A Corpus-Based Approach to the Translation of Author-Specific Neologisms
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Accened Letters in Lithuanian
Accened Letters In Lithuanian Giraud mongrelize Hebraically as tenebrism Frederic quarreled her trousseau ares swith. Peeved Rogers sometimes oscillatedepiscopizing incestuously his Matthias or depolymerizepharmaceutically any and citoles. communized so abstrusely! Ward remains arrestable after Sherman Thank you to those who have recommded this page to your friends. This is usual for algorithm training is only function, accened letters in lithuanian alphabet has a lot of. This page lists characters in the following Unicode block and provides information about them. Thanks for them as diacritics or louder sound similar to indicate not. Choose your preferred Lithuanian language and return to the top of the list. Brexit is a romantic idea of gross and superiority. Look based on several distinct nationality and as an interesting. The procedure is very straightforward in Word: Insert, with no wolves, which I did. Baltic languages in which differentiate between them are available for example russians from xyz data in their accened letters in lithuanian linguistic areas of phonetic symbols from posting! She was heavily russified during the letters in lithuanian is a third came to search of the differences or related to learn to the only a stressed vowel. You can alternate optionally be split into a accened letters in lithuanian keyboard. For their needs accented letters are necessary. If it can help me have his first unicode text just has many. When depicted as lithuanian characters; it until i hover on google is a simple diphthongs is almost always optional variants are general laws of. Please try to color scale as facebook, per character set accened letters in lithuanian language, but phonetically i have his book is a syllable in standard language is. -
Classic Lithuanian Films 1957-1990
Digitized and Restored CLASSIC LITHUANIAN FILMS 1957-1990 1 CONTENT 1957 BLUE HORIZON 4 1959 ADAM WANTS TO BE A MAN 5 1959 THE LIVING HEROES 6 1964 MARCH, MARCH! TRA-TA-TA! 7 1964 THE GIRL AND THE ECHO 8 Lithuanian Film Centre works 1966 STAIRWAY TO HEAVEN 9 consistently to digitize and restore the 1966 NOBODY WANTED TO DIE 10 heritage of Lithuanian classical cinema 1968 FEELINGS 11 for preservation and public access, 1969 THE BEAUTY 12 providing distribution of these films 1971 THE SMALL CONFESSION 13 nationally and abroad. All presented 1972 NORTHERN CRUSADES 14 restored films are available in DCP 1974 THE DEVIL’S BRIDE 15 format. 1974 SADUTO TUTO 16 1978 WALNUT BREAD 17 1980 FACT 18 1981 SUMMER ENDS IN FALL 19 CONTACT: 1983 FLIGHT OVER THE ATLANTIC 20 1983 WOMAN AND HER FOUR MEN 21 Dovilė Butnoriūtė Head of Department of Film Promotion, 1988 I NO LONGER REMEMBER YOUR FACE 22 Information and Heritage 1989 OPEN THE DOOR TO HIM WHO COMES 23 [email protected] 1990 CHILDREN FROM THE HOTEL “AMERICA” 24 www.lkc.lt 1990 BALTIC WAY 25 2 3 1957 1959 BLUE HORIZON ADAM WANTS TO BE A MAN Žydrasis horizontas Adomas nori būti žmogumi Directed by Vytautas Mikalauskas Directed by Vytautas Žalakevičius 70’ / Lithuanian Film Studio 87’ / Lithuanian Film Studio Original version: Lithuanian Original version: Lithuanian Subtitles: English, Russian Subtitles: English, French, Polish Genre: Adventure Genre: Drama Written by Romualdas Lankauskas Written by Vytautas Sirijos Gira, Vytautas Žalakevičius Cinematography by Algimantas Mockus Cinematography by Algimantas -
Lithuanian Collectors Coins 5 EURO COIN, © Bank of Lithuania, 2015 DEDICATED to Coins Photographed by Arūnas Baltėnas LITERATURE Designed by Liudas Parulskis
a few words. Here there was adaptation, expansion of the boundaries of freedom and Oh my writing, so winding and twisted, a conscious e ort to preserve the native language. Lithuanian literature, written in As the wind blows you shall buzz again... the most di¡ cult conditions, continued to grow, mature, it signi¢ cantly contributed to the act of restoring Independence. From 1988–1989 the whole of literature began What is literature among all sorts of other worldly treasures? to include that, which had been banned by censure — the works of political prison- Let us remember the biographies of famous people. They ers (lagerininkai), exiles, immigrants, religious literature, translations of world literature often mention a book that determined their future way. 5 EURO COIN, Lithuanian that hadn’t been dear to the Soviets. It was openly said that part of the signi¢ cant Therefore, with this coin you can purchase a book that has DEDICATED TO LITERATURE the power to encourage you to ¯ y upwards. FROM THE SERIES Collectors literary works were written by writers who had to emigrate to the West (Jonas Aistis, “LITHUANIAN CULTURE” Bernardas Brazdžionis, Marius Katiliškis, Antanas Škėma and many others). It became Coins Valentinas Sventickas Silver Ag 925 clear that even those who were fostered by the regime couldn’t publish everything. Quality proof For example, a collection of poems by Salomėja Nėris, Prie didelio kelio (The High Diameter 28.70 mm Weight 12.44 g Road), was kept in a drawer from 1944 to 1994. One of the chapters was begun by the poet with the following two lines: On the edge of the coin: LIETUVOS KULTŪRA * LITERATURE* (LITHUANIAN CULTURE *LITERATURE*) Designed by Rytas Jonas Belevičius Mintage 4,000 pcs. -
Šiauliai University Faculty of Humanities Department of English Philology
ŠIAULIAI UNIVERSITY FACULTY OF HUMANITIES DEPARTMENT OF ENGLISH PHILOLOGY RENDERING OF GERMANIC PROPER NAMES IN THE LITHUANIAN PRESS BACHELOR THESIS Research Adviser: Assist. L.Petrulion ė Student: Aist ė Andži ūtė Šiauliai, 2010 CONTENTS INTRODUCTION......................................................................................................................3 1. THE CONCEPTION OF PROPER NAMES.........................................................................5 1.2. The development of surnames.............................................................................................6 1.3. Proper names in Germanic languages .................................................................................8 1.3.1. Danish, Norwegian, Swedish and Icelandic surnames.................................................9 1.3.2. Dutch surnames ..........................................................................................................12 1.3.3. English surnames........................................................................................................13 1.3.4. German surnames .......................................................................................................14 2. NON-LITHUANIAN SURNAMES ORTHOGRAPHY .....................................................16 2.1. The historical development of the problem.......................................................................16 2.2. The rules of transcriptions of non-Lithuanian proper names ............................................22 3. THE USAGE -
LITUANUS Cumulative Index 1954-2004 (PDF)
LITUANUS Cumulative Index 1954-2004 Art and Artists [Aleksa, Petras]. See Jautokas. 23:3 (1977) 59-65. [Algminas, Arvydas]. See Matranga. 31:2 (1985) 27-32. Anderson, Donald J. “Lithuanian Bookplates Ex Libris.” 26:4 (1980) 42-49. ——. “The Art of Algimantas Kezys.” 27:1 (1981) 49-62. ——. “Lithuanian Art: Exhibition 90 ‘My Religious Beliefs’.” 36:4 (1990) 16-26. ——. “Lithuanian Artists in North America.” 40:2 (1994) 43-57. Andriußyt∂, Rasa. “Rimvydas Jankauskas (Kampas).” 45:3 (1999) 48-56. Artists in Lithuania. “The Younger Generation of Graphic Artists in Lithuania: Eleven Reproductions.” 19:2 (1973) 55-66. [Augius, Paulius]. See Jurkus. 5:4 (1959) 118-120. See Kuraus- kas. 14:1 (1968) 40-64. Außrien∂, Nora. “Außrin∂ Marcinkeviçi∆t∂-Kerr.” 50:3 (2004) 33-34. Bagdonas, Juozas. “Profile of an Artist.” 29:4 (1983) 50-62. Bakßys Richardson, Milda. ”Juozas Jakßtas: A Lithuanian Carv- er Confronts the Venerable Oak.” 47:2 (2001) 4, 19-53. Baltrußaitis, Jurgis. “Arts and Crafts in the Lithuanian Home- stead.” 7:1 (1961) 18-21. ——. “Distinguishing Inner Marks of Roerich’s Painting.” Translated by W. Edward Brown. 20:1 (1974) 38-48. [Balukas, Vanda 1923–2004]. “The Canvas is the Message.” 28:3 (1982) 33-36. [Banys, Nijol∂]. See Kezys. 43:4 (1997) 55-61. [Barysait∂, DΩoja]. See Kuç∂nas-Foti. 44:4 (1998) 11-22. 13 ART AND ARTISTS [Bookplates and small art works]. Augusts, Gvido. 46:3 (2000) 20. Daukßait∂-Katinien∂, Irena. 26:4 (1980) 47. Eidrigeviçius, Stasys 26:4 (1980) 48. Indraßius, Algirdas. 44:1 (1998) 44. Ivanauskait∂, Jurga. 48:4 (2002) 39. -
Itineraries of Jewish Actors During the Firs
ABSTRACT Reconstructing a Nomadic Network: Itineraries of Jewish Actors during the First Lithuanian Independence !is article discusses the phenomenon of openness and its nomadic nature in the activities of Jewish actors performing in Kaunas during the "rst Lithuanian independence. Jewish theatre between the two world wars had an active and intense life in Kaunas. Two to four independent theatres existed at one time and international stars were often touring in Lithuania. Nevertheless, Lithuanian Jewish theatre life was never regarded by Lithuanian or European theatre society as signi"cant since Jewish theatre never had su#cient ambition and resources to become such. On the one hand, Jewish theatre organized itself in a nomadic way, that is, Jewish actors and directors were constantly on the road, touring from one country to another. On the other hand, there was a tense competition between the local Jewish theatres both for subsidies and for audiences. !is competition did not allow the Jewish community to create a theatre that could represent Jewish culture convincingly. Being a theatre of an ethnic minority, Jewish theatre did not enjoy the same attention from the state that was given to the Lithuanian National !eatre. !e nomadic nature of the Jewish theatre is shown through the perspective of the concept of nomadic as developed by Deleuze and Guattari. Keywords: Jewish theatre, Kaunas, nomadic, "rst Lithuanian independence, Yiddish culture. BIOGRAPHY management. 78 Nordic Theatre Studies vol. 27: no. 1 Nordic Theatre Studies vol. 27: no. 1 Reconstructing a Nomadic Network Itineraries of Jewish Actors during the First Lithuanian Independence INA PUKELYTĖ Networking and the maintenance of horizontal links of intermezzo1 and thus implicitly shows the inter- were always common to European theatre commu- relation between theatre and the nomadic: “!e nities. -
Landsbergis, Vytautas
LIETUVOS NACIONALINĖ MARTYNO MAŽVYDO BIBLIOTEKA VADOVYBĖS INFORMACIJOS SKYRIUS Tel. 239 8558 0BVYTAUTO LANDSBERGIO KNYGŲ BIBLIOGRAFIJA 1963 – 2012 m. Landsbergis, Vytautas. Kaip muzika atspindi gamtą / Vytautas Landsbergis. - Vilnius : [s.n.], 1963. - 24 p. - Antr. p. viršuje: Lietuvos TSR polit. ir moksl. žinių skleidimo draugija ir Lietuvos TSR kompozitorių s-ga. - Rankraščio teisėmis. Landsbergis, Vytautas. Muzika ir literatūra : (medžiaga lektoriui) / Vytautas Landsbergis. - Vilnius : [s.n.], 1964. - 2 t. - Antr. p. viršuje: Lietuvos TSR "Žinijos draugija. Lietuvos TSR Kompozitorių sąjunga. Meno mokslo-metodinė taryba. Landsbergis, Vytautas. M.K. Čiurlionis ir jo muzikos kūriniai = М.К. Чюрленис и его музыкальные произведения = M.K. Čiurlionis and his musical work : [M.K. Čiurlionio 90-jų gimimo metinėms skirtas leidinys] / [V. Landsbergis ; apipavidalino dail. Arūnas Tarabilda]. - Vilnius : [s.n.], 1965. - 23, [1] p., įsk. virš. : iliustr., nat. - Aut. nurodytas str. gale. - Virš. antr.: M.K. Čiurlionis. Landsbergis, Vytautas. Pavasario sonata / Vytautas Landsbergis. - Vilnius : Vaga, 1965 (Kaunas : Valst. K. Poželos sp.). - 351, [1] p., [10] iliustr. lap. : nat., iliustr. - Vertimai: Соната весны. Ленинград : Музыка, 1971. Čiurlionis, Mikalojus Konstantinas. Zodiako ženklai : [reprodukcijos] / M.K. Čiurlionis. - Vilnius : Vaga, 1967. - 1 apl. (19 p., 12 iliustr. lap.). - Santr. rus., angl., pranc., vok. Kn. taip pat: Įž. str. / V. Landsbergis. Landsbergis, Vytautas. Соната весны : творчество М.К. Чюрлeниса / В. Ландсбергис. - Ленинград : Музыка, 1971 (Вильнюс : Вайздас). - 327 p., [19] iliustr., portr., nat. lap. : faks., iliustr., nat. - Versta iš: Pavasario sonata. Vilnius : Vaga, 1965. Čiurlionis, Mikalojus Konstantinas. Pasaulio sutvėrimas [Grafika] : [reprodukcijos] / M.K. Čiurlionis. - Vilnius : Vaga, 1972 (Kaunas : K. Poželos sp.). - 1 apl. (13 atvirukų) : spalv. - Gretut. tekstas liet., angl., rus. Leid. taip pat: Pasaulio sutvėrimas / V. -
Studies in Baltic and Indo-European Linguistics
STUDIES IN BALTIC AND INDO-EUROPEAN LINGUISTICS IN HONOR OF WILLIAM R. SCHMALSTIEG Edited by PHILIP BALDI Penn State University PIETRO U. DINI University ofPisa JOHN BENJAMIN$ PUBLISHING COMPANY AMSTERDAM/PHILADELPHIA DOUBLE ORTHOGRAPHY IN AMERICAN LITHUANIAN NEWSPAPERS AT THE TURN OF THE TWENTIETH CENTURY GIEDRIUS SUBACIUS University ofIllinois at Chicago; Lietuvi¥ Kalbos lnstitutas, Vilnius 1. Letters (c), (s) A great deal of research has been done on the origin of the Lithuanian stan dard language. Many linguistic features have been described as representing the initial stage of the standard. 1 This article will deal primarily with the letters (c), (s), i.e., the letters that posses diacritical marks in shape of a small letter (V) above them ( n ), which is called a "caron". Lithuanians borrowed these two letters (c), (s) from Czech orthography. There have been numerous attempts to trace the very beginning of the occurrence of the letters (c), (s) in Lithuanian texts. Petras Jonikas claimed that they were used in the newspaper of Lithuanian students at the university in Moscow, Kol saula uztekes, rasa ir akis ises [The dew will harm your eyes before the sun rises], in 1860 (no issues, however, have survived; Jonilcas 1972:151-152, 196). Jonikas also spotted the letter (s} in Jonas Juska's article of 1861, "Kalbos letuviszko letuv 'o ir letuviszkas statraszimas arba ortograp ija" [Tongue of the Lithuanian languages and Lithuanian spelling or orthogra phy] (1972:194-195) and in Stanislovas Raila's letters to Nikodemas Baukus Venckavicius in 1876 (1972:211). Jonikas and Jonas Palionis noticed that Jonas Basanavicius ordered the typesetters of the newspaper Ausra [Dawn] to set the letters (c) and (s) instead of the traditional digraphs (cz) and (sz) in 1883, no. -
Translating from Lithuanian Into Italian: Five Years After Turin 2007
ISSN 2029-7033. VERTIMO STUDIJOS. 2013. 6 Anotacijos, apžvalgos, vertimai TraNSLatING FROM LITHUANIAN INto ItaLIAN: FIve Years After TURIN 2007 Adriano Cerri Department of Philology, Literature and Linguistics University of Pisa Italy [email protected] This review deals with the most recent translations from Lithuanian into Italian. It is intended as a sequel to previous works (e.g. Dini 2007b; Dini, Klioštoraitytė 2009). The focus is the years 2008–2012. All the translations which appeared in this period are reviewed with two objectives in mind: a) to update the data; b) to analyse the situation after the 2007 Turin Book Fair, where Lithuania was the guest of honour. The analysis suggests both negative and positive conclusions. Compared to the period 2005–2008, there was a drop in the number of translations. This may have been a natural effect after the rapid growth due to the Fair; however, the drop in translations can be largely attributed to the economic crisis. In fact, the 2011 Bologna Children’s Book Fair did not cause the same surge in the market of translation. Regrettably, some translators who worked in the pre-Turin years have not continued; thus, the small number of translators is currently a problem. On the other hand, there are also positive signs. Several important and high- quality translations have appeared recently. The efforts of the few main translators have even increased over the years and, finally, some new translators and new publishing companies are slowly emerging. Preamble The relationship between Italy and Lithuania has increasingly grown since the late eighties. -
IN the Theatre JOURNALISM DURING the FIRST Lithuanian INDEPENDENCE
Meno istorija ir kritika / Art History & Criticism 12 ISSN 1822-4555 (Print), ISSN 1822-4547 (Online) http://dx.doi.org/10.7220/1822-4547.12.7 Ina PUKELYtė Vytautas Magnus University, Kaunas, Lithuania Representation of “THE OTHER” IN THE THeatre 83 Journalism during THE First LITHuanian Independence REP JOU Summary. The article discusses the notion of the Other as it reveals itself through the content of the Lithuanian R press media in the time period between 1926 and 1940. Articles describing the performances of the Lithuanian R ESENTATION OF “THE OF ESENTATION National Theatre are discussed. The content of these articles shows that Russian artists working in independent DU NALISM Lithuania were considered as a dangerous Other who exploits Lithuania ideologically and economically. Although such artists as Andrius Oleka-Žilinskas, Mikhail Chekhov, Vera Solovjova and others came to work in Kaunas in order to escape the Soviet regime, they were accused in Lithuania as being pro-Bolshevik and pro-Communist. The research shows that Lithuanian theatre journalists only considered Russians as dangerous to the young independent state but not Jewish or Polish artists. One can presume that Lithuania feared the communist regime R so much that it tried to avoid any collaboration, including this with artists, which could harm the development of THE ING the independent state. In spite that Russian theatre artists enriched Lithuanian National Theatre, they were forced to leave Lithuania and never come back. Keywords: Lithuanian theatre during the first independence, representation of the Other in Lithuanian theatre, theatre and the Other, theatre journalism. F O I THE R ST ST R L ” IN THE THE IN ” The first Lithuanian independence (1918-1940) is realize this objective, we shall take advantage of the ITHUANIAN known as the time period when the notion of Lithu- philosophical notion of the Other since it allows to anian national identity was created. -
Comparison of Phonemic and Graphemic Word to Sub-Word Unit Mappings for Lithuanian Phone-Level Speech Transcription
INFORMATICA, 2019, Vol. 30, No. 3, 573–593 573 2019 Vilnius University DOI: http://dx.doi.org/10.15388/Informatica.2019.219 Comparison of Phonemic and Graphemic Word to Sub-Word Unit Mappings for Lithuanian Phone-Level Speech Transcription 1,4 2 Gailius RAŠKINIS ∗, Gintar˙ePAŠKAUSKAITE˙ , Aušra SAUDARGIENE˙ 1,3, Asta KAZLAUSKIENE˙ 1, Airenas VAIČIUNAS¯ 1 1 Vytautas Magnus University, K. Donelaičio 58, LT-44248, Kaunas, Lithuania 2 Kaunas University of Technology, K. Donelaičio 73, LT-44249, Kaunas, Lithuania 3 Lithuanian University of Health Sciences, Eiveniu˛4, LT-50161, Kaunas Lithuania 4 Recognisoft, Ltd., K. Donelaičio 79-1, LT-44249, Kaunas, Lithuania e-mail: [email protected], [email protected], [email protected], [email protected], [email protected] Received: June 2018; accepted: May 2019 Abstract. Conventional large vocabulary automatic speech recognition (ASR) systems require a mapping from words into sub-word units to generalize over the words that were absent in the training data and to enable the robust estimation of acoustic model parameters. This paper surveys the research done during the last 15 years on the topic of word to sub-word mappings for Lithua- nian ASR systems. It also compares various phoneme and grapheme based mappings across a broad range of acoustic modelling techniques including monophone and triphone based Hidden Markov models (HMM), speaker adaptively trained HMMs, subspace gaussian mixture models (SGMM), feed-forward time delay neural network (TDNN), and state-of-the-art low frame rate bidirectional long short term memory (LFR BLSTM) recurrent deep neural network. Experimental comparisons are based on a 50-hour speech corpus. -
Atmintis, Vaizdas, Kultūra
Lietuvos kultūros tyrimai, 6 ATMINTIS, VAIZDAS, KULTŪRA LIETUVOS KULTŪROS TYRIMŲ INSTITUTAS Lietuvos kultūros tyrimai, 6 ATMINTIS, VAIZDAS, KULTŪRA V I L N I U S Lietuvos kultūros tyrimai, 6 ATMINTIS, VAIZDAS, KULTŪRA Leidybą parėmė Lietuvos kultūros taryba Sudarė doc. dr. Rita Repšienė, dr. Odeta Žukauskienė Redaktorių kolegija dr. Žilvinė Gaižutytė-Filipavičienė (Lietuvos kultūros tyrimų institutas) prof. dr. Aušra Jurgutienė (Lietuvių literatūros ir tautosakos institutas) dr. Eda Kalmre (Estijos literatūros muziejus, Tartu, Estija) doc. dr. Naglis Kardelis (Lietuvos kultūros tyrimų institutas, Vilniaus universitetas) dr. Małgorzata Litwinowicz (Varšuvos universiteto Lenkų kultūros institutas, Lenkija) doc. dr. Rūta Muktupāvela (Latvijos kultūros akademija, Ryga, Latvija) dr. Mindaugas Paknys (Lietuvos kultūros tyrimų institutas) doc. dr. Rita Repšienė, vyr. red. (Lietuvos kultūros tyrimų institutas, Lietuvos muzikos ir teatro akademija, Vilniaus universitetas) dr. Vytautas Rubavičius (Lietuvos kultūros tyrimų institutas) prof. dr. Rasa Vasinauskaitė (Lietuvos kultūros tyrimų institutas, Lietuvos muzikos ir teatro akademija) dr. Odeta Žukauskienė (Lietuvos kultūros tyrimų institutas) Straipsniai vertinti dviejų recenzentų Soul Is Holding Her Heart at Her Breast]. Le Mortifiement Viršelyjede Vaine Plaisance,René d’Anj ou. Siela laiko savo širdį prie krūtinės [ „Širdies vagystės“ iliustracija sukurta iki 1477 m. In: MS 165, Folio 31r. © The Fitzwilliam Museum, Cambridge. ISSN 2029-8560 ISBN 978-9955-868-77-4 © Sudarymas, Rita Repšienė,