Kościuszko Bicentennial
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Henryk Siemiradzki and the International Artistic Milieu
ACCADEMIA POL ACCA DELLE SCIENZE DELLE SCIENZE POL ACCA ACCADEMIA BIBLIOTECA E CENTRO DI STUDI A ROMA E CENTRO BIBLIOTECA ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU FRANCESCO TOMMASINI, L’ITALIA E LA RINASCITA E LA RINASCITA L’ITALIA TOMMASINI, FRANCESCO IN ROME DELLA INDIPENDENTE POLONIA A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK CONFERENZE 145 ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA ISSN 0239-8605 ROMA 2020 ISBN 978-83-956575-5-9 CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME ACCADEMIA POLACCA DELLE SCIENZE BIBLIOTECA E CENTRO DI STUDI A ROMA CONFERENZE 145 HENRYK SIEMIRADZKI AND THE INTERNATIONAL ARTISTIC MILIEU IN ROME A CURA DI MARIA NITKA AGNIESZKA KLUCZEWSKA-WÓJCIK. ROMA 2020 Pubblicato da AccademiaPolacca delle Scienze Bibliotecae Centro di Studi aRoma vicolo Doria, 2 (Palazzo Doria) 00187 Roma tel. +39 066792170 e-mail: [email protected] www.rzym.pan.pl Il convegno ideato dal Polish Institute of World Art Studies (Polski Instytut Studiów nad Sztuką Świata) nell’ambito del programma del Ministero della Scienza e dell’Istruzione Superiore della Repubblica di Polonia (Polish Ministry of Science and Higher Education) “Narodowy Program Rozwoju Humanistyki” (National Programme for the Develop- ment of Humanities) - “Henryk Siemiradzki: Catalogue Raisonné of the Paintings” (“Tradition 1 a”, no. 0504/ nprh4/h1a/83/2015). Il convegno è stato organizzato con il supporto ed il contributo del National Institute of Polish Cultural Heritage POLONIKA (Narodowy Instytut Polskiego Dziedzictwa Kul- turowego za Granicą POLONIKA). Redazione: Maria Nitka, Agnieszka Kluczewska-Wójcik Recensione: Prof. -
Peasant Identity and Class Relations in the Art of Stanisław Wyspiański*
28 PEASANT IDENTITY AND CLASS RELATIONS Peasant Identity and Class Relations in the Art of Stanisław Wyspiański* by Weronika Malek-Lubawski Stanisław Wyspiański (1869–1907) was a painter, playwright, and leader of the Young Poland movement of artists who merged the national tradition of history painting with Symbolist visions and elements of Art Nouveau.1 He frequently tackled the theme of Polish class relations in his works, and he was so appreciated during his lifetime that the funeral after his premature death from syphilis turned into a national memorial parade.2 Wyspiańs- ki’s reputation persists into the twenty-first century in Poland, where high school students read his famous drama Wesele [The Wedding] (1901) as part of their general education curriculum, but he is not widely known outside his home country.3 This essay examines The Wedding and Wyspiański’s pastel, Self-Portrait with the Artist’s Wife (1904), in relation to nineteenth-cen- tury Polish sociohistorical discourse on class identity and Wyspiański’s own interclass marriage (Fig. 1). Inspired by the real-life nuptials of Wyspiański’s acquaintance, The Wedding narrates the union of an upper-class poet and a peasant woman in a ceremony that later becomes the stage for supernatu- ral events and patriotic ambitions. Self-Portrait with the Artist’s Wife depicts Wyspiański, an upper-class member of the intelligentsia, and his spouse, a peasant and former domestic servant, wearing costumes that deliberately confuse their class identities. One of Wyspiański's best-known works, it is also his only double portrait in which the artist himself appears. -
The History of the Decline and Fall of the Roman Empire, Vol. 3 [1776]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Edward Gibbon, The History of the Decline and Fall of the Roman Empire, vol. 3 [1776] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Jan Styka Jako Ilustrator Dzieł Henryka Sienkiewicza
Małgorzata Gorzelak Jan Styka jako ilustrator dzieł Henryka Sienkiewicza Rocznik Muzeum Narodowego w Kielcach 23, 347-368 2007 Rocznik Muzeum Narodowego w Kielcach Tom 23, Kielce 2007 MAŁGORZATA GORZELAK JAN STYKA JAKO ILUSTRATOR DZIEŁ HENRYKA SIENKIEWICZA Jan Styka jako pierwszy z artystów polskich zilustrował pełny tekst Quo vadis Henryka Sienkiewicza, a jego twórczość związana z tą powieścią była szczególnie obfita. W ciągu wielu lat pracy artysta wykonał ponad 200 rysun ków i malowideł en grisaille (do wydawnictwa Flammariona) oraz kilkanaście barwnych obrazów olejnych. Do kręgu zbliżonych tematycznie przedstawień należy także jego panorama Męczeństwo chrześcijan w cyrku Nerona oraz ilu stracje do noweli Pójdźmy za Nim! Jan Styka (1858-1925) malował obrazy historyczne, religijne, portrety i sceny batalistyczne. Najbardziej znany był jako twórca ogromnych rozmiarów panoram historycznych i religijnych. Artysta urodził się we Lwowie. Od 1877 roku studio wał w wiedeńskiej Akademii Sztuk Pięknych, a następnie (w latach 1882-1885) w krakowskiej Szkole Sztuk Pięknych. Według wspomnień Styki, stosunek, jaki łączył go wówczas z Matejką był nieco odmienny od tego, w jakim zwykle uczniowie szkoły krakowskiej z nim pozostawali. Ja już byłem malarzem, który ukończył Akademię i Meisterschule wiedeńską, który miał Rzym za sobą i szereg płócien. Dlatego Matejko mi nigdy zdania swego nie narzucał, ale raczej w koleżeński sposób dawał rady (...) Przez czas pobytu mego u Matejki nie miałem żadnej walki o byt. Matejko dawał mi stypendia, pożyczał kostiumy, makaty, gobeliny1. Jednocześnie Matejko był dla Styki ogromnym autorytetem: Zdawało mi się zawsze, że nad nim wisiała korona Króla Ducha, że w tej epoce jest on pomazańcem narodu. Czułem majestat jego i szczęśliwy byłem będąc przy nim2. -
Kosciuszko Foundation T H E a M E R I C a N C E N T Er of Polish C U L T U R E
kosciuszko foundation T H E A M E R I C A N C EN T ER OF POLISH C UL T URE NEWSLETTER Spring 2011 Volume LXI, No. 1 th ISSN 1081-2776 76 Inside... The Kosciuszko Annual Dinner 2 Foundation Stands Up for Polonia & Ball Polish Senate Hosts Kosciuszko 4 Foundation Exhibit in Warsaw SAturday, Cardinal Karol Wojtyła at the April 30th 6 Kosciuszko Foundation The Kosciuszko Foundation 7 76th Anniversary Dinner and Ball The Paintings of 8 Krystyna Brzechwa Exchange 10 Fellowships and Grants Scholarships Last Chance to Buy 13 and Grants for Americans Tickets to Ball & Take 17 The Year Abroad Program in Poland Ad Congratulating 17 Graduate Studies and Research in Poland the KF. Summer Sessions 18 Awards Giving to the Come MeetK! 19 Kosciuszko April 30, 2011 Foundation Coach 20 Calendar of Events For more information, call 212-734-2130 THE KOSCIUSZKO FOUNDatION StaNDS UP FOR POLONIA, BUT WE NEED YOUR HELP By Alex Storozynski A recent survey by Newsweek found that 40 percent of Americans do not know which countries the United States fought during World War II. It’s no wonder given that the media often refers to Auschwitz as a “Polish concentration camp,” which is a rewrite of history. That is why I posted a petition on The Kosciuszko Foundation website asking newspapers to change their style guides to avoid using this historically erroneous phrase. It confuses undereducated readers, leading them to believe that the Holocaust was executed by Poland, rather than Nazi Germany. My sincerest thanks to all of you who signed the petition. -
St. Ignatius Collegian, Vol. 5 (1905-1906) Students of St
Loyola University Chicago Loyola eCommons St. Ignatius Collegian University Archives & Special Collections 1906 St. Ignatius Collegian, Vol. 5 (1905-1906) Students of St. Ignatius College Recommended Citation Students of St. Ignatius College, "St. Ignatius Collegian, Vol. 5 (1905-1906)" (1906). St. Ignatius Collegian. Book 3. http://ecommons.luc.edu/st_ignatius_collegian/3 This Article is brought to you for free and open access by the University Archives & Special Collections at Loyola eCommons. It has been accepted for inclusion in St. Ignatius Collegian by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. LOYOLA UNIVERSITY LIBRARY REFERENCE Class Digitized by the Internet Archive in 2011 with funding from CARLI: Consortium of Academic and Research Libraries in hnois http://www.archive.org/details/stignatiuscolleg05unse REV. ARNOLD DAMEN, S. J. Founder of Holy Family Parish and St. Ignatius College. t. 3lamituts Collegian Vol. V. Chicago, 111., November, 1905 No. 1. The Jesuits in Chicago. A History of Holy Family Church and St. Ignatius College. TO go back to the earliest appearance of the Jesuit in Chicago is to go back to the days of the wilderness when the site of the city was a dreary waste of swamp and sand-dune through which the river made its way sluggishly to the lake. There was lit- tle in Chicago in those days to tempt the missionary or discoverer to rest from his labors ; there was still less which gave promise of the great city which should one day gather to itself the peoples of the Old World to build there their fortunes and their homes. -
Lviv Achievements of Armenian Julian Oktawian Zachariewicz
HistorySocial Philosophyof Ukraine 25 UDC 72(092)(477.83) LEVYK BOHDAN, Regional Scientific-Educational center at Lviv Polytechnic National University e-mail: [email protected], ORCID: 0000-0001-5100-0834 LVIV ACHIEVEMENTS OF ARMENIAN JULIAN OKTAWIAN ZACHARIEWICZ The path of life of Julian Oktawian Zachariewicz (17.07.1837 - 27.12.1898), talented Armenian architect, who dedicated himself to the scientific and pedagogical activities in Lviv Polytechnic National University, then Imperial-royal polytechnic school, was traced within the framework of the study of the topic "Prominent figures in culture and development of Lviv". Having founded the Galician School of Architecture, he implemented his projects in administrative and private buildings of Lviv and crown land of Galicia and Vladimiria (Lodomeria), which remain a decoration and an example of architectural mastery until now. As part of the study, the author introduces to the science newspaper publications of past years (pre-Soviet period, September 1939), dedicated to the solemn dates associated with the name of the prominent architect. The author concludes that Julian Oktawian Zachariewicz's biography can be considered as the historical source of research on the development of "neo" style architecture in the administrative, sacred and private urban buildings of Lviv of the Austro-Hungarian period (1872-1918). Despite the fact that Zachariewicz himself did not focus on his nationality, his relation to the Armenian diaspora, the Armenian ethnic group and Armenian Christianity reflected on his work and this aspect should be researched in the future. Keywords: Zachariewicz Julian Oktawian; Technical Academy on Lviv; Lviv High Technical School; the Tsisar-Royal Polytechnic School; Lviv Polytechnic National University. -
22Nd International Panorama Conference Lucerne, Switzerland, November 22-25, 2013
22nd International Panorama Conference Lucerne, Switzerland, November 22-25, 2013 Title Author Abstract Biographical notes Restoration and re- Patrick Deicher M.A. Bourbaki Panorama underwent a major Patrick Deicher is a historian and an valuation of Bourbaki restoration campaign in between 1996 economist. He works as a consultant in Former Curator of Bourbaki Panorama Lucerne and 2008. The campaign enclosed public management. He is head of the Panorama Lucerne/ between 1996 and 2008 construction works on the historical competence centre for not-for-profit- Switzerland panorama rotunda, an addition by a organisations with BDO Ltd. Member of the Board of the newly built structure and the restoration (Switzerland). Foundation of Panorama of the painting and faux-terrain. From 2000 to 2007 he worked as curator Altoetting, Germany of Bourbaki Panorama, Switzerland. From [email protected] 2003 to 2013 he acted as the Secretary- General with IPC. Since 2011 he is a member of the Board of the foundation of Panorama Altoetting, Germany. Exhibiting (and thus Dr. phil. Andreas Bürgi Industrial quarters came into existence in Dr. Andreas Bürgi studied German, Selling) Switzerland – many Swiss cities in the 19th century. Philosophy and History of Art in Zurich University of Lucerne - "Tourist Strip" of Their equivalent in Lucerne is the and Berlin. He completed his doctorate Associated Researcher/ Lucerne Tourismusmeile, literally the "tourism with a thesis on German-language travel Switzerland mile" with its Lion Monument (1821), reportage -
AUKCJA DZIEŁ SZTUKI 29 Maja 2018
AUKCJA DZIEŁ SZTUKI 29 maja 2018 AUKCJA DZIEŁ SZTUKI / 1 AUKCJA DZIEŁ SZTUKI 29 MAJA 2018 Aukcja: 29 maja 2018 r., godz. 19.00 Dom Aukcyjny Polswiss Art ul. Wiejska 20, Warszawa Wystawa przedaukcyjna: 7 maja – 29 maja 2018 r. Dom Aukcyjny Polswiss Art ul. Wiejska 20, Warszawa pn. – pt.: 11.00 – 19.00 sob.: 11.00 – 15.00 Zlecenia licytacji: e-mail: [email protected] tel.: +48 22 628 13 67 Katalog online: www.polswissart.pl Indeks A H Piotrowski Mieczysław Korwin 12 Abakanowicz Magdalena 55 Halicka Alicja 36 Pronaszko Andrzej 37 Hałas Józef 89, 9 B Hasior Władysław 45 R Bakałowicz Władysław 5, 6 Rosenstein Erna 41 Brandt Józef 7 J Rybkowski Tadeusz 13 Brzozowski Tadeusz 40 Jackiewicz Władysław 53 Bujnowski Rafał 99 S Bułhak Jan 23 K Siudmak Wojciech 91 Kantor Tadeusz 38,39 Sosnowski Kajetan 43, 44 C Kisling Mojżesz 28 Sowicki Tadeusz Kazimierz 92 Czapski Józef 35 Kobzdej Aleksander 46, 47 Stażewski Henryk 60, 61, 62, 63 Czechowska-Antoniewska 93 Kwiatkowski Teofi l 1, 2 Streitt Franciszek 9 Stryjeńska Zofi a 24 D L Styka Jan 15, 16 Dieuzaide Jean 94 Lach-Lachowicz Natalia 95 Styka Tadeusz 17 Dłużniewski Andrzej 87 Lebenstein Jan 48,49 Szymanowski Wacław 22 Dominik Tadeusz 68, 69, 70 Duda Miron 27 M T Dwurnik Edward 80 Makowski Tadeusz 26 Tarasewicz Leon 71, 72 Marczyński Adam 73, 74 Tarasin Jan 88 E Markowski Eugeniusz 57 Terlikowski Włodzimierz 32 Eleszkiewicz Stanisław 34 Matuszczak Edward 50, 51 Trusz Iwan 14 Maziarska Jadwiga 42 F Menkes Zygmunt 29, 30, 31 V Fangor Wojciech 58 Mitoraj Igor 97, 98 Vasarely Victor 64, 65, 66, 67 Fałat -
Presentazione Di Powerpoint
(*)Ecole Nationale Supérieure d’Architecture de Nantes, 6 quai François Mitterrand - BP 16202 - 44262 Nantes cedex 2 France [email protected] +336 1970 6605 (**)Hochschule Anhalt, Anhalt University of Applied Sciences, Gropiusallee 38, 06846 Dessau, Allemagne [email protected] (***)CNRS, Laboratoire de recherches archéologiques (LARA) UMR 6566, Université de Nantes, France 1/Heritage and immersion Short history of panoramas. 2 The first diaporama is created by Robert Barker in 1787, it’s a view from Edinburgh, Scotland… It’s a cylinder with a platform on which stands the audience… The word "Panorama" comes from Greek « pan » (everything) and “horama” (to see). 3 The “Exposition Universelle” of 1900 was a world's fair held in Paris. The Méréorama is a device that simulates a boat trip. The bridge is moving and measures 50m long and 9m wide ! The landscape is rendered on a double painted canvas. Each canvas is 750m long and 15m high !!! http://www.worldfairs.info/expopavillondetails.php?expo_id=8&pavillon_id=2414 4 The Cinéorama has been invented by Raoul Grimoin-Sanson. It’s a projection on a circular screen with 10 synchronized projectors. The process was patented in 1897 and shown at the “Exposition Universelle” of 1900 for a virtual flight in a balloon. 5 Panoramas went very popular, and were used to recreate great battles such as … …the battle of Waterloo by Louis Dumoulin... … the battle of Jinan (1948) in China… … or the battle of Raclawice (Jan Styka and Wojciech Kossak) in Poland. 6 It naturally leads to Abel Gance’s epic silent film Napoléon directed in 1927. -
L T. WOOD Iiatirljphfpr Ietfpnttm Mrrau)
■ I t THURSDAY. MARCH St. I f I f ^RonrlfPMtpr Eofttbisi iffraUi Averat* Dalljr Nat Pram Run Far tha Waek Badlng The Woathar Miss Nancy Ooslse, 48 Manh n , 1881 raramw at 0. a Woothat • Church street, was maid of honor lAbout Town last Saturday at the ^ WANTED Mias Julie M. F « and ^ b e r t R F / l l YOUR 10,145 TMay UMstly olonflyt 8i iiatirljPHfpr iEtfpnttm MrraU) oleeay, nght rata talst Bat r u n S ^ i • utun <tf Carlson in the chapel o f 8L Bar b u bMB ■ppotnted to tholomew’s Proteetairt h^lscopal An Expnrinnctd rala at maw early. ele««r 1IHm* Um |t«***«» <i< SuporriilBC tJndor- churdh In New York City. Manejwster-^A City of ViUago Charm writer «t tho PIttiburgh branch Captain Ernest H. Larson, son LINOTYPE oflto* of the Jlartford Accident of Mr. and Mrs. Theodore Larson A4vartWag m ■Dd Indemnity company. Prior to of 14 Laurel Place, and 1st lieu OPERATOR TOL. LXX, NO. 146 14) MANCHESTER. CONN., FRIDAY, MARCH 23, 1951 (SIXTEEN PAGES) PRICE n V E CENlif lotnUuc the staff of the Pittsburgh tenant Earl W. Smith, rmn of Mr ^ e « in m # . Mr. and Mrs. George Smith of 93 Appir 1" Pepwi is^r as an underwriter In the Liability Hemlock street, graduated re HERALD OFFICE deoartment at the cently with the Officers’ Intelli Says Truman Pennsylvania War Prisoners In Korea, CJiinese Say Hutford for two years. From 1M2 gence CTass No. 4 at the Anny 13 BISSELL ST. to 1*47, he served ss a General School. -
Habsburg Lemberg Central European Studies Charles W
Habsburg Lemberg Central European Studies Charles W. Ingrao, senior editor Gary B. Cohen, editor Habsburg Lemberg Architecture, Public Space, and Politics in the Galician Capital, 1772-1914 Markian Prokopovych Purdue University Press West Lafayette, Indiana Copyright 2009 by Purdue University. All rights reserved. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Prokopovych, Markian, 1972- Habsburg Lemberg : architecture, public space, and politics in the Galician capital,1772-1914 / by Markian Prokopovych. p. cm. -- (Central European studies) Includes bibliographical references. ISBN 978-1-55753-510-8 1. Nationalism and architecture--Ukraine--L’viv. 2. Architecture--Political aspects--Ukraine--L’viv. 3. Architecture and society--Ukraine--L’viv. 4. City planning--Ukraine--L’viv. 5. L’viv (Ukraine)--Buildings, structures, etc. I. Title. NA1455.U472L897 2008 701’.03094779--dc22 2008012779 To the memory of Volodymyr Vujcyk Contents Acknowledgments xiii Foreword xv Introduction: The Other Lemberg 1 Chapter One: Architecture, Public Space, and Politics Revisited 19 Vormärz to Fin de Siècle: Disorder, Cultural Politics, Beautification 21 Vormärz: Verschönerungsplan and Its Restrictions Neoabsolutism: Disorder and Representation Fin de Siècle: Upiększenie , Renaming, and Memorializing Imperial Loyalty and Nationalism: Convergence versus Divergence 37 Vormärz: Taming Polish Nationalism? Neoabsolutism to Autonomy: Parteien into Nations and the Survival of Habsburg Loyalty Public Space, Nationalism, Construction