July-2019-News.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

July-2019-News.Pdf Cathedral News July 2019 – No. 687 From: The Dean The weekend of 22nd and 23rd June was very special here in Exeter. On the 22nd, we hosted the final of the National Twelve Bell Striking Contest - the world cup for bell ringers - with 10 teams of ringers from all over the country competing for the ultimate prize. It was a fantastic day. 1000 people turned up. The sun was shining. The Bishop’s Garden, where most of the eating and drinking took place, was looking glorious. This was Exeter at its best, and our visitors clearly had a great time. At 6 pm, we gathered in the Cathedral for the results. These were announced in reverse order, with each team being identified by a code letter instead of their name, so as not to influence the Judges in their decision-making by knowing any team’s identity. We slowly counted down from 10 to 9 to 8 and so on. And then there were just two left. The audience knew that the two teams were Birmingham (winner in 8 years out of the past 9) and us, Exeter, the home team. In second place came ….Birmingham, and the Cathedral erupted. There were certainly a lot of Exeter supporters in town; a wonderful emotional end to a magnificent day. And here is Matt Hilling, the Ringing Master, with the trophy. 1 We are deeply indebted to the Bishop for the loan of his garden, to Claire Griffiths, the Tower Secretary, and all the volunteers for their immense hard work and attention to detail, and to Matt Hilling, our Ringing Master, and the band for bagging the trophy. The next morning, we celebrated Bishop Martin Shaw’s 50th anniversary of ordination to the priesthood. He presided at the 10 o’clock Eucharist, with a large congregation, and preached with more gusto even than normal. +Martin was ordained in Glasgow in 1969: Harold Wilson was Prime Minister, this was the year of the first Jumbo Jet flight, and the year that witnessed Neil Armstrong’s ‘giant step for mankind’. It was a long time ago. And for all the intervening period, the Church has been blessed by +Martin’s enthusiasm, music, energy, commitment and his deep quest for God. A particularly moving moment came during Holy Communion, when Madeleine Shaw took to the organ loft and joined the choir in a spectacular rendition of Mozart’s Laudate Dominum. And after coffee and cake came a delicious hog roast in the Cloister Garden, followed by ice cream from the Orange Elephant. We in Exeter are fortunate to have the Shaws in our midst, and it was great to be able to celebrate 50 years of priestly (and episcopal) ministry with +Martin, Elspeth and all the family. Jonathan Greener 2 News from the Company of Tapisers: Exeter Cathedral is privileged to host a prestigious embroidery exhibition from the collection of The Royal School of Needlework. Entitled ‘For Worship and Glory’, it will be in the North and South Quire Aisles from Thursday 1st August until Monday 26th August 2019 during normal Cathedral opening times. The pieces of ecclesiastical embroidery, dating from the late 19th century through to the 21st century, will feature on vestments, altar linen, church samplers... Here are two photographs to whet your appetite! First, the image used for advertising this exhibition comes from a set of twelve panels called The Litany of Loreto. These scenes all praise the various attributes of the Virgin Mary. The scenes are stitched with great skill and delicacy: ‘pre-Raphaelite’ hair, embroidered robes and a sense of drama. The remarkable stitching uses a limited palette of sepia, brown, grey and white and significant goldwork. Secondly, a framed Angel Head with a halo couched in gold thread, silk shading for the serene face, and deeply folded garments. In addition, placed beneath the Pulpitum, will be a display of some of the stitched treasures here at Exeter Cathedral – some old and some new. You may recognise some of them! We want to show how these pieces of needlework fit into the long tradition of ecclesiastical embroidery. 3 Do come and see this exhibition for yourself – and bring friends, family, and neighbours, too. You will be amazed at the precision and beauty of the work – and humbled by the dedication, care and love of the embroiderers who created them. Gift for Notre Dame In response to the devastating fire at Notre Dame in April the Company of Tapisers decided they would like to show their solidarity for the stricken Cathedral Community in Paris. This white and gold celebratory stole is the result: with a lily, to represent Notre Dame, and the crossed keys and sword, for Exeter Cathedral. This will be presented as a gift of friendship from the Exeter Cathedral Community. Diana Symes, Chairman of the Company of Tapisers The Retreat Association Icon Exeter Cathedral is delighted to host this icon during August – from 7th to 28th – when it will be on display in the Lady Chapel. A gift to the Retreat Association from iconographer John Coleman, the icon depicts the story of the Woman at the Well. Jesus talks with her, accepts her for who she is, and invites her to drink of life-giving water. The icon is a focus for our prayers and devotions, through which Jesus also offers us the water of life. We will host a Quiet Day themed around the icon on Saturday 10th August from 10am – 4pm. Based in the Chapter House, and with a combination of worship, short talks, and times for prayer – and with lunch provided. At a cost of £12, please book via the Cathedral website. 4 From the Cathedral Bellringers Well! Exeter Cathedral bellringers are now the proud winners of the National Twelve Bell Striking Contest! After all the months of planning, and all the dedicated practices by our focussed team of ringers, it remains a wonderful sensation, as well as an incredible surprise, that the competition culminated in such success – our team are still on cloud nine. The day itself could not have been more perfect, as can be seen from the photo below. From the moment I woke to clear blue skies I knew that it was going to be the occasion which we had all dreamed of during the long committee meetings, and detailed planning. Nevertheless, everything still needed to fit into place like clockwork for the day to run smoothly, and without an energetic and committed team of volunteers we would never have succeeded. Early on Saturday morning saw the Cloister Garden busy with teams erecting gazebos and lighting barbecues, portable toilets were delivered, and then the focus turned to the Palace Gardens where there were more gazebos to erect and beer to be delivered. It was a frenetic couple of hours, and even busier once our first visitors started to arrive for breakfast. Timing was of the essence, and sharp on 11am the Nave was filled with enthusiastic ringers waiting for the draw; Bishop Robert and Dean Jonathan led the welcome with warmth and humour, which included drawing the team names from a mitre! And then it was time for the ten competing teams to start ringing…. Exeter were drawn to ring fourth – a perfect position, as there is nothing more demanding than ringing first, nor soul destroying than having to wait until last. Under the sunshine, the Cloister Gardens were filled with people listening to the bells, and the Palace Gardens opened, to the rapturous admiration of everyone who came, for the herbaceous borders and roses could not have looked lovelier set against the backdrop of the Cathedral. The marquee hummed with activity, and the lawns were filled with people chatting and relaxing – a truly stunning image and one which our visitors will long remember. 5 The Cathedral was alive with the sound of bells from our mini-rings, the scent of flowers filled the air, and visitors enjoyed the displays and stands, and later on the Quire filled with people for an enthusiastic Choral Evensong to end the day. Excitement built even further as the judges returned to the Cathedral Nave to present their results; with the teams judged anonymously and announced in reverse order, the tension was palpable. And of course the Cathedral erupted when Exeter were announced as winners, with a score of 85%, a clear margin ahead of trophy holders Birmingham at 82%. A fantastic result for our team on their home bells, and the Dean was thrilled to present the trophy to our ringing master, Matt Hilling. The day wound down with more socialising in the Palace Gardens until the sunlight faded. A wonderful and glorious day, crowned with the perfect result. And here is the victorious Exeter team. We did credit to our supplies – all beer was drunk (with sales amounting to over £6,000), all food was eaten, and everyone reported that the day had been an incredible success, with some 900 people passing through. Exeter Cathedral can be rightly proud to have hosted the National Twelve Bell Final, it is rare to have days when the Cathedral can be showcased to such a wide audience, including a live broadcast on the internet! The Palace Gardens added that special wow factor to the day, one which will, I suspect, trump all successive hosts. The welcome from all our volunteers was fundamental to the success, and for myself personally, the help from all the Cathedral staff and volunteers both on the day, and during the busy days beforehand when we were setting up, was both incredible and invaluable; team work in every sense.
Recommended publications
  • 16-12 Prog.Pdf
    Fanfare for Christmas The title of our concert is taken from our opening song for the full choir - Fanfare for Christmas Day: Gloria in Excelsis Deo, an anthem, by Martin Shaw. Martin Edward Fallas Shaw OBE FRCM (1875 – 1958) was an English composer, conductor and (in his early life) theatre producer. His over 300 published works include songs, hymns, carols, oratorios, several instrumental works, a congregational mass setting (the Anglican Folk Mass) and four operas including a ballad opera With a voice of Singing is another of his anthems in our repertoire, performed several times in the past at Kowhai Singers concerts. Conductor Peter Cammell (BA, Post Grad. Dip. Mus.) studied music at Auckland and Otago Universities and then taught in secondary schools in both Auckland and London. He has sung in the Dorian Choir, Auckland Anglican Cathedral Choir, Cantus Firmus, The Graduate Choir, Musica Sacra, Viva Voce, and is currently with Calico Jam. As director of the Kowhai Singers for 21 years Peter has worked hard to extend the choir's repertoire and singing skills and thereby their musical understanding. Accompanist Riette Ferreira (PhD) has been the choir's pianist for most of the time since August 2003 except when personal commitments such as study towards her PhD degree in Music has taken her away from us. She has wide experience teaching music in both South African and New Zealand schools and is frequently engaged as director and/or keyboard player for musical theatre productions at Centrestage Theatre, Orewa. Introit - Beata Viscera Marie Virginis† (words 12th C) Pontin Fanfare for Christmas Day: Gloria in Excelsis Deo Martin Shaw While shepherds watched their flocks (with the congregation) Welcome, Yule! (Anon.
    [Show full text]
  • Wexford Carol                                   1
    q = 64 Wexford Carol 1. Good peo - ple all, this Christ-mas- time, con - si - der well and 2. The night be - fore that hap - py tide, the no - ble Vir - gin 3. Near Beth- le - hem did shep-herds keep theirflocks of lambs and 4. With thank-ful heart and joy - ful mind, the shep-herds went the 5. There were three wise men from a - far di - rec - ted by a bear in mind what our good God for us has done, in and her guide were long time seek - ing up and down to feed -ing sheep; to whom God's an - gels did ap - pear, which babe to find, and as God's an - gel had fore - told, they glo-rious star, and on they wan - dered night and day un- send-ing his be -lo - ved son. With Ma - ry ho - ly find a lodg - ing in the town. But mark how all things put the shep - herds in great fear. "Pre - pare and go," the did our Sav - ior Christ be - hold. With - in a man - ger til they came where Je - sus lay. And when they came un - WORDS: Traditional English and Irish (Mt. 1:18-2:11; Luke 2:1-20) WEXFORD CAROL MUSIC: Traditional Irish melody, arr. Martin Shaw (1875-1958) LMD Published by The General Board of Discipleship of The United Methodist Church, PO Box 340003, Nashville TN 37203. Website www.gbod.org/worship Source: The Oxford Book of Carols, compiled and edited by Percy Dearmer, R. Vaughan Williams, Martin Shaw.
    [Show full text]
  • Lorenzo Mango
    Lorenzo Mango CRAIG AND IBSEN TEXT PERFORMANCE AND PRODUCTION* In one of the very first volumes to study the considerable transformations in early twentieth-century theatre Sheldon Cheney makes a very interesting remark: ‘There are two great revolutionary figures in the history of the modern theatre: Henrik Ibsen and Gordon Craig’, immediately afterwards specifying that while the former had revitalized tradition in its best aspects, the latter had radically subverted it. His conclusion was that ‘Ibsen is the great reformer, Craig the great secessionist’.1 Cheney’s reading presents the two as avenues to modernity: radical reform of theatre writing on the one hand and the ‘secession’ of dramatic form itself, out and out revolution, on the other. Two roles and functions which met in Craig’s staging of three Ibsen plays: The Vikings of Helgeland which premiered under the title The Vikings in 1903, Rosmersholm, in 1906, and The Pretenders, in 1926.2 The Craig-Ibsen relationship was singular and tortuous. Of the three productions two – the second and third – stemmed from external commissions, only one being the result of explicit choice. The temptation exists to reduce the significance of the ‘great reformer meets great revolutionary’ not to any specific interest but to opportunity tinged with opportunism, given Ibsen’s almost invasive presence on the European scene in the early twentieth century. Craig’s measuring himself against Ibsen, in other words – the fact that three of his total of nine productions were dedicated to Ibsen – is simply further proof of the dramatist’s importance in the birth of stage directing.3 However, while this ground-breaking moment certainly offered the opportunity for * Translated by Anita Weston, Università degli Studi Internazionali di Roma.
    [Show full text]
  • Holst and Vaughan Williams Manuscripts at Liverpool Cathedral
    HOLST AND VAUGHAN WILLIAMS MANUSCRIPTS AT LIVERPOOL CATHEDRAL Judith The recent discovery of a small collection of manuscripts at the Anglican Cathedral, Liverpool, has shed light on a precisely identifiable but now almost forgotten period in the late 1920s and early 1930s when the Cathedral provided the initial context for various innovations in church music, some of which have become established as enduring features of the repertory. The collection also gives an insight into the working methods of two composers whose importance extends far beyond that of their contributions to English church music: Gustav Hoist and Ralph Vaughan Williams. The collection consists chiefly of correspondence, dating from c. 1930 to 1951, between the Dean of the Cathedral and various distinguished individuals including Hoist, Vaughan Williams and the composer Martin Shaw (1875 1958). Of particular interest are two manuscripts of music: an autograph draft score of Hoist's anthem Eternal Father, who didst all create] and a printed vocal score annotated by the composer, with corresponding autograph manuscript instrumental parts, of the Te Deum in G by Vaughan Williams. The Cathedral archive is essentially a private one without facilities for research, and the discovery of these manuscripts was fortuitous. As an aid to scholars, therefore, the Cathedral authorities kindly permitted the manuscripts to be photographed. One complete set of photographs is now held by the Department of Music at Liverpool Univer­ sity. Of the second set of photographs, those showing the hand of Gustav Hoist are now in the possession of the Hoist 162 J. Foundation. Those pertaining to Ralph Vaughan Williams have been donated to the Department of Manuscripts at the British Library by Mrs Ursula Vaughan Williams.
    [Show full text]
  • ECOCA Newsletter February 2018
    ECOCA Newsletter February 2018 Contents Editor’s Letter ECOCA Reunion Remembering Naomi Sourbut ‘Keep singing’, Charles Roberts, ECOCA Chair Choir News Introducing the new Dean, Very Reverend Jonathan Greener Thank you Bishop Martin Shaw Appointment of new Canon Precentor, Reverend James Mustard Christmas Market Dear Members, Welcome to the ECOCA Newsletter February 2018. It has been a further year of change for Exeter Cathedral, with the arrival of the new Dean and President of ECOCA. I am hoping to make a change to the way we communicate news in the future, using email to stay in touch a little more regularly. If you subscribe to receive this email then I would hope to send an electronic newsletter around July, as well as a February edition. As always, I would be very happy to receive any news or contributions for future editions. Please feel free to contact me at anytime with your news or ideas: Matthew Ryan Email: [email protected] Top Floor Flat 8A Islingword Street Brighton BN2 9UR 2 ECOCA Reunion: Gordon Pike, Hon Treasurer Easter Monday 2017 was like putting the icing on top of a big cake. All the services through Holy Week had been well attended and it was good to see that over forty Old choristers had gathered by 10.30am for a rehearsal with Timothy Noon, the director of Music, and all the choristers. The music was Schubert Mass in G and Elgar’s Ave Verum. Jonathan Titchin read the Epistle and our Chairman Reverend Charles Roberts provided the Intercessions. He remembered some Old choristers who were unable to attend owning to illness.
    [Show full text]
  • 1B1a Service of Music and Readings 2Bfor Advent
    MAGDALEN COLLEGE OXFORD 1B1A SERVICE OF MUSIC AND READINGS 2BFOR ADVENT Sunday 29th November 2020 6.00 pm Online The service is led by Andrew Bowyer, Dean of Divinity. The Choir is directed by Mark Williams, Informator Choristarum, and the organ is played by Alexander Pott, Assistant Organist & Tutor to the Choristers, and Romain Bornes, Organ Scholar and Music undergraduate. After the clock strikes, the College Choir sings: ROP down ye heavens from above, And let the skies pour down righteousness: Comfort ye, comfort ye, my people; Dmy salvation shall not tarry. I have blotted out as a thick cloud thy transgressions. Fear not, for I will save thee; For I am the Lord thy God, the holy one of Israel, thy redeemer. Drop down ye heavens from above, And let the skies pour down righteousness. Words: The Advent Prose, cf. Isaiah 45 Music: Judith Weir (b. 1954) The Dean of Divinity says: ‘Behold, I stand at the door and knock. If anyone hears my voice and opens the door, I will come in to them’ Revelation 2: 20 ‘Lift up your heads, O ye gates; be lifted up ye everlasting doors; and the King of glory shall come in.’ Psalm 24: 7 The Dean of Divinity says the BIDDING PRAYER: My brothers and sisters, we enter today the solemn season of Advent in which the Church bids us prepare to celebrate the coming of Christ; a coming that we recall in the Child of Bethlehem; a coming that we experience in the gift of his Spirit, in the bread of the Eucharist, in the joy of human lives that are shared; a coming we wait for when God gathers up all things in Christ.
    [Show full text]
  • Download the April 2018 Edition of Cathedral
    Cathedral News April 2018 – No. 672 From the Dean : I first went to Romania for Easter while I was a theological student. We were staying in Sibiu, in Transylvania – Dracula country. At about half past two on Easter morning, we were woken in our dormitory by the crowds in the street below. At four in the morning, when the Liturgy started, there were seven or eight or nine thousand people in or around the Cathedral, all holding lighted candles, and singing with great enthusiasm Hristos a Inviat - or, in English: Christ is risen from the dead, trampling down death by death. And bestowing life on those who are in the grave. The words of the song look to the future, but the fervent worship is certainly about here and now. I’ve spent several Easters in Romania since, and every time it’s the same. But it’s not just the worship. Easter in Romania marks a real turning point in daily life. For the next 50 days, until Pentecost, you no longer greet people with ‘Good Morning’, but with ‘Christ is risen’. And the answer, ‘He is risen indeed.’ We may say, here in England, that we are an Easter people and Alleluia is our song. But in Romania they live as an Easter people: it affects what they say, how they dress, what they eat. Easter is lived out every day. Resurrection becomes a part of the here and now. As I’ve worked on my Holy Week addresses on the Holocaust, I’ve spent quite a lot of time wondering whether I believe in resurrection.
    [Show full text]
  • Percy Dearmer and William Palmer Ladd
    Downloaded from https://doi.org/10.1017/S1740355321000127 Journal of Anglican Studies (2021), 19,2–3 doi:10.1017/S1740355321000127 FROM THE EDITOR https://www.cambridge.org/core From the Interim Editor: In the Spirit’s Tether: Percy Dearmer and William Palmer Ladd Andrew McGowan Consulting Editor . IP address: 170.106.202.58 Four articles in this edition of the Journal arise from commemoration of a recent centenary, and of a transatlantic friendship that was highly significant for the devel- opment of modern Anglican liturgy. , on In 1918 William Palmer Ladd, professor of Church History at the Berkeley Divinity School in Middletown, Connecticut, was appointed Dean of that School. 30 Sep 2021 at 12:45:04 Among his first acts was to invite Percy Dearmer, by then author of The Parson’s Handbook and editor of The English Hymnal,1 to the United States as vis- iting professor at the seminary for the 1918-19 academic year. If Dearmer was already an established authority when he went to the USA, Ladd would after this visit become the intellectual leader, both through his teaching at , subject to the Cambridge Core terms of use, available at Berkeley and through the abiding influence of his book Prayer Book Interleaves,2 of the movement for liturgical reform that eventually led to the 1979 Book of Common Prayer. Yet neither Dearmer’s American sojourn nor the connection between Ladd and Dearmer have been given the attention they deserve. Three of these four articles come from a symposium ‘In the Spirit’s Tether’3 held at Yale in 2019, to commemorate the centenary both of Ladd’s appointment and Dearmer’s time in America, and to explore these two figures and their relationship.
    [Show full text]
  • The Oxford Book of Carols, 1964, 454 Pages, Percy Dearmer, Martin Shaw, Ralph Vaughan Williams, 0193533154, 9780193533158, Oxford University Press, 1964
    The Oxford Book of Carols, 1964, 454 pages, Percy Dearmer, Martin Shaw, Ralph Vaughan Williams, 0193533154, 9780193533158, Oxford University Press, 1964 DOWNLOAD http://bit.ly/1vwv0P0 http://goo.gl/RmY9J http://en.wikipedia.org/wiki/The_Oxford_Book_of_Carols A firm favourite with choirs for many years, this is a classic collection of traditional carols. Width its breadth of material, notes on sources, extended introduction and indexes, it is indispensable both as a choral colleciton and as a standard reference book. DOWNLOAD http://ow.ly/uYeIR http://thepiratebay.sx/torrent/73618217702029 http://bit.ly/1kPjorN Voices Found Women in the Church's Song, Lisa Neufeld Thomas, Apr 1, 2003, Religion, 277 pages. Voices Found: Women in the Church's Song is a rich collection of hymns and spiritual songs by, for, and about women. The music is written overall in congregational hymn style. Gospel Hymns Nos. 1 to 6 Complete , Ira David Sankey, James McGranahan, George Coles Stebbins, Philip Paul Bliss, 1894, Gospel music, 688 pages. The Oxford book of carols , , 1928, Carols, English, 248 pages. The Harvard University Hymn Book , , 2007, Music, 523 pages. Since 1892, Harvard University, like many distinguished academic institutions, has compiled a hymnal for use in its own worship services. The fourth edition of The Harvard. The Hymnal, 1940 With Supplements I and II, Church Publishing, Jan 1, 2001, Music, 857 pages. A classic Episcopal hymnal which includes the Supplemental Liturgical Index and collection of service music from 1961.. Carols for Choirs: Fifty carols for Christmas and Advent , Reginald Jacques, David Willcocks, John Rutter, Feb 1, 1972, Music, 224 pages.
    [Show full text]
  • See 2021-22 Choral Music Schedule
    Christ Church Cathedral, Cincinnati, Ohio 2021-2022 Choral Music Schedule Except where otherwise indicated, all liturgies and concerts are sung by the Christ Church Cathedral Choir. Events marked with an asterisk (*) are ticketed. SUNDAY 10:00 EUCHARIST: RITE II 5 September Anthems: King of Glory – T. Frederick H. Candlyn Pentecost 15 (Proper 18) Blessed Is He that Considereth – Michael Wise SUNDAY 10:00 EUCHARIST: RITE II 12 September Anthems: Prayer of St. Richard of Chichester – Malcolm Archer Pentecost 16 (Proper 19) Ain’-a That Good News – K. Scott Warren SUNDAY 10:00 EUCHARIST: RITE II 19 September Anthems: O for a Closer Walk with God – Grayston Ives Pentecost 17 (Proper 20) Strengthen for Service – Leo Nestor 3:00 CONCERT: THE BAROQUE SPIRIT SUNDAY 10:00 EUCHARIST: RITE II 26 September Anthems: Os justi meditabitur – Anton Bruckner Pentecost 18 (Proper 21) Hear My Prayer – Moses Hogan 5:30 *CONCERT FOR THE HUMAN FAMILY SUNDAY 10:00 EUCHARIST: RITE II 3 October Anthems: Faith, Hope, and Love Remain – Malcolm Archer Pentecost 19 (Proper 22) Love Bade Me Welcome – David Hurd 5:00 CHORAL EVENSONG Canticles: Magnificat and Nunc dimittis in B Minor – T. Tertius Noble Anthem: The Lord Is My Shepherd – Charles Villiers Stanford SUNDAY 10:00 EUCHARIST: RITE II (Indigenous Peoples Celebration) 10 October Anthem: Earth Teach Me – Rupert Lang Pentecost 20 (Proper 23) SUNDAY 10:00 EUCHARIST: RITE II (Christ Church Singers) 17 October Anthems: Ecce sacerdos magnus – Edward Elgar Pentecost 21 (Proper 24) Seek to Serve – Lloyd Pfautsch SUNDAY 10:00 EUCHARIST: RITE II 24 October Anthems: Christ, Whose Glory Fills the Skies – T.
    [Show full text]
  • Carol Service, 1947
    Carol Service 1947 Carol Service, 1947 Sources: Carols 1-32: Martin Shaw and Percy Dearmer, eds., The English Carol Book: First Series (London: A. R. Mowbray & Co., Ltd., 1913) • Carol 7, Christ Is Born • Carol 9, The First Nowell • Carol 13, Good King Wenceslas • Carol 19, In Dulci Jubilo • Carol 21, The Crown Of Roses (When Jesus Christ Was Yet A Child) Carols 33-54: Martin Shaw and Percy Dearmer, eds., The English Carol Book: Second Series (London: A. R. Mowbray & Co., Ltd., 1919) • Carol 51, This Endris Night Hymns: W. H. Monk and C. Steggall, eds., Hymns Ancient and Modern (London: William Clowes and Sons, Ltd., "Old Edition, 1889," reprinted 1906) • Hymn 59, O Come, All Ye Faithful • Hymn 62, While Shepherds Watched Their Flocks • Hymn 79, As With Gladness, Men Of Old • Hymn 329, Once In Royal David's City • Hymn 622, Virgin-Born! We Bow Before Thee Page 2 Carol Service, 1947 Carol Service, 1947 One evening in September 2004, I received a copy of The English Carol Book: Complete Edition by Martin Shaw and Percy Dearmer (1938). On the back cover was a handwritten note, "Carol Service, 1947," No mention was made of which hymnal was being used. I obtained this copy from a bookstore in Rockport, Massachusetts, USA. I posted this finding to the Christmas International Group at Yahoo.com. The next day, a member of the group, Alan E. Mack, posted the following message: In all probability it was the British hymnal Hymns Ancient and Modern, Standard Edition, 1924. If this were so, the hymns would be #59: "O come all ye faithful;" #62: "While
    [Show full text]
  • Essays on Benjamin Britten from a Centenary Symposium
    Essays on Benjamin Britten from a Centenary Symposium Essays on Benjamin Britten from a Centenary Symposium Edited by David Forrest, Quinn Patrick Ankrum, Stacey Jocoy and Emily Ahrens Yates Essays on Benjamin Britten from a Centenary Symposium Edited by David Forrest, Quinn Patrick Ankrum, Stacey Jocoy and Emily Ahrens Yates This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by David Forrest, Quinn Patrick Ankrum, Stacey Jocoy, Emily Ahrens Yates and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8613-0 ISBN (13): 978-1-4438-8613-0 TABLE OF CONTENTS List of Tables ............................................................................................. vii Acknowledgements .................................................................................... ix Introduction ................................................................................................. 1 David Forrest Part One: Essays Chapter One ................................................................................................. 9 Anthologizing Christmas: Britten’s Literacy and A Boy was Born Kevin Salfen Chapter
    [Show full text]