Adaptation and Appropriation
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Download Your PDF Copy of Orpheus Descending: a Study Guide
Tennessee Williams’ Directed by Virginia Reh Assistant Directed by Karen McDonald Designed by Michael Greves Department of Dramatic Arts of the Marilyn I. Walker School of Fine and Performing Arts, Brock University Presented in the Sean O’ Sullivan Theatre Centre for the Arts, Brock University St. Catharines, Ontario November 10-12, 2011 Orpheus Descending: A Study Guide Prepared by: Virginia Reh, Director and Department of Dramatic Arts Associate Professor Michael Greves, Scenographer Karen McDonald, Assistant Director and Dramatic Arts Student Erica Charles, Dramaturge and Third Year Dramatic Arts Student Tami Friedman, Historical Consultant Discussion Questions Prepared by Kathy Cavaleri, Dramatic Arts Student “There’s something wild in the country...” ! -Val Xavier, Act 1, Scene 4i Figure 1. “A Great Black and White Desert Snake Eating” Orpheus Descending: A Study Guide!!! !!!!!!! Brock University Department of Dramatic Arts Marilyn I. Walker School of Fine and Performing Arts Page 1 of 35 November, 2011 TABLE OF CONTENTS 1. Collaboration 2. List of Characters 3. The Plot 4. The Playwright: Tennessee Williams 5. Director’s Notes 6. Production History 7. Faith, Myth and Spirituality 8. Aunt Conjure and the Choctaw 9. Historical Content 10. Dramaturge’s Notes 11. Discussion Questions 12. List of Terms 13. List of Figures 14. Endnotes and Bibliography Orpheus Descending: A Study Guide!!! Brock University Department of Dramatic Arts Marilyn I. Walker School of Fine and Performing Arts Page 2 of 35 November, 2011 1. Collaboration Orpheus Descending !!!!!! Written by Tennessee Williams November 10, 11, 12, 2011 at 7:30pm; November 11, 2011 at 1:00pm Brock University Department of Dramatic Arts Marilyn I. -
THE MYTH of ORPHEUS and EURYDICE in WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., Universi
THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN LITERATURE by MARK OWEN LEE, C.S.B. B.A., University of Toronto, 1953 M.A., University of Toronto, 1957 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OP PHILOSOPHY in the Department of- Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, i960 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada. ©he Pttttrerstt^ of ^riitsl} (Eolimtbta FACULTY OF GRADUATE STUDIES PROGRAMME OF THE FINAL ORAL EXAMINATION FOR THE DEGREE OF DOCTOR OF PHILOSOPHY of MARK OWEN LEE, C.S.B. B.A. University of Toronto, 1953 M.A. University of Toronto, 1957 S.T.B. University of Toronto, 1957 WEDNESDAY, SEPTEMBER 21, 1960 AT 3:00 P.M. IN ROOM 256, BUCHANAN BUILDING COMMITTEE IN CHARGE DEAN G. M. SHRUM, Chairman M. F. MCGREGOR G. B. RIDDEHOUGH W. L. GRANT P. C. F. GUTHRIE C. W. J. ELIOT B. SAVERY G. W. MARQUIS A. E. BIRNEY External Examiner: T. G. ROSENMEYER University of Washington THE MYTH OF ORPHEUS AND EURYDICE IN WESTERN Myth sometimes evolves art-forms in which to express itself: LITERATURE Politian's Orfeo, a secular subject, which used music to tell its story, is seen to be the forerunner of the opera (Chapter IV); later, the ABSTRACT myth of Orpheus and Eurydice evolved the opera, in the works of the Florentine Camerata and Monteverdi, and served as the pattern This dissertion traces the course of the myth of Orpheus and for its reform, in Gluck (Chapter V). -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Romeo Y Julieta 1 Romeo Y Julieta
Romeo y Julieta 1 Romeo y Julieta Romeo y Julieta Representación de la famosa escena del balcón de Romeo y Julieta. Pintura de 1884, por Frank Dicksee. Autor William Shakespeare Género Tragedia Tema(s) Amor prohibido Idioma Inglés [1] Título original The Most Excellent and Lamentable Tragedie of Romeo and Juliet País Inglaterra Fecha de publicación 1597 (Q1) 1599 (Q2) 1609 (Q3) 1622 (Q4) 1637 (Q5) Formato En cuarto[d] Romeo y Julieta (1597) es una tragedia de William Shakespeare. Cuenta la historia de dos jóvenes enamorados que, a pesar de la oposición de sus familias, rivales entre sí, deciden luchar por su amor hasta el punto de casarse de forma clandestina; sin embargo, la presión de esa rivalidad y una serie de fatalidades conducen al suicidio de los dos amantes. Esta relación entre sus protagonistas los ha convertido en el arquetipo de los llamados star-crossed lovers.[2] [a] Se trata de una de las obras más populares del autor inglés y, junto a Hamlet y Macbeth, la que más veces ha sido representada. Aunque la historia forma parte de una larga tradición de romances trágicos que se remontan a la antigüedad, el argumento está basado en la traducción inglesa (The Tragical History of Romeus and Juliet, 1562) de un cuento italiano de Mateo Bandello, realizada por Arthur Brooke, que se basó en la traducción francesa hecha por Pierre Boaistuau en 1559. Por su parte, en 1582, William Painter realizó una versión en prosa a partir de relatos italianos y franceses, que fue publicada en la colección de historias Palace of Pleasure. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
34 Writers Head to 7Th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] 34 Writers Head to 7th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals – 21 Brand New Musicals will be part of this exclusive month-long retreat – This year’s participants boast credits as diverse as: Songwriters of India Aire’s “High Above” (T. Rosser, C. Sohne) Music Director for NY branch of Playing For Change (O. Matias) Composer for PBS (M. Medeiros) Author of Muppets Meet the Classic series (E. F. Jackson) Founder of RANGE a capella (R. Baum) Lyricist for Cirque du Soleil’s Paramour (J. Stafford) Member of the Board of Directors for The Lilly Awards Foundation and Founding Director of MAESTRA (G. Stitt) Celebrated Recording Artists MIGHTY KATE (K. Pfaffl) Teaching artist working with NYC Public Charter schools and the Rose M. Singer Center on Riker’s Island (I. Fields Stewart) Broadway Music Director/Arranger for If/Then, American Idiot, The 25th Annual Putnam County Spelling Bee and others (C. Dean) EAST HADDAM, CONN.,JANUARY 8 , 2019: In what has become an annual ritual, a total of 34 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2019 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 21 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration. The Johnny Mercer Writers Colony at Goodspeed is an unparalleled, long-term residency program devoted exclusively to musical theatre writing. -
Amerika Dienst
AMKRIKA DIENST U. S. Feature Service Bad Godeiberg I • Postfach 300 • Telefon Kad Codesberg 713257 Allgemeines X. Jahrgang. Nr, 26 3. Juli 1957 INHALTSVERZEICHNIS DIE FREIHEIT IST DAS HÖCHSTE GUT Einige Bemerkungen zu den jüngsten Entscheidungen des Obersten Bundesgerichts der Vereinigten Staaten (84 Zeilen) Seite ATOM - WISSENSCHAFT - TECHNIK SHIPPINGPORT VOR DER VOLLENDUNG (.40 Zeilen) Seite 4 FORSCHUNGSREAKTOR Ft)R FARBWERKE HOECHST (6 Zeilen) Seite 5 HINTER DEN KULISSEN MODERNER TECHNIK (17 Zeilen, 5 Bilder) Seite 6 JOHN STELNBECK UND SEINE KRITIKER Zwei Steinbeckbücher: Ein neuer Roman und eine Kritikensammlung Von Norman Smith (90 Zeilen) Seite 8 ANHANG JOHN FQSTER DULLES: DIE CHINAPOLITIK DER USA Wortlaut einer Rede des US-Außenministers vom 28. Juni 1957 vor der "Lions, International" in San Francisco * * * * * AMKRIKA DIENST U. S. Feature Service Bad Godesberg I • Postfach 300 • Telefon Bad Codesberg 713257 Allgemeines X. Jahrgang. Nr. 27 10. Juli 1957 INHALTSVERZEICHNIS ERZIEHUNG IM UMBRUCH Neue Methoden und Erkenntnisse für den Unterricht an amerikanischen Schulen und Universitäten Von John Kerigan (70 Zeilen, 2 Bilder) ' Seite DIE WISSENSCHAFT KOTIERT HERZDIAGNOSEN MIT KONTRASTMITTEL Operationen zur Behebung angeborener Herzfehler erleichtert (80 Zeilen) Seite EXPERIMENT MIT DEM JAZZ Sommerfestspiele der Brandeis-Universität Von Norman Smith (68 Zeilen) Seite KULTURELLE KURZNACHRICHTEN Abschlußbericht 1956/57 der Metropolitan-Qper (6 Zeilen) Seite 9 Gründung der "Schule für Jazz" (4 Zeilen) Seite 9 Sena Jurinac singt Titelrolle in "Vanessa" (3 Zeilen) Seite 9 ANHANG AMERIKAS ZIEL; DIE ERHALTUNG DES WELTFRIEDENS Wortlaut der Rede von Francis 0. Wilcox, Unterstaatssekretär im US-Außenministerium, vom 27. Juni 1957 vor dem Amerikanischen Akademikerinnenverband in Boston. * * * * * AMKRIKA DIENST U. S. -
1 Shakespeare and Film
Shakespeare and Film: A Bibliographic Index (from Film to Book) Jordi Sala-Lleal University of Girona [email protected] Research into film adaptation has increased very considerably over recent decades, a development that coincides with postmodern interest in cultural cross-overs, artistic hybrids or heterogeneous discourses about our world. Film adaptation of Shakespearian drama is at the forefront of this research: there are numerous general works and partial studies on the cinema that have grown out of the works of William Shakespeare. Many of these are very valuable and of great interest and, in effect, form a body of work that is hybrid and heterogeneous. It seems important, therefore, to be able to consult a detailed and extensive bibliography in this field, and this is the contribution that we offer here. This work aims to be of help to all researchers into Shakespearian film by providing a useful tool for ordering and clarifying the field. It is in the form of an index that relates the bibliographic items with the films of the Shakespearian corpus, going from the film to each of the citations and works that study it. Researchers in this field should find this of particular use since they will be able to see immediately where to find information on every one of the films relating to Shakespeare. Though this is the most important aspect, this work can be of use in other ways since it includes an ordered list of the most important contributions to research on the subject, and a second, extensive, list of films related to Shakespeare in order of their links to the various works of the canon. -
PLAYS of TENNESSEE WILLIAMS Fulfillment of the Requirements For
/ 1h THE FUGITIVE KIND IN THE MAJOR PLAYS OF TENNESSEE WILLIAMS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By John 0. Gunter, B. A. Denton, Texas January, 1968 TABLE OF CONTENTS Chapter Page - I I. INTRODUCTION . 1 II. VAL IN BATTLE OF ANGELS. 13 III. KILROY IN CASINO REAL. 21 IV. VAL IN ORPHEUS DESCENDING. 33 V. CHANCE IN SWEETBIRDOFYOUTH..0.#.0.e.0.#.0.0.045 VI. SHANNON IN THE NIGHT OF THE IGUANA . 55 VII. CONCLUSION . .0 . .......-. 68 BIBLIOGRAPHY. - - . - - - - . - - 75 iii CHAPTER I INTRODUCTION There are numerous ways to approach the works of a playwright critically; one is to examine the individual writer's "point of view" in order to define what the man is trying to "say" from his chosen vantage point. This tactic seems as appropriate as any in approaching the works of Tennessee Williams. The plays of Tennessee Williams are written from an in- dividual's point of view; i. e., none of the plays are con- cerned with a social or universal outlook as such; rather each play "takes the shape of a vision proceeding from the consciousness of the protagonist."1 In other words, each one of Williams' plays "belongs" to one central "camera eye" character. Everything that happens is directly related to this character and his perception of and his subsequent adjustment to his environment. Furthermore, the majority of these central characters fall into certain categories which recur in the Williams canon. Some of these categories have been critically labeled and defined, but none of the studies Esther Merl6 Jackson, The Broken World of Tennessee Williams (Milwaukee, 1965), p. -
Entre a História E O Mito: Orfeu Na América, Segundo Sidney Lumet
Morte de Orfeu pelas mulheres trácias (detalhe). Entre a história e o mito: Orfeu na América, segundo Sidney Lumet Maria Cecília de Miranda Nogueira Coelho Doutora em Letras Clássicas pela Universidade de São Paulo (USP). Professora do Programa de Estudos Pós-graduados em Lingüística Aplicada e Estudos da Linguagem e da Coordenadoria Geral de Especialização, Aperfeiçoamento e Extensão (COGEAE) da Pontifícia Universidade Católica de São Paulo (PUC-SP). [email protected] Entre a história e o mito: Orfeu na América, segundo Sidney Lumet Maria Cecília de Miranda Nogueira Coelho RESUMO ABSTRACT Ao examinar alguns aspectos do filme In examining some aspects of the film The Vidas em fuga (The fugitive kind, 1959), fugitive kind (1959), by Sidney Lumet, de Sidney Lumet, baseado na peça de based on the play based on Tennessee Tennessee Williams, Orpheus descen- Williams’ Orpheus descending (1957/8), ding (1957), discuto a adaptação do mito I address issues on the adaptation of de Orfeu, investigando como ele foi Orpheus’ myth, investigating how it was transposto para a sociedade norte-ame- transposed to North American society to ricana a fim de explorar questões éti- explore ethical subjects, mainly cultural cas, principalmente a intolerância raci- and racial intolerance. I want to show the al e cultural. Busco mostrar a impor- importance of knowing these two versions tância de conhecermos estas versões, to understand better the adaptations of the para entendermos melhor as adapta- myth in the Brazilian society: Orfeu (1999), ções do mito na sociedade brasileira: by Carlos Diegues, and Black Orpheus Orfeu (1999), de Carlos Diegues, e Orfeu (1958), by Marcel Camus, both of them do carnaval (1958), de Marcel Camus, based on the play Orfeu da Conceição ambas baseadas na peça Orfeu da Con- (1956), by Vinícius de Moraes. -
Aghoreshwar Bhagawan Ram and the Aghor Tradition
Syracuse University SURFACE Maxwell School of Citizenship and Public Anthropology - Dissertations Affairs 12-2011 Aghoreshwar Bhagawan Ram and the Aghor Tradition Jishnu Shankar Syracuse University Follow this and additional works at: https://surface.syr.edu/ant_etd Part of the Archaeological Anthropology Commons Recommended Citation Shankar, Jishnu, "Aghoreshwar Bhagawan Ram and the Aghor Tradition" (2011). Anthropology - Dissertations. 93. https://surface.syr.edu/ant_etd/93 This Dissertation is brought to you for free and open access by the Maxwell School of Citizenship and Public Affairs at SURFACE. It has been accepted for inclusion in Anthropology - Dissertations by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract Aghoreshwar Mahaprabhu Baba Bhagawan Ram Ji, a well-established saint of the holy city of Varanasi in north India, initiated many changes into the erstwhile Aghor tradition of ascetics in India. This tradition is regarded as an ancient system of spiritual or mystical knowledge by its practitioners and at least some of the practices followed in this tradition can certainly be traced back at least to the time of the Buddha. Over the course of the centuries practitioners of this tradition have interacted with groups of other mystical traditions, exchanging ideas and practices so that both parties in the exchange appear to have been influenced by the other. Naturally, such an interaction between groups can lead to difficulty in determining a clear course of development of the tradition. In this dissertation I bring together micro-history, hagiography, folklore, religious and comparative studies together in an attempt to understand how this modern day religious-spiritual tradition has been shaped by the past and the role religion has to play in modern life, if only with reference to a single case study. -
Eurydice Without Orpheus
Bard College Bard Digital Commons Senior Projects Spring 2011 Bard Undergraduate Senior Projects Spring 2011 Eurydice without Orpheus Nora E. Offen Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2011 Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Offen, Nora E., "Eurydice without Orpheus" (2011). Senior Projects Spring 2011. 5. https://digitalcommons.bard.edu/senproj_s2011/5 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 1 Eurydice without Orpheus Senior Project submitted to The Division of Languages and Literature of Bard College by Nora Offen Annandale-on-Hudson, NY May 2011 2 “The love that consists in this: that two solitudes protect and border and greet each other.” For Mike Porter and Luisa Lopez. Acknowledgments I am grateful beyond words to my advisor, Joan Retallack, whose support has made work on this project possible, exhilarating, and deeply gratifying. And to my parents, Neil and Carol Offen, for providing their daughter with a house full of books, and a truly humbling depth of unconditional love. 3 Preface What follows is a poetic and critical reckoning with the Orpheus and Eurydice myth.