Verdi (1813-1901) La Voix Humaine

Total Page:16

File Type:pdf, Size:1020Kb

Verdi (1813-1901) La Voix Humaine BIOGRAPHIES SIMON CALLAGHAN CONWAY Steinway Artist Simon Callaghan has performed throughout the UK, Japan, Malaysia, Thailand, South Korea, Austria, France and Belgium and has broadcast on BBC TV and radio. Engagements have included Wigmore Hall, Fairfield HALL Hall, Birmingham Symphony Hall, St David’s Hall Cardiff and Liverpool Philharmonic Hall. In chamber music he has SUNDAY performed with the Maggini, Sacconi and Carducci Quartets, Tim Hugh, Raphael Wallfisch, Jack Liebeck and the actors Samuel and Timothy West and Prunella Scales. Other highlights include a gala concert with ENO principals, CONCERTS a residency at the Banff Centre (Canada) a highly acclaimed recording of English piano music and the first UK performance since 1946 of Medtner’s Third Piano Concerto. Recent recordings include a two-disc recording of Delius orchestral works in arrangements for two pianos, a two-volume set of Brahms and a highly-acclaimed world premiere recording of music by Roger Sacheverell Coke (on SOMM). Simon is Head of Piano at the Ingenium Summer Academy (Winchester) and Artistic Director of the renowned Conway Hall Sunday Concerts, the longest-running Patrons - Stephen Hough, Laura Ponsonby AGSM, Prunella Scales chamber music series in Europe. CBE, Roderick Swanston, Hiro Takenouchi and Timothy West CBE Artistic Director - Simon Callaghan Sunday February 14th 2016, 6:30pm VALENTINE’S OPERA GALA NEXT AT CONWAY HALL Sunday February 21st 2016, 6.30pm FABIEN THOUAND (OBOE) with members of the London Symphony Orchestra SOPRANO ILONA DOMNICH MARIO SOFRONIOU Laurent Quenelle - Violin TENOR Malcolm Johnston - Viola BARITONE SIMON WALLFISCH Eve-Maria Caravassilis - Cello PIANO SIMON CALLAGHAN Mozart Oboe Quartet in F K370 Fiala Oboe Quartet in F Britten Phantasy in F minor Moeran Fantasy Quartet Françaix Quartet (for Cor Anglais and String Trio) Please follow us on Facebook and Twitter to stay updated about concerts and news. Conway Hall Sunday Concerts are an integral part of the charitable activities of Conway Hall. Please turn off all mobile phones and electronic devices. Conway Hall’s registered charity name is Conway Hall Ethical Society (n o . 1156033). No recording and photographing allowed at any time. PROGRAMME BIOGRAPHIES ILONA DOMNICH Ilona Domnich is a rising opera star described by critics as a memorable voice of silken beauty with a luminous edge Wolfgang Amadeus Mozart (1756-91) to the tone, a sensitive musician and an actress of magnetic presence. She was chosen by Opera Now 2014 as one of EIN MÄDCHEN ODER WEIBCHEN [Die Zauberflöte K620 (1791)] (Wallfisch) their Top 10 high flyers, a “new generation of sopranos who are destined to have impressive careers” and is The artist of the month in Opera now magazine. Her recent CD “Surrender, voices of Persephone” of operatic arias and duets Mozart with the baritone Leo Nucci is released world-wide by Signum Records. Ilona studied in St. Petersburgh, Jerusalem and the RCM in London. She has performed at English National Opera, Buxton and Grange Park Opera, BBCCO and music PAPAGENO AND PAPAGENA [Die Zauberflöte] (Domnich & Wallfisch) festivals in the UK and Europe and sung title roles in operas including The Barber of Seville, Rigoletto, The Magic Flute, Don Giovanni, The Marriage of Figaro, La Boheme, Pelleas and Melisande, La Rondine, Onegin, Merry Widow, Fortunio, Giuseppe Verdi (1813-1901) La voix humaine. In 2015 Ilona sang Olympia/Antonia/Guilietta/Stella in the English Touring Opera production of The CARO NOME [Rigoletto (1851)] (Domnich) Tales of Hoffman. Future plans include Poulenc Gloria at Notre Dame de Paris, Brahms Requiem, Songs of the Auvergne and concerts at Albert Hall, Barbican and Birmingham Symphony Hall with the Royal Philharmonic Orchestra. Verdi E IL SOL DELL’ANIMA [Rigoletto] (Domnich & Sofroniou) MARIO SOFRONIOU Georges Bizet (1838-1875) Proclaimed for his “stylish, dark, yet clarion quality” (The Times) and “beautiful, Italianate tenor” (Das Opernglas), [ ( )] ( ) emerging British tenor Mario Sofroniou is in increasing demand across Europe. Mario’s recent and future engagements LEILA’S ARIA Les Pecheurs de Perles 1863 Domnich include Pinkerton in Madam Butterfly at the Royal Albert Hall, Don Jose in Carmen, Ismaele in Nabucco, and Rodolfo in La Boheme for Mecklenburgisches Staatstheater, and on the concert platform, opera galas at the Royal Festival Bizet Hall with the Royal Philharmonic Orchestra. Previous season’s highlights include Il Duca in Rigoletto (Stadttheater AU FOND DU TEMPLE SAINT [Les Pecheurs de Perles] (Sofroniou & Wallfisch) Freiburg), Orombello in Bellini’s Beatrice di Tenda (Landestheater Niederbayern), Alfredo in La Traviata, and Il Duca in Rigoletto (Slovenian National Opera), and Zamoro in the British premier of Verdi’s Alzira at the Royal Festival Hall, London. Subsequent roles include Chevalier de la Force in Dialogues de Carmelites, Aeneas in Les Troyans, Tamino in INTERVAL Die Zauberflote, and Max in Der Freischutz. Recent concert performances include Verdi’s Requiem, under the baton of (15 mins) Sir David Willcocks, Britten’s Ballad of Heroes with James Judd, opera gala concerts at the Royal Concert Hall, Glasgow with the Royal Scottish National Orchestra, and at the Bridgewater Hall with the Manchester Concert Orchestra, the Giacomo Puccini (1858-1924) world premier of Duncan Ward’s Ave Maris Stella at the Royal Festival Hall, London, and Lucerne Festival, Switzerland, CHE GELIDA MANINA [La Bohème (1896)] (Sofroniou) and the world premiere of Peter Milmer’s Requiem with the Cardiff Philharmonic Orchestra. Mario studied on the postgraduate opera course at Trinity College of Music, London, and previous to this was an ENT Surgeon. Puccini MI CHIAMANO MIMI [La Bohème] (Domnich) SIMON WALLFISCH Born in London into a musical family, Simon Wallfisch studied cello and voice at the RCM where he was awarded Puccini numerous prizes. In 2006 Wallfisch left London for studies in Berlin and Leipzig. Subsequently he was engaged at the O SOAVE FANCIULLA, O DOLCE VISO [La Bohème] (Domnich & Sofroniou) International Opera Studio of the Zurich Opera House (2009-2012) to sing several roles on the main stage under the batons of Sir Mark Elder, Nello Santi, Phillipe Jordan, Ingo Metzmacher and Massimo Zanetti. Recent roles include Puccini ESCAMILLO (National Reis Opera, Holland). PELLEAS (Grimeborn Opera Festival) ALBERT (English Touring Opera). QUESTO AMOR, VERGOGNA MIA [Edgar (1889)] (Wallfisch) Appearances in Germany have included roles at the Leipzig Opera, Magdeburg, Dessau, Altenburg-Gera, Potsdam Theatres and the Ludwigsberger Scholss Festspiele. In January 2015, Simon Wallfisch broadcast as soloist and conductor to just over 3 Million viewers BBC 2 Television and he is frequently invited to perform live on Radio 3’s “In Puccini Tune”. A documentary film about his family was made for ARTE and ZDF. He has appeared on Bayerische Rundfunk/ OH MIMI TU PIU NON TORNI [La Bohème] (Sofroniou & Wallfisch) Fernsehen, Mittel Deutsche and Nord Deutsche Rundfunk and Schweizer Rundfunk SRF2. His CD Songs of Geoffrey Bush (Edward Rushton, piano) is available on Lyrita Records. Their second CD of songs of Caplet, Ravel, Honegger and Marino Marini (1924-1997) Milhaud was released in December 2015 on Nimbus Records. On the concert platform, Wallfisch is in great demand as Oratorio Soloist and has performed works from Bach to Janacek in Hamburg Laeiszhalle Kleinersaal, broadcast AMOR, MON AMOUR, MY LOVE (Wallfisch) on NDR Kultur, London: Kings Place, Purcell Room, Cadogan Hall, Manchester: Bridgewater Hall, Berlin: Konzerthaus, Otto Braun Saal of the Philharmonie, Französischer Dom, Leipzig: Thomaskirche, Opernhaus, Bremen Pier 2 Arena, George Gershwin (1898-1937) Zürich: Fraumünster, with orchestras including the English Chamber Orchestra, Zurich Chamber Orchestra, Zurich SUMMERTIME [Porgy and Bess (1934)] (Domnich) Konzert Chor, Frankfurter Sinfoniker, Reading Bach Choir, Imperial College and Chethams Symphony Orchestra. As recitalist, Wallfisch is often featured artist at the Oxford Lieder Festival, London Purcell Room, St Georges Brandon Hill Bristol, King’s Place, London Song Festival, Alwyn Festival, Lichfield Festival, International Wimbledon Festival, Eduardo di Capua (1865-1917) Leamington Music Festival, The Lieder Society of Victoria (Australia) and several festivals across France, Italy and ‘O SOLE MIO (1898) (Sofroniou) Switzerland. Simon is also very active as a musical comedian, thrilling audiences as The Singing Cellist, with a combination of musical satire and original arrangements for voice and cello. This act has seen him take on London’s famous Leicester Square Theatre, late night in the Bechstein Room of the Wigmore Hall and in 2017, Wallfisch will Tonight’s performance will finish at approximately 8:15pm. collaborate with celebrated musical comedy duo Igudesman and Joo in a new original show..
Recommended publications
  • A Midsummer Night's Dream
    Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
    [Show full text]
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Shining the Spotlight on New Talent Independent Opera
    Independent Opera Shining the spotlight on new talent INDEPENDENT OPERA AT SADLER’S WELLS 2005–2020 Introduction Message from Wigmore Hall Thursday 15 October 2020, 7.30pm In this period of uncertainty, Independent Opera at Sadler’s It gives me great pleasure to welcome Independent Opera Wells is grateful to be able to present its annual Scholars’ to Wigmore Hall for its fourth showcase event. Now, more Independent Opera Recital at Wigmore Hall. For this final concert in Independent than ever, such opportunities are vital for young singers. Opera’s 15-year history, we are thrilled to bring together We are immensely grateful to Independent Opera for its four talented singers: tenor Glen Cunningham, soprano pioneering work and for its extraordinary commitment Scholars’ Recital Samantha Quillish, bass William Thomas, mezzo-soprano to young artists when they need it most. Tonight’s concert Lauren Young and renowned pianist Christopher Glynn. is a great example of the spirit of Independent Opera and all that it has represented over so many years. I hope Antonín Dvorˇák The four emerging artists you will hear tonight were Glen Cunningham tenor that you all enjoy this concert. Cigánské melodie, Op. 55 selected from Independent Opera’s partner conservatoires: Royal College of Music No. 1 Má písenˇ zas mi láskou zní Royal College of Music, Royal Academy of Music, Guildhall John Gilhooly Director No. 4 Když mne stará matka zpívat School of Music & Drama and Royal Conservatoire of Samantha Quillish soprano Moravian Duets, Op. 38 Scotland. The Independent Opera Voice Scholarships were Royal Academy of Music No.
    [Show full text]
  • Download PDF Booklet
    THE CALL INTRODUCING THE NEXT GENERATION OF CLASSICAL SINGERS Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau piano our future, now Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick THE CALL Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau THE CALL FRANZ SCHUBERT (1797-1828) 1 Fischerweise (Franz von Schlechta) f 2’53 2 Im Frühling (Ernst Schulze) a 4’32 ROBERT SCHUMANN (1810-1856) 3 Mein schöner Stern (Friedrich Rückert) d 2’39 JOHANNES BRAHMS (1833-1897) 4 An eine Äolsharfe (Eduard Mörike) f 3’52 ROBERT SCHUMANN 5 Aufträge (Christian L’Egru) b 2’30 GABRIEL FAURÉ (1845-1924) 6 Le papillon et la fleur (Victor Marie Hugo) e 2’08 CLAUDE ACHILLE DEBUSSY (1862-1918) 7 La flûte de Pan (Pierre-Félix Louis) b 2’45 REYNALDO HAHN (1874-1947) 8 L’heure exquise (Paul Verlaine) c 2’27 CLAUDE ACHILLE DEBUSSY 9 C’est l’extase (Paul Verlaine) a 2’54 FRANCIS POULENC (1899-1963) Deux poèmes de Louis Aragon (Louis Aragon) d 10 i C 2’44 11 ii Fêtes galantes 0’57 GABRIEL FAURÉ 12 Notre amour (Armand Silvestre) e 1’58 MEIRION WILLIAMS (1901-1976) 13 Gwynfyd (Crwys) c 3’25 HERBERT HOWELLS (1892-1983) 14 King David (Walter de la Mare) b 4’51 RALPH VAUGHAN WILLIAMS (1872-1958) 15 The Call (George Herbert) f 2’12 16 Silent Noon (Dante Gabriel Rossetti) c 4’03 BENJAMIN BRITTEN (1913-1976) 17 The Choirmaster’s Burial (Thomas Hardy) d 4’08 IVOR GURNEY (1890-1937) 18 Sleep (John Fletcher) e 2’55 BENJAMIN
    [Show full text]
  • Signumclassics
    170booklet 6/8/09 15:21 Page 1 ALSO AVAILABLE on signumclassics Spanish Heroines Silvia Tro Santafé Orquesta Sinfónica de Navarra Julian Reynolds conductor SIGCD152 Since her American debut in the early nineties, Silvia Tro Santafé has become one of the most sought after coloratura mezzos of her generation. On this disc we hear the proof of her operatic talents, performing some of the greatest and most passionate arias of any operatic mezzo soprano. Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 170booklet 6/8/09 15:21 Page 3 Rossini Mezzo Rossini Mezzo gratitude, the composer wrote starring roles for her in five of his early operas, all but one of them If it were not for the operas of Gioachino Rossini, comedies. The first was the wickedly funny Cavatina (Isabella e Coro, L’Italiana in Algeri) the repertory for the mezzo soprano would be far L’equivoco stravagante premiered in Bologna in 1. Cruda sorte! Amor tiranno! [4.26] less interesting. Opera is often thought of as 1811. Its libretto really reverses the definition of following generic lines and the basic opera plot opera quotes above. In this opera, the tenor stops Coro, Recitativo e Rondò (Isabella, L’Italiana in Algeri) has been described as “the tenor wants to marry the baritone from marrying the mezzo and does it 2. Pronti abbiamo e ferri e mani (Coro), Amici, in ogni evento ... (Isabella) [2.45] the soprano and bass tries to stop them”. by telling him that she is a castrato singer in drag.
    [Show full text]
  • Christopher Diffey – TENOR Repertoire List
    Christopher Diffey – TENOR Repertoire List Leonard Bernstein Candide Role: Candide Volkstheater Rostock: Director Johanna Schall, Conductor Manfred Lehner 2016 A Quiet Place Role: François Theater Lübeck: Director Effi Méndez, Conductor Manfred Lehner 2019 Ludwig van Beethoven Fidelio Role: Jaquino Nationaltheater Mannheim 2017: Director Roger Vontoble, Conductor Alexander Soddy Georges Bizet Carmen Role: Don José (English) Garden Opera: Director Saffron van Zwanenberg 2013/2014 OperaUpClose: Director Rodula Gaitanou, April-May 2012 Role: El Remendado Scottish Opera: Conductor David Parry, 2015 (cover) Melbourne City Opera: Director Blair Edgar, Conductor Erich Fackert May 2004 Role: Dancaïro Nationaltheater Mannheim: Director Jonah Kim, Conductor Mark Rohde, 2019/20 Le Docteur Miracle Role: Sylvio/Pasquin/Dr Miracle Pop-Up Opera: March/April 2014 Benjamin Britten Peter Grimes Role: Peter Grimes (cover) Nationaltheater Mannheim: Conductor Alexander Soddy, Director Markus Dietz 2019/20 A Midsummer Night’s Dream Role: Lysander (cover) Garsington Opera: Conductor Steauart Bedford, Director Daniel Slater June-July 2010 Francesco Cavalli La Calisto Role: Pane Royal Academy Opera: Dir. John Ramster, Cond. Anthony Legge, May 2008 Gaetano Donizetti Don Pasquale Role: Ernesto (English) English Touring Opera: Director William Oldroyd, Conductor Dominic Wheeler 2010 Lucia di Lammermoor Role: Normanno Nationaltheater Mannheim 2016 Jonathan Dove Swanhunter Role: Soppy Hat/Death’s Son Opera North: Director Hannah Mulder, Conductor Justin Doyle April
    [Show full text]
  • Jessica Pratt - Soprano
    Jessica Pratt - Soprano Jessica Pratt est considérée comme l’une des meilleures interprètes de Bel cantos, même des plus difficiles du répertoire. Depuis ses débuts européens en 2007 dans Lucia di Lammermoor, la carrière de Jessica comprend des performances dans des théâtres et festivals comme le Metropolitan Opera New York, Teatro alla Scala of Milan, Gran Teatre Liceu of Barcelona, Zurich Opera, Deutsche Oper Berlin, le Vienna State Opera et le Royal Opera House Covent Garden. Elle a travaillé avec des chefs d’orchestre comme Daniel Oren, Nello Santi, Kent Nagano, Sir Colin Davis, Giacomo Sagripanti, Gianandrea Noseda, Carlo Rizzi, Roberto Abbado, Wayne Marshall et Christian Thielemann. Le répertoire de Jessica compte plus de 30 rôles différents, dont le plus célèbre est Lucia Ashton de Lucia di Lammermoor de Gaetano Donizetti dans plus de 27 productions, suivi de Amima de La Sonnambula de Vincenzo Bellini et Elvira de I Puritani du même compositeur. Elle est éGalement spécialiste du répertoire de Rossini : invitée fréquemment au Rossini Opera Festival à Pesaro, Jessica a tenu 12 rôles dans des opéras de ce compositeur, notamment les rôles principaux de Semiramide, Armida, Adelaide de BorGoGna, plus récemment Desdemona dans Otello au Gran Teatre de Liceu de Barcelone et Rosina dans Barbiere di Siviglia à l’Arena de Vérone. Un autre compositeur au centre du travail de Jessica est Gaetano Donizetti. Elle a fait ses débuts à La Scala de Milan avec La Prima Donna in Convenienze ed Inconvenienze Teatrali et plus tard, Lucia di Lammermoor. La saison dernière, elle a ajouté 4 nouvelles œuvres de Donizetti à son répertoire : La Fille du Regiment à l’Opera Las Palmas, Don Pasquale à l’ABAO de Bilbao, L'elisir d'amore au Gran Theatre Liceu de Barcelone et le rôle principal de Rosmonda d'Ingliterra en version de concert pour l’Opera di Firenze.
    [Show full text]
  • Phillip Rhodes Baritone
    Phillip Rhodes Baritone UK-based New Zealand baritone Phillip of the Cannibal Dog (Wellington Opera Rhodes was the winner of the 2005 New House). He has also covered Enrico Zealand Aria Competition and was Lucia di Lammermoor (Royal Opera awarded second place at the House); title role Sweeney Todd (New International Montserrat Caballe Zealand Opera); and Gérard Andrea Competition in 2008. He is a former Chénier, Iago Otello and Balstrode Peter Emerging Artist with New Zealand Grimes (all for Opera North). Opera and has since appeared regularly with the company in principal roles. Rhodes was born in Hawke’s Bay, New Zealand, where he graduated in 2004 In the 2020-21 season he sings Father with a Diploma in Arts and Voice. In Hansel and Gretel (Scottish Opera’s 2008, he was awarded a scholarship to filmed production), and Don Pizarro attend the Cardiff International Fidelio in a concert performance with Academy of Voice under the tutelage of Auckland Philharmonia. Dennis O'Neill, where he remained for three seasons. In 2005 he won the Lexus Recent highlights include his Royal Song Quest, bringing him to the Opera House debut as Escamillo attention of Dame Kiri Te Kanawa, who “Phillip Rhodes did a very Carmen; his role debut in the title role still maintains her interest in his career. of The Marriage of Figaro (Opera Phillip acknowledges the support of the good job of Baron Scarpia, North); his house debut at Nederlandse Kiri Te Kanawa Foundation. every inch a villain. Rhodes Reisopera as Scarpia Tosca; Escamillo Carmen, Speaker The Magic Flute and has a beautiful, dark voice cover Renato Un ballo in maschera Valid for use until 1 August 2021 For updated versions please contact with which he painted a (Welsh National Opera); Jud Fry [email protected] perfect picture of the evil Oklahoma! (Grange Park Opera); King Le Cid (Dorset Opera); and Escamillo swindler with the character of Carmen (Grange Festival).
    [Show full text]
  • Charles Rice Baritone
    Charles Rice Baritone Charles Rice makes his debut at English National Opera as MARCELLO La Boheme in the 21/22 season followed DEMETRIUS A Midsummer Night’s Dream in a new Laurent Pelly production at the Opera de Lille. Engagements in the 20/21 season have included ORESTE Iphigenie en Tauride for the Opéra de Nantes, Rennes and Angers where he appeared last year in the title role of Thomas’ Hamlet, as well as his role debut as DON GIOVANNI for the Opéra de Avignon. Other recent appearances included ROBERT CECIL Gloriana Teatro Real, ORONTE Médée Grand Théâtre de Genève, SIMONSON IVANOVICH Risurrezione Wexford Festival Opera, GABEY On the Town, DEMETRIUS A Midsummer Night’s Dream Hyogo Performing Arts Center in Japan, Eugene Onegin Angers Nantes Opéra, FIGARO The Barber of Seville and MAXIMILIAN Candide The Grange Festival, NED KEENE Peter Grimes Palau de Les Arts Reina Sofia Valencia, ARTHUR KOESTLER Benjamin, dernière nuit (world premiere) and PROCOLO Viva la Mamma Opéra de Lyon, as well as HERMANN Les Contes d’Hoffmann which marked his debut at the Royal Opera House Covent Garden. Current and future concerts of Charles Rice include Carmina Burana Liepaja Symphony Latvia, LANCELOT Camelot London Palladium and BARNEY The Silver Tassie BBC Symphony Orchestra at the Barbican. Past engagements have included ESCAMILLO Carmen Stadttheater Klagenfurt and Vorarlberger Landestheater, HARLEKIN Ariadne auf Naxos and SILVIO Pagliacci Opéra de Toulon, SID Albert Herring English Touring Opera, HK Gruber’s Gloria – A Pigtale Mahogany Opera Group tour (Linbury Studio, Bregenz Festival, Norfolk and Norwich Festival), roles in Candide Opéra National de Lorraine, NED KEENE Peter Grimes Aldeburgh Festival, BELLO La Fanciulla del West English National Opera, CONTE ROBINSON Il Matrimonio Segreto Festival de Sédières, MORALES Carmen Royal Albert Hall, ANGELOTTI Tosca Grange Park Opera, GUGLIELMO Cosi fan tutte with Jane Glover and John Cox, and the VICAR in John Copley’s first Albert Herring, both for RAO.
    [Show full text]
  • Mdch Programme Notes
    The Tait Memorial Trust presents High Commissioner Series Australian High Commission, London Series Sponsor: Voyage Control ‘Stars of Covent Garden in Recital’ ARTISTS: Kiandra Howarth (soprano) Lauren Fagan (soprano) Filipe Manu (tenor) Samuel Sakker (tenor) Sergey Rybin (pianist) PROGRAMME: CLAUDE DEBUSSY Apparition PYOTR ILYICH TCHAIKOVSKY None but the lonely heart Why? EDVARD GRIEG Zur Rosenzeit Ein Traum VINCENZO BELLINI La Ricordanza FRANZ LISZT Die Lorelei SERGEI RACHMANINOFF She’s as fair as a noon day Pied Piper Sleep DOUGLAS LILBURN Holiday Piece RICHARD STRAUSS Ich trage meine Minne Mein Auge RALPH VAUGHAN WILLIAMS Silent noon FRANCIS POULENC C Fêtes Galantes OTTORINO RESPIGHI Crepuscolo EARNEST CHARLES When I have sung my songs Claude Debussy (1862-1918) Apparition (Apparition) Text: Stéphane Mallarmé La lune s’attristait. Des séraphins en pleurs The moon was saddened. Seraphim in tears rêvant, l’archet aux doigts, dans le calme des fleurs dreaming, bows at their fingers, in the calm of filmy Vaporeuses, tiraient de mourantes violes flowers, threw dying violas of white sobs De blanc sanglots glissant sur l’azur des corolles. sliding over the blue of corollas. C’était le jour béni de ton premier baiser. It was the blessed day of your first kiss. Ma songerie aimant à me martyriser My reverie, loving to torture me, S’enivrait savamment du parfum de tristesse wisely imbibed its perfume of sadness Que même sans regret et sans déboire laisse that even without regret and without setbacks leaves La cueillaison d’un rêve au coeur qui l’a cueilli. A dream’s gathering within the heart that gathered it.
    [Show full text]
  • NSF Programme Book 23/04/2019 12:31 Page 1
    two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.
    [Show full text]