervision... Pendant quelques années, elle était simple journaliste, reporter pour nous aux États Unis, mais nos vies actives nous ont fait perdre de vue (pendant trop longtemps)... Et, oh ! Surprise, en janvier, voilà que je reçois un petit coup de fil sympathique, qui me fait bien plaisir. Je reconnais cette voix entre mille autres ! Et je crie, dans mon téléphone : «Martine ?! Que me vaut ton appel, depuis tout ce temps qui a passé à une vitesse grand V ? !» Elle me dit qu’elle avait eu, dernièrement, mon associé Paul au téléphone, et qu’elle voulait juste savoir comment j’allais… (Bon, bah, je n’allais pas bien, mais là c’est une autre histoire plus perso…) Ptdr ! J’ai connu cette jolie jeune femme extraordinaire au Look voyant Punk avec des Docs Martins, du noir aux lèvres, tout de noir vêtue, idem pour les ongles, et avec des cheveux style Punkette de couleur vive ! Une jeune femme, sportive, de caractère, qui n’avait jamais peur de rien, ni de personne. -
The GRAMMY Museum and Queens Museum to Celebrate The
The GRAMMY Museum® and Queens Museum To Celebrate the Ramones' 40th Anniversary With A New Two-Part Exhibition Hey! Ho! Let’s Go: Ramones and the Birth of Punk Debuts April 10, 2016 at Queens Museum in New York and in Los Angeles at the GRAMMY Museum on Oct. 21, 2016 LOS ANGELES/QUEENS (January 27, 2016) — The GRAMMY Museum® in Los Angeles and the Queens Museum in New York have announced they are partnering to present an unprecedented two-part exhibition celebrating the lasting influence of punk rock progenitors the Ramones. Hey! Ho! Let's Go: Ramones and the Birth of Punk will open on April 10, 2016, at the Queens Museum in New York. It then moves to Los Angeles on Oct. 21, 2016, where the second part will debut at the GRAMMY Museum in Los Angeles. The two-part exhibition, co-curated by the GRAMMY Museum at L.A. LIVE and the Queens Museum, in collaboration with Ramones Productions Inc., will commemorate the 40th anniversary of the release of the Ramones' 1976 self-titled debut album and will explore the lasting influence the punk rockers had on their hometown, from their start in Queens to their history-making performances at CBGB, highlighting their musical achievements, with a special influence on the dynamic synergy between New York City's music and visual arts scenes in the 1970s and 1980s. While the exhibition's two parts will share many key objects drawn from more than 50 public and private collection across the world, each will explore the Ramones through a different lens: The Queens Museum iteration will begin with their roots in Queens and reveal their ascendancy in both music and visual culture, while the GRAMMY Museum version will contextualize the band in the larger pantheon of music history and pop culture.