Barney Gumble a Short Film Reference
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Mediasprawl: Springfield U.S.A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them. -
Memetic Proliferation and Fan Participation in the Simpsons
THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience. -
Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die
H O S n o t p U e c n e d u r P Saturday, October 7, 201 7, 8pm Zellerbach Hall Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Matt Groening , creator and executive producer Simpsons , Futurama, and Life in Hell . Groening of the Emmy Award-winning series The Simp - has launched The Simpsons Store app and the sons , made television history by bringing Futuramaworld app; both feature online comics animation back to prime time and creating an and books. immortal nuclear family. The Simpsons is now The multitude of awards bestowed on Matt the longest-running scripted series in television Groening’s creations include Emmys, Annies, history and was voted “Best Show of the 20th the prestigious Peabody Award, and the Rueben Century” by Time Magazine. Award for Outstanding Cartoonist of the Year, Groening also served as producer and writer the highest honor presented by the National during the four-year creation process of the hit Cartoonists Society. feature film The Simpsons Movie , released in Netflix has announced Groening’s new series, 2007. In 2009 a series of Simpsons US postage Disenchantment . stamps personally designed by Groening was released nationwide. Currently, the television se - Lynda Barry has worked as a painter, cartoon - ries is celebrating its 30th anniversary and is in ist, writer, illustrator, playwright, editor, com - production on the 30th season, where Groening mentator, and teacher, and found they are very continues to serve as executive producer. -
Why It Matters
A Matter Of Scale The Scale Of The Problem Contents Part One: The Scale Of The Problem Chapter 1: One Ten Millionth Of A Metre 4 Chapter 2: One Millionth Of A Metre 19 Chapter 3: One Thousandth Of A Metre 31 Chapter 4: One Hundredth Of A Metre 44 Chapter 5: One Metre 55 Chapter 6: One Hundred Metres 70 Chapter 7: Beneath And Beyond 82 Part Two: Why It Matters Chapter 8: What Are We? 89 Chapter 9: Who Are We? 102 Chapter 10: Why Does It Matter? 115 Part Three: Making The Connection Chapter 11: Why Connect? 135 Chapter 12: How To Connect 148 Chapter 13: Why Can’t We Connect? 157 Part Four: How To Survive Chapter 14: Getting Angry 188 Chapter 15: You Are The System 197 Chapter 16: Making The Change 210 Chapter 17: Being Ourselves 253 Notes and References 264 2 Part One The Scale Of The Problem “Oh, the world is so big, and we are so small, The world is so big, are we here at all?” (Big Dipper, Songs From The Blue House) “The only constant I am sure of, Is this accelerating rate of change.” (Peter Gabriel, Downside-Up) A Matter Of Scale The Scale Of The Problem Chapter 1 One Ten Millionth Of A Metre Breathe in, and your body starts a battle. Countless microorganisms hitch a lift on every stream of air being pulled into your lungs, seeking out a place where they can embed themselves and multiply. Once inside every potential form of nutrition is fair game: blood cells, fat cells, skin, bone marrow, lymphatic fluid – all hosts for the army of invaders that just want to find a way of increasing their numbers. -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
American Monsters: Tabloid Media and the Satanic Panic, 1970-2000
AMERICAN MONSTERS: TABLOID MEDIA AND THE SATANIC PANIC, 1970-2000 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sarah A. Hughes May 2015 Examining Committee Members: Kenneth L. Kusmer, Advisory Chair, History Carolyn Kitch, Journalism Susan E. Klepp, History Elaine Tyler May, External Member, University of Minnesota, American Studies © Copyright 2015 by Sarah A. Hughes All Rights Reserved iii ABSTRACT “American Monsters: Tabloid Media and the Satanic Panic, 1970-2000,” analyzes an episode of national hysteria that dominated the media throughout most of the 1980s. Its origins, however, go back much farther and its consequences for the media would extend into subsequent decades. Rooted in the decade’s increasingly influential conservative political ideology, the satanic panic involved hundreds of accusations that devil-worshipping pedophiles were operating America’s white middle-class suburban daycare centers. Communities around the country became embroiled in criminal trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. The longest and most expensive trial in the nation’s history, the McMartin case is an important focal point of this project. In the 1990s, judges overturned the life sentences of defendants in most major cases, and several prominent journalists and lawyers condemned the phenomenon as a witch-hunt. They accurately understood it to be a powerful delusion, or what contemporary cultural theorist Jean Baudrillard termed a “hyperreality,” in which audiences confuse the media universe for real life. Presented mainly through tabloid television, or “infotainment,” and integral to its development, influence, and success, the panic was a manifestation of the hyperreal. -
Simpsons Comics- Colossal Compendium: Volume 4 PDF Book
SIMPSONS COMICS- COLOSSAL COMPENDIUM: VOLUME 4 PDF, EPUB, EBOOK Matt Groening | none | 27 Sep 2016 | Titan Books Ltd | 9781783296552 | English | London, United Kingdom Simpsons Comics- Colossal Compendium: Volume 4 PDF Book Burns Mr. Burns commandeers the Springfield public beach in the middle of a heat wave; Ralph gets left home alone, Duffman shows his esprit de corps by carrying his message to the ends of the universe; Milhouse takes on an impossible mission; Cletus lays down the law in the backwoods; and McBain faces his archenemy The Left Behinders! Qty: 1 2 3. Modified on October 4, , at Use your keyboard! July 15, Burns forces Lisa to battle him in a game of Scrabble; she accepts and after a while she gets upset and smashes the board. So one issue might be issue , the next and the next etc. This will not affect the original upload Small Medium How do you want the image positioned around text? Many Simpsons Comics have been reprinted and collected in trade paperbacks by the American publisher HarperCollins since It has been published around September— October, for Halloween , every year since Ow, Quit It! Stock photo. Seasons 1—20 Seasons 21—present. The postman turns out to be Ned Flanders and while he gives her a tour through the wondrous world they get caught by Mr. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. Folio: The Magazine for Magazine Management via findarticles. The third and the rarest variant was a reprint of the comic and it had the top right portion of Bart Simpson's head covered over the original bar code. -
Translation Strategies for Wordplay in the Simpsons
Translation Strategies for Wordplay in The Simpsons Pro Gradu Thesis Department of English University of Helsinki 19.12.2008 Elina Korhonen Student number: 012626728 1 Table of Contents List of figures 3 List of tables 3 1. INTRODUCTION 4 1.1 Background and aim 4 1.2 The Simpsons and its Finnish translation 5 1.3 Material and method 6 2. THE CONCEPT OF WORDPLAY 9 2.1 Definitions of wordplay 9 2.2 The Simpsons as a polysemiotic text 11 2.3 Typology of wordplay 13 2.3.1 Homography 13 2.3.2 Homonymy 14 2.3.3 Homophony 15 2.3.4 Paronymy 16 2.3.5 Intertextual wordplay 17 2.3.5 Portmanteaux 18 3. FUNCTIONS OF WORDPLAY 19 4. PUNS IN TRANSLATION 21 4.1 The notion of ‘untranslatability’ 21 4.2 First step: recognition of wordplay 22 4.3 Translation strategies for wordplay 24 4.4 Subtitling wordplay 26 5. PRESENTATION AND ANALYSIS OF DATA 29 5.1 Wordplay in the corpus 29 5.2 Categories of wordplay in each episode of The Simpsons 30 5.3 Translation strategies used by Sari Luhtanen 31 5.4 Translation strategies used for each wordplay category 33 6. DISCUSSION 36 6.1 Transmitting puns into the target text 36 6.1.1 Rendering puns by puns 36 6.1.2 Translating puns with the strategy of related rhetorical device 41 6.1.3 Pun in similar form in source and target text 43 6.2 Puns not retained in the subtitles 46 6.2.1 Rendering puns by non-puns 46 1 2 6.2.2 Omission of puns 51 7. -
The Barbie Phenomenon in Japan
THE BARBIE PHENOMENON IN JAPAN Arisa Shibagaki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2007 Committee: Marilyn F. Motz, Advisor Esther Clinton © 2007 Arisa Shibagaki All Rights Reserved iii ABSTRACT Marilyn F. Motz, Advisor This research examines the popularity of Barbie among young adult Japanese women as the “Barbie phenomenon” in Japan. By investigating the historical and cultural aspects of Japanese values of beauty, the author found that the phenomenon emerged from the combination of the values of kawaii (Japanese cuteness) and kakkoii (Japanese coolness). Kawaii is the traditional positive feeling for small and delicate things, and in modern society its meaning extends into popular characters and fashion. Kawaii fashion is usually considered to use lace, ribbon, and frilly materials and colors of pink, white, and pastels. On the other hand, the English- language word “cool” is usually translated into kakkoii (かっこいい), which means that people’s appearance is attractive, and its meaning also extends into people’s behavior and fashion in modern society. Kakkoii behavior is masculine and independent; the colors of black, blue, and khaki and plain materials are usually used in kakkoii fashion. In fact, “Kakkoii” is different from American “cool,” which is a word used for not only an attractive appearance but also individuality and a sense of belonging; however, the words “kakkoii” and “cool” are used without regard for such a difference in Japan. In women’s fashion magazines, both “kawaii” and “cool” are the common key words. -
The Simpsons Am Beispiel Der 17
DIPLOMARBEIT Titel der Diplomarbeit Vom Dialogbuch zur fertigen Episode. Veränderungen durch die deutschsprachige Synchronisation der U.S. amerikanischen Zeichentrickserie The Simpsons am Beispiel der 17. Staffel. Verfasser Patrick Seirafi angestrebter akademischer Grad Magister der Philosophie (Mag.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- u. Medienwissenschaft Betreuer: Mag. Dr. habil. Ramón Reichert Abbildungsverzeichnis ............................................................................. 6 1. Einleitung ............................................................................................... 8 2. Theoretische Grundlagen der Übersetzungswissenschaft ............. 12 2.1 Arten der Übersetzung ............................................................................ 12 2.2 Übersetzungskritik .................................................................................. 13 2.3 Zur Definition eines Übersetzungsbegriffs ........................................... 13 2.4 Die Skopostheorie ................................................................................... 14 2.5 Zur unübersetzbaren Übersetzung ........................................................ 15 2.6 Äquivalenz und Adäquatheit .................................................................. 18 2.7 Zum Übersetzungsprozess ..................................................................... 20 2.7.1 Voraussetzungen an einen Übersetzer ........................................................... -
Group Comes Together in Elsanor to Help Solve Global Issue Fire Alert
Covering all of Baldwin County, AL every Friday. 2019 Parade of Homes starts this weekend The Baldwin Times PAGE 12 SEPTEMBER 27, 2019 | GulfCoastNewsToday.com | 75¢ Group comes together Commission approves in Elsanor to help increased solve global issue budget By JOHN UNDERWOOD By GUY BUSBY [email protected] [email protected] ELSANOR — A small group BAY MINETTE — of scientists from diverse The Baldwin County backgrounds have gathered Commission approved JOHN UNDERWOOD / STAFF PHOTO together in the tiny rural com- a 2019-20 General Fund munity of Elsanor to work on ties development manager for From left, the Chonex staff, Chris Hornsby, Cade Smith, Lori Moshman budget that was 71 a common goal. Chonex. and Frankie Darsey. percent more than last “We’re taking something According to its website, year with most of that that God has given us and are chonex.ag, the company was and scientists with the mis- supply.” increase coming from a using it to create better soil,” founded “by a team of experi- sion of helping farmers build- new jail, highway barns said Frankie Darsey, facili- enced entrepreneurs, farmers ing a more sustainable food SEE GROUP, PAGE 4 and animal shelter. The County Commis- sion voted unanimously Sept. 20 to approve the General Fund budget of Animal Art Safari $115,414,134. The 2018- 19 budget for the same fund was $67,509,553. Ron Cink, Baldwin County budget direc- tor, told commissioners before the vote that several needed con- struction projects will increase the budget in the fiscal year that SEE BUDGET, PAGE 3 Fire alert issued for Alabama The Alabama For- ALLISON MARLOW / STAFF PHOTOS estry Commission Belle, a 5-month-old clouded leopard, is rewarded with a treat after painting a t-shirt Belle gets help dipping her paws into paint. -
The Simpsons Get ‘Stamping Ovation’ to Tune of 1 Billion Stamps Favorite Character Vote Continues Through May 14 At
EMBARGOED FOR 9:15 A.M. PT Media ONLY Contact: Roy Betts RELEASE (O) 202-268-3207 May 7, 2009 (C) 202-256-4174 [email protected] usps.com/news Release No. 09-048 Customer inquiries: 1-800-ASK-USPS (800-275-8777) The Simpsons Get ‘Stamping Ovation’ To Tune of 1 Billion Stamps Favorite Character Vote continues through May 14 at www.usps.com/simpsons High-resolution images of the stamps are available for media use only by contacting [email protected] LOS ANGELES — “Ay, Carumba!” A ‘stampede’ of one billion Simpsons stamps began escaping from America’s 34,000 Post Offices and infiltrated the nation’s mailstream following the issuance of The Simpsons stamps and postal cards today. The first-day-of-issue dedication ceremony took place at Twentieth Century Fox Studios in Los Angeles. There, The Simpsons Creator and Executive Producer, Matt Groening, along with Executive Producer James L. Brooks join the voices behind the famous characters appearing on the stamps (Dan Castellaneta, Julie Kavner, Nancy Cartwright and Yeardley Smith) in conjunction with the Postal Service in celebrating the stamps. Hank Azaria and other voice actors from The Simpsons will be in attendance to lend their support. The longest-running primetime comedy in television history has become a cultural and ground-breaking phenomenon since the series launch in 1990. This honor solidifies their place in history. The Postal Service is reminding the world to visit www.usps.com/simpsons http://www.usps.com/simpsons to vote early and often for their favorite Simpsons stamp.