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Lordi Killection
Lordi Killection Release January 31, 2020 Genre Hardrock / Heavy Metal Producer Studio Cover Artwork Mr. Lordi TIP Photographer Nobody knows exactly how old the Finish monsters really are or how long they’ve been striking terror into people’s hearts. Officially the Rock/Heavy Metal monsters LORDI were founded in 1992 by lead singer, songwriter, visual art designer and costume designer Mr. Lordi. The band has deep Finnish roots, originating from the city of Rovaniemi, in Lapland. In 2006 they celebrated their international breakthrough by winning the Eurovision Song Contest (“Hard Rock Hallelujah”) They are Finland’s only winners to date and they earned more points than any other artists in the history of the Eurovision Song Contest up to that time. But is it possible that this is only a pale misperception of our poor, small, pathetic reality? Is there, however unlikely it may seem, another truer reality? What if LORDI would have already been making music since the early 70's? And what if they have been releasing one hit single after the other since those times and now, almost 50 years later, are looking back on a full collection of songs that have been successful ever since? This is exactly the idea that LORDI are celebrating, or maybe a more appropriate word is executing, with their newest studio album “Killection.” Killection will be released on January 31st via AFM Records/Soulfood Music. Once more Mr Lordi, the master of the masquerade, presents us with one of his ideas, absurd and genius at the same time, and comes up with a concept that has never been done before in the music industry: "Killection" is a compilation album that simply says “what if” LORDI had been in existence since the early 70's. -
Press Release
LOOKING AT MUSIC: SIDE 2 EXPLORES THE CREATIVE EXCHANGE BETWEEN MUSICIANS AND ARTISTS IN NEW YORK CITY IN THE 1970s AND 1980s Photography, Music, Video, and Publications on Display, Including the Work of Jean-Michel Basquiat, Blondie, Richard Hell, Sonic Youth, and Patti Smith, Among Others Looking at Music: Side 2 June 10—November 30, 2009 The Yoshiko and Akio Morita Gallery, second floor Looking at Music: Side 2 Film Series September—November 2009 The Roy and Niuta Titus Theaters NEW YORK, June 5, 2009—The Museum of Modern Art presents Looking at Music: Side 2, a survey of over 120 photographs, music videos, drawings, audio recordings, publications, Super 8 films, and ephemera that look at New York City from the early 1970s to the early 1980s when the city became a haven for young renegade artists who often doubled as musicians and poets. Art and music cross-fertilized with a vengeance following a stripped-down, hard-edged, anti- establishment ethos, with some artists plastering city walls with self-designed posters or spray painted monikers, while others commandeered abandoned buildings, turning vacant garages into makeshift theaters for Super 8 film screenings and raucous performances. Many artists found the experimental music scene more vital and conducive to their contrarian ideas than the handful of contemporary art galleries in the city. Artists in turn formed bands, performed in clubs and non- profit art galleries, and self-published their own records and zines while using public access cable channels as a venue for media experiments and cultural debates. Looking at Music: Side 2 is organized by Barbara London, Associate Curator, Department of Media and Performance Art, The Museum of Modern Art, and succeeds Looking at Music (2008), an examination of the interaction between artists and musicians of the 1960s and early 1970s. -
HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP in the HEART E.C
THE HARD REPORT' November 21, 1986 Issue # 6 (609) 654-7272 FRONTRUNNERS ERIC CLAPTON BOB GELDOF "AUGUST" "DEEP IN THE HEART E.C. DELIVERS BIG ON OF NOWHERE" HIS MOST HIGHLY ANTICIPATED ALBUM OF IN TERMS OF WRITING AND ROCKING, WE'D THE EIGHTIES! CALL THIS A WORLD CLASS SURPRISE! ATLANTIC THE KINKS KATE BUSH NINNS . "THINK VISUAL" "EXPERIMENT IV" THINK THE 12" IS A BIT THE HIGH PRIESTESS ROUGH? YOU'LL FLIP OF MIND MUSIC RATES OVER "FACTORY" AND AN "A" FOR THIS "LOST AND FOUND" CEREBRAL CONCOCTION! MCA EMI JN OE HWN PE UD SD Fs RD OA My PLUS! ETTRACKS EDDIE MONEY & TIMBUK3 CHARTSTARS * HEADLINES MOST ADDED HOWARD and the FCC 1 The Kinks "Rock & Roll Cities" (MCA) 61 2 Ann Wilson "Best Man in The World" (CAP) 53 3 Bruce Hornsby "Western Skyline..." (RCA) 40 4 Peter Gabriel "Big Time" (GEFFEN) 35 McNUTT To McWKDF HOT NUMBERS ALBUMS Billy Joel "The Bridge" 46-39 (COL) YATES Back in L.A. World Party "Private. 44-38 (CHRY.) Jason/Scorchers"Still..." 37-33 (EMI) Ben Orr "The Lace" 18-14 (E/A) DEBUTS WNEW's McEWEN Stevie Ray Vaughan "Live Alive" #23(EPIC) tubes out Robert Cray "Strong Persuader" #26 (POLY) TRACKS KBC Band "America" 92-71 JOBNAPPERS Van Halen "Rock & Roll Live" 83-63 Europe "The Final Countdown" 89-78 TEXTBOOK: Smithereens "Behind the Wall..." 57-47 GREG GILLISPIE RECORD OF THE WEEK THE STEVE MILLER BAND --FOR HIS FIRST # 1 SINCE 82's "ABRACADABRA"! INSIDE... %tea' &Mai& &Mal& EtiZiraZ CiairlZif:.-.ZaW. CfMCOLZ &L -Z Cad CcIZ Cad' Ca& &Yet Cif& Ca& Ca& Cge. -
Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Plasmatics New Hope for the Wretched / Metal Priestess Mp3, Flac, Wma
Plasmatics New Hope For The Wretched / Metal Priestess mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: New Hope For The Wretched / Metal Priestess Country: US Released: 2001 Style: Punk, Heavy Metal MP3 version RAR size: 1133 mb FLAC version RAR size: 1432 mb WMA version RAR size: 1407 mb Rating: 4.6 Votes: 374 Other Formats: ASF DTS DMF DTS AAC XM MIDI Tracklist Hide Credits New Hope 1 Tight Black Pants 1:47 Monkey Suit 2 3:27 Percussion – Jimmy Miller 3 Living Dead 1:34 4 Test Tube Babies 1:54 5 Won't You 2:28 6 Concrete Shoes 2:56 7 Squirm (Live) 3:29 8 Want You Baby 1:56 Dreamlover 9 5:43 Saxophone [Sax] – Wendy* 10 Sometimes I 3:58 11 Corruption 2:40 12 Butcher Baby 3:32 Bonus 13 Tight Black Pants (Live) 1:56 14 Living Dead (Live) 3:52 15 Sometimes I (Live) 3:55 Metal Priestess 16 Lunacy 5:08 17 Doom Song 5:22 18 Sex Junkie (Live) 3:08 19 Black Leather Monster 3:41 20 12 Noon 3:30 21 Masterplan (Live) 4:48 Companies, etc. Phonographic Copyright (p) – Plasmatics Media, Inc. Copyright (c) – Plasmatics Media, Inc. Recorded At – The Schoolhouse Mastered At – Sterling Sound Credits Bass Guitar – Chris "Junior" Romanelli* (tracks: 16, 17, 19, 20), Jean Beauvoir (tracks: 1 to 15, 18, 21) Design [Art Design Metal Priestess] – Butch Star Drums – Joey Reese (tracks: 16, 17, 19, 20), Stu Deutsch (tracks: 1 to 15), Tony Petri (tracks: 18, 21) Engineer – Eddie Ciletti (tracks: 18, 21), Trevor Halsey* (tracks: 1 to 15) Keyboards – Jean Beauvoir (tracks: 18, 21), Wes Beech (tracks: 16, 17, 19, 20) Lead Guitar – Richie Stotts (tracks: -
Now Here Live Internet Bidding with Special Auction
NOW HERE LIVE INTERNET BIDDING WITH SPECIAL AUCTION SERVICES We are delighted to announce that you are now able to bid online directly with SAS We have now launched the new SAS Live bidding platform Visit: auctions.specialauctionservices.com for more details Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 17th September 2019 at 10.00 Viewing: For enquiries relating to the auction please contact: Monday 16th September 2019 10:00 - 16:00 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Christopher David Martin David Howe Proudfoot Music & Music & Telephone: 01635 580595 Mechanical Entertainment Entertainment Fax: 0871 714 6905 Music Email: [email protected] www.specialauctionservices.com Buyers Premium: 17.5% plus Value Added Tax making a total of 21% of the Hammer Price SAS Live Premium: 20% plus Value Added Tax making a total of 24% of the Hammer Price Internet Buyers Premium: 22.5% plus Value Added Tax making a total of 27% of the Hammer Price As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION GRAMOPHONES & PHONOGRAPHS 1-143 VINYL RECORDS 144-448 CDs / CD BOX SETS 449-494 PSYCHEDELIC POSTERS 495-562 OTHER MUSIC POSTERS 563-577 MUSIC MEMORABILIA 578-627 FILM POSTERS 628-653 FILM & TV MEMORABILIA 654-661 MUSICAL INSTRUMENTS 662-690 HI-FI 691-703 LOT 126 www.specialauctionservices.com 3 Gramophones & Phonographs 11. -
Koleksi Musik Hendi Hendratman 70'S, 80'S & 90'S
Hendi Hendratman Music Collection Koleksi Musik Hendi Hendratman 70’s, 80’s & 90’s dst (Slow, Pop, Jazz, Reggae, Disco, Rock, Heavy Metal dll) 10 Cc - I'm Not In Love 10 Cc - Rubber Bullets 10000 Maniacs - What's The Matter Here 12 Stones - Lie To Me 20 Fingers - Lick It (Radio Mix) 21 Guns - Just A Wish 21 Guns - These Eyes 2xl - Disciples Of The Beat 3 Strange Days - School Of Fish 4 Non Blondes - What's Up 4 The Cause - Let Me Be 4 The Cause - Stand By Me 4 X 4 - Fresh One 68's - Sex As A Weapon 80's Console Allstars Vs Modern Talking Medley 98 Degrees - Because Of U 999 - Homicide A La Carte - Tell Him A Plus D - Whip My Hair Whip It Real Good A Taste Of Honey - Sukiyaki A Tear Fell A1 - Be The First To Believe Aaron Carter - (Have Some) Fun With The Funk Aaron Neville - Tell It Like It Is Ace - How Long Adam Hicks - Livin' On A High Wire Adam Wakeman - Owner Of A Lonely Heart Adina Howard - Freak Like Me Adrian Belew - Oh Daddy African Rhythm - Fresh & Fly After 7 - Till You Do Me Right After One - Real Sadness Ii Agnetha Faltskog & Tomas Ledin - Never Again Aileene Airbourne - Ready To Rock Airbourne - Runnin' Wild Airplay - Should We Carry On Al B. Sure - Night & Day Al Bano & Romina Power - Felicita Al Martino - Volare Alan Berry - Come On Remix Alan Jackson - Little Man Alan Ross - The Last Wall Albert One - Heart On Fire Aleph - Big Brothers Alex Dance - These Words Between Us Alex Gopher - Neon Disco Alias - More Than Words Can Say Alias - Waiting For Love Alisha - All Night Passion Alisha - Too Turned On Alison Krawss - When -
The Legal Gaze and Women's Bodies
252 Columbia Journal of Gender and Law 32.2 “WE JUST LOOKED AT THEM AS ORDINARY PEOPLE LIKE WE WERE:” THE LEGAL GAZE AND WOMEN’S BODIES YXTA MAYA MURRAY* Abstract This Article analyzes the struggles of two female musicians who became caught up in the criminal justice system because they revealed their bodies. Using archival research and personal interviews, I tell the story of punk rocker Wendy O. Williams’ 1981-1984 obscenity and police brutality court battles. I also relay the life of Lorien Bourne, a disabled and lesbian rock-n-roller charged with disorderly conduct in Bowling Green, Ohio, in 2006. I examine how legal actors, including courts and jurors, viewed Williams and Bourne using classist, ableist, sexist, and homophobic optics. In so doing, I extend my previous work on legal “gazes,” or what I have called the legal practice of “peering.” I end the Article by looking to the women’s art and lives as correctives to oppressive manners of legal seeing. PRELUDE: TWO TALES OF FEMALE NUDITY AND THE COURTS “The prosecutors are the guys doing this for money. These guys are the real whores,”1 Mohawked and leather-clad2 Plasmatics frontwoman Wendy O. Williams shouted to jurors in the Cleveland Municipal Court3 in April 1981. They had just rendered a not-guilty © 2017 Murray. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits the user to copy, distribute, and transmit the work provided that the original author(s) and source are credited. * Professor, Loyola Law School. -
Managers Tun, to Indie Promotion
ICD 08120 LO9O6 t13 1-1Dti30 ONO-1 z W13 01Lf tt d ti A 3 l 0 1 !' 0 A1N3389 A1NDW 4'a adW ß2?Z09t099010 slv * ** YY i r 1986/$3.50 (U.S.) VOLUME 98 NO. 21 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 24, CDs Are A Growth Business LEVY ON AUDIO HARDWARE ONLY? For In -Store Thieves, T00 Senate Bill May Drop Tape Royalty Plan tion's higher cost, but also to tight provision to place a royalty fee on en -month -old bill, S. 1739, intro- BY GEOFF MAYFIELD supply. "When you've got a demand BY BILL HOLLAND blank tape when it takes the bill to duced by subcommittee chairman NEW YORK The compact disk is product that people can fence for WASHINGTON In a dramatic con- markup Wednesday (21). This could Charles McC. Mathias (R -Md.), may becoming the darling of profession- more than a record or tape -they cession to consumer electronics in- chop the anticipated $200 million an- find the necessary votes to send it al and amateur thieves. can get as much as $6 or $8 apiece dustry opponents of the audio-only nual royalty pool by more than half. to the full Judiciary Committee, At least two major chains and for CDs -the value of the product home taping bill, the Senate Copy- Sources say that with the hotly with only the hardware royalty fea- several regional webs report that (Continued on page 89) right Subcommittee may drop the contested provision deleted, the sev- ture intact. -
Unseen 1976-1980 Roberta Bayley
P R E S S R E L E A S E Unseen 1976-1980 Roberta Bayley A unique, candid photographic memoir of one of New York’s iconic rock stars Debbie Harry and her band Blondie viewed through the lens of legendary rock photographer Roberta Bayley. ‘Hottest rock’n’roll band in the world.’ - Penthouse Marketing Points • Debbie Ha r ry joins Cyndi Lauper for the Human Rights Campaign To u r t h rough June 2007. • Vocalist Deborah Ha r ry remains among the foremost icons among women in rock, her unique combination of ice-cool beauty and streetwise sass propelled her to global prominence that endures to the pre s e n t . • Blondie we re the most commercially successful band to emerge from the New Yo rk punk scene of the mid 1970s, pro d u c i n g Number One albums between 1977 and 1982 and selling over 50 million re c o rds worldwide. • The group are acknowledged as a major influence on many of today’s biggest acts. • Blondie we re inducted into the Rock ‘n’ Roll Hall of Fame in Ma rch 2006. • Blondie reformed in 2005 and continue to play sold out concerts worldwide. • Blondie: Unseen 1976-1980 f e a t u res 235 photographs of the band and their iconic frontwoman. Many of these are unpub- lished and will delight the group's fanbase. Description Blondie: Unseen 1976-1980 c a p t u res a unique period in music and fashion as seen through the lens of Ro b e rta Ba y l e y, then among the New Yo rk punk scene’s most prominent photographers. -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance