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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
X-Men -Dark-Phoenix-Fact-Sheet-1
THE X-MEN’S GREATEST BATTLE WILL CHANGE THEIR FUTURE! Complete Your X-Men Collection When X-MEN: DARK PHOENIX Arrives on Digital September 3 and 4K Ultra HD™, Blu-ray™ and DVD September 17 X-MEN: DARK PHOENIX Sophie Turner, James McAvoy, Michael Fassbender and Jennifer Lawrence fire up an all-star cast in this spectacular culmination of the X-Men saga! During a rescue mission in space, Jean Grey (Turner) is transformed into the infinitely powerful and dangerous DARK PHOENIX. As Jean spirals out of control, the X-Men must unite to face their most devastating enemy yet — one of their own. The home entertainment release comes packed with hours of extensive special features and behind- the-scenes insights from Simon Kinberg and Hutch Parker delving into everything it took to bring X-MEN: DARK PHOENIX to the big screen. Beast also offers a hilarious, but important, one-on-one “How to Fly Your Jet to Space” lesson in the Special Features section. Check out a clip of the top-notch class session below! Add X-MEN: DARK PHOENIX to your digital collection on Movies Anywhere September 3 and buy it on 4K Ultra HDTM, Blu-rayTM and DVD September 17. X-MEN: DARK PHOENIX 4K Ultra HD, Blu-ray and Digital HD Special Features: ● Deleted Scenes with Optional Commentary by Simon Kinberg and Hutch Parker*: ○ Edwards Air Force Base ○ Charles Returns Home ○ Mission Prep ○ Beast MIA ○ Charles Says Goodbye ● Rise of the Phoenix: The Making of Dark Phoenix (5-Part Documentary) ● Scene Breakdown: The 5th Avenue Sequence** ● How to Fly Your Jet to Space with Beast ● Audio Commentary by Simon Kinberg and Hutch Parker *Commentary available on Blu-ray, iTunes Extras and Movies Anywhere only **Available on Digital only X-MEN: DARK PHOENIX 4K Ultra HD™ Technical Specifications: Street Date: September 17, 2019 Screen Format: Widescreen 16:9 (2.39:1) Audio: English Dolby Atmos, English Descriptive Audio Dolby Digital 5.1, Spanish Dolby Digital 5.1, French DTS 5.1 Subtitles: English for the Deaf and Hard of Hearing, Spanish, French Total Run Time: 114 minutes U.S. -
Abstract a Case Study of Cross-Ownership Waivers
ABSTRACT A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST by Rachel L. Seeman Media ownership is an important regulatory issue that is enforced by the Federal Communications Commission. The FCC, Congress, court and public interest groups share varying viewpoints concerning what the ownership limits should be and whether companies should be granted a waiver to be excused from the rules. News Corporation is one media firm that has a history of seeking these waivers, particularly for the New York Post and television stations in same community. This study conducted a qualitative framing analysis of news articles from the New York Times and the Wall Street Journal to determine if the viewpoints expressed by the editorial boards were reflected in reports on News Corp.’s attempt to receive cross-ownership waivers. The analysis uncovered ten frames the newspapers used to assist in reporting the events and found that 80% of these frames did parallel the positions the paper’s editorial boards took concerning ownership waivers. A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications by Rachel Leianne Seeman Miami University Oxford, OH 2009 Advisor: __________________________________ (Dr. Bruce Drushel) Reader: __________________________________ (Dr. Howard -
Annual Report 2007 Creating and Distributing Top-Quality News, Sports and Entertainment Around the World
Annual Report 2007 Creating and distributing top-quality news, sports and entertainment around the world. News Corporation As of June 30, 2007 Filmed Entertainment WJBK Detroit, MI Latin America United States KRIV Houston, TX Cine Canal 33% Fox Filmed Entertainment KTXH Houston, TX Telecine 13% Twentieth Century Fox Film KMSP Minneapolis, MN Australia and New Zealand Corporation WFTC Minneapolis, MN Premium Movie Partnership 20% Fox 2000 Pictures WTVT Tampa Bay, FL Fox Searchlight Pictures KSAZ Phoenix, AZ Cable Network Programming Fox Atomic KUTP Phoenix, AZ United States Fox Music WJW Cleveland, OH FOX News Channel Twentieth Century Fox Home KDVR Denver, CO Fox Cable Networks Entertainment WRBW Orlando, FL FX Twentieth Century Fox Licensing WOFL Orlando, FL Fox Movie Channel and Merchandising KTVI St. Louis, MO Fox Regional Sports Networks Blue Sky Studios WDAF Kansas City, MO (15 owned and operated) (a) Twentieth Century Fox Television WITI Milwaukee, WI Fox Soccer Channel Fox Television Studios KSTU Salt Lake City, UT SPEED Twentieth Television WBRC Birmingham, AL FSN Regency Television 50% WHBQ Memphis, TN Fox Reality Asia WGHP Greensboro, NC Fox College Sports Balaji Telefilms 26% KTBC Austin, TX Fox International Channels Latin America WUTB Baltimore, MD Big Ten Network 49% Canal Fox WOGX Gainesville, FL Fox Sports Net Bay Area 40% Asia Fox Pan American Sports 38% Television STAR National Geographic Channel – United States STAR PLUS International 75% FOX Broadcasting Company STAR ONE National Geographic Channel – MyNetworkTV STAR -
President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 21, folder “President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. nATE: October 2, 1974 10M: Ron Nessen I -......1A : Warren Rustand MEETING With Joe Alsop (Los Angeles Time Syndicate, Washington Post Syndicate) DATE Anytime during December 1974. PURPOSE To personally congratulate Joe Alsop on his career as a distinguished columnist and to provide him an opportunity, in the last month of his column, to interview the President. FORMAT Oval Office (if lunch also, lunch in the Residence) 45 minutes. Participants: The President Joe Alsop (The President should .be offered the option of following a late morning interview with a private lunch for Joe Alsop, with Ron Nessen and perhaps a few other White House _aides present) SPEECH MATERIAL ! None required. PRESS COVERAGE White House photographer; no announcement, but to confirm when column runs. BACKGROUND : 1. In a recent column, which I showed you, Joe Alsop announced his retirement from his column. -
Eat. Sleep. Watch Dawson's Creek: Teenagers
EAT. SLEEP. WATCH DAWSON’S CREEK: TEENAGERS’ PERCEPTIONS OF TEENAGE LIFE ON DAWSON’S CREEK by AMANDA STEWART HALL (Under the Direction of MARIA CAROLINA ACOSTA-ALZURU) ABSTRACT Drawing on cultural studies, especially Hall’s theory of encoding and decoding of texts (1973), this study examines how a sample of the audience of Dawson’s Creek, a Warner Brothers’ Television show, interpret and relate to the show and whether they incorporate these meanings in their lives. Ten in-depth interviews were conducted with females aged 15- to 21-years-old to discern the reality of representations on the show of teenage life and how these participants engage with the show. Findings suggest the show enables its viewers to identify with the portrayal of the teenage experience, especially when examining the show’s characters. Limitations of the study include the diversity of the sample used. Future research suggestions include an examination of how the show’s messages are encoded by the show’s creative team. In addition, future research should include a more in-depth examination into how Dawson’s Creek has changed the nature of teenage television. INDEX WORDS: Cultural Studies, Popular Culture, Dawson’s Creek, Stuart Hall, Teenagers and Television, Consumption of Television, Encoding and Decoding Texts. EAT. SLEEP. WATCH DAWSON’S CREEK: TEENAGERS’ PERCEPTIONS OF TEENAGE LIFE ON DAWSON’S CREEK by AMANDA STEWART HALL B.A., University of North Carolina Charlotte, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 © 2002 Amanda Stewart Hall All Rights Reserved EAT. -
Nombre Señal Nueva Frecuencia
NOMBRE SEÑAL NUEVA FRECUENCIA On Demand 1 Canal de la Ciudad 7 Metro 8 América 9 Telefe 10 Tv Pública 11 El Trece 12 Canal 9 13 Todo Noticias 14 A 24 15 C5N 16 Crónica TV 17 26 TV 18 La Nación TV 19 Ciudad Magazine 20 NET TV 21 Encuentro 22 KZO 30 Diputados TV 36 Canal 90 - TyC Max - Senado TV 90 Deportv 100 T y C Sports 101 ESPN 102 ESPN 2 103 ESPN 3 104 ESPN + 105 Fox Sports 106 Fox Sports 2 107 Fox Sports 3 108 El Garage 109 The Golf Channel 110 NBA - Tv 111 Discovery Turbo 112 America Sports 115 Fox Sports Premium 123 TNT Sports 124 Paka Paka 200 Disney Channel 201 Nickelodeon 202 Cartoon Network 203 Disney XD 204 Discovery Kids 205 Boomerang 206 Disney Jr 207 Baby TV 208 Tooncast 209 Nick Jr 210 Natgeo Kids 211 HBO Este 250 HBO 2 251 HBO Plus Este 252 HBO Plus Oeste 253 Max Este 254 Max Up 255 Max Prime Este 256 Max Prime Oeste 257 HBO Family Este 258 HBO Signature 259 Fox Movies 260 Fox Series Este 261 Fox Series Oeste 262 Fox Action 263 Fox Family 264 Fox Comedy 265 Fox Cinema 266 Fox Classics 267 Incaa TV 300 Cinemax 301 FX Movies 302 Volver 303 Space 304 Cinecanal Este 305 TNT 306 TNT Series 307 FX 308 Fox 309 Sony 310 Warner Channel 311 Universal Channel 312 AXN 313 Studio Universal 314 A & E Mundo 315 Europa Europa 316 TBS 317 TCM 318 AMC 319 I-Sat 320 Atres Series 321 Syfy 322 Fox Life 323 Eurochannel 324 ID Investigacion Discovery 325 Comedy Central 326 Paramount 327 Pasiones 330 Telemundo 331 Lifetime 400 Gourmet.com 401 Food Network 403 E! Entertainment Television 404 Discovery Home & Health 405 Maschic 406 TLC 407 Hola TV 409 Glitz 410 INTI 411 Canal Rural 420 Viajar 421 Sun Channel 422 Telemax 423 Señal María (24 hs) 424 Nueva Imagen 425 EWTN 426 Canal 21 427 Wobi 428 Juegos APTIV 429 Juegos APTIV 430 National Geographic 450 Discovery Channel 451 Animal Planet 452 Discovery Theatre 453 The History Channel 454 TRU TV 455 Canal a 456 Film & Arts 457 History 2 458 Natgeo Wild 459 Discovery World 460 Discovery Civilization 461 Discovery Science 462 MTV 500 Quiero.. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Will Forego Millage Increase
25^ Volume 17, Issue 34 Lowell Area Readers Since 1893 Wednesday, July 7,1993 Along Main Street Performance Plus Oil School Board to seek Change Center site plan Headlee; will forego application approved millage increase by Marc Poptalek Contributing Writer were voiced by the Com- By Thad Kraus fed up with (axes," Esch said. mission, one was delivery Lowell Ledger Editor if the Headke is passed in Lowell's City Planning truck traffic and the other Cuts in staff and programs August, teachers, but not their Commisson approved a site was what will be done in have become as much a part support staffs, would be plan application for a Per- case of possible oil spills. of Lowell Schools over the brought back for the 1993-94 formance Plus Oil Change Dean Lonick, from the past two years as pop quizzes school year, class loads would BIMINI BROTHERS BASH IN HONOR OF Center at West Main St. PlanningCommission, was and the first day. be increased, transportation SUSANNE TIMPSON-WITTENBACH The Commission concerned that "this stretch It's a hat trick of sorts (three services would be reduced by In honor of Sue Timpson-Witlcnbach, Club Eastbrook unanimously approved the of road is infamous for ac- straight years of cuts), Lowell 20 percent (students would be presents a Bimini Brothers Bash, Friday night July 16,1993. plan as presented by Ray cidents, nearly 100 a year, Superintendent Fritz Esch asked to walk further to bus A five dollar donation will go towards supporting Silent DeMeester and Kim how will the trucks coming wishes the school district slops); parents would be asked Observer. -
News Corporation 1 News Corporation
News Corporation 1 News Corporation News Corporation Type Public [1] [2] [3] [4] Traded as ASX: NWS ASX: NWSLV NASDAQ: NWS NASDAQ: NWSA Industry Media conglomerate [5] [6] Founded Adelaide, Australia (1979) Founder(s) Rupert Murdoch Headquarters 1211 Avenue of the Americas New York City, New York 10036 U.S Area served Worldwide Key people Rupert Murdoch (Chairman & CEO) Chase Carey (President & COO) Products Films, Television, Cable Programming, Satellite Television, Magazines, Newspapers, Books, Sporting Events, Websites [7] Revenue US$ 32.778 billion (2010) [7] Operating income US$ 3.703 billion (2010) [7] Net income US$ 2.539 billion (2010) [7] Total assets US$ 54.384 billion (2010) [7] Total equity US$ 25.113 billion (2010) [8] Employees 51,000 (2010) Subsidiaries List of acquisitions [9] Website www.newscorp.com News Corporation 2 News Corporation (NASDAQ: NWS [3], NASDAQ: NWSA [4], ASX: NWS [1], ASX: NWSLV [2]), often abbreviated to News Corp., is the world's third-largest media conglomerate (behind The Walt Disney Company and Time Warner) as of 2008, and the world's third largest in entertainment as of 2009.[10] [11] [12] [13] The company's Chairman & Chief Executive Officer is Rupert Murdoch. News Corporation is a publicly traded company listed on the NASDAQ, with secondary listings on the Australian Securities Exchange. Formerly incorporated in South Australia, the company was re-incorporated under Delaware General Corporation Law after a majority of shareholders approved the move on November 12, 2004. At present, News Corporation is headquartered at 1211 Avenue of the Americas (Sixth Ave.), in New York City, in the newer 1960s-1970s corridor of the Rockefeller Center complex. -
Negotiating News at the White House
"Enemy of the People": Negotiating News at the White House CAROL PAULI* I. INTRODUCTION II. WHITE HOUSE PRESS BRIEFINGS A. PressBriefing as Negotiation B. The Parties and Their Power, Generally C. Ghosts in the Briefing Room D. Zone ofPossibleAgreement III. THE NEW ADMINISTRATION A. The Parties and Their Power, 2016-2017 B. White House Moves 1. NOVEMBER 22: POSITIONING 2. JANUARY 11: PLAYING TIT-FOR-TAT a. Tit-for-Tat b. Warning or Threat 3. JANUARY 21: ANCHORING AND MORE a. Anchoring b. Testing the Press c. Taunting the Press d. Changingthe GroundRules e. Devaluing the Offer f. MisdirectingPress Attention * Associate Professor, Texas A&M University School of Law; J.D. Benjamin N. Cardozo School of Law; M.S. Columbia University Graduate School of Journalism; former writer and editor for the Associated Press broadcast wire; former writer and producer for CBS News; former writer for the Evansville (IN) Sunday Courier& Press and the Decatur (IL) Herald-Review. I am grateful for the encouragement and generosity of colleagues at Texas A&M University School of Law, especially Professor Cynthia Alkon, Professor Susan Fortney, Professor Guillermo Garcia, Professor Neil Sobol, and Professor Nancy Welsh. I also appreciate the helpful comments of members of the AALS section on Dispute Resolution, particularly Professor Noam Ebner, Professor Caroline Kaas, Professor David Noll, and Professor Richard Reuben. Special thanks go to longtime Associated Press White House Correspondent, Mark Smith, who kindly read a late draft of this article, made candid corrections, and offered valuable observations from his experience on the front lines (actually, the second row) of the White House press room. -
This Thesis Has Been Approved by the Honors
This thesis has been approved by The Honors Tutorial College and the School of Media Arts and Studies _______________________________________ Beth Novak Scripps College of Communication Associate Dean for Student Success Thesis Advisor _______________________________________ Jeremy Webster Dean, Honors Tutorial College AN EXAMINATION OF THE EFFECTS OF BROADBAND AND DIGITAL TECHNOLOGIES ON THE DISTRIBUTION AND EXHIBITION OF MOTION PICTURE AND TELEVISION CONTENT _______________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Science in Media Arts and Studies _______________________________________ by Philip Olson December 2015 TABLE OF CONTENTS INTRODUCTION………………………………………………………………... 1 The Importance of Technology …………………………………………. 1 The Digital Revolution …………………………………………………... 3 The Digital Revolution in Content Post Production…………………... 6 The Digital Revolution in Content Production……………………….... 9 The Digital Revolution in the Nature and Aesthetics of Content……. 10 The Digital Revolution in Content Distribution and Exhibition……... 16 DISTRIBUTION & EXHIBITION: PAST AND PRESENT………………… 17 Motion Pictures and Television Before the VCR……………………..... 18 VCRs – The Birth of Time-Shifting……………………………………… 23 DVDs – Videotapes Evolve into Digital Discs…………………………. 29 Netflix – Marrying the Internet with Home Entertainment………….. 32 Napster and the