Managers Tun, to Indie Promotion
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Karaoke Catalog Updated On: 24/04/2017 Sing Online on Entire Catalog
Karaoke catalog Updated on: 24/04/2017 Sing online on www.karafun.com Entire catalog TOP 50 Uptown Funk - Bruno Mars All Of Me - John Legend Blue Ain't Your Color - Keith Urban Shape of You - Ed Sheeran Jackson - Johnny Cash 24K Magic - Bruno Mars EXPLICIT Tennessee Whiskey - Chris Stapleton Piano Man - Billy Joel Unchained Melody - The Righteous Brothers Sweet Caroline - Neil Diamond House Of The Rising Sun - The Animals I Want It That Way - Backstreet Boys Don't Stop Believing - Journey Black Velvet - Alannah Myles Sweet Home Alabama - Lynyrd Skynyrd Girl Crush - Little Big Town Before He Cheats - Carrie Underwood (Sittin' On) The Dock Of The Bay - Otis Redding Friends In Low Places - Garth Brooks My Way - Frank Sinatra Santeria - Sublime Ring Of Fire - Johnny Cash Turn The Page - Bob Seger Killing Me Softly - The Fugees Bohemian Rhapsody - Queen Love on the Brain - Rihanna EXPLICIT He Stopped Loving Her Today - George Jones Can't Help Falling In Love - Elvis Presley Take Me Home, Country Roads - John Denver Wannabe - Spice Girls Folsom Prison Blues - Johnny Cash Can't Stop The Feeling - Trolls Love Shack - The B-52's Summer Nights - Grease Closer - The Chainsmokers I Will Survive - Gloria Gaynor Crazy - Patsy Cline Amarillo By Morning - George Strait A Whole New World - Aladdin Let It Go - Idina Menzel Wagon Wheel - Darius Rucker At Last - Etta James How Far I'll Go - Moana These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter My Girl - The Temptations Sweet Child O'Mine - Guns N' Roses Fly Me To The Moon -
Thompson Minor Hockey Association Inc. Operations, Policies & Procedures
Thompson Minor Hockey Association Inc. Operations, Policies & Procedures 1 Table of Content 1.0 EXPULSION, ETHICS, CONFLICT OF INTEREST & PCRs............................................................. 4 1.1Expulsion............................................................................................................................................ 4 1.2 Ethics................................................................................................................................................. 4 1.3 Conflict of Interest ............................................................................................................................ 4 1.4 Police Record Checks......................................................................................................................... 4 1.5 Obtaining Police Record Check ......................................................................................................... 5 2.0 ELIGIBILITY, REGISTRATION & INSURANCE .............................................................................. 5 2.1 Eligibility ............................................................................................................................................ 5 2.2 Registration of Players ...................................................................................................................... 6 2.3 Player Advancement ........................................................................................................................ 6 2.4 Fees & Refunds................................................................................................................................ -
Lista MP3 Por Genero
Rock & Roll 1955 - 1956 14668 17 - Bill Justis - Raunchy (Album: 247 en el CD: MP3Albms020 ) (Album: 793 en el CD: MP3Albms074 ) 14669 18 - Eddie Cochran - Summertime Blues 14670 19 - Danny and the Juniors - At The Hop 2561 01 - Bony moronie (Popotitos) - Williams 11641 01 - Rock Around the Clock - Bill Haley an 14671 20 - Larry Williams - Bony Moronie 2562 02 - Around the clock (alrededor del reloj) - 11642 02 - Long Tall Sally - Little Richard 14672 21 - Marty Wilde - Endless Sleep 2563 03 - Good golly miss molly (La plaga) - Bla 11643 03 - Blue Suede Shoes - Carl Perkins 14673 22 - Pat Boone - A Wonderful Time Up Th 2564 04 - Lucile - R Penniman-A collins 11644 04 - Ain't that a Shame - Pat Boone 14674 23 - The Champs - Tequila 2565 05 - All shock up (Estremecete) - Blockwell 11645 05 - The Great Pretender - The Platters 14675 24 - The Teddy Bears - To Know Him Is To 2566 06 - Rockin' little angel (Rock del angelito) 11646 06 - Shake, Rattle and Roll - Bill Haley and 2567 07 - School confidential (Confid de secund 11647 07 - Be Bop A Lula - Gene Vincent 1959 2568 08 - Wake up little susie (Levantate susani 11648 08 - Only You - The Platters (Album: 1006 en el CD: MP3Albms094 ) 2569 09 - Don't be cruel (No seas cruel) - Black 11649 09 - The Saints Rock 'n' Roll - Bill Haley an 14676 01 - Lipstick on your collar - Connie Franci 2570 10 - Red river rock (Rock del rio rojo) - Kin 11650 10 - Rock with the Caveman - Tommy Ste 14677 02 - What do you want - Adam Faith 2571 11 - C' mon everydody (Avientense todos) 11651 11 - Tweedle Dee - Georgia Gibbs 14678 03 - Oh Carol - Neil Sedaka 2572 12 - Tutti frutti - La bastrie-Penniman-Lubin 11652 12 - I'll be Home - Pat Boone 14679 04 - Venus - Frankie Avalon 2573 13 - What'd I say (Que voy a hacer) - R. -
Here We Are at 500! the BRL’S 500 to Be Exact and What a Trip It Has Been
el Fans, here we are at 500! The BRL’s 500 to be exact and what a trip it has been. Imagibash 15 was a huge success and the action got so intense that your old pal the Teamster had to get involved. The exclusive coverage of that ppv is in this very issue so I won’t spoil it and give away the ending like how the ship sinks in Titanic. The Johnny B. Cup is down to just four and here are the representatives from each of the IWAR’s promotions; • BRL Final: Sir Gunther Kinderwacht (last year’s winner) • CWL Final: Jane the Vixen Red (BRL, winner of 2017 Unknown Wrestler League) • IWL Final: Nasty Norman Krasner • NWL Final: Ricky Kyle In one semi-final, we will see bitter rivals Kinderwacht and Red face off while in the other the red-hot Ricky Kyle will face the, well, Nasty Normal Krasner. One of these four will win The self-professed “Greatest Tag team wrestler the 4th Johnny B Cup and the results will determine the breakdown of the prizes. ? in the world” debuted in the NWL in 2012 and taunt-filled promos earned him many enemies. The 26th Marano Memorial is also down to the final 5… FIVE? Well since the Suburban Hell His “Teamster Challenge” offered a prize to any Savages: Agent 26 & Punk Rock Mike and Badd Co: Rick Challenger & Rick Riley went to a NWL rookie who could capture a Tag Team title draw, we will have a rematch. The winner will advance to face Sledge and Hammer who won with him, but turned ugly when he kept blaming the CWL bracket. -
Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Super Diamond BIO and Press
SUPER DIAMOND The Neil Diamond Experience "I've met them and I have been to their shows, they're wonderful!" Neil Diamond to Katie Couric on the Today Show, November 9, 2005 "Q. Super Diamond honors him..." "A. Who is Neil Diamond?" Question on Jeopardy, May 20th, 2005 San Francisco's Super Diamond has become one of the most popular live shows at major nightclubs, theaters, ballrooms and public events throughout the United States. For over a decade the band has consistently performed sell-out shows at venues such as Irving Plaza in New York, 930 Club in Washington D.C., Bimbo's in San Francisco, and House of Blues venues in Chicago, Los Angeles, San Diego, Cleveland and Dallas to name but a few. At these venues Super Diamond has generated an exuberant audience response previously unheard of for a tribute band. Many would say that Super Diamond has transcended the label of "tribute band" by passionately immersing themselves in Neil Diamond's huge repertoire and delivering a high-octane show of unforgettable classics such as Cracklin’ Rosie, Sweet Caroline, Forever in Blue Jeans and many others. Super Diamond has also performed at landmark venues and events such as Hollywood Bowl, Taste of Chicago, Fenway Park in Boston, Coors Field in Denver and numerous fairs, festivals and corporate celebrations across the country and overseas. Super Diamond front man The Surreal Neil, Randy Cordeiro, astonishes audiences with his live interpretation of the "real Neil." Randy created the charismatic character when he discovered he had the uncanny ability to capture not only Neil Diamond's voice, but also his mannerisms and performance style. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
NEAL BLACK, from San Antonio,Texas Is One the Most Important American Artists on the Blues Scene Today
..NEAL BLACK, from San Antonio,Texas is one the most important American artists on the Blues scene today... His music is rooted in Texas tradition, but NEAL BLACK is no imitator, He is an innovator. A powerful performer, a gifted songwriter, and a transcendental guitarist... John Swenson - ROLLING STONE MAGAZINE NEAL BLACK, amerykański gitarzysta i wokalista z San Antonio w stanie Texas (USA). Studiował muzykę w The Southwest Guitar Conservatory w klasie takich mistrzów jazzu jak: Barney Kessel, Lenny Breau, Herb Ellis i Jacky King. Jego dyskografia liczy 12 autorskich albumów, oraz kilkanaście w charakterze sidemana bądź producenta. Ma też na koncie współpracę z takimi muzykami jak: Chuck Berry, Popa Chubby, The Chambers Brothers, Lucky Peterson, Jimmy Dawkins, Johnnie Johnson, Elliott Murphy, Fred Chapellier & Billy Price, John Sebastian (The Doors), Jennifer Batten (Michael Jackson), Gerardo Velez (Jimi Hendrix), Jon Paris (Johnny Winter), Gib Wharton (Van Morrison, Cassandra Wilson), Harvey Brooks (Bob Dylan), Larry Garner, Michael Jones. W latach 80 regularnie supportował koncerty takich mistrzów jak: Stevie Ray Vaughan, Albert King, Johnny Copeland, The Fabulous Thunderbirds. Wielokrotnie nagradzany w kategorii BEST GUITARIST, oraz wyróżniany za oryginalność w interpretacji bluesa o teksańskim rodowodzie. Ze swoim zespołem występował w 21 krajach na największych festiwalach świata: Montreal International Jazz Festival (Kanada), Woodstock 20-lecie (Nowy Jork), Guadalajara Blues Fest. (Meksyk), Antone'S (Texas), Montreux Jazz Festival (Szwajcaria), HELL BLUES Fest. (Norwegia), Le Bataclan (Paryż/Francja). W 2015 roku po raz Pierwszy zawitał do Polski wraz ze swoim zespołem The Healers na zaproszenie Tarnobrzeskiego Stowarzyszenia "OKO"- Ochrona Kultury Oryginalnej i od tego czasu chętnie odwiedza Polskę. -
Songs by Artist
Songs by Artist Artist Title DiscID 10,000 Maniacs Because The Night 00321,15543 10,000 Maniacs Candy Everybody Wants 10942 10,000 Maniacs Like The Weather 05969 10,000 Maniacs More Than This 06024 10cc Donna 03724 10cc Dreadlock Holiday 03126 10cc I'm Mandy Fly Me 03613 10cc I'm Not In Love 11450,14336 10cc Rubber Bullets 03529 10cc Things We Do For Love, The 14501 112 Dance With Me 09860 112 Peaches & Cream 09796 112 Right Here For You 05387 112 & Ludacris Hot & Wet 05373 112 & Super Cat Na Na Na 05357 12 Stones Far Away 12529 1999 Man United Squad Lift It High (All About Belief) 04207 2 Brothers On 4th Come Take My Hand 02283 2 Evisa Oh La La La 03958 2 Pac Dear Mama 11040 2 Pac & Eminem One Day At A Time 05393 2 Pac & Eric Will Do For Love 01942 2 Unlimited No Limits 02287,03057 21st Century Girls 21st Century Girls 04201 3 Colours Red Beautiful Day 04126 3 Doors Down Be Like That 06336,09674,14734 3 Doors Down Duck & Run 09625 3 Doors Down Kryptonite 02103,07341,08699,14118,17278 3 Doors Down Let Me Go 05609,05779 3 Doors Down Loser 07769,09572 3 Doors Down Road I'm On, The 10448 3 Doors Down When I'm Gone 06477,10130,15151 3 Of Hearts Arizona Rain 07992 311 All Mixed Up 14627 311 Amber 05175,09884 311 Beyond The Grey Sky 05267 311 Creatures (For A While) 05243 311 First Straw 05493 311 I'll Be Here A While 09712 311 Love Song 12824 311 You Wouldn't Believe 09684 38 Special If I'd Been The One 01399 38 Special Second Chance 16644 3LW I Do (Wanna Get Close To You) 05043 3LW No More (Baby I'm A Do Right) 09798 3LW Playas Gon' Play -
Mario Ortiz Jr
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year). -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
CBS International's Study
BEFORE THE COPYRIGHT ROYALTY TRIBUNAL WASHINGTON, D.C. In the Matter of ) ) 1984 Juke-Box Royalty ) Docket No. Distribution Proceedings ) SUPPLEMENTAL STATEMENT PURSUANT TO 37 C.F.R. SECTION 305.4 Asociacion de Compositores y Editores de Musica Latino- americana ("ACEMLA"), having duly filed a claim of entitlement pursuant to 37 C.F.R. Sections 305.2, 305.3 and having filed a statement pursuant to 37 C.F.R. Section 305.4 on November 5, 1985, submits this supplemental statement and documentation on November 5th filing. 1. In Paragraph 4 of ACEMLA's November 5th Statement, I ACEMLA cited a study undertaken by Discos CBS International as cited in the publication "Music Video Retailer" in January 1983. Attached hereto as Exhibit 1 is the article concerning Discos CBS International's study. 2. In Paragraph 5 of ACEMLA's November 5th Statement, an article entitled "Spanish Speaking Market on the Move" from the January 1983 issue of "Music Video Retailer" was also cited. This article is attached as Exhibit 2. 3. Paragraph 7 of ACEMLA's November 5th Statement noted that "throughout 1984 a significant number of hits whose copy rights were owned or administered by ACEMLA appeared in trade charts both in 45 rpm or LP form. These trade charts reflect the major songs in the United States Hispanic market." 4. Attached hereto as Exhibit 3 are hit Latin record charts from the publication "Canales", published in New York City, for the months of January 1984 through November 1984. The circled numbers next to the title and the circled titles in- dicate titles that are in in ACEMLA's catalogue.