Tearing up the Rules
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SSUSSEUSSExx 1 JJEEwwISHISH NNEEwwSS what’S INSIdE.... SHANA TOVAH | HISTORY OF THE JEwISH wELFARE BOARd | Whats THE CHORAL SYNAGOGUE | wHAT’S ON | ANd MORE OCTOBER /NOVEMBER 2016 • ELLUL 5776 / TISHREI 5777 / CHESHVAN 5777 • ISSUE 268 2 3 MESSAGE FROM THE CHIEF RABBI – ROSH HASHANAH 5777 ”ןומתחי רופיכ םוצ םויבו ןובתכי הנשה שארב“ ‘On Rosh Hashanah it is inscribed and on Yom Kippur it is sealed’ s we recited these moving words in the Unetaneh The Talmud describes prayer as avodah shebalev – the Tokef prayer last year, we could hardly have ‘service of the heart’ – because, in essence, prayer Aanticipated the devastation that would be is about training oneself to love and serve God. The wrought by the relentless terrorist atrocities that would Hebrew word for prayer, tefillah, is linked to tofel, which follow. The daily threat of terror is one to which our means connecting to a greater power. We pray with a brethren in Israel have long become accustomed, but deep sense of humility and responsibility because we that awful reality has largely been greeted by silence understand that we can never simply be a ‘law unto in the mainstream media. Global terrorism has spread ourselves’. The power of prayer has always been and its tentacles far and wide, making no place on earth will always be a force for good; a spiritual connection immune to this scourge. As the French philosopher and with something greater than ourselves, elevating our author Bernard-Henri Lévy has said, the world must souls and directly affecting our future actions. We will now learn from the experiences of the Jewish State. -
A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
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The Other Modern Dwelling: Josef Frank and Haus & Garten Christopher Long School of Architecture University of Texas at Austin January 1999 Working Paper 98-2 ©1999 by the Center for Austrian Studies (CAS). Permission to reproduce must generally be obtained from CAS. Copying is permitted in accordance with the fair use guidelines of the U.S. Copyright Act of 1976. CAS permits the following additional educational uses without permission or payment of fees: academic libraries may place copies of CAS Working Papers on reserve (in photocopied or electronically retrievable form) for students enrolled in specific courses; teachers may reproduce or have reproduced multiple copies (in photocopied or electronic form) for students in their courses. Those wishing to reproduce Center for Austrian Studies Working Papers for any other purpose (general distribution, advertising or promo- tion, creating new collective works, resale, etc.) must obtain permission from the Center for Austrian Studies, University of Minnesota, 314 Social Sciences Building, 267 19th Avenue S., Minneapolis MN 55455. Tel: 612-624-9811; fax: 612-626-9004; e-mail: [email protected] A direct link to the CAS e-mail address cannot be included on this page, because it has been reproduced in Adobe Portable Documrnt Format (pdf) rather than html. We have done this because of the many high-quality images embedded in the paper. 1 In an article published in Der Architekt in 1921, the year when the economic and political fortunes of Austria finally began to revive, Josef Frank took time out to reflect on what the new realities of the postwar era would mean for the future of the arts and crafts in Vienna. -
Piracy: the World's Third-Oldest Profession
Comparative Civilizations Review Volume 63 Article 7 Number 63 Fall 2010 4-1-2010 Piracy: The orW ld's Third-Oldest Profession Laina Farhat-Holzman [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/ccr Recommended Citation Farhat-Holzman, Laina (2010) "Piracy: The orldW 's Third-Oldest Profession," Comparative Civilizations Review: Vol. 63 : No. 63 , Article 7. Available at: https://scholarsarchive.byu.edu/ccr/vol63/iss63/7 This Essay is brought to you for free and open access by the All Journals at BYU ScholarsArchive. It has been accepted for inclusion in Comparative Civilizations Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Farhat-Holzman: Piracy: The World's Third-Oldest Profession Dear Readers: We are instituting with this issue a new type of article: the Historic Review Essay. The process for publishing essays will run parallel to that now existing for peer reviewed papers, but the essays will not be submitted for anonymous peer review. The point of the essays will be to present challenging or thought-provoking theories or ideas or histories that may not necessarily be congruent with prevailing scholarship. The essays will be read and scheduled by the editorial board of the journal. The first such essay is printed below. Joseph Drew HISTORIC REVIEW ESSAY Piracy: The World's Third-Oldest Profession Laina Farhat-Holzman [email protected] The world has seen a reemergence of piracy during the past few decades—an activity that had seemed obsolete. I propose exploring the origins of piracy, its most significant appearances during history, and its strange modern reincarnation. -
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THE CALL INTRODUCING THE NEXT GENERATION OF CLASSICAL SINGERS Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau piano our future, now Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick THE CALL Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau THE CALL FRANZ SCHUBERT (1797-1828) 1 Fischerweise (Franz von Schlechta) f 2’53 2 Im Frühling (Ernst Schulze) a 4’32 ROBERT SCHUMANN (1810-1856) 3 Mein schöner Stern (Friedrich Rückert) d 2’39 JOHANNES BRAHMS (1833-1897) 4 An eine Äolsharfe (Eduard Mörike) f 3’52 ROBERT SCHUMANN 5 Aufträge (Christian L’Egru) b 2’30 GABRIEL FAURÉ (1845-1924) 6 Le papillon et la fleur (Victor Marie Hugo) e 2’08 CLAUDE ACHILLE DEBUSSY (1862-1918) 7 La flûte de Pan (Pierre-Félix Louis) b 2’45 REYNALDO HAHN (1874-1947) 8 L’heure exquise (Paul Verlaine) c 2’27 CLAUDE ACHILLE DEBUSSY 9 C’est l’extase (Paul Verlaine) a 2’54 FRANCIS POULENC (1899-1963) Deux poèmes de Louis Aragon (Louis Aragon) d 10 i C 2’44 11 ii Fêtes galantes 0’57 GABRIEL FAURÉ 12 Notre amour (Armand Silvestre) e 1’58 MEIRION WILLIAMS (1901-1976) 13 Gwynfyd (Crwys) c 3’25 HERBERT HOWELLS (1892-1983) 14 King David (Walter de la Mare) b 4’51 RALPH VAUGHAN WILLIAMS (1872-1958) 15 The Call (George Herbert) f 2’12 16 Silent Noon (Dante Gabriel Rossetti) c 4’03 BENJAMIN BRITTEN (1913-1976) 17 The Choirmaster’s Burial (Thomas Hardy) d 4’08 IVOR GURNEY (1890-1937) 18 Sleep (John Fletcher) e 2’55 BENJAMIN -
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SSUSSEUSSExx 1 JJEEwwISIShh nEnEwwSS As readers of SJN already know this is an important year for the Jewish Community but also for the City of Brighton & Hove as, together, we all recognise the first Jewish citizen of Brighton 250 years ago. I am delighted to be able to announce the events that are planned to recognise this momentous year. There is something for everyone, some ticketed some free, so please do get involved. Buy tickets and come along and support the community and the City as we embark on the 250th Anniversary of Judaism in this great City. It has been a pleasure to direct and coordinate the work of so many different people in order to put this programme together and you can see it now on page 7. We are all delighted to be working with the Brighton Fringe (and you must buy tickets through them from today). We also thank the Historical Society for their incredible research work. The opening day on Sunday, May 8th is centred on Middle Street Synagogue whilst the unveiling of the Blue Plaque on July 14th, will be carried out by the Lord Lieutenant. See you during this important year for us all. Ivor Caplin Director 250th Anniversary Events. what’S InSIDE.... haPPY PUrIm | BrIGhtOn JEwrY 250 | cOmInG hOmE | hmD 16 | trIBUtES anD mEmOrIES | WHAT’S On | anD mOrE march 2016 • aDar I - aDar II 5776 • ISSUE 261 2 Pause for thought 3 In the lead up to the spring to bring UK law into conformity to reduce expenditure on police holidays, it is important to take a with the latest European services owing to anti-Israel look at what the UK government Directive on motor vehicle safety. -
The Ocean in the Atlantic: British Experience and Imagination in an Imperial Sea, Ca
The Ocean in the Atlantic: British Experience and Imagination in an Imperial Sea, ca. 1600-1800 Heather Rose Weidner Chino Hills, California BA, Swarthmore College, 2000 MA, University of Virginia, 2002 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia May, 2014 i Table of Contents Abstract ii Acknowledgements iii Abbreviations vi Images vii 1. Introduction: Maritime, Anxious, Godly, and Sociable 1 2. Sing a Song of Shipwrecks 28 3. Between Wind and Water 95 4. Wrecked 166 5. To Aid Poor Sailors 238 6. Conclusion: God speed the barge 303 Appendix 1 315 Appendix 2 322 Bibliography 323 ii Abstract For Britons in the seventeenth and eighteenth centuries, “the Atlantic” was not a field of study -- it was an ocean. In this dissertation I argue for an environmentally minded Atlantic history, one that is conscious of the ocean as both a cultural and a physical presence. The ocean shaped an early modern Atlantic vernacular that was at its essence maritime, godly, anxious and sociable. The ocean was a conduit to empire, so anything Britons imagined about the oceans, they imagined about their empire as well. Britons could never fully master their empire because they could never master the ocean; it was source of anxiety for even the wealthiest merchants. The fear of extremity – of wreck and ruin – kept those who crossed the ocean focused on the three most valuable Atlantic commodities: a sound reputation, accurate information, and the mercy of God. -
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European Journal of Humour Research 5 (3) 108–111 www.europeanjournalofhumour.org Book review Quirk, S. (2015). Why Stand-Up Comedy Matters. How Comedians Manipulate and Influence. London and New York: Bloomsbury. 248 pages. As the title and introduction explain, Sophie Quirk’s monograph sets out to investigate the reasons and ways comedians manipulate and influence their audience. The term manipulation, however, should be considered apart from its often negative connotations and should be interpreted as the comedian’s attempt to skilfully communicate with their audience, elicit laughter, and, most importantly in this case, influence their beliefs, attitudes, and behaviour (see p. 2). With these premises, Quirk explores instances of stand-up comedy including some interaction between mainly well-known British comedians (e.g. Eddie Izzard, Stewart Lee, Josie Long) and their audience. She also interviews some of these performers so as to gain a first-hand understanding of the comedians’ performing experience. The book is divided into three main sections, which are well balanced in terms of structural organisation of the topic at hand. Part I comprises of two chapters in which Quirk explains how comedians manipulate and control their audience by, for instance, eliciting laughter at the right time. Drawing on Schopenhauer (1987), Freud (1957), and Douglas (1999), Quirk provides a sound overview of joking in relation to laughter, superiority, relief, incongruity, and challenge. She concludes that: Joking is always part of an ongoing negotiation through which current thought and practices are challenged and tested. Some challenges are gentle and leave their targets in tact [sic]; others are dangerous. -
William Hulme's Grammar School
WILLIAM HULME’S GRAMMAR SCHOOL Activities Room Entrance Disabled parking overflow Science Building Lift Music Entrance Room Entrance Stairs School from Hall Car Park Manchester Main Entrance Pedestrian Entrance Registration k s Day Limmud e Dining Room D p l S e p H r STAIRS TO i n g D ROOMS B STAIRS TO r i d D ROOMS 2019 g e Shuk t n R t i r o Lift o u a Donner P o d c Sunday 30 June 2019 y l l l Building b a b m t William Hulme’s Grammar School e e n s s d A n Spring Bridge Road, Blue Badge Entrance u y o c Car Park Entrance r n G Whalley Range e g Young Limmud d r r a and crèche e Manchester M16 8PR H m B Performing E l u e Entrance Arts Centre B Zochonis a Entrance d g PAC Rooms Building e p a r Stairs k i n g Name To parking at Whalley Range High School Session Four 13:40 – 14:40 Session Five 15:00 – 16:00 Session Six 16:20 – 17:20 Who is a Jew in Africa? Extremism and Antisemitism Balloon Debate WHERE DO I GO FOR MY SESSION? Clive Lawton Louise Ellman Panel session Jews in American Sixties Culture Churchill and the Jews David Benkof Richard Cohen Ground Floor Dining Hall – Registration, Grab & Go Lunch, Tea and Coffee stations Entrance Hall – Helpdesk Is there such a thing as a really Palestinians or Jews? Whose land is it? good Kosher Wine? Geoffrey Ben-Nathan Shuk Jon Sussman Tea and Coffee station Creating Community through The Rosenbergs – A Tragedy Main Male, Female and Accessible Toilets What is Limmud Anyway? Common Values of the Cold War DONNER David Hoffman Eli Ovits Matthew Suher BUILDING First Floor m o The Myth of Jewish -
Christopher Diffey – TENOR Repertoire List
Christopher Diffey – TENOR Repertoire List Leonard Bernstein Candide Role: Candide Volkstheater Rostock: Director Johanna Schall, Conductor Manfred Lehner 2016 A Quiet Place Role: François Theater Lübeck: Director Effi Méndez, Conductor Manfred Lehner 2019 Ludwig van Beethoven Fidelio Role: Jaquino Nationaltheater Mannheim 2017: Director Roger Vontoble, Conductor Alexander Soddy Georges Bizet Carmen Role: Don José (English) Garden Opera: Director Saffron van Zwanenberg 2013/2014 OperaUpClose: Director Rodula Gaitanou, April-May 2012 Role: El Remendado Scottish Opera: Conductor David Parry, 2015 (cover) Melbourne City Opera: Director Blair Edgar, Conductor Erich Fackert May 2004 Role: Dancaïro Nationaltheater Mannheim: Director Jonah Kim, Conductor Mark Rohde, 2019/20 Le Docteur Miracle Role: Sylvio/Pasquin/Dr Miracle Pop-Up Opera: March/April 2014 Benjamin Britten Peter Grimes Role: Peter Grimes (cover) Nationaltheater Mannheim: Conductor Alexander Soddy, Director Markus Dietz 2019/20 A Midsummer Night’s Dream Role: Lysander (cover) Garsington Opera: Conductor Steauart Bedford, Director Daniel Slater June-July 2010 Francesco Cavalli La Calisto Role: Pane Royal Academy Opera: Dir. John Ramster, Cond. Anthony Legge, May 2008 Gaetano Donizetti Don Pasquale Role: Ernesto (English) English Touring Opera: Director William Oldroyd, Conductor Dominic Wheeler 2010 Lucia di Lammermoor Role: Normanno Nationaltheater Mannheim 2016 Jonathan Dove Swanhunter Role: Soppy Hat/Death’s Son Opera North: Director Hannah Mulder, Conductor Justin Doyle April -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a