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Differentiation of Indian Cultures According to Geographical Areas
DIFFEREXTIATIOX OF IXDIAX CULTURES ACCORDING TO GEOGRAPHICAL AREAS BY DR. GEORGE H. DAUGHERTY, JR. WHILE admitting the basic unity of Indian culture, scientists have discovered well defined variations in different parts of the country. On the evidence of material culture characteristics and archeological finds they have traced a close connection between the environment of a given locale and the culture of the indigenous tribes. Tlie purpose of the present article is to demonstrate first that there are distinct differences in the culture originally found among the Indians living in localities of different environment ; second, that these differences were caused by the environment and reflect it. Three of these cultural areas, already mentioned as the Great Lakes section of the Eastern Woodland Area, the Plains area, and the Southwest area, will be contrasted in the matter of physical environ- ment, material culture of resident tribes, and subject matter of literary expressions of these tribes. Archeological and ethnological, research has divided the Ameri- can continent into several "culture areas", or separate geographical division^. In each of these the climate, topography, fauna, and flora constitute a distinctive environment. Each of these major en- vironmental or cultural areas seem to have produced its own peculiar type of culture among the tribes who lived within its limits. Tribes who left one area and entered another tended to drop their former folk-ways and adoj)t those prevailing in the new environment. For instance the kind of food, the manner of hunting, type of weapons or of houses would (>l)viouslv be (Ictcrniincd bv axailablo natural re- sources. -
International Jazz Day 2013 Special Message
30 APRIL: INTERNATIONAL JAZZ DAY 2013 SPECIAL MESSAGE FROM MR AHMET DAVUTOGLU, MINISTER OF FOREIGN AFFAIRS AND MR OMER CELIK, MINISTER OF CULTURE AND TOURISM Turkey welcomes the opportunity to host UNESCO’s International Jazz Day on 29‐30 April, 2013, in Istanbul. This will be the first celebration to be held outside of the United Nations Headquarters. On this occasion, we shall celebrate jazz music not only as a global language of human soul, but also that of more inclusive societies, mutually enhancing civilisations, and UNESCO ideals. Jazz music fascinated the two sons of Mehmet Münir Ertegün, the second Turkish Ambassador of the Republican era to the United States of America. Ahmet and Nesuhi Ertegün brothers co‐founded the legendary Atlantic Records together with Herb Abramson in 1947. Arif Mardin, another legendary music producer from Turkey, served along with them in the company. These three Turkish‐American jazz connoisseurs and pioneers, all born and bred in Istanbul, left an outstanding musical legacy of true global reach, spanning from the United States to Egypt and the rest of Africa via Turkey. Inspired by the lives and achievements of the Ertegün brothers and Arif Mardin, jazz music has flourished in Istanbul. This has paved the way for the Istanbul Jazz Festival, organized every year since 1994 by the Istanbul Foundation for Culture and Arts. Hence the special place of Istanbul on the global jazz map for the last twenty years. It is our pleasure to host the "International Jazz Day" which will raise awareness in the international community of the virtues of jazz as an educational tool, and a force for peace, unity, dialogue and enhanced cooperation among people. -
Melissa Errico
Melissa Errico is one of Broadway's most cherished leading ladies, as well as a blossoming recording artist who has been called "the voice of enchantment" by the NY TIMES. She released her second studio CD Lullabies and Wildflowers on Mothers Day 2008. This follows her debut CD Blue Like That (Capitol Records, EMI) produced by Arif Mardin, praised as "gorgeous" (NY TIMES), and "earthy and soulful" (USA TODAY). Melissa was nominated for the Best Leading Actress Tony Award for her work in Michel Legrand's Amour, and has been recognized with the Lucille Lortel Award, six Drama Desk nominations, two Helen Hayes Awards, four Outer Critics Award nominations and three Drama League Honors. In December of 2010, she received the "Artist of Distinction" Award from the Great Neck Arts Center, recognizing her as a Long Island native who has made her home town proud. Melissa starred on Broadway as Betty Haynes (the Rosemary Clooney role) in Irving Berlin's White Christmas, and then starred off-Broadway in the Shaw play CANDIDA, for which she was nominated for a Best Actress 2010 Drama Desk Award. When only a teenager, Melissa burst upon the Broadway scene as Cosette in Les Miserables, quickly followed by a star-turn as Kitty in Anna Karenina, and then, at age 22, to raves as Eliza Doolittle in the Broadway revival of My Fair Lady. Since then, she has starred in High Society, Amour and Dracula on Broadway, and acclaimed off-Broadway plays like Major Barbara and The Importance of Being Earnest, as well as in television and film, including CBS's Central Park West and the movies Frequency and Life Or Something Like It, opposite Angelina Jolie. -
Songs of Courtship: from Wisconsin’S Ho-Chunk, Pan-Indian, and European-American Immigrant Song and Dance Traditions Recommended for High School
Songs of Courtship: From Wisconsin’s Ho-Chunk, Pan-Indian, and European-American Immigrant Song and Dance Traditions Recommended for High School This selection of courtship songs represent a range of musical styles from within the Ho-Chunk and early European-American immigrant communities in Wisconsin. Most of these songs were recorded in the early part of the 20th century, between 1920 and 1946. The European-American voices we hear are 2nd and 3rd generation descendants of Wisconsin immigrants who learned these Old World songs from their parents, grandparents and other community members. Where possible, translations of the foreign language lyrics are provided. Altogether, these songs provide teachers and students an opportunity to reflect on the social customs and protocols surrounding courtship from an earlier era, and to reflect on contemporary social norms and behaviors surrounding dating (and breaking up), love, and marriage. All songs and instrumental selections are resourced from the “Local Centers, Global Sounds” UW Digital Collections” at https://digital.library.wisc.edu/1711.dl/LocalCenters. Follow “Audio file” for the audio recording of each individual song. Wisconsin Songs of Courtship Unit Contents: - Ten Songs, pp. 2 – 15 - Suggested Prompts for Writing, Discussion, Poetry and Song Writing, pp. 16 - 17 - Venn Diagrams for Song Analysis & Comparisons, pp. 18 - 19 - Courtship Then and Now (Comparisons of unit courtship songs to contemporary love songs, & “Let’s Dance,” p. 20 - References Cited and Additional Resources, p. 21 - Melody transcriptions for Svestkova Alej (The Prune Song), and The Cuckoo Yodel Song, pp. 22-24 “Dancing” (Local Centers, Global Sounds, Ethnic Music from Northern Wisconsin and Michigan Collection) 1 Songs 1 – 2: First Nations: Flute Song (Ho-Chunk), and “49 Song” (Pan-Indian) Song 1. -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Swedish Pop Mafia: How a Culturally Conservative Effort in the 1940S Backfired to Create the Greatest Engine of Pop Music in the World
Swedish Pop Mafia: How a culturally conservative effort in the 1940s backfired to create the greatest engine of pop music in the world BY WHET MOSER • March 24, 2014 • At some point over the last 15 years—sometime, say, between the 1999 release of “I Want It That Way” by the Backstreet Boys and last year’s “Roar” by Katy Perry—it became an inescapable fact that if you want to understand American pop music, you pretty much have to understand Sweden. Songwriters and producers from Stockholm have buttressed the careers of Lady Gaga, Madonna, Usher, Avril Lavigne, Britney Spears, The Backstreet Boys, Pitbull, Taylor Swift, One Direction, Maroon 5, Kelly Clarkson, and any number of other artists you’ve probably listened to while dancing, shopping, making out, or waiting on hold over the past decade. (And it’s not just American pop music that has Scandinavian fingerprints all over it: When Azerbaijan won the Eurovision contest in a 2011 upset, they did it with a song written for them by two Swedes.) If Americans are aware of this phenomenon, it is probably because they’ve heard about the legendary Swedish producer and songwriter Max Martin. There are any number of ways to express Martin’s ubiquity, but here’s one: From 2010 to 2011, the pop idol Katy Perry spent an unprecedented 69 consecutive weeks in the Billboard top 10, surpassing the previous record-holder, the 1990s Swedish group Ace of Base, by four months. But the milestone was far more of a testament to Martin’s staying power than Perry’s: Not only did he help produce and write all but one of Perry’s record- breaking string of hits, but he began his career as a producer for Ace of Base. -
Primavera Musical Primavera Musical Colaboradores: Colaboradores
Primavera Musical Primavera Musical Colaboradores: Colaboradores: ZIGGY STARDUST AND THE SPIDERS FROM MARS ZIGGY STARDUST AND THE SPIDERS FROM MARS FICHA TÉCNICA FICHA TÉCNICA Ziggu Stardust and the Spiders from Mars. Estados Unidos, 1973. Cor, 87 min. Xénero: Ziggu Stardust and the Spiders from Mars. Estados Unidos, 1973. Cor, 87 min. Xénero: Documental musical | Dirección e guión: D.A. Pennebaker | Produción: Tony Defries, Documental musical | Dirección e guión: D.A. Pennebaker | Produción: Tony Defries, Edith Van Slyck | Fotografía: D.A. Pennebaker, M Davis, J Desmond, N Doob, R Franken | Edith Van Slyck | Fotografía: D.A. Pennebaker, M Davis, J Desmond, N Doob, R Franken | Montaxe: Lorry Whitehead | Música: David Bowie | Participantes: David Bowie, Mick Montaxe: Lorry Whitehead | Música: David Bowie | Participantes: David Bowie, Mick Ronson, Trevor Bolder, Mick Woodmansey, Ken Fordham, Brian Wilshaw, Geoffrey Ronson, Trevor Bolder, Mick Woodmansey, Ken Fordham, Brian Wilshaw, Geoffrey MacCormack, John Hutchinson, Mike Garson, Angie Bowie, Maureen Starkey MacCormack, John Hutchinson, Mike Garson, Angie Bowie, Maureen Starkey NOTAS DO FILME da a actuación, pois cría que daría para NOTAS DO FILME da a actuación, pois cría que daría para un a un filme. Non era consciente de que es- a filme. Non era consciente de que es-taba a En 1972, David Bowie decidiu crear un al- En 1972, David Bowie decidiu crear un al- taba a capturar para a posteridade a de- capturar para a posteridade a de-rradeira ter ego escénico: Ziggy Stardust, un perso- ter ego escénico: Ziggy Stardust, un perso- rradeira aparición de Ziggy Stardust. aparición de Ziggy Stardust. naxe de ciencia ficción andróxino e enig- naxe de ciencia ficción andróxino e enig- mático co que produciu dous exitosos ál- Durante a rodaxe, Pennebaker enfrontouse mático co que produciu dous exitosos ál- Durante a rodaxe, Pennebaker enfrontouse bums. -
David Bowie Ziggy 2 Mp3, Flac, Wma
David Bowie Ziggy 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Ziggy 2 Style: Pop Rock, Glam MP3 version RAR size: 1109 mb FLAC version RAR size: 1691 mb WMA version RAR size: 1846 mb Rating: 4.4 Votes: 943 Other Formats: DMF MP3 AAC MOD AHX ASF DXD Tracklist Hide Credits A1 Queen Bitch A2 Bombers A3 Supermen A4 Looking For A Friend A5 Almost Grown B1 Kooks B2 Song For Bob Dylan B3 Andy Warhol B4 It Ain't Easy It's Going To Be Me B5 Guitar – Marc Bolan Credits Bass – Trevor Bolder Drums – Mick Woodmansey Guitar – Mark Pritchard* Guitar, Vocals – Mick Ronson Lead Vocals – Dana Gillespie (tracks: B3), George Underwood (tracks: B2), Jeff Alexander (tracks: A5) Lead Vocals, Guitar, Piano – David Bowie Notes "The first nine songs on this album were recorded for the BBC "In Concert" radio show in 1971 (sometime between the release of THE MAN WHO SOLD THE WORLD and HUNKY DORY). The final song is a jam with Marc Bolan taken from Marc's own TV show "MARC", it was recorded only days before his tragic death." Yellow-Orange insert, with Tune In 002. Yellow-Orange labels from Dragonfly Records: - Presents - “The Sound Of The `60`s” A Musical Documentary Number 5 In This Series Barcode and Other Identifiers Matrix / Runout: ZIGGY II - A Matrix / Runout: ZIGGY II - B Other versions Category Artist Title (Format) Label Category Country Year 002 David Bowie Ziggy 2 (LP, Unofficial) Tune In 002 1978 002 David Bowie Ziggy 2 (LP, Unofficial) Tune In 002 US 1978 Wild-Eyed Boy (CD, Album, 159082 David Bowie Retropop 159082 Japan 1990 Unofficial) David Bowie And Various - A David Bowie none Crash Course For The Gold Standard none Japan 1994 And Various Ravers (CD, Unofficial) Tune In, 002 David Bowie Ziggy 2 (LP, Unofficial) Dragonfly 002 Unknown Records Related Music albums to Ziggy 2 by David Bowie David Bowie - Secrets Of My Lost Years 1969-1973 Marc Bolan, T. -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited.