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An Early Ecclesiological Tour
AN EARLY ECCLESIOLOGICAL TOUR In 1843 John Mason Neale, one of the founders of the Cambridge Camden Society, composed a short book on a subject that was beginning to attract good numbers of well-educated young men whose imagination was stirred by the drama of the Oxford Movement and the consequent attention directed to the condition of the nation's churches. The Camden Society had been established in 1839 to promote Ecclesiology - 'the study of Gothic Architecture, and of Ecclesiastical Antiquities', - and it rapidly became the main channel for the investigation of Gothic design in all its phases and for the consideration of the appropriate furnishings of an Anglican church in the mid-nineteenth century.i Neale was in his final year at Trinity College in 1839; by 1843 he was Chairman of the Society and already the author of numerous pamphlets on ecclesiological matters, often in conjunction with his close friend at Trinity, Benjamin Webb. The Society encouraged its members to undertake church tours, in a restricted locality, to record the contents and condition of churches in a systematic way, in order to create a register of the medieval buildings of the Church of England.ii During his undergraduate years, Neale made several intensive tours of different localities, which set the pattern for the perambulations that he described in his book of 1843.iii He gave this book an enigmatic title: Hierologus: A Church Tour though England and Wales. Hierologus can be translated as 'A Discourse on Sacred Matters'. The format of the book is modelled on Izaac Walton's Compleat Angler, where the interlocutors are Piscator, Venator and Auceps, the angler, the hunter and the hawker. -
16-12 Prog.Pdf
Fanfare for Christmas The title of our concert is taken from our opening song for the full choir - Fanfare for Christmas Day: Gloria in Excelsis Deo, an anthem, by Martin Shaw. Martin Edward Fallas Shaw OBE FRCM (1875 – 1958) was an English composer, conductor and (in his early life) theatre producer. His over 300 published works include songs, hymns, carols, oratorios, several instrumental works, a congregational mass setting (the Anglican Folk Mass) and four operas including a ballad opera With a voice of Singing is another of his anthems in our repertoire, performed several times in the past at Kowhai Singers concerts. Conductor Peter Cammell (BA, Post Grad. Dip. Mus.) studied music at Auckland and Otago Universities and then taught in secondary schools in both Auckland and London. He has sung in the Dorian Choir, Auckland Anglican Cathedral Choir, Cantus Firmus, The Graduate Choir, Musica Sacra, Viva Voce, and is currently with Calico Jam. As director of the Kowhai Singers for 21 years Peter has worked hard to extend the choir's repertoire and singing skills and thereby their musical understanding. Accompanist Riette Ferreira (PhD) has been the choir's pianist for most of the time since August 2003 except when personal commitments such as study towards her PhD degree in Music has taken her away from us. She has wide experience teaching music in both South African and New Zealand schools and is frequently engaged as director and/or keyboard player for musical theatre productions at Centrestage Theatre, Orewa. Introit - Beata Viscera Marie Virginis† (words 12th C) Pontin Fanfare for Christmas Day: Gloria in Excelsis Deo Martin Shaw While shepherds watched their flocks (with the congregation) Welcome, Yule! (Anon. -
Ecclesiology Today
•I ECCLESIOLOGY TODAY Numbcr9 January 1996 Incorporating the NEWSLETTER of the ECCLESIOLOGICAL SOCIETY Successor ofthe Cambridge Camden Sociery of 1839 Registered Charity no. 210501 PRESIDENT; D.R. Buttress, MA, Dip.Arch., FSA, ARIBA Surveyor of Wesuninster Abbey IN THIS ISSUE Annual General Meeting and Annual Service Planning Day Records of the Ecclesiological Society Conference 1996 Articles: St. Mark's, Silvertown; The Revd. Dr. John Mason Neale 1818-1866; Dr. Campbell's Visit to London; Peace Which the World Cannot Give For the Bookshelf Details of Summer Visits ECCLESIOLOGY TODAY Number9 January 1996 Incorporating the NEWSLETTER of the ECCLESIOLOGICAL SOCIETY Successor ofthe Cambridge Camden Socie1y of 1839 Reg islered Charity no. 210501 PRESIDENT: D.R. Buttress, MA, Dip.Arch., FSA, ARIBA S11rveyor of Westminster Abbey THE SOCIETY'S OFFICERS SUBSCRIPTIONS CHAIRMAN OF THE COUNCIL: Paul Velluet, B.A., Annual subscriptions were due on lst January. Those _,.. BArch, MLitt, RIBA, 9 Bridge Road, St. Margaret's, still outstanding should be sent as soon as possible to the Twickenham, Middlesex TWl IRE. Hon. Treasurer, Mr. R.L. Cline, 34 Kingstown Street, HON. SECRETARY & EDITOR of "ECCLESIOLOGY London NWl 8JP. The rates are once again unchanged: TODAY": Professor Kenneth H. Muna, BArch, DipArch, £6 for members within 30 miles of central London FRIBA, "Underedge'', Back Lane, Hathersage, Derbyshire (reduced to £4 for under-25 and retired members), £4 for S30 lAR. country members (reduced to £3 for under-25 and retired HON. TREASURER: Roger Cline, MA, LLB, 34 members) and £5 for corporate members; overseas rates Kingstown Street, London NWl 8JP. are likewise unchanged. -
Wexford Carol 1
q = 64 Wexford Carol 1. Good peo - ple all, this Christ-mas- time, con - si - der well and 2. The night be - fore that hap - py tide, the no - ble Vir - gin 3. Near Beth- le - hem did shep-herds keep theirflocks of lambs and 4. With thank-ful heart and joy - ful mind, the shep-herds went the 5. There were three wise men from a - far di - rec - ted by a bear in mind what our good God for us has done, in and her guide were long time seek - ing up and down to feed -ing sheep; to whom God's an - gels did ap - pear, which babe to find, and as God's an - gel had fore - told, they glo-rious star, and on they wan - dered night and day un- send-ing his be -lo - ved son. With Ma - ry ho - ly find a lodg - ing in the town. But mark how all things put the shep - herds in great fear. "Pre - pare and go," the did our Sav - ior Christ be - hold. With - in a man - ger til they came where Je - sus lay. And when they came un - WORDS: Traditional English and Irish (Mt. 1:18-2:11; Luke 2:1-20) WEXFORD CAROL MUSIC: Traditional Irish melody, arr. Martin Shaw (1875-1958) LMD Published by The General Board of Discipleship of The United Methodist Church, PO Box 340003, Nashville TN 37203. Website www.gbod.org/worship Source: The Oxford Book of Carols, compiled and edited by Percy Dearmer, R. Vaughan Williams, Martin Shaw. -
John Mason Neale Trail, East Grinstead John Mason Neale (B.1818-D.1866) Was Warden at Sackville College Almshouse from 1846-1866
John Mason Neale Trail, East Grinstead John Mason Neale (b.1818-d.1866) was Warden at Sackville College Almshouse from 1846-1866. He lived there with his wife and family and wrote many well- known hymns and carols, including “Good King Wenceslas”. In St Swithun’s Church, John Mason Neale is depicted in the central panel of the Oxford Movement window on the north or left hand wall of the church as you face the altar. His prayer desk is in the Lady Chapel, his Crucifix hangs over the altar and his tomb is in the churchyard. From the Church walk towards the High Street and after passing under the iron arch turn left along the footpath. Just before reaching Church Lane, enter the Churchyard via the iron gate and John Mason Neale’s tomb is a few yards in, on your right. Retrace your steps and go out onto Church Lane, turn right to the High Street and walk east to Sackville College. St Swithun’s Church is open during the daytime. Free Guided Tours Monday & Thursday afternoons at 2pm during the summer Church Tours please contact John Ellis [email protected] 01342 300810 Contact: The Parish Administrator, St. Swithun's Close, East Grinstead, West Sussex,RH19 3BB Tel: 01342 325026 Email: [email protected] www.swithuneastgrinstead.org.uk S. Metcalfe 30/12/2017 From Sackville College: Follow the High Street to Church Lane and enter the Churchyard via the iron gate: John Mason Neale’s tomb is a few yards in on your right. Retrace your steps and go right. -
Lorenzo Mango
Lorenzo Mango CRAIG AND IBSEN TEXT PERFORMANCE AND PRODUCTION* In one of the very first volumes to study the considerable transformations in early twentieth-century theatre Sheldon Cheney makes a very interesting remark: ‘There are two great revolutionary figures in the history of the modern theatre: Henrik Ibsen and Gordon Craig’, immediately afterwards specifying that while the former had revitalized tradition in its best aspects, the latter had radically subverted it. His conclusion was that ‘Ibsen is the great reformer, Craig the great secessionist’.1 Cheney’s reading presents the two as avenues to modernity: radical reform of theatre writing on the one hand and the ‘secession’ of dramatic form itself, out and out revolution, on the other. Two roles and functions which met in Craig’s staging of three Ibsen plays: The Vikings of Helgeland which premiered under the title The Vikings in 1903, Rosmersholm, in 1906, and The Pretenders, in 1926.2 The Craig-Ibsen relationship was singular and tortuous. Of the three productions two – the second and third – stemmed from external commissions, only one being the result of explicit choice. The temptation exists to reduce the significance of the ‘great reformer meets great revolutionary’ not to any specific interest but to opportunity tinged with opportunism, given Ibsen’s almost invasive presence on the European scene in the early twentieth century. Craig’s measuring himself against Ibsen, in other words – the fact that three of his total of nine productions were dedicated to Ibsen – is simply further proof of the dramatist’s importance in the birth of stage directing.3 However, while this ground-breaking moment certainly offered the opportunity for * Translated by Anita Weston, Università degli Studi Internazionali di Roma. -
Holst and Vaughan Williams Manuscripts at Liverpool Cathedral
HOLST AND VAUGHAN WILLIAMS MANUSCRIPTS AT LIVERPOOL CATHEDRAL Judith The recent discovery of a small collection of manuscripts at the Anglican Cathedral, Liverpool, has shed light on a precisely identifiable but now almost forgotten period in the late 1920s and early 1930s when the Cathedral provided the initial context for various innovations in church music, some of which have become established as enduring features of the repertory. The collection also gives an insight into the working methods of two composers whose importance extends far beyond that of their contributions to English church music: Gustav Hoist and Ralph Vaughan Williams. The collection consists chiefly of correspondence, dating from c. 1930 to 1951, between the Dean of the Cathedral and various distinguished individuals including Hoist, Vaughan Williams and the composer Martin Shaw (1875 1958). Of particular interest are two manuscripts of music: an autograph draft score of Hoist's anthem Eternal Father, who didst all create] and a printed vocal score annotated by the composer, with corresponding autograph manuscript instrumental parts, of the Te Deum in G by Vaughan Williams. The Cathedral archive is essentially a private one without facilities for research, and the discovery of these manuscripts was fortuitous. As an aid to scholars, therefore, the Cathedral authorities kindly permitted the manuscripts to be photographed. One complete set of photographs is now held by the Department of Music at Liverpool Univer sity. Of the second set of photographs, those showing the hand of Gustav Hoist are now in the possession of the Hoist 162 J. Foundation. Those pertaining to Ralph Vaughan Williams have been donated to the Department of Manuscripts at the British Library by Mrs Ursula Vaughan Williams. -
ECOCA Newsletter February 2018
ECOCA Newsletter February 2018 Contents Editor’s Letter ECOCA Reunion Remembering Naomi Sourbut ‘Keep singing’, Charles Roberts, ECOCA Chair Choir News Introducing the new Dean, Very Reverend Jonathan Greener Thank you Bishop Martin Shaw Appointment of new Canon Precentor, Reverend James Mustard Christmas Market Dear Members, Welcome to the ECOCA Newsletter February 2018. It has been a further year of change for Exeter Cathedral, with the arrival of the new Dean and President of ECOCA. I am hoping to make a change to the way we communicate news in the future, using email to stay in touch a little more regularly. If you subscribe to receive this email then I would hope to send an electronic newsletter around July, as well as a February edition. As always, I would be very happy to receive any news or contributions for future editions. Please feel free to contact me at anytime with your news or ideas: Matthew Ryan Email: [email protected] Top Floor Flat 8A Islingword Street Brighton BN2 9UR 2 ECOCA Reunion: Gordon Pike, Hon Treasurer Easter Monday 2017 was like putting the icing on top of a big cake. All the services through Holy Week had been well attended and it was good to see that over forty Old choristers had gathered by 10.30am for a rehearsal with Timothy Noon, the director of Music, and all the choristers. The music was Schubert Mass in G and Elgar’s Ave Verum. Jonathan Titchin read the Epistle and our Chairman Reverend Charles Roberts provided the Intercessions. He remembered some Old choristers who were unable to attend owning to illness. -
A Christmas Carol Treasury
A Victorian Carol Book Popular Selections from the 19th Century Suggested from the contents of hymnals and carol collections of the Era A Victorian Carol Book Popular Selections from the 19th Century Suggested from the contents of hymnals and carol collections of the Era First Edition Copyright 2004, Douglas D. Anderson All rights reserved. You may freely reproduce for non-commercial uses, so long as this notice is included. Get updates and additional carols and hymns at The Hymns and Carols of Christmas www.hymnsandcarolsofchristmas.com All songs in this songbook are in the public domain. Only public domain arrangements have been used in the compilation of this collection. Sources include: William Sandys, Christmas Carols Ancient and Modern London: Richard Beckley, 1833 Joshua Sylvestre, A Garland of Christmas Carols, Ancient and Modern London: 1861, reprinted by A. Wessels Company, New York, 1901 (Sylvestre is believed to have been a pseudonym for collaboration between William Sandys and William Henry Husk) William Henry Husk, Songs of the Nativity London: John Camden Hotten, 1868, reprinted by Norwood Editions, Norwood, PA, 1973 Rev. Henry Ramsden Bramley and Sir John Stainer, Christmas Carols New and Old First, Second and Third Series London: Novello, Ewer & Co., ca 1860s and 1870s Rev. Richard R. Chope, Carols For Use In Church London: William Clowes & Sons, The Complete Edition, 1894 Martin Shaw and Rev. Percy Dearmer, The English Carol Book London: Mowbray & Co., Ltd. First Series, 1913 Second Series, 1919 Rev. Charles L. Hutchins, Carols Old And Carols New Boston: The Parish Choir, 1916 A Victorian Carol Book Table of Contents 1. -
1B1a Service of Music and Readings 2Bfor Advent
MAGDALEN COLLEGE OXFORD 1B1A SERVICE OF MUSIC AND READINGS 2BFOR ADVENT Sunday 29th November 2020 6.00 pm Online The service is led by Andrew Bowyer, Dean of Divinity. The Choir is directed by Mark Williams, Informator Choristarum, and the organ is played by Alexander Pott, Assistant Organist & Tutor to the Choristers, and Romain Bornes, Organ Scholar and Music undergraduate. After the clock strikes, the College Choir sings: ROP down ye heavens from above, And let the skies pour down righteousness: Comfort ye, comfort ye, my people; Dmy salvation shall not tarry. I have blotted out as a thick cloud thy transgressions. Fear not, for I will save thee; For I am the Lord thy God, the holy one of Israel, thy redeemer. Drop down ye heavens from above, And let the skies pour down righteousness. Words: The Advent Prose, cf. Isaiah 45 Music: Judith Weir (b. 1954) The Dean of Divinity says: ‘Behold, I stand at the door and knock. If anyone hears my voice and opens the door, I will come in to them’ Revelation 2: 20 ‘Lift up your heads, O ye gates; be lifted up ye everlasting doors; and the King of glory shall come in.’ Psalm 24: 7 The Dean of Divinity says the BIDDING PRAYER: My brothers and sisters, we enter today the solemn season of Advent in which the Church bids us prepare to celebrate the coming of Christ; a coming that we recall in the Child of Bethlehem; a coming that we experience in the gift of his Spirit, in the bread of the Eucharist, in the joy of human lives that are shared; a coming we wait for when God gathers up all things in Christ. -
John Mason: Anglican Millenarian and Friend of Dissenters 1
JOHN MASON: ANGLICAN MILLENARIAN AND FRIEND OF DISSENTERS 1 MARILYN LEWIS In an earlier article, 2 John Mason, the millenarian rector of Water Straiford, was depicted as an old-fashioned Puritan within the Church of England who was friendly with Dissenters and much admired by later Evangelicals. Here, his relationships with contemporary Dissenting, and barely conforming, friends and his influence on later Evangelical admirers and critics, both Anglican and Nonconformist, are explored in greater depth. His career shows that the bound• aries between the Church of England and Dissent were less sharply demarcated than is often supposed. The Buckinghamshire writer of the much-loved hymn 'How shall I sing that majesty which angels do admire?' emerges as a fascinating case study in the history of English Protestantism. John Mason, rector of Water Stratford near Buck• millenarianism to ask whether his theology was ingham, gained notoriety for predicting the second influenced by Dissent, we see how later Dissenters coming of Christ at Ascensiontide 1694 and gath• and Anglican Evangelicals generally criticized his ering a group of perhaps 500 disciples to wait for preaching of the second Advent. Finally, we notice it. He died three or four days after Ascension Day, the Dissenters among Mason's descendants, but a few of his followers remained at Water including his great-great-great-great grandson Stratford until the early eighteenth century. Mason John Mason Neale, who was a catholic dissenter would probably be remembered only as a mistaken within the Church of England. enthusiast if he had not written hymns, a few of Before looking in detail at Mason's relationships which are still sung, and had his grandson not with Dissenters, it is necessary to place his career published a collection of his sayings and letters, within the context of seventeenth-century English which were treasured by eighteenth- and nine• church history. -
Download the April 2018 Edition of Cathedral
Cathedral News April 2018 – No. 672 From the Dean : I first went to Romania for Easter while I was a theological student. We were staying in Sibiu, in Transylvania – Dracula country. At about half past two on Easter morning, we were woken in our dormitory by the crowds in the street below. At four in the morning, when the Liturgy started, there were seven or eight or nine thousand people in or around the Cathedral, all holding lighted candles, and singing with great enthusiasm Hristos a Inviat - or, in English: Christ is risen from the dead, trampling down death by death. And bestowing life on those who are in the grave. The words of the song look to the future, but the fervent worship is certainly about here and now. I’ve spent several Easters in Romania since, and every time it’s the same. But it’s not just the worship. Easter in Romania marks a real turning point in daily life. For the next 50 days, until Pentecost, you no longer greet people with ‘Good Morning’, but with ‘Christ is risen’. And the answer, ‘He is risen indeed.’ We may say, here in England, that we are an Easter people and Alleluia is our song. But in Romania they live as an Easter people: it affects what they say, how they dress, what they eat. Easter is lived out every day. Resurrection becomes a part of the here and now. As I’ve worked on my Holy Week addresses on the Holocaust, I’ve spent quite a lot of time wondering whether I believe in resurrection.