DOCSLIB.ORG

Who's Who in Pop Record Production

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Who's Who in Pop Record Production WHO'S WHO IN POP RECORD PRODUCTION The following is a list of producers who had at least one single and/or album in the Top Pop 100 charts last year (1986). The producer's name is followed by the (S) song title(s) and/or (LP) album title(s) in quotes, with the artist's name in all capitol letters, followed by a slash and the name(s) of any co- producer(s). Colonel Abrams (S)-(LP)-"Colonel Abrams"-COLONEL ABRAMS-/ /Richard The Bunnymen (S)-(LP)-"Songs To Learn And Sing"-ECHO & THE James Burgess/Rick Dees BUNNYMEN-/Ian Broudie/Bill Drummond/Hugh Jones William Ackerman (S)-(LP)-"Winter's Solstice"-VARIOUS-/Dawn Atkinson Richard James (S)-"Can't Wait Another Minute"-FIVE Alabama (S)-(LP)-"Christmas"-ALABAMA-/Harold Shedd Burgess STAR-/(LP)-"Colonel Abrams"-COLONEL ABRAMS-/Colonel "Alabama Greatest Hits"-ALABAMA-/Harold Shedd Abrams/ /Rick Dees "The Touch"-ALABAMA-/Harold Shedd T-Bone Burnett (S)-(LP)-"King Of America"-ELVIS COSTELLO & THE Teneen Ali (S)-"For Tonight"-NANCY MARTINEZ-/Sergio Munzibal(LP)- ATTRACTIONS-/Declan Patrick A. MacManus Dave Allen (S)-"In Between Days"-THE CURE-/Robert Smith(LP)- Joe Busby (S)-(LP)-"Al I In Love"-NEW EDITION-/Bill Dern Tom Allom (S)-"This Could Be The Night"-LOVERBOY-/Paul Dean Jonathan Cain (S)-"Working Class Man"-JIMMY BARNES-/UP)- "Lead A Double Life"-LOVERBOY-/Paul Richard Calandra (S)-(LP)-"Breakout"-SPYRO GYRA-/Jay Becknestein Dean(LP)-"Turbo"-JUDAS PRIEST-/ The Call (S)-(LP)-"Reconciled"-THE CALL-/Michael Been Pete Anderson (S)-(LP)-"Guitars, Cadillacs, Etc., Etc."-DWIGHT Reggie Calloway (S)-"Headlines"-MIDNIGHT STAR-/Midnight Star YOAKAM-/ "Midas Touch"-MIDNIGHT STAR-/Midnight "Guitars, Cadillacs, Etc., Etc."-DWIGHT YOAKAM-/ Star(LP)-"Headlines"-MIDNIGHT STAR-/Midnight Star Arcadia (S)-"Goodbye Is Forever"-ARCADIA-/Alex Sadkin(LP)-"So Mike Campbell (S)-"Neddles And Pins"-TOM PETTY & THE HEARTBREAKERS & Red The Rose"-ARCADIA-/Alex Sadkin STEVIE NICKS-/Tom Petty(LP)- Art Of Noise (S)-"Peter Gunn"-ART OF NOISE-/ James Anthony (S)-"Dancing On The CeiIing"-LIONEL RICHIE-/Lionel "Paranoimia"-ART OF NOISE-/(LP)-"In Visible Carmichael Richie Silence"-ART OF NOISE-/ "Love Will Conquer All"-LIONEL RICH!E-/Lionel Peter Asher (S)-(LP)-"For Sentimental Reasons"-LINDA RONSTADT-/ Richie(LP)-"Can't Slow Down"-LIONEL RICHIE-/Lionel Jon Astley (S)-"Night Moves"-MARILYN MARTIN-/Phil Chapman(LP)- R i ch i e Jon Astrop (S)-"Touch Me (I Want Your Body)-SAMANTHA FOX-/ Pete Q. "Dancing On The CeiIing"-LIONEL RICHIE-/Lionel Richie Harris(LP)- Phil Chapman (S)-"Night Moves"-MARILYN MARTIN-/Jon Astley Dawn Atkinson (S)-(LP)-"Winter's Solstice"-VARIOUS-/WiUiam Ackerman "I Am By Your Side"-COREY HART-/Corey Hart(LP)-"Fields Autograph (S)-(LP)-"That's The Stuff'-AUTOGRAPH-/Eddie Delena Of Fire"-COREY HART-/Corey Hart Burt Bacharach (S)-"On My Own"-PATTI LABELLE & MICHAEL Mike Chapman (S)-"Pleasure & Pain"-DIVINYLS-/ MCDONALD-/Carole Bayer Sager "Love Touch (Theme from "Legal Eagles")"-R00 STEWART-/ "Love Always"-EL DE BARGE-/Burth Bacharach/Carole Bayer "Hanging On A Heart Attack"-DEVICE-/"Who Sager(LP)-"Friends"-DIONNE WARWICK-/ /Stevie Says"-DEVICE-/(LP)-"2283"-DEVICE-/ Wonder/David Foster "What A Life"-DIVINYLS-/Mark Opitz/Gary Langan Wally Badarou (S)-"Something About You"-LEVEL 42-/Level 42(LP)-"World Rick Chertoff (S)-"Day By Day"-THE HOOTERS-/ Machine"-LEVEL 42-/Ken Scott "Where Do The Children Go"-THE HOOTERS-/(LP)- Tom Bailey (S)-"King For A Day"-THOMPSON TWINS-/Nile Rodgers Joe Chiccarelli (S)-"No Easy Way Out"-ROBERT TEPPER-/ "Nothing In Common"-THOMPSON TWINS-/Geoffrey "Don't Walk Away"-ROBERT TEPPER-/(LP)- Downes(LP)- Gavin Christopher (S)-"One Step Closer To You"-GAVIN CHRISTOPHER-/Carl Arthur Baker (S)-"No Frills Love"-JENNIFER HOLLIDAY-/(LP)- Sturken/Evan Rogers(LP)-"One Step Closer"-GAVIN Roy Thomas Baker (S)-"I'm Not The One"-THE CARS-/ CHRISTOPHER-/ /Carl Sturken/Evan Rogers "Take It Easy"-ANDY TAYLOR-/UP)- Rick Chudacoff (S)-"Lady Soul"-TEMPTATIONS-/Peter Bunetta(LP)-"To Be Anita Baker (S)-(LP)-"Rapture"-ANITA BAKER-/ Continued"-TEMPTATIONS-/Peter Bunetta Brown Bannister (S)-(LP)-"The Collection"-AMY GRANT-/Amy Grant Bob Clearmountain (S)-"Sanctify Yourself"-SIMPLE MINDS-/Jimmy lovine Steve Bartek (S)-"Just Another Day"-OINGO BOINGO-/Dan "All The Things She Said"-SIMPLE MINDS-/Jimmy lovine Elfman(LP)-"Dead Man's Party"-OINGO BOINGO-/Dan Elfman "Don't Get Me Wrong"-PRETENDERS-/Jimmy Iovine(LP)-"Get Maurizio Bassi (S)-"Living In The Background"-BALTIMORA-/(LP)-"Living Close"-PRETENDERS-/Jimmy lovine In The Background"-BALTIMORA-/ George Clinton (S)-(LP)-"R&B Skeletons In The Closef'-GEORGE CLINTON-/ Jean Beauvoir (S)-"Feel The Heat"-JEAN BEAUVOIR-/(LP)-"Drums Along "R&B Skeletons In The Closef'-GEORGE CLINTON-/ The Mohawk"-JEAN BEAUVOIR-/ Pat Collier (S)-"Is That It?"-KATRINA & THE WAVES-/Katrina & The Barry Beckett (S)-(LP)-"Montana Cafe"-HANK WILLIAMS, JR.-/Hank Waves(LP)-"Katrina And The...Waves"-KATRINA & THE Williams, Jr./ /Jim Ed Norman WAVES-/ /Scott Litt/Katrina & The Waves Michael Been (S)-(LP)-"Reconciled"-THE CALL-/The Call Peter Collins (S)-(LP)-"Power Windows"-RUSH-/Rush Ronald Bell (S)-"Victory"-KOOL & THE GANG-/(LP)- "Enough Is Enough"-BILLY SQUIER-/ Daniel Bernier (S)-"Living On Video"-TRANS-X-/(LP)- Phil Collins (S)-"Take Me Home"-PHIL COLLINS-/Hugh Padgham Mark Berry (S)-"Baby Talk"-ALISHA-/(LP)- "No One Is To Blame"-HOWARD JONES-/Hugh Frankie Beverly (S)-(LP)-"Live From L.A."-MAZE-/ Padgham(LP)-"Action Replay"-HOWARD JONES-/Howard Jones/ Martin Birch (S)- (LP)-"Somewhere In Time"-IRON MAIDEN-/ /Hugh Padgham/Rupert Hine Larry Blackmon (S)-"Word Up"-CAMEO-/(LP)-"Word Up"-CAMEO-/ "No Jacket Required"-PHIL COLLINS-/Hugh Padgham Rob Bolland (S)-"Rock Me Amadeus"-FALCO-/Ferdi Bolland Jason Corsaro (S)-"I Do What I Do (Theme For 9 1/2 Weeks)"-JOHN "Vienna CalIing"-FALCO-/Ferdi Bolland(LP)-"Falco TAYLOR-/John Taylor/John Elias(LP)- 3"-FALCO-/Ferdi Bolland Ross Cullum (S)-"Emotion In Motion"-RIC OCASEK-/Chris Hughes/Ric Ferdi Bolland (S)-"Rock Me Amadeus"-FALCO-/Rob Bolland Ocasek(LP)- "Vienna CalIing"-FALCO-/Rob Bolland(LP)-"Falco Ted Currier (S)-"Let's Go All The Way"-SLY FOX-/David Spradley 3"-FALCO-/Rob Bolland "Stay True"-SLY FOX-/David Spradley(LP)-"Let's Go All Brent Bourgeois (S)-"Mutual Surrender (What A Wonderful The Way"-SLY FOX-/ World)"-BOURGEOIS TAGG-/David J. Holman/ /Larry Bobby Daniels (S)-"The Super Bowl Shuffle"-CHICAGO BEARS SHUFFLIN' Tagg(LP)- CREW-/Richard A. Tufo(LP)- Jim Bowen (S)-(LP)-"#7"-GEORGE STRAIT-/George Strait Rick Darringer (S)-(LP)-"The Wrestling Album"-THE WRESTLERS-/ David Bowie (S)-"Absolute Beginners"-DAVID BOWIE-/ /Clive Rhett Davies (S)-"No Promises"-ICEHOUSE-/ Langer/Alan Winstanley(LP)-"Labyrinth"-SOUNDTRACK-/Arif "What About Love"-'TIL TUESDAY-/(LP)-"Measure For Mardin Measure"-ICEHOUSE-/David Lord "Blah, Blah, Blah"-IGGY POP-/David Richards "Welcome Home"-'TIL TUESDAY-/ John Boylan (S)-"Lonely Is The Night"-AIR SUPPLY-/ Wyn Davis (S)-"Shot In The Dark"-GREAT WHITE(LP)- "It's Not You, It's Not Me"-THE KBC BAND-/The KBC Al DeMeola (S)-(LP)-"Magic Touch"-STANLEY JORDAN-/Christine Martin Band/Jim Gaines(LP)-"Hearts In Motion"-AIR Candy DeRouge (S)-"The Power Of Love"-JENNIFER RUSH-/Gunther SUPPLY-/Bernard Edwards Mende(LP)- "KBC Band"-THE KBC BAND-/The KBC Band/ /Jim Gaines Paul DeVilliers (S)-"Kyrie"-MR. MISTER-/Mr. Mister Boys Don't Cry (S)-"I Wanna Be A Cowboy"-BOYS DON'T CRY-/(LP)-"Boys "Is It Love"-MR. MISTER-/Mr. Mister(LP)- Don't Cry"-BOYS DON'T CRY-/ Dennis DeYqung (S)-"Call Me"-DENNIS DEYOUNG-/ Wayne Braithwaite CS)-"There111 Be Sad Songs (To Make You Cry)"-BILLY OCEAN-/Barry Eastmond "This Is The Time"-DENNIS DEYOUNG-/(LP)- Paul Dean (S)-"This Could Be The Night"-LOVERBOY-/Tom Allom "Love Zone"-BILLY OCEAN-/Barry Eastmond(LP)- "Lead A Double Life"-LOVERBOY-/Tom Allom Terry Britten (S)-"Typical Male"-TINA TURNER-/ "Heaven In Your Eyes"-LOVERBOY-/(LP)- "Two People"-TINA TURNER-/(LP)-"Break Every Rule"-TINA Rick Dees (S)-(LP)-"Colonel Abrams"-COLONEL ABRAMS-/Colonel TURNER-/ Ian Broudie (S)-(LP)-"Songs To Learn And Sing"-ECHO & THE Abrams/Richard James Burgess Eddie Delena (S)-(LP)-"That's The Stuff"-AUTOGRAPH-/Autograph BUNNYMEN-/ /Bill Drurrnond/Hugh Jones/The Bunnyme Depeche Mode (S)-(LP)-"Black Celebration"-DEPECHE MODE-/ /Gareth Tony Brown (S)-(LP)-"Guitar Town"-STEVE EARLE-/Emory Gordy, Jr. Jones/Daniel Miller Steve Brown (S)-(LP)-"Love"-THE CULT-/ Bill Dern (S)-(LP)-"AlI In Love"-NEW EDITION-/Joe Busby Jackson Browne (S)-"For America"-JACKSON BROWNE-/ Yves Dessca (S)-"I Like You"-PHYLLIS NELSON-/ "In The Shape Of A Heart"-JACKSON BROUNE-/(LP)-"Lives "Friends And Lovers"-GLORIA LORING & CARL In The Balance"-JACKSON BROWNE-/ ANDERSON-/(LP)- Robbie Buchanan (S)-"I Need You"-MAURICE WHITE-/Maurice White(LP)- Vince Di Cola (S)-"Heart's On Fire"-JOHN CAFFERTY-/Ed Fruge(LP)- Peter Bunetta (S)-"Lady Soul"-TEMPTATIONS-/Rick Chudacoff(LP)-"To Be Continued"-TEMPTATIONS-/Rick Chudacoff 1 7 WHO'S WHO IN POP RECORD PRODUCTION The following is a list of producers who had at least one single and/or album in the Top Pop 100 charts last year (1986). The producer's name is followed by the (S) song title(s) and/or (LP) album title(s) in quotes, with the artist's name in all capitol letters, followed by a slash and the name(s) of any co- producer(s). Keith Diamond (S)-"Restless"-STARPOINT-/Lionel Job(LP)-"Love David Foster (S)-"Somewhere (From "West Side Story")"-BARBRA Zone"-BILLY OCEAN-/ STREISAND-/ "Never Felt So Good"-JAMES INGRAM-/James Ingram "Now And Forever (You And Me)"-ANNE MURRAY-/ "Something To Talk About"-ANNE MURRAY-/David "The
Load more

Recommended publications
  • Russell Gulley Alabama Touring Artist Program
    Alabama Touring Artist Program Study Guide Russell Gulley Intro: FROM TRADITIONAL MUSIC TO AMERICAN POP 265-845-0203 [email protected] Artistic Genre: Music Performing Artist: Russell Gulley 1 Alabama Touring Artist Program Study Guide presented by Alabama State Council on the Arts 201 Monroe Street, Suite 110; Montgomery, AL 36130-1800 334-242-4076 Ext. 241 Alabama Touring Artist Program presented by the Alabama State Council on the Arts This Study Guide has been prepared for you by the Alabama State Council on the Arts in collaboration with the performing artist. All vocabulary that is arts related is taken directly from the Alabama Course of Study, Arts Education. With an understanding that each teacher is limited to the amount of time that may be delegated to new ideas and subjects, this guide is both brief and designed in a way that we hope supports your school curriculum. We welcome feedback and questions, and will offer additional consulting on possible curriculum connections and unit designs should you desire this support. Please feel free to request further assistance and offer your questions and feedback. Hearing from educators helps to improve our programs for other schools and educators in the future. Please Contact: Diana F. Green, Arts in Education Program Manager at: 334/242-4076 Ext. 241 [email protected] Set up: Artists typically arrive 60 minutes before their scheduled performance in order to set up. Please have the space available to the artist as soon as she arrives. All artists will need some kind of setup prior to arrival.
    [Show full text]
  • International Jazz Day 2013 Special Message
    30 APRIL: INTERNATIONAL JAZZ DAY 2013 SPECIAL MESSAGE FROM MR AHMET DAVUTOGLU, MINISTER OF FOREIGN AFFAIRS AND MR OMER CELIK, MINISTER OF CULTURE AND TOURISM Turkey welcomes the opportunity to host UNESCO’s International Jazz Day on 29‐30 April, 2013, in Istanbul. This will be the first celebration to be held outside of the United Nations Headquarters. On this occasion, we shall celebrate jazz music not only as a global language of human soul, but also that of more inclusive societies, mutually enhancing civilisations, and UNESCO ideals. Jazz music fascinated the two sons of Mehmet Münir Ertegün, the second Turkish Ambassador of the Republican era to the United States of America. Ahmet and Nesuhi Ertegün brothers co‐founded the legendary Atlantic Records together with Herb Abramson in 1947. Arif Mardin, another legendary music producer from Turkey, served along with them in the company. These three Turkish‐American jazz connoisseurs and pioneers, all born and bred in Istanbul, left an outstanding musical legacy of true global reach, spanning from the United States to Egypt and the rest of Africa via Turkey. Inspired by the lives and achievements of the Ertegün brothers and Arif Mardin, jazz music has flourished in Istanbul. This has paved the way for the Istanbul Jazz Festival, organized every year since 1994 by the Istanbul Foundation for Culture and Arts. Hence the special place of Istanbul on the global jazz map for the last twenty years. It is our pleasure to host the "International Jazz Day" which will raise awareness in the international community of the virtues of jazz as an educational tool, and a force for peace, unity, dialogue and enhanced cooperation among people.
    [Show full text]
  • Still on the Road 1980 Saved Sessions
    STILL ON THE ROAD 1980 SAVED SESSIONS FEBRUARY 11 Sheffield, Alabama Muscle Shoals Sound Studio, 1st Saved recording session 12 Sheffield, Alabama Muscle Shoals Sound Studio, 2nd Saved recording session 13 Sheffield, Alabama Muscle Shoals Sound Studio, 3rd Saved recording session 14 Sheffield, Alabama Muscle Shoals Sound Studio, 4th Saved recording session 15 Sheffield, Alabama Muscle Shoals Sound Studio, 5th Saved recording session 27 Los Angeles, California Shrine Auditorium, 22nd Annual Grammy Award Ceremony MARCH Los Angeles, California United Western Studios, Keith Green recording session Still On The Road: 1980 Saved Sessions 5551 Muscle Shoals Sound Studio Sheffield, Alabama 11 February 1980 1st Saved recording session produced by Jerry Wexler & Barry Beckett. 1. Covenant Woman 2. Covenant Woman 3. Covenant Woman 4. Covenant Woman 5. Covenant Woman 6. Covenant Woman 7. Covenant Woman 8. Covenant Woman 9. Covenant Woman 10. Covenant Woman 11. Covenant Woman Bob Dylan (vocal & guitar), Fred Tackett (guitar), Spooner Oldham (keyboards), Terry Young (acoustic piano), Barry Beckett (electric piano), Tim Drummond (bass), Jim Keltner (drums). Official release 3 released on Bob Dylan: Trouble No More. The Bootleg Series Vol. 13 1979-1981, Disc Three: Rare and Unreleased, Columbia 88985454652-2, 3 November 2017 References Michael Krogsgaard: Bob Dylan: The Recording Sessions (Part 4). The Telegraph #56, Winter 1997, pp. 168- 176. Clinton Heylin: Bob Dylan. The Recording Sessions [1960 – 1994]. St. Martin’s Press December 1995, pp 131– 136. Clinton Heylin: Trouble In Mind. Bob Dylan’s Gospel Years. What really happened. Chapter 6. Where I Will Always Be Renewed, (January – February 1980). Lesser Gods 2017.
    [Show full text]
  • Melissa Errico
    Melissa Errico is one of Broadway's most cherished leading ladies, as well as a blossoming recording artist who has been called "the voice of enchantment" by the NY TIMES. She released her second studio CD Lullabies and Wildflowers on Mothers Day 2008. This follows her debut CD Blue Like That (Capitol Records, EMI) produced by Arif Mardin, praised as "gorgeous" (NY TIMES), and "earthy and soulful" (USA TODAY). Melissa was nominated for the Best Leading Actress Tony Award for her work in Michel Legrand's Amour, and has been recognized with the Lucille Lortel Award, six Drama Desk nominations, two Helen Hayes Awards, four Outer Critics Award nominations and three Drama League Honors. In December of 2010, she received the "Artist of Distinction" Award from the Great Neck Arts Center, recognizing her as a Long Island native who has made her home town proud. Melissa starred on Broadway as Betty Haynes (the Rosemary Clooney role) in Irving Berlin's White Christmas, and then starred off-Broadway in the Shaw play CANDIDA, for which she was nominated for a Best Actress 2010 Drama Desk Award. When only a teenager, Melissa burst upon the Broadway scene as Cosette in Les Miserables, quickly followed by a star-turn as Kitty in Anna Karenina, and then, at age 22, to raves as Eliza Doolittle in the Broadway revival of My Fair Lady. Since then, she has starred in High Society, Amour and Dracula on Broadway, and acclaimed off-Broadway plays like Major Barbara and The Importance of Being Earnest, as well as in television and film, including CBS's Central Park West and the movies Frequency and Life Or Something Like It, opposite Angelina Jolie.
    [Show full text]
  • David Foster Wallace on the Good Life
    10/31/2014Forthcoming in Freedom & Self: The Philosophy of David Foster Wallace 124 6 David Foster Wallace on the Good Life Nathan Ballantyne and Justin Tosi Dostoevsky wrote fiction about the stuff that’s really important. He wrote fiction about identity, moral value, death, will, sexual vs. spiritual love, greed, freedom, obsession, reason, faith, suicide. And he did it without ever reducing his characters to mouthpieces or his books to tracts. His concern was always what it is to be a human being—that is, how to be an actual person, someone whose life is informed by values and principles, instead of just an especially shrewd kind of self-preserving animal. —David Foster Wallace, “Joseph Frank’s Dostoevsky” David Foster Wallace thought that the point of writing fiction was to explore what it is to be a 1 human being. In this essay, we argue that his writings suggest a view about what philosophers would call the good life . Wallace’s perspective is subtle and worthy of attention. We’ll contrast what Wallace says with some popular positions from moral philosophy and contemporary culture. Wallace said much about ethical matters even though he didn’t write on them formally or systematically. How then shall we distill views from his writings? Our strategy is to present Wallace’s reactions, as found in his fiction and some essays, to three positions about the good life. We will ask what Wallace would make of those positions and thus try to triangulate his own view by reference to them. The first position we’ll explore is sometimes called ironism .
    [Show full text]
  • Blues Rock Star Joe Bonamassa Announces Highly Anticipated New Studio Album
    BLUES-ROCK STAR JOE BONAMASSA ANNOUNCES NEW SINGLE "TIME CLOCKS" TAKEN FROM HIS NEW STUDIO ALBUM 'TIME CLOCKS' TO BE RELEASED OCT 29 PRE-ORDER “TIME CLOCKS” https://smarturl.it/JoeB-MLG LISTEN TO THE “TIME CLOCKS” SINGLE HERE: https://smarturl.it/JoeBonamassa WATCH THE MUSIC VIDEO FOR “TIME CLOCKS” HERE: https://youtu.be/Z7116ryQV-I Guitar legend Joe Bonamassa today reveals his stunningly sweeping new single, "Time Clocks." This is the third song taken from his forthcoming brand-new studio album of the same name, released on October 29 via Provogue (Europe) and J&R Adventures (North America). Joe continues his soul-searching evolution on this beautifully poignant Bonamassa-Shirley penned song. At just over seven minutes long, it has all the epic musical grandeur of him at his most expressive and ambitious. With a heart on sleeve narrative weaving its way throughout, the rousing chorus rises to the heavens as he sings, "and the rain soaking through my coat, about to capsize my boat I push it along away from the docks, I was never a good puncher of time clocks." Backed with cascading vocals from Juanita Tippins and Prinnie Stevens, as well as the supreme musicianship of Anton Fig (Drums), Steve Mackey (Bass), Lachy Doley (Piano/Organ) and Kevin Shirley (Percussion), it has an aura of pure timelessness. The album was recorded in New York City and took Joe back to his early roots and rediscovers him at a newfound peak with an unparalleled Blues Rock prowess. Known as the man in the suit, loved by many as the ultimate guitar hero, and cited by critics as "the world's biggest blues guitarist" (Guitar World), somehow the music mastermind has found yet another layer of immense new artistry to share with his fans.
    [Show full text]
  • Aes 143Rd Convention Program October 18–21, 2017
    AES 143RD CONVENTION PROGRAM OCTOBER 18–21, 2017 JAVITS CONVENTION CENTER, NY, USA The Winner of the 143rd AES Convention To be presented on Friday, Oct. 20, Best Peer-Reviewed Paper Award is: in Session 15—Posters: Applications in Audio A Statistical Model that Predicts Listeners’ * * * * * Preference Ratings of In-Ear Headphones: Session P1 Wednesday, Oct. 18 Part 1—Listening Test Results and Acoustic 9:00 am – 11:00 am Room 1E11 Measurements—Sean Olive, Todd Welti, Omid Khonsaripour, Harman International, Northridge, SIGNAL PROCESSING CA, USA Convention Paper 9840 Chair: Bozena Kostek, Gdansk University of Technology, Gdansk, Poland To be presented on Thursday, Oct. 18, in Session 7—Perception—Part 2 9:00 am P1-1 Generation and Evaluation of Isolated Audio Coding * * * * * Artifacts—Sascha Dick, Nadja Schinkel-Bielefeld, The AES has launched an opportunity to recognize student Sascha Disch, Fraunhofer Institute for Integrated members who author technical papers. The Student Paper Award Circuits IIS, Erlangen, Germany Competition is based on the preprint manuscripts accepted for the Many existing perceptual audio codec standards AES convention. define only the bit stream syntax and associated decod- A number of student-authored papers were nominated. The er algorithms, but leave many degrees of freedom to the excellent quality of the submissions has made the selection process encoder design. For a systematic optimization of encod- both challenging and exhilarating. er parameters as well as for education and training of The award-winning student paper will be honored during the experienced test listeners, it is instrumental to provoke Convention, and the student-authored manuscript will be consid- and subsequently assess individual coding artifact types ered for publication in a timely manner for the Journal of the Audio in an isolated fashion with controllable strength.
    [Show full text]
  • SOUL ASYLUM Biography by Arthur Levy
    SOUL ASYLUM biography by Arthur Levy “It’s a crazy mixed up world out there, Someone’s always got a gun and it’s all about money You live with loneliness, or you live with somebody who’s crazy It’s just a crazy mixed up world …” (“Crazy Mixed Up World”) Chapter 1. Every Cloud Has One Renewed and revitalized, Soul Asylum founders Dave Pirner and Dan Murphy return to rock’s front line with THE SILVER LINING, their first new studio release since 1998’s Candy From a Stranger. That album inadvertently kicked off a seven-year sabbatical for the group, which telescoped into the death of bassist Karl Mueller in June 2005, the other founding member of the triumvirate that has steered Soul Asylum through rock’s white water for the past two decades plus. The re-emergence of the group on THE SILVER LINING is as much a reaffirmation of Soul Asylum’s commitment to the music as it is a dedication to Karl, who worked and played on the album right up until the end. They were joined in the studio by not-so-new heavyweight Minneapolis drummer Michael Bland (who has played with everyone from Paul Westerberg to Prince). The band is now complemented by Tommy Stinson on bass, a member of fellow Twin Cities band the Replacements since age 13, and a pal of Dan’s since he was in high school and Tommy in junior high. Tommy was the only friend that Karl could endorse to replace himself in the band. This hard-driving lineup was introduced for the first time in October 2005, when they played sold-out showcase dates at First Avenue in Minneapolis and the Bowery Ballroom in New York – within three days.
    [Show full text]
  • 7 41 F.2D 896 United States Court of Appeals, Seventh Circuit
    7 41 F.2d 896 United States Court of Appeals, Seventh Circuit. Ronald H. SELLE, Plaintiff-Appellant, v. Barry GIBB, et al., Defendants-Appellants, and Ronald H. SELLE, Plaintiff-Appellee, v. Barry GIBB, et al., Defendants-Appellants. Nos. 83–2484, 83–2545. | Argued April 13, 1984. | Decided July 23, 1984. Opinion CUDAHY, Circuit Judge. The plaintiff, Ronald H. Selle, brought a suit against three brothers, Maurice, Robin and Barry Gibb, known collectively as the popular singing group, the Bee Gees, alleging that the Bee Gees, in their hit tune, “How Deep Is Your Love,” had infringed the copyright of his song, “Let It End.” The jury returned a verdict in plaintiff’s favor on the issue of liability in a bifurcated trial. The district court, Judge George N. Leighton, granted the defendants’ motion for judgment notwithstanding the verdict and, in the alternative, for a new trial. Selle v. Gibb, 567 F.Supp. 1173 (N.D.Ill.1983). We affirm the grant of the motion for judgment notwithstanding the verdict. I Selle composed his song, “Let It End,” in one day in the fall of 1975 and obtained a copyright for it on November 17, 1975. He played his song with his small band two or three times in the Chicago area and sent a tape and lead sheet of the music to eleven music recording and publishing companies. Eight of the companies returned the materials to Selle; three did not respond. This was the extent of the public dissemination of Selle’s song.1 Selle first became aware of the Bee Gees’ song, “How Deep Is Your Love,” in May 1978 and thought that he recognized the music as his own, although the lyrics were different.
    [Show full text]
  • LIT2013000004 - Andy Gibb.Pdf
    •, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f.
    [Show full text]
  • Scarlet and Cream to Erderiam Troops UNL's Scarlet and Cream Singers Will Spend Part of Their Summer Entertaining U.S
    18, 1934 Pano 10 Daily Nebraskan Wednesday, April Aits i !! II II ll Scarlet and Cream to erderiam troops UNL's Scarlet and Cream Singers will spend part of their summer entertaining U.S. troops "over there" or "up there " to be more accurate. Eight members of the 14 member troupe will per- form for military personnel stationed in St. Johns, : Newfoundland, Thulie, Greenland and Sondistrom, x Greenland. Barb Wright, director ofstudent programs for the university Alumni Association said the armed for- ces professional entertainment department, which is the would mem- organizing tour, allow only eight S e bers to visit. 1 v., X' J "We narrowed the group down solely on seniori- 4. r'l ty," she said. There are 14 in Scarlet and f normally singers L Cream, in addition to a four-piec- e band and three full-tim- e technicians. Since all the people making the trip are vocalists, the band will pre-tap- e some music to accompany the singing, she said. 1 The eight making the trip are Julie Beranek. a t - sophomore from Lincoln; Ellen Kollars, a sopho- more from Arlington; Julie Chadwick, a junior from Lincoln; Anna Baker, a junior from Lincoln; Mark Thornburg, a sophomore from Beatrice; Rod Weber, a freshman from Blair; John Kahle, a freshman from Kearney, and Rob Reeder, a sophomore from Lin- coln. Wright said this is the first time in the group's 1 history they have been asked to perform for the military. However, it is not the first time the troupe has performed overseas.
    [Show full text]
  • View Profile
    The Bahamas Vegetation: The soil is thin, and generally infertile, but cultivation has produced exotic flowers (as well as subtropical fruit and vegetables) on the more developed islands. Some islands have large areas of pine forests. Forest covers 51 per cent of the land area and there was no significant loss of forest cover during 1990–2011. Wildlife: Animal life is restricted to small species, such as agouti, frogs, iguanas and bats. The Inagua National Park on Great Inagua Island is the home of more than 50,000 flamingos, the largest flock in the world and The Bahamas’ national bird. Main towns: Nassau (capital, pop. 241,200 in 2010) on New Providence; Freeport (44,300), West End (13,100) and High Rock (3,900) on Grand Bahama; Cooper’s Town (9,300) and Marsh Harbour (5,800) on Abaco; Freetown (4,300) and Spanish Wells (1,800) on Eleuthera; Andros Town (2,300) on Andros; and Clarence Town (1,700) on Long Island. Transport: The total road system extends to some 2,700 km, about 60 per cent of it paved. There are almost 1,000 km of roads on New Providence (some of which are privately owned), 209 km of roads on KEY FACTS city of Freeport. The other islands are known Eleuthera, 156 km on Grand Bahama, and collectively as the Family Islands or Out Joined Commonwealth: 1973 more than 885 km on the Out Islands. Islands. The islands lie on a submarine shelf Population: 377,000 (2013) which rises steeply from deep waters in the Main ports are Nassau (New Providence), Freeport (Grand Bahama) and Matthew Town GDP p.c.
    [Show full text]