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Nucci · Armiliato · Prestia · Dessì Massimo

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Nucci · Armiliato · Prestia · Dessì Massimo VERDI I VESPRI SICILIANI NUCCI · ARMILIATO · PRESTIA · DESSÌ ORCHESTRA E CORO DEL TEATRO REGIO DI PARMA MASSIMO ZANETTI STAGED BY PIER LUIGI PIZZI ENTERTAINMENT GMBH GIUSEPPE VERDI (1813–1901) I VESPRI SICILIANI THE SICILIAN VESPERS DIE SIZILIANISCHE VESPER LES VÊPRES SICILIENNES Dramma in cinque atti in five acts · in fünf Akten · en cinq actes Libretto: Eugène Scribe & Charles Duveyrier Italian translation by Arnaldo Fusinato ORCHESTRA E CORO DEL TEATRO REGIO DI PARMA MASSIMO ZANETTI Stage Director, Set and Costume Designer: Pier Luigi Pizzi Choreographer: Roberto Maria Pizzuto Lighting Designer: Vincenzo Raponi Chorus Master: Martino Faggiani Recorded live at the Teatro Regio di Parma, 13 & 17 October 2010 Video Director: Tiziano Mancini 2 I VESPRI SICILIANI GuidoGuido didi MonforteMonforte LeoLeo NucciNucci 11 OpeningSinfonia · Vorspann · Générique début · Titoli di testa 2:058:45 governatoregovernatore didi SiciliaSicilia perper CarloCarlo d’Angiò,d’Angiò, rere didi NapoliNapoli governorgovernor ofof SicilySicily underunder CharlesCharles d’Anjou,d’Anjou, KingKing ofof NaplesNaples 2 Sinfonia 8:45 GouverneurGouverneur vonvon SizilienSizilien unterunter CharlesCharles d’Anjou,d’Anjou, KönigKönig vonvon NeapelNeapel ATTO PRIMO · ACT I · ERSTER AKT · ACTE I gouverneurgouverneur dede SicileSicile soussous CharlesCharles d’Anjou,d’Anjou, roiroi dede NaplesNaples Introduzione ATTO PRIMO · ACT I · ERSTER AKT · ACTE I IlIl siresire didi Bethune,Bethune, ufficialeufficiale francesefrancese DarioDario RussoRusso 2 “A te, ciel natio” (Tebaldo, Roberto, coro) 4:03 Introduzione FrenchFrench officerofficer ·· französischerfranzösischer OffizierOffizier ·· officierofficier françaisfrançais Scena e cavatina 3 “A te, ciel natio” (Tebaldo, Roberto, coro) 4:03 IlIl conteconte Vaudemont,Vaudemont, ufficialeufficiale francesefrancese AndreaAndrea MastroniMastroni 3 “Qual s’offre al mio sguardo” 3:33 Scena e cavatina FrenchFrench officerofficer ·· französischerfranzösischer OffizierOffizier ·· officierofficier françaisfrançais (Vaudemont, Bethune, Elena, Roberto, Ninetta) 4 4 “Qual“In alto s’offre mare al e miobattuto sguardo” dai venti” (Elena) 3:332:53 Arrigo,Arrigo, giovanegiovane sicilianosiciliano FabioFabio ArmiliatoArmiliato (Vaudemont, Bethune, Elena, Roberto, Ninetta) 5 aa youngyoung SicilianSicilian ·· einein jungerjunger SizilianerSizilianer ·· jeunejeune SicilienSicilien “Coraggio, su, coraggio” 3:24 5 “In (Elena, alto Danieli,mare e Ninetta, battuto coro, dai Tebaldo, venti” (Elena)Roberto) 2:53 6 GiovanniGiovanni dada Procida,Procida, medicomedico sicilianosiciliano GiacomoGiacomo PrestiaPrestia “Coraggio, Scena e quartetto su, coraggio” 3:24 aa SicilianSicilian doctordoctor ·· einein sizilianischersizilianischer ArztArzt ·· médecinmédecin siciliensicilien (Elena, Danieli, Ninetta, coro, Tebaldo, Roberto) 6 “O furor! … D’ira fremo all’aspetto tremendo” 2:52 Scena e quartetto LaLa duchessaduchessa Elena,Elena, sorellasorella deldel ducaduca FederigoFederigo d’Austriad’Austria DanielaDaniela DessìDessì (Elena, Ninetta, Monforte, Danieli) 7 sistersister ofof DukeDuke FrederickFrederick ofof AustriaAustria “O Scena furor! e …duetto D’ira – fremo Finale all’aspetto I tremendo” 2:52 (Elena, Ninetta, Monforte, Danieli) SchwesterSchwester desdes HerzogsHerzogs FriedrichFriedrich vonvon ÖsterreichÖsterreich 7 sœursœur dudu ducduc FrédéricFrédéric d’Autriched’Autriche “O donna!” – “O ciel! Chi miro?” 2:02 Scena(Arrigo, eElena, duetto Ninetta, – Finale Monforte) I 8 Ninetta,Ninetta, suasua camerieracameriera AdrianaAdriana DiDi PaolaPaola 8 “O“Qual donna!” è il tuo – “Onome?” ciel! Chi(Monforte, miro?” Arrigo) 2:024:28 herher maidmaid ·· ihreihre ZofeZofe ·· sasa camérièrecamérière (Arrigo, Elena, Ninetta, Monforte) 9 “Non curo il tuo divieto” (Arrigo, Monforte) 3:09 9 “Qual è il tuo nome?” (Monforte, Arrigo) 4:28 Danieli,Danieli, sicilianosiciliano RaoulRaoul d’Eramod’Eramo aa SicilianSicilian ·· einein SizilianerSizilianer ·· SicilienSicilien 0 “Non curo il tuo divieto” (Arrigo, Monforte) 3:09 ATTO SECONDO · ACT II · ZWEITER AKT · ACTE II Tebaldo,Tebaldo, soldatosoldato francesefrancese RobertoRoberto JachiniJachini VirgiliVirgili Preludio, aria e coro FrenchFrench soldiersoldier ·· französischerfranzösischer SoldatSoldat ·· soldatsoldat françaisfrançais ATTO SECONDO · ACT II · ZWEITER AKT · ACTE II 0 “O patria, o cara patria” (Procida) 3:07 Preludio, aria e coro Roberto,Roberto, soldatosoldato francesefrancese AlessandroAlessandro BattiatoBattiato q “O tu, Palermo, terra adorata” (Procida) 4:42 FrenchFrench soldiersoldier ·· französischerfranzösischer SoldatSoldat ·· soldatsoldat françaisfrançais q “O patria, o cara patria” (Procida) 3:07 w “Ai nostri fidi nunzio … Nell’ombra e nel silenzio” 3:10 w “O tu, Palermo, terra adorata” (Procida) 4:42 Manfredo,Manfredo, sicilianosiciliano CamilloCamillo FacchinoFacchino (Procida, coro) e aa SicilianSicilian ·· einein SizilianerSizilianer ·· SicilienSicilien “Ai nostri fidi nunzio … Nell’ombra e nel silenzio” 3:10 (Procida, coro) 3 I VESPRI SICILIANI ScenaScena e duettoe duetto Finale Finale III III e e “Miei“Miei fidi fidi amici” amici” (Procida, (Procida, Elena, Elena, Arrigo) Arrigo) 2:542:54 g g “O“O splendide splendide feste!” feste!” (Elena, (Elena, Arrigo, Arrigo, Procida, Procida, coro) coro) 2:212:21 r r “Quale,“Quale, o prode,o prode, al altuo tuo coraggio” coraggio” (Elena, (Elena, Arrigo) Arrigo) 2:042:04 h h “Di“Di tai tai piacer, piacer, per per te te novelli” novelli” (Monforte, (Monforte, Arrigo, Arrigo, Procida) Procida) 2:372:37 t t “Presso“Presso alla alla tomba tomba ch’apresi” ch’apresi” (Elena, (Elena, Arrigo) Arrigo) 4:444:44 j j “Colpo“Colpo orrendo, orrendo, inaspettato!” inaspettato!” 5:575:57 (Elena, (Elena, Arrigo, Arrigo, Danieli, Danieli, Monforte, Monforte, Procida, Procida, Bethune, Bethune, coro) coro) Recitativo Recitativo z z “Cavalier,“Cavalier, questo questo foglio” foglio” (Bethune, (Bethune, Arrigo, Arrigo, Elena) Elena) 1:331:33 ATTO ATTO QUARTO QUARTO · A· CTACT IV IV · VIERTER· VIERTER AKT AKT · ACTE· ACTE IV IV Finale Finale II II Preludio, Preludio, recitativo recitativo ed ed aria aria uu “Le“Le vaghe vaghe spose” spose” 4:104:10 kk (Roberto, (Roberto, Procida, Procida, Tebaldo, Tebaldo, coro, coro, Ninetta) Ninetta) “È“È di diMonforte Monforte il cenno”il cenno” (Arrigo) (Arrigo) 5:355:35 ll i i “Il“Il rossor rossor mi mi coprì!” coprì!” 2:162:16 “Giorno“Giorno di dipianto, pianto, di difier fier dolore!” dolore!” (Arrigo) (Arrigo) 4:044:04 (Danieli, (Danieli, coro, coro, Elena, Elena, Procida, Procida, Manfredo) Manfredo) Gran Gran duetto duetto oo “Del“Del piacer piacer s’avanza s’avanza l’ora!” l’ora!” 3:203:20 ö ö “O“O sdegni, sdegni, tacete!” tacete!” (Elena, (Elena, Arrigo) Arrigo) 4:564:56 (Vaudemont, (Vaudemont, coro, coro, Procida, Procida, Elena, Elena, Manfredo, Manfredo, Danieli) Danieli) y y “Arrigo!“Arrigo! Ah, Ah, parli parli a una un core” core” (Elena, (Elena, Arrigo) Arrigo) 5:075:07 x x “Pensando“Pensando a me!a me! È dolceÈ dolce raggio” raggio” (Arrigo, (Arrigo, Elena) Elena) 3:283:28 ATTO ATTO TERZO TERZO · A· CTACT III III · DRITTER· DRITTER AKT AKT · ACTE· ACTE III III Scena Scena e finalee finale IV IV Preludio, Preludio, scena scena ed ed aria aria c c “Amica“Amica man, man, sollievo sollievo al almartir martir nostro” nostro” 4:014:01 p p “Sì,“Sì, m’aborriva, m’aborriva, ed ed a ragion!”a ragion!” (Monforte, (Monforte, Bethune) Bethune) 3:403:40 (Procida, (Procida, Elena, Elena, Bethune, Bethune, Monforte, Monforte, Arrigo) Arrigo) a a “In“In braccio braccio alle alle dovizie” dovizie” (Monforte) (Monforte) 6:516:51 v v “Addio,“Addio, mia mia patria” patria” (Procida, (Procida, Monforte, Monforte, Arrigo, Arrigo, Elena) Elena) 4:234:23 Recitativo Recitativo e duettoe duetto b b “De“De profundis profundis clamavi” clamavi” 4:044:04 s s “Sogno,“Sogno, o sono son desto?” desto?” (Arrigo, (Arrigo, Monforte) Monforte) 1:541:54 (coro, (coro, Arrigo, Arrigo, Monforte, Monforte, Elena, Elena, Procida) Procida) d d “Quando“Quando al almio mio sen sen per per te te parlava” parlava” (Monforte, (Monforte, Arrigo) Arrigo) 5:065:06 n n “Ministro“Ministro di dimorte, morte, arresta!” arresta!” 3:483:48 (Arrigo, (Arrigo, Monforte, Monforte, Elena, Elena, Procida, Procida, coro) coro) f f “Ah,“Ah, figlio, figlio, invano invano crudo crudo mi mi chiami” chiami” (Monforte, (Monforte, Arrigo) Arrigo) 3:583:58 4 I VESPRI SICILIANI ATTO ATTO QUINTO QUINTO · A· ACTCT V V· FÜNFTER· FÜNFTER AKT AKT · ACTE· ACTE V V FrenchFrench rhythms rhythms Coro Coro for for an an uprising uprising in in Palermo Palermo m, “Si“Si celebri celebri alfine” alfine” (coro) (coro) 2:452:45 Siciliana Siciliana ByBy 1853 1853 Verdi Verdi had had decided decided that that he he wanted wanted to toestablish establish himself himself as as the the leading leading exponent exponent ,. “Mercé,“Mercé, dilette dilette amiche” amiche” (Elena, (Elena, coro) coro) 4:294:29 of ofFrench French grand grand opera opera with with a completelya completely new new work work in inFrench. French. In Inorder order to toachieve achieve this this aimaim he he was was willing willing to tomake make a numbera number of ofcompromises, compromises, and and so so he he allowed allowed the the leading leading Gran Gran scena scena e eterzetto terzetto finale finale librettistlibrettist of ofthe the day, day, Eugène Eugène Scribe, Scribe, to topalm palm off off an an existing existing work work on on him him in inthe the form form of of LeLe Duc Duc d’Albe d’Albe, which, which Donizetti Donizetti
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