An Exchange Between Martin Shaw and David Hirsh
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Spencer Sunshine*
Journal of Social Justice, Vol. 9, 2019 (© 2019) ISSN: 2164-7100 Looking Left at Antisemitism Spencer Sunshine* The question of antisemitism inside of the Left—referred to as “left antisemitism”—is a stubborn and persistent problem. And while the Right exaggerates both its depth and scope, the Left has repeatedly refused to face the issue. It is entangled in scandals about antisemitism at an increasing rate. On the Western Left, some antisemitism manifests in the form of conspiracy theories, but there is also a hegemonic refusal to acknowledge antisemitism’s existence and presence. This, in turn, is part of a larger refusal to deal with Jewish issues in general, or to engage with the Jewish community as a real entity. Debates around left antisemitism have risen in tandem with the spread of anti-Zionism inside of the Left, especially since the Second Intifada. Anti-Zionism is not, by itself, antisemitism. One can call for the Right of Return, as well as dissolving Israel as a Jewish state, without being antisemitic. But there is a Venn diagram between anti- Zionism and antisemitism, and the overlap is both significant and has many shades of grey to it. One of the main reasons the Left can’t acknowledge problems with antisemitism is that Jews persistently trouble categories, and the Left would have to rethink many things—including how it approaches anti- imperialism, nationalism of the oppressed, anti-Zionism, identity politics, populism, conspiracy theories, and critiques of finance capital—if it was to truly struggle with the question. The Left understands that white supremacy isn’t just the Ku Klux Klan and neo-Nazis, but that it is part of the fabric of society, and there is no shortcut to unstitching it. -
Anti-Zionism and Antisemitism Cosmopolitan Reflections
Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism. -
16-12 Prog.Pdf
Fanfare for Christmas The title of our concert is taken from our opening song for the full choir - Fanfare for Christmas Day: Gloria in Excelsis Deo, an anthem, by Martin Shaw. Martin Edward Fallas Shaw OBE FRCM (1875 – 1958) was an English composer, conductor and (in his early life) theatre producer. His over 300 published works include songs, hymns, carols, oratorios, several instrumental works, a congregational mass setting (the Anglican Folk Mass) and four operas including a ballad opera With a voice of Singing is another of his anthems in our repertoire, performed several times in the past at Kowhai Singers concerts. Conductor Peter Cammell (BA, Post Grad. Dip. Mus.) studied music at Auckland and Otago Universities and then taught in secondary schools in both Auckland and London. He has sung in the Dorian Choir, Auckland Anglican Cathedral Choir, Cantus Firmus, The Graduate Choir, Musica Sacra, Viva Voce, and is currently with Calico Jam. As director of the Kowhai Singers for 21 years Peter has worked hard to extend the choir's repertoire and singing skills and thereby their musical understanding. Accompanist Riette Ferreira (PhD) has been the choir's pianist for most of the time since August 2003 except when personal commitments such as study towards her PhD degree in Music has taken her away from us. She has wide experience teaching music in both South African and New Zealand schools and is frequently engaged as director and/or keyboard player for musical theatre productions at Centrestage Theatre, Orewa. Introit - Beata Viscera Marie Virginis† (words 12th C) Pontin Fanfare for Christmas Day: Gloria in Excelsis Deo Martin Shaw While shepherds watched their flocks (with the congregation) Welcome, Yule! (Anon. -
Contemporary Left Antisemitism
“David Hirsh is one of our bravest and most thoughtful scholar-activ- ists. In this excellent book of contemporary history and political argu- ment, he makes an unanswerable case for anti-anti-Semitism.” —Anthony Julius, Professor of Law and the Arts, UCL, and author of Trials of the Diaspora (OUP, 2010) “For more than a decade, David Hirsh has campaigned courageously against the all-too-prevalent demonisation of Israel as the one national- ism in the world that must not only be criticised but ruled altogether illegitimate. This intellectual disgrace arouses not only his indignation but his commitment to gather evidence and to reason about it with care. What he asks of his readers is an equal commitment to plumb how it has happened that, in a world full of criminality and massacre, it is obsessed with the fundamental wrongheadedness of one and only national movement: Zionism.” —Todd Gitlin, Professor of Journalism and Sociology, Columbia University, USA “David Hirsh writes as a sociologist, but much of the material in his fascinating book will be of great interest to people in other disciplines as well, including political philosophers. Having participated in quite a few of the events and debates which he recounts, Hirsh has done a commendable service by deftly highlighting an ugly vein of bigotry that disfigures some substantial portions of the political left in the UK and beyond.” —Matthew H. Kramer FBA, Professor of Legal & Political Philosophy, Cambridge University, UK “A fierce and brilliant rebuttal of one of the Left’s most pertinacious obsessions. What makes David Hirsh the perfect analyst of this disorder is his first-hand knowledge of the ideologies and dogmata that sustain it.” —Howard Jacobson, Novelist and Visiting Professor at New College of Humanities, London, UK “David Hirsh’s new book Contemporary Left Anti-Semitism is an impor- tant contribution to the literature on the longest hatred. -
The Livingstone Formulation David Hirsh
1 How raising the issue of antisemitism puts you outside the community of the progressive: The Livingstone Formulation David Hirsh Abstract This paper defines the features of the rhetorical device which I have named the Livingstone Formulation. It is a means of refusing to engage with an accusation of antisemitism; instead it reflects back an indignant counter- accusation, that the accuser is taking part in a conspiracy to silence political speech. The Livingstone Formulation functions to de-legitimise scholarly or political analysis of antisemitism by treating analysis of antisemitism as an indicator of anti-progressive discourse. This mode of refusal to engage rationally with antisemitism is often facilitated by the treatment of antisemitism as a subjective sentiment rather than as an external and objective social phenomenon. This paper offers a large number of examples of the Livingstone Formulation taken from diverse public discourse; from both explicitly antisemitic and also from ostensibly antiracist social spaces. Jenny Tonge, a Liberal Democrat member of the House of Lords, said at a fringe meeting of her party’s conference: The pro-Israeli Lobby has got its grips on the Western World, its financial grips. I think they’ve probably got a certain grip on our party (Hirsh 2006). This seems to be an antisemitic claim because it articulates a mindset in which a Jewish conspiracy controls the western world through its financial muscle. It is not a claim about influence or lobbying, but about singular and global financial control. There is often disagreement about what is antisemitic and what is not. Spotting antisemitism requires knowledge, forensic skills, political and moral judgment, as well as a sensitive nose and a consideration of context (Hirsh 2013). -
Wexford Carol 1
q = 64 Wexford Carol 1. Good peo - ple all, this Christ-mas- time, con - si - der well and 2. The night be - fore that hap - py tide, the no - ble Vir - gin 3. Near Beth- le - hem did shep-herds keep theirflocks of lambs and 4. With thank-ful heart and joy - ful mind, the shep-herds went the 5. There were three wise men from a - far di - rec - ted by a bear in mind what our good God for us has done, in and her guide were long time seek - ing up and down to feed -ing sheep; to whom God's an - gels did ap - pear, which babe to find, and as God's an - gel had fore - told, they glo-rious star, and on they wan - dered night and day un- send-ing his be -lo - ved son. With Ma - ry ho - ly find a lodg - ing in the town. But mark how all things put the shep - herds in great fear. "Pre - pare and go," the did our Sav - ior Christ be - hold. With - in a man - ger til they came where Je - sus lay. And when they came un - WORDS: Traditional English and Irish (Mt. 1:18-2:11; Luke 2:1-20) WEXFORD CAROL MUSIC: Traditional Irish melody, arr. Martin Shaw (1875-1958) LMD Published by The General Board of Discipleship of The United Methodist Church, PO Box 340003, Nashville TN 37203. Website www.gbod.org/worship Source: The Oxford Book of Carols, compiled and edited by Percy Dearmer, R. Vaughan Williams, Martin Shaw. -
Lorenzo Mango
Lorenzo Mango CRAIG AND IBSEN TEXT PERFORMANCE AND PRODUCTION* In one of the very first volumes to study the considerable transformations in early twentieth-century theatre Sheldon Cheney makes a very interesting remark: ‘There are two great revolutionary figures in the history of the modern theatre: Henrik Ibsen and Gordon Craig’, immediately afterwards specifying that while the former had revitalized tradition in its best aspects, the latter had radically subverted it. His conclusion was that ‘Ibsen is the great reformer, Craig the great secessionist’.1 Cheney’s reading presents the two as avenues to modernity: radical reform of theatre writing on the one hand and the ‘secession’ of dramatic form itself, out and out revolution, on the other. Two roles and functions which met in Craig’s staging of three Ibsen plays: The Vikings of Helgeland which premiered under the title The Vikings in 1903, Rosmersholm, in 1906, and The Pretenders, in 1926.2 The Craig-Ibsen relationship was singular and tortuous. Of the three productions two – the second and third – stemmed from external commissions, only one being the result of explicit choice. The temptation exists to reduce the significance of the ‘great reformer meets great revolutionary’ not to any specific interest but to opportunity tinged with opportunism, given Ibsen’s almost invasive presence on the European scene in the early twentieth century. Craig’s measuring himself against Ibsen, in other words – the fact that three of his total of nine productions were dedicated to Ibsen – is simply further proof of the dramatist’s importance in the birth of stage directing.3 However, while this ground-breaking moment certainly offered the opportunity for * Translated by Anita Weston, Università degli Studi Internazionali di Roma. -
Holst and Vaughan Williams Manuscripts at Liverpool Cathedral
HOLST AND VAUGHAN WILLIAMS MANUSCRIPTS AT LIVERPOOL CATHEDRAL Judith The recent discovery of a small collection of manuscripts at the Anglican Cathedral, Liverpool, has shed light on a precisely identifiable but now almost forgotten period in the late 1920s and early 1930s when the Cathedral provided the initial context for various innovations in church music, some of which have become established as enduring features of the repertory. The collection also gives an insight into the working methods of two composers whose importance extends far beyond that of their contributions to English church music: Gustav Hoist and Ralph Vaughan Williams. The collection consists chiefly of correspondence, dating from c. 1930 to 1951, between the Dean of the Cathedral and various distinguished individuals including Hoist, Vaughan Williams and the composer Martin Shaw (1875 1958). Of particular interest are two manuscripts of music: an autograph draft score of Hoist's anthem Eternal Father, who didst all create] and a printed vocal score annotated by the composer, with corresponding autograph manuscript instrumental parts, of the Te Deum in G by Vaughan Williams. The Cathedral archive is essentially a private one without facilities for research, and the discovery of these manuscripts was fortuitous. As an aid to scholars, therefore, the Cathedral authorities kindly permitted the manuscripts to be photographed. One complete set of photographs is now held by the Department of Music at Liverpool Univer sity. Of the second set of photographs, those showing the hand of Gustav Hoist are now in the possession of the Hoist 162 J. Foundation. Those pertaining to Ralph Vaughan Williams have been donated to the Department of Manuscripts at the British Library by Mrs Ursula Vaughan Williams. -
ECOCA Newsletter February 2018
ECOCA Newsletter February 2018 Contents Editor’s Letter ECOCA Reunion Remembering Naomi Sourbut ‘Keep singing’, Charles Roberts, ECOCA Chair Choir News Introducing the new Dean, Very Reverend Jonathan Greener Thank you Bishop Martin Shaw Appointment of new Canon Precentor, Reverend James Mustard Christmas Market Dear Members, Welcome to the ECOCA Newsletter February 2018. It has been a further year of change for Exeter Cathedral, with the arrival of the new Dean and President of ECOCA. I am hoping to make a change to the way we communicate news in the future, using email to stay in touch a little more regularly. If you subscribe to receive this email then I would hope to send an electronic newsletter around July, as well as a February edition. As always, I would be very happy to receive any news or contributions for future editions. Please feel free to contact me at anytime with your news or ideas: Matthew Ryan Email: [email protected] Top Floor Flat 8A Islingword Street Brighton BN2 9UR 2 ECOCA Reunion: Gordon Pike, Hon Treasurer Easter Monday 2017 was like putting the icing on top of a big cake. All the services through Holy Week had been well attended and it was good to see that over forty Old choristers had gathered by 10.30am for a rehearsal with Timothy Noon, the director of Music, and all the choristers. The music was Schubert Mass in G and Elgar’s Ave Verum. Jonathan Titchin read the Epistle and our Chairman Reverend Charles Roberts provided the Intercessions. He remembered some Old choristers who were unable to attend owning to illness. -
1B1a Service of Music and Readings 2Bfor Advent
MAGDALEN COLLEGE OXFORD 1B1A SERVICE OF MUSIC AND READINGS 2BFOR ADVENT Sunday 29th November 2020 6.00 pm Online The service is led by Andrew Bowyer, Dean of Divinity. The Choir is directed by Mark Williams, Informator Choristarum, and the organ is played by Alexander Pott, Assistant Organist & Tutor to the Choristers, and Romain Bornes, Organ Scholar and Music undergraduate. After the clock strikes, the College Choir sings: ROP down ye heavens from above, And let the skies pour down righteousness: Comfort ye, comfort ye, my people; Dmy salvation shall not tarry. I have blotted out as a thick cloud thy transgressions. Fear not, for I will save thee; For I am the Lord thy God, the holy one of Israel, thy redeemer. Drop down ye heavens from above, And let the skies pour down righteousness. Words: The Advent Prose, cf. Isaiah 45 Music: Judith Weir (b. 1954) The Dean of Divinity says: ‘Behold, I stand at the door and knock. If anyone hears my voice and opens the door, I will come in to them’ Revelation 2: 20 ‘Lift up your heads, O ye gates; be lifted up ye everlasting doors; and the King of glory shall come in.’ Psalm 24: 7 The Dean of Divinity says the BIDDING PRAYER: My brothers and sisters, we enter today the solemn season of Advent in which the Church bids us prepare to celebrate the coming of Christ; a coming that we recall in the Child of Bethlehem; a coming that we experience in the gift of his Spirit, in the bread of the Eucharist, in the joy of human lives that are shared; a coming we wait for when God gathers up all things in Christ. -
Download the April 2018 Edition of Cathedral
Cathedral News April 2018 – No. 672 From the Dean : I first went to Romania for Easter while I was a theological student. We were staying in Sibiu, in Transylvania – Dracula country. At about half past two on Easter morning, we were woken in our dormitory by the crowds in the street below. At four in the morning, when the Liturgy started, there were seven or eight or nine thousand people in or around the Cathedral, all holding lighted candles, and singing with great enthusiasm Hristos a Inviat - or, in English: Christ is risen from the dead, trampling down death by death. And bestowing life on those who are in the grave. The words of the song look to the future, but the fervent worship is certainly about here and now. I’ve spent several Easters in Romania since, and every time it’s the same. But it’s not just the worship. Easter in Romania marks a real turning point in daily life. For the next 50 days, until Pentecost, you no longer greet people with ‘Good Morning’, but with ‘Christ is risen’. And the answer, ‘He is risen indeed.’ We may say, here in England, that we are an Easter people and Alleluia is our song. But in Romania they live as an Easter people: it affects what they say, how they dress, what they eat. Easter is lived out every day. Resurrection becomes a part of the here and now. As I’ve worked on my Holy Week addresses on the Holocaust, I’ve spent quite a lot of time wondering whether I believe in resurrection. -
Holocaust Inversion and Contemporary Antisemitism
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sheffield Hallam University Research Archive Holocaust inversion and contemporary antisemitism. KLAFF, Lesley D Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/10260/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version KLAFF, Lesley D (2014). Holocaust inversion and contemporary antisemitism. Fathom, 5. Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk Holocaust Inversion and contemporary antisemitism Lesley Klaff One of the cruellest aspects of the new antisemitism is its perverse use of the Holocaust as a stick to beat ‘the Jews.’ Lesley Klaff explains the phenomenon of ‘Holocaust Inversion.’ In 2013 the Liberal Democrat MP for Bradford East, David Ward, after signing the Book of Remembrance in the Houses of Parliament on Holocaust Memorial Day, made use of the Holocaust to criticise Israel and ‘the Jews’ by equating Israel with Nazi Germany, and to characterise the Holocaust as a moral