Charles Prosper Wolff Schoemaker & Vincent Van Romondt Modernism
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Open Access Proceedings Journal of Physics
https://series.gci.or.id Global Conferences Series: Sciences and Technology (GCSST), Volume 2, 2019 The 1st International Conference on Education, Sciences and Technology DOI: https://doi.org/10.32698//tech1315159 Microclimate effect toward indoor and outdoor temperature of Villa Isola UPI Beta Paramita1, Titim Fatimah Zahro1 1Department of Architectural Education, Universitas Pendidikan Indonesia, Indonesia Abstract. Villa Isola is one of the heritage buildings with art deco relic of the Dutch East Indies, now became the rectorate of Universitas Pendidikan Indonesia (UPI). The building was built in October 1932 – March 1933 and changes its function into office in 1954. The changes of the spatial structure from 4 floors into five floors to meet the needs of space, it also changed the interior with a segmented room. Measurement of the globe temperature (Tg); air temperature (Ta) and the surface temperature (Ts) were performed at a point indoor and outdoor with a 15 minutes interval. The phenomenon of heat temperature difference (∆Ts) at 0.50°C indoor, meanwhile the outdoor ∆Ts = 2.2°C. This paper then, will give a description of Villa Isola, its temperature alteration both indoor and outdoor. Keywords: microclimate, Isola Bumi Siliwangi, indoor and outdoor temperature 1. Introduction A microclimate is a local atmospheric local zone where the climate differs from the surrounding area. Microclimates can be influenced by urban building configuration and can differ considerably to the local meteorological data that is usually measured for that region. Urban microclimate consists of local variations of the wind, humidity, solar radiation, and temperature, as a result of many factors. -
Building the Dutch East Indies
In this trilogy Remco Vermeulen, Advisor Indonesia, searches for the shared past and shared future of the Netherlands and Indonesia. His personal journey of discovery leads from his own family history to today’s dynamic debate of cultural cooperation. Through this journey, his subjective and nostalgic image of Indonesia develops along with the complex and modern image in which many personal histories define the relationship between both countries. Part 1 – Building the Dutch East Indies My first image of Indonesia was shaped by the many stories my grandfather, or opi as we used to call him, told me as a little boy, and which he put in writing in the 1990s. His stories sketch an image of a carefree childhood in the Dutch East Indies. Sawahs at Singosari, 2015 (Collection Daphne Vermeulen) Early childhood In 1934 my opi’s brother builds a house in the village of Singosari, about 90 kilometres south of Surabaya, East Java. It is one of those typical Indo-European (or ‘Indo’) residences of the upper middle class, with all living quarters on the ground floor, shadowy verandas and high roofs with tiles and small openings for ventilation. My opi is about ten years old when he moves to Singosari with his parents, which is a small village amidst rice fields and tropical forests. After school he runs around with his dog and shoots pigeons with a small airgun. He has kite fights with the kampong children or helps his mother with baking Indo delicacies such as spekkoek, mocha cakes or koningskronen. In Surabaya, the big city, where he attends the Koningin Emma technical high school, he goes to the movies with his school friends who have Indo-Chinese, Dutch, Indo, Portuguese-Indo and Javanese backgrounds. -
Inaugural Speeches in the Built Environment: Global and Contextualised
Delft University of Technology Book serie: Inaugural Speeches in the Built Environment: Global and Contextualised Hein, Carola; van Bergeijk, Herman Publication date 2018 Document Version Final published version Citation (APA) Hein, C., & van Bergeijk, H. (Eds.) (2018). Book serie: Inaugural Speeches in the Built Environment: Global and Contextualised. (Inaugural Speeches in the Built Environment: Global and Contextualised ). TU Delft Open. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. INAUGURAL SPEECHES IN THE BUILT ENVIRONMENT: GLOBAL ENVIRONMENT: AND CONTEXTUALISED SPEECHES IN THE BUILT INAUGURAL Evelien van Es [Guest Editor] ISSUE 3 Van den Broek & Bakema Vigorous protagonists of a functionalist architecture at the TH Delft #3 | VAN DEN BROEK & BAKEMA DEN BROEK VAN Inaugural Speeches in the Built Environment: Global and Contextualised Van den Broek & Bakema TU Delft Open 2018 Evelien van Es [Guest Editor] ISSUE 3 Van den Broek & Bakema. Vigorous protagonists of a functionalist architecture at the TH Delft TU Delft Open 2018 Inaugural Speeches in the Built Environment: Global and Contextualised Inaugural Speeches in the Built Environment: Global and Contextualised Series Editors: Herman van Bergeijk and Carola Hein [Chair History of Architecture and Urban Planning, TU Delft] ISSUE 3 Van den Broek & Bakema. -
Manifestasi Budaya Indis Dalam Arsitektur Dan Tata Kota Semarang Pada Tahun 1900 - 1950
MANIFESTASI BUDAYA INDIS DALAM ARSITEKTUR DAN TATA KOTA SEMARANG PADA TAHUN 1900 - 1950 SKRIPSI Diajukan Untuk Melengkapi Persyaratan Guna Mencapai Gelar Sarjana Sastra Jurusan Ilmu Sejarah Fakultas Sastra Dan Seni Rupa Universitas Sebelas Maret Surakarta Disusun Oleh : T R I P A R T O N O C 0 5 0 5 0 0 3 F A K U L T A S S A S T R A D A N S E N I R U P A UNIVERSITAS NEGERI SEBELAS MARET S U R A K A R T A 2 0 1 0 i HALAMAN PERSETUJUAN MANIFESTASI BUDAYA INDIS DALAM ARSITEKTUR DAN TATA KOTA SEMARANG PADA TAHUN 1900 - 1950 Disusun Oleh : T R I P A R T O N O C 0 5 0 5 0 0 3 Telah Disetujui oleh Pembimbing Tiwuk Kusuma H, S.S. M.Hum NIP. 197306132000032002 Mengetahui Ketua Jurusan Ilmu Sejarah Dra. Sri Wahyuningsih, M.Hum NIP. 19540223198601200 ii HALAMAN PENGESAHAN Disusun Oleh : T R I P A R T O N O C 0 5 0 5 0 0 3 Telah disetujui oleh Tim Penguji Skripsi Fakultas Sastra Dan Seni Rupa Universitas Sebelas Maret Pada Tanggal ..... ................ 2010 Jabatan Nama Tanda Tangan Drs. Warto, M. Pd Ketua NIP. 196109251986031001 (………………) Dra. Hj. Isnaini W. W, M. Pd Sekretaris NIP. 195905091985032001 (………………) Tiwuk Kusuma H, S.S. M.Hum Penguji I NIP. 197306132000032002 (………………) Drs. Soedarmono, SU Penguji II NIP. 194908131980031001 (………………) Dekan Fakultas Sastra Dan Seni Rupa Universitas Sebelas Maret Drs. Sudarno, M.A NIP. 195303141985061001 iii PERNYATAAN Nama : TRI PARTONO Nim : C 0505003 Menyatakan dengan sesungguhnya bahwa skripsi berjudul “Manifestasi Budaya Indis dalam Arsitektur dan Tata Kota Semarang Pada Tahun 1900-1950” adalah betul-betul karya sendiri, bukan dari plagiat dan tidak dibuat oleh orang lain. -
Indisch) Di Indonesia (Karya Arsitek CP Wolff Schoemaker
Moh. Fachruddin Suharto Jurnal Sains dan Teknologi, Universitas Negeri Manado www.unima.ac.id/lppm/efrontiers Karakter Bangunan Kolonial Belanda (Indisch) di Indonesia (Karya Arsitek C. P. Wolff Schoemaker) Moh. Fachruddin Suharto Jurusan PTB Prodi Arsitektur Fakultas Teknik UNIMA [email protected] ABSTRAK Selama 350 tahun bangsa Belanda menguasai nusantara, banyak meninggalkan bukti sejarah, salah satunya adalah bangunan Kolonial Belanda (Indisch). Sebagai bangunan peninggalan yang tentunya telah berumur, bangunan Kolonial Belanda (Arsitektur Indisch) telah teruji bertahan lama secara teknis dan berhasil juga sebagai suatu karya arsitektur yang memiliki nilai teknologi dan historis. Peninggalan bangunan-bangunan kolonial tersebut membuktikan adanya sumber daya manusia (arsitek) yang dimiliki bangsa Belanda dan sangat menguasai konsep-konsep karya klasik Eropa tetapi juga menguasai konsep-konsep arsitektur tropis dan budaya tradisional Indonesia secara mendalam. Sejumlah arsitek Belanda yang menghasilkan karyanya di Indonesia antara lain: C.P Wolff Schoemaker, Henricus Maclaine Pont, Herman Thomas Karsten, C. Citroen, F.J Lauwrens Ghijsels dan W. Lemei serta biro-biro insinyur yang memiliki banyak arsitek Belanda. Bangunan-bangunan peninggalan kolonial tersebut yang hingga kini masih cukup banyak dipakai walaupun telah beralih fungsi terlihat kokoh dan anggun. Berdasarkan penglihatan tersebut, mencoba untuk mengamati dan memahami karakter bangunan karya-karya arsitektur dari salah seorang arsitek-arsitek Belanda tersebut yaitu Prof. C.P Wolff Schoemaker, yang memadukan gaya modern dan tradisional yang kemudian didiskripsikan ke dalam tulisan ini dengan pendekatan teori, metode dan aplikasinya. Kata kunci : Arsitektur Kolonial (Indisch), C.P Wolff Schoemaker , Karakter bangunan ASTRACT During the 350 years the Dutch controlled the archipelago, many leaving historical evidence, one of which was the Dutch Colonial (Indisch) building. -
Marylouvandenberg P5 Rese ... Paper.Pdf
RESEARCH PAPER ABOUT THE REVALUATION OF PASSIVE CLIMATE SYSTEMS A study on low-tech climate strategies in colonial buildings in Bandung Architectural Engineering Bandung studio 21 - MSc3 & 4 Mo Smit, Eric vd Ham Tutors: Mary Lou van den Berg 4214420 1 Revaluation of passive climate systems A study on low-tech climate strategies in colonial buildings in Bandung Mary Lou van den Berg 4214420 Faculty of Architecture & the Built Environment, Delft University of Technology Julianalaan 134, 2628BL Delft [email protected] date: 06/01/19 ABSTRACT This paper aims to demonstrate that instead of newly constructed, expensive and energy-inefficient buildings, it is possible to fuse cultural heritage and a high quality of comfort by using passive design strategies in historical architecture. Bandung takes an exemplary position in terms of Indonesian modernization and adaptation to the climate. However, these techniques seem to have been forgotten. Therefore lies the focus in this article on the passively designed architecture that was constructed during the colonization in the interwar period in Bandung. This research assesses arguments facing indoor thermal conditions and question alternatives for mechanical solutions. A comfort range has been set, aimed at the desired indoor climate in warm and humid regions. The results proved that passive design techniques can positively impact the thermal conditions, but that there are no passive solutions yet to reduce humidity. However, the allowance of fresh airflows through the building by means of natural ventilation has been proven effective, because it cools perspiration and thus increases acceptance of high humidity levels. Case studies provided evidence that passive design techniques used to be an integral part of modern architecture in hot and humid climates. -
Building Modernity
Building Modernity Indische Architecture and Colonial Autonomy, 1920-1940 Martijn Veenendaal 4026241 Supervisor: Prof. Dr. Gerrit Knaap Bachelor thesis 22 June 2015 13,309 words “When two people meet, each one is changed by the other so you’ve got two new people.”1 1 John Steinbeck, The Winter of Our Discontent (New York: The Viking Press, 1961). Page | 1 Index of Contents Introduction 3 Chapter I Architecture and Colonial Autonomy 6 The Ethical State 6 The Open State 8 Decentralization and Colonial Autonomy 9 Colonial Architecture: The Maturation of a Discipline 10 Autonomous Colonialists 15 Chapter II The Indische Style: the role of the “native” in modernity 19 Re-developing the “native” 19 The Debate: adherents and adversaries 21 Thomas Karsten: association and cultural synthesis 27 The Ideology of the Indische Style 31 Chapter III Material Culture and Cultural Colonial Citizenship 33 The Indies Fatherland 34 Colonial Difference and Cultural Citizenship 36 The Colonial Mimic Men 38 A Colonial Divide? 39 The End of Association 40 Conclusion 42 Bibliography 44 Illustrations Appendix I: figure 1-5 17 Appendix II: figure 6-9 32 Page | 2 Introduction There exist two camps there, the first one claiming that the mother country must transport ‘civilization’, including art, to the colony. There is too little remaining of the Javanese art to bestow it with lasting value; while the Javanese himself, whose cooperation would be necessary, no longer possesses artistry. Mais, à qui la faute? On the other side there is a camp that argues the complete -
Charles Prosper Wolff Schoemaker En De Architectuur in Nederlands-Indië
Charles Prosper Wolff Schoemaker en de Architectuur in Nederlands-Indië C.J. van Dullemen Aan het einde van de 19de eeuw kwam in Nederlands-Indië gen, bruggen, dammen en andere utiliteitswerken bouwen. een ware bouwhausse op gang die met enkele korte onderbre Nog sneller steeg de vraag naar nieuwe gebouwen voor de kingen tot aan de Japanse inval in 1942 zou voortduren. Om particuliere sector. Voor Nederlands-Indië waren maar weinig aan de toenemende vraag te voldoen vestigen zich in de eerste bouwvoorschriften vastgelegd zodat iedereen zelf aan het ont twee decennia van de 20e eeuw meer particuliere architecten in werpen en bouwen sloeg. Bovendien was tot 1920 geen goede Nederlands-Indië. Daartoe behoorden ondermeer Charles architectenopleiding voor handen, iedereen kon als architect 1 Prosper Wolff Schoemaker (afb. 1) die niet alleen een gevari optreden. In "Het Nieuws van den Dag voor Nederlandsch- eerd oeuvre uitvoerde maar ook een belangrijke rol speelde in Indië" (18 januari 1921) stond dan ook: "Indië kon in dien het Indische architectuurdebat en de opleiding tot civiel ingeni tijd geen enkelen bouwkundigen ingenieur aanwijzen. De eur aan de TH Bandung. Naast Wolff Schoemaker neemt Henri ingenieurs van den Waterstaat hielden zich bezig met brug Maclaine Pont een speciale plaats in. Beide architecten waren gen, duikers en stuwdammen. Zij die den titel van architect in Nederlands-Indië geboren en voor hun opleiding naar bij den dienst voerden, waren wat beter onderlegde opzich Nederland gezonden. De kolonie was hun vaderland en gedre ters; voor bouwwerken van enigen omvang zorgden de Genie, ven door hun lotsverbondenheid streefden zij met veel vuur die in het werk van Storm van 's-Gravenzande de vaststelde naar een eigen Nederlands-Indische architectuurstijl. -
Designing Colonial Cities:The Making of Modern Town Planning in the Dutch
The Newsletter | No.57 | Summer 2011 (Please note: this text is a slightly altered version of the article published in the printed edition) The Study | 7 Designing colonial cities: the making of modern town planning in the Dutch East Indies and Indonesia 1905-1950 Far-reaching socio-economic changes caused by burgeoning private enterprise, in combination with new insights and demands in terms of hygiene, infrastructure, architecture and town planning; emerging anti-sentiments among growing numbers of indigenous inhabitants; and the direct 1. confrontation of administrators with local issues: together these provided a prolifi c setting for the making of modern town planning in the Dutch East Indies in the fi rst half of the twentieth century. Pauline K.M. van Roosmalen Before 1905 After nearly three centuries of Dutch domination, the 2a. Dutch East Indies – the archipelago that is today called Indonesia – underwent two major changes around the turn of the twentieth century. The fi rst change was the introduction of the Agrarian Act (Agrarische Wet) in 1870. This act enabled private individuals to possess land on a long lease and, as a result, opened up business opportunities. The second change was the enactment of the Decentralisation Act (Decentralisatiewet) in 1903 and the Local Council Ordinance (Locale Radenordonnantie) in 1905. These two acts enabled the government to decentralise the archipelago’s administration to local administrative entities – soon referred to as municipalities. The introduction of the Agrarian Act fundamentally changed the outlook of the colony and its society. Prior to the enactment of the Agrarian Act it was predominantly male Dutch civil servants who set off to the Dutch East Indies. -
Weg Tot Het Oosten: Afscheidsbundel Voor Kees Groeneboer
Deze uitgave is tot stand gekomen in samenwerking met de Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia te Depok en de Nederlandse Taalunie te Den Haag. Dit boek is aangeboden aan Dr. Kees Groeneboer die meer dan 35 jaar bij de vakgroep Nederlands FIBUI als docent en later als academisch advieseur heeft gewerkt. Weg tot het oosten: Afscheidsbundel voor Kees Groeneboer Program Studi Belanda Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia Depok 2019 Christina T. Suprihatin, Munif Yusuf, en Jaap Grave (eds.) Weg tot het oosten: Afscheidsbundel voor Kees Groeneboer Program Studi Belanda Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2019 Desain sampul: Amalia Putri Astari Desain layout: Munif Yusuf dan Mohammad Farhan Hibatullah ISBN:978-602-9054-58-3 No part of this publication may be reproduced or transmitted in any form of by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission from the copywright owner. Program Studi Belanda, Fakultas Ilmu Pengetahuan Budaya Kampus Universitas Indonesia Depok 16424 Voorwoord Denken aan het afscheid van Kees Groeneboer is niet gemakkelijk, want veel dingen kunnen niet in woorden gezegd worden. Kees Groeneboer is heel lang verbonden geweest aan de Vakgroep Nederlands, Universitas Indonesia. Zelfs toen we nog studenten waren, was hij er al. Hij is onze docent geweest en later onze collega geworden toen hij als academisch adviseur van de Nederlandse Taalunie functioneerde. We gingen geregeld naar hem toe: op zoek naar antwoorden, om iets te bediscusiëren, en zo af en toe adviezen te vragen. In al die tijd heeft hij vele dingen voor onze vakgroep gedaan. -
Villa Mei Ling in Bandung: a Historical Building for the Dutch East Indies
Villa Mei Ling in Bandung: a historical building for the Dutch East Indies Introduction On 22-7-1930 the paper “Het nieuws van den dag voor Nederlandsch Indie“ published an article called “A millionaires boulevard! New palaces in Bandung” great plans. It states among others That Bandung will have a brand new suburb on the North, near the Dr. de Grootweg, the new connection road between the Dagoweg and the road to Lembang. That Mr. K.B. Han of Parapattan, Batavia, the well-known landlord of Bekasi, acquired a premises of 30.000 square meters there, after Mr. Hoogland – a connoisseur as few others of Bandung and surroundings - personally had shown him the attractions of this terrain in view of his intention to build a large estate . The view - one could say a panorama – surely is very magnificent. That engineer Voorhoeve from Bandung has visited the ss Baloeran to precisely study the decorations on the wall and the staircases of this beautiful ship, this on instruction of Mr. Han and with permission of the Lloyd. In the future palace the study of Mr. Voorhoeve will be used and every effort will be made to make the external architecture and the interior as modern and beautiful as possible. It will be a fairylike building! At the moment that this article was published the building of the villa which would later be called Villa Mei Ling was in full swing. According to this article Already thousands of koelies are engaged in the construction of a connection with the Dr.de Groot road and soon the construction of the new building will start. -
Tinjauan Furnitur Art Deco Pada Villa Isola
Tinjauan Furnitur Art Deco pada Villa Isola Saryanto Riza Septriani Dewi Abstrak Villa Isola adalah bangunan art deco di bagian utara kota Bandung, ibu kota Propinsi Jawa Barat. Di bukit dengan pemandangan kota, Villa Isola dibangun pada tahun 1933 oleh seorang arsitek Belanda bernama Wollf Schoemaker untuk seorang hartawan bernama Dominique William Beretty, penemu dari Agen publikasi Aneta di Belanda. Tujuan utama pembangunan Villa Isola adalah sebagai rumah tinggal untuk Berretty. Tapi baru beberapa bulan ditinggali Villa Isola dialih fungsikan menjadi hotel setelah kematiannya. Dan sekarang Villa Isola difungsikan sebagai gedung rektorat Universitas Pendidikan Indonesia.Sebagai satu bentuk gaya yang baru art deco menerapkan kemurniaan dari ornamentasi, penggunaan furniture-furniture dengan corak atau motif lama, misalnya dari motif bentuk candi atau ornamentasi tumbuh-tumbuhan digabungkan dengan cita rasa moderen. Susunan dari keindahan furniture art deco ini tampak pada setiap lantai dari Villa Isola dahulu. Sayangnya sekarang ini nyaris tak ada furniture art deco yang masih terjaga, mungkin hanya sekitar 4% dari total furniture di dalam Villa Isola dahulu. Bahkan satu-satunya furniture peninggalan pada zaman itupun hanya sebuah kursi tua yang sudah mengalami beberapa kali perbaikan Hal inilah yang akhirnya membuat penulis tertarik untuk membahas lebih jauh mengenai furniture art deco pada Villa Isola. Abstract Villa Isola (now Bumi Siliwangi) is an art-deco building in the northern part of Bandung, the capital of West Java province of Indonesia. Overlooking the valley with the view of the city, Villa Isola was built in 1932 by the Dutch architect Wolff Schoemaker for the Dutch media tycoon Dominique William Berretty, the founder of the Aneta press-agency in the Dutch East Indies.