Mujeres Y Música. Obstáculos Vencidos Y Caminos Por Recorrer

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Mujeres Y Música. Obstáculos Vencidos Y Caminos Por Recorrer MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. En cualquier caso, en la utilización de sus contenidos se deberá indicar de forma clara el nombre y apellidos de la persona autora y el título de la tesis doctoral. No se autoriza su reproducción u otras formas de explotación efectuadas con fines lucrativos ni su comunicación pública desde un sitio ajeno al servicio TDR. Tampoco se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al contenido de la tesis como a sus resúmenes e índices. WARNING. Access to the contents of this doctoral thesis and its use must respect the rights of the author. It can be used for reference or private study, as well as research and learning activities or materials in the terms established by the 32nd article of the Spanish Consolidated Copyright Act (RDL 1/1996). Express and previous authorization of the author is required for any other uses. In any case, when using its content, full name of the author and title of the thesis must be clearly indicated. Reproduction or other forms of for profit use or public communication from outside TDX service is not allowed. Presentation of its content in a window or frame external to TDX (framing) is not authorized either. These rights affect both the content of the thesis and its abstracts and indexes. UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo UNIVERSITAT ROVIRA I VIRGILI Mujeres y música. Obstáculos vencidos y caminos por recorrer Avances hacia la igualdad y metas por alcanzar en el campo de la composición, interpretación y dirección orquestal. Sandra Soler Campo TESIS DOCTORAL Tarragona 2017 1 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo 2 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo 3 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo DOCTORANDA: SANDRA SOLER CAMPO TESIS DOCTORAL TITULADA: MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. TESIS DIRIGIDA POR LA Dra: Mª INMACULADA PASTOR GOSÁLBEZ DEPARTAMENTO DE ANTROPOLOGÍA, FILOSOFÍA Y TRABAJO SOCIAL PROGRAMA DE DOCTORADO: INTERVENCIÓN SOCIAL - GÉNERO Y JUVENTUD UNIVERSIDAD ROVIRA I VIRGILI TARRAGONA 2017 4 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo La imaginación, el sentimiento, la novedad, lo imprevisto que surge de un espíritu desarrollado son cosas desconocidas para ellos, mentes obturadas, cerebros obtusos, eternamente cerrados a la luz, que necesitan de alguien que les provea. Le decían: … nos servimos de una alucinada para encontrar lo que buscamos. Los hay que, al menos, poseen estómagos agradecidos y serían capaces de dar alguna compensación a la pobre mujer a la que han despojado de su talento: ¡un manicomio!, ¡no!, ¡ni siquiera el derecho de poseer una casa propia! Porque debo permanecer en su poder. Es la explotación de la mujer, el aniquilamiento de la artista a la se quiere hacer sudar sangre... Carta desde el manicomio, Camille Claudel 5 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo Dedicado a mi familia, amigos y a vosotras. 6 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo ÍNDICE DE CONTENIDOS 1. INTRODUCCIÓN .................................................................................................... 10 2. PRESENTACIÓN DEL OBJETO DE ESTUDIO ................................................... 15 2.1. Estado de la cuestión .......................................................................................... 16 2.2. Objetivos. Objetivos generales y Objetivos secundarios ................................... 24 2.3. Hipótesis de la Investigación ............................................................................. 28 2.4. Metodología ....................................................................................................... 30 2.5. Técnicas de Investigación: La entrevista ........................................................... 37 3. MARCO TEÓRICO ................................................................................................. 45 3.1. Historia de las mujeres en la música: aportaciones y dificultades que han frenado su desarrollo ................................................................................................. 45 3.1.1. Introducción: mujeres en la música ........................................................ 47 3.1.2. Periodo Medieval .................................................................................... 51 3.1.3. Periodo Renacentista .............................................................................. 59 3.1.4. Periodo Barroco ...................................................................................... 68 3.1.5. Periodo Clásico ....................................................................................... 74 3.1.6. Periodo Romántico ................................................................................. 80 3.1.6.1. Las escuelas nacionales .......................................................... 89 3.1.6.2. Música popular española ......................................................... 90 3.1.7. S. XX en adelante ................................................................................... 95 3.2. Enfoques teóricos para explicar la evolución de la música: qué es la musicología y su evolución como disciplina ......................................................... 105 3.3. Musicología feminista ...................................................................................... 117 3.4. Aportaciones realizadas desde los estudios de género al análisis de la historia de las mujeres y la musicología ................................................................................... 117 7 UNIVERSITAT ROVIRA I VIRGILI MUJERES Y MÚSICA. OBSTÁCULOS VENCIDOS Y CAMINOS POR RECORRER. AVANCES HACIA LA IGUALDAD Y METAS POR ALCANZAR EN EL CAMPO DE LA COMPOSICIÓN, INTERPRETACIÓN Y DIRECCIÓN ORQUESTAL. Sandra Soler Campo 4. ANALÍSIS DE LA SITUACIÓN ACTUAL.......................................................... 138 4.1. Análisis del ámbito laboral .............................................................................. 143 4.2. La música en el Sistema General de Educación Español................................. 150 4.3. La música en las Enseñanzas de Régimen Especial ........................................ 152 4.4. La LOGSE aplicada a los Conservatorios y Centros Reconocidos ................. 154 4.5. Nuevas estrategias educativas .......................................................................... 157 4.6. Acciones de mejora .........................................................................................
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