Broadcast Television: 37 Survivor in a Sea of Competition
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The Broadcast Flag: It's Not Just TV
Federal Communications Law Journal Volume 57 Issue 2 Article 7 3-2005 The Broadcast Flag: It's not just TV Wendy Seltzer Electronic Frontier Foundation Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Administrative Law Commons, Antitrust and Trade Regulation Commons, Communications Law Commons, Intellectual Property Law Commons, and the Legislation Commons Recommended Citation Seltzer, Wendy (2005) "The Broadcast Flag: It's not just TV," Federal Communications Law Journal: Vol. 57 : Iss. 2 , Article 7. Available at: https://www.repository.law.indiana.edu/fclj/vol57/iss2/7 This Essay is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. The Broadcast Flag: It's not just TV Wendy Seltzer* I am not much of a TV person. My only set, non-HD, still picks up its channels through rabbit ears. The broadcast flag still gets me steamed, though, so much so that I recently built a high-definition digital video recorder just to beat the flag mandate. It is not about the TV. Rather, it is not about TV as broadcast to the passive consumer, to be received on single-purpose boxes. It is about TV as it could be, with innovative companies and tinkerers making TV broadcasts a core part of the converged home media network. The crippling of this kind of TV is an early warning against a pervasive technology regulation. -
WGAW Reply Comments to the FCC on Set-Top Box Competition
Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Expanding Consumers’ Video Navigation Choices ) MB Docket No. 16-42 ) Commercial Availability of Navigation Devices ) CS Docket No. 97-80 ) REPLY COMMENTS OF WRITERS GUILD OF AMERICA, WEST, INC. Marvin Vargas Senior Research & Policy Analyst Ellen Stutzman Senior Director, Research & Public Policy Writers Guild of America, West, Inc. 7000 West 3rd Street Los Angeles, CA 90048 (323) 951-4000 May 23, 2016 Summary It is often the case that when new technology emerges incumbent providers make alarmist predictions about guaranteed harms resulting from these innovations. While some concerns may be reasonable, the overwhelming majority of outlined harms are never realized. As CBS Chairman and CEO Les Moonves said in 2015, “All these technology initiatives that supposedly were going to hurt us have actually helped us. SVOD has helped us. DVR has helped us. The ability to go online with our own content, CBS.com, and the trailing episodes – all have helped us.”1 With the entertainment industry currently dominated by a handful of companies that have never been more profitable, it is clear that new technology and forms of content distribution have helped, not hurt the industry. While new technology can create some business uncertainty, there is strong evidence that pro-consumer developments that make legal content more accessible to viewers benefits both consumers and content creators. The Federal Communications Commission’s proposed rules for a competitive navigation device market follow this path. The current pay-TV set-top box market is controlled by incumbent distributors who charge consumers high fees and exercise their gatekeeping power to limit content competition. -
BEHIND the SCENES with TAMRON HALL, SMC ’92, and KEVIN NEGANDHI, SMC ’98, HON ’15 from the Television Studio to the Emergency Room, Owls Show Their Relentless Spirit
FALL 2015 UNIVERSITY MAGAZINE NEWS MAKERS BEHIND THE SCENES WITH TAMRON HALL, SMC ’92, AND KEVIN NEGANDHI, SMC ’98, HON ’15 CLA ’14 From the television studio to the emergency room, Owls show their relentless spirit. In this issue, two broadcast Ryan S. Brandenberg, journalists make a demanding role look easy; student job seekers shine; community teens learn business-savvy app design; and hospital staff respond heroically to tragedy. TEMPLE2 Letters 3 From the President 4 Campus Voice 5 News 10 Alumni News 37 Class Notes 52 The Last Word 16 22 32 ALUMNI RESEARCH STUDENTS LEADING THE CONVERSATION RAPID RESPONSE BEHIND THE BILLBOARDS Get an inside look at the lives and routines It was a typical night at Temple University Meet the resourceful, accomplished students of two Owls who host national morning Hospital’s busy emergency room. Then an featured in a Temple ad campaign. 26 television programs. Amtrak train derailed. COMMUNITY CODE PHILLY 12 IN PURSUIT OF HARMONY: Two alumnae honor a trailblazing choral music professor. A Temple program gives high school students programming skills and an entrepreneurial outlook. COVER PHOTO: Joseph V. Labolito FALL 2015 1 LETTERS FROM THE PRESIDENT It’s always a pleasure to get my VOL. 69 NO. 1 / Fall 2015 @TempleUniv alumni magazine in the mail, IN THIS ISSUE Vice President for Strategic Marketing and Communications Every day, I find a new reason to take pride all the way in #Japan. #TempleMade Karen Clarke @erikj03 in Temple University. In this issue of Temple, Joseph Labolito V. Kobe, Japan Associate Vice President of Communications you’ll find several examples of why we WHAT DO YOU THINK? Emily Spitale should all be proud of this great institution. -
Television a La Carte: American Broadcasting Cos
THIS VERSION DOES NOT CONTAIN PAGE NUMBERS. PLEASE CONSULT THE PRINT OR ONLINE DATABASE VERSIONS FOR THE PROPER CITATION INFORMATION. NOTE TELEVISION A LA CARTE: AMERICAN BROADCASTING COS. V. AEREO AND HOW FEDERAL COURTS’ INTERPRETATIONS OF COPYRIGHT LAW ARE IMPACTING THE FUTURE OF THE MEDIUM Andrew Fraser I. INTRODUCTION Somewhere in Brooklyn, a large warehouse holds a bundle of over one thousand rabbit-ear antennas.1 In many ways these antennas resemble the ones that rested on top of generations of older television sets before the advent of cable, except for one small fact—these rabbit-ear antennas are each roughly the size of a dime.2 It is ironic that this ancient, seemingly outdated piece of television technology might signal the medium’s newest direction, but with Aereo at the helm, this may actually be the case. Aereo is a technology platform currently available exclusively in New York City that airs live broadcast television through the Internet to a subscriber’s mobile device, computer, or web-enabled television.3 When an Aereo subscriber wishes to watch a broadcast, he or she instructs an assigned Aereo antenna to capture signals from the public airwaves and to transmit them over the Internet to the subscriber’s mobile device.4 No two subscribers ever use the same antenna at the same time, and Aereo also offers DVR recording technology, so subscribers can watch shows live or recorded.5 With this incredible merging of both old and new technology, Aereo could have an enormous impact on the way consumers watch television, assuming that it can first survive what promise to be some intense legal challenges. -
The Broadcast Flag: Compatible with Copyright Law & Incompatible with Digital Media Consumers
607 THE BROADCAST FLAG: COMPATIBLE WITH COPYRIGHT LAW & INCOMPATIBLE WITH DIGITAL MEDIA CONSUMERS ANDREW W. BAGLEY* & JUSTIN S. BROWN** I. INTRODUCTION Is it illegal to make a high-quality recording of your favorite TV show using your Sony digital video recorder with your Panasonic TV, which you then edit on your Dell computer for use on your Apple iPod? Of course it’s legal, but is it possible to use devices from multiple brands together to accomplish your digital media goal? Yes, well, at least for now. What if the scenario involved high-definition television (“HDTV”) devices? Would the answers be as clear? Not as long as digital-content protection schemes like the Broadcast Flag are implemented. Digital media and Internet connectivity have revolutionized consumer entertainment experiences by offering high-quality portable content.1 Yet these attractive formats also are fueling a copyright infringement onslaught through a proliferation of unauthorized Internet piracy via peer-to-peer (“P2P”) networks.2 As a result, lawmakers,3 administrative agencies,4 and courts5 are confronted * Candidate for J.D., University of Miami School of Law, 2009; M.A. Mass Communication, University of Florida, 2006; B.A. Political Science, University of Florida, 2005; B.S. Public Relations, University of Florida, 2005 ** Assistant Professor of Telecommunication, University of Florida; Ph.D. Mass Communica- tions, The Pennsylvania State University, 2001 1 Andrew Keen, Web 2.0: The Second Generation of the Internet has Arrived. It's Worse Than You Think, WEEKLY STANDARD, Feb. 13, 2006, http://www.weeklystandard.com/ Con- tent/Public/Articles/000/000/006/714fjczq.asp (last visited Jan. -
Underlying Motivations in the Broadcast Flag Debate
Underlying Motivations in the Broadcast Flag Debate Allan Friedman,a Roshan Baliga, b Deb Dasguptac and Anna Dreyerd Telecommunications Policy Research Conference, Washington DC September 21, 2003 Abstract: As the rollout of digital television progresses, content owners have expressed great concern for the security of their intellectual property if released unfettered across the airwaves in high definition digital form. The proposed solution, the broadcast flag, is to be attached to a digital broadcast signal, and would control to how the content could be used: to which devices it could be sent and how many times it could be copied. The content industry, led by MPAA, claims that this scheme will protect their content and, if it is implemented into the DTV infrastructure, they will freely release their content. Implementation requires the support of a variety of other actors, many of whom claims to support the flag as well. This paper posits that the probable benefits to many of these actors are distinct from their stated goals of supporting the technologically-embedded policy. After a brief description of what the broadcast flag and its history, we assess its utility as a policy tool. Since digital rights management problems in many ways resemble traditional information security issues, we posit that the formal threat model analysis of systems security is particularly useful in testing the robustness of a given system against a range of attacks. The efficacy of the flag is thus tested with a threat model analysis in the context of several digital rights management goals. We find that, while the flag would not successfully keep content off the Internet, it might offer content providers several other concrete benefits in controlling their content, including blocking heretofore popular consumer behaviors and shifting the balance of content control towards the copyright holder. -
Alliance for Women in Media Foundation Announce the 2016 Gracie Awards Winners
ALLIANCE FOR WOMEN IN MEDIA FOUNDATION ANNOUNCE THE 2016 GRACIE AWARDS WINNERS TINA FEY, JADA PINKETT SMITH, ANGELA BASSETT, CYNTHIA NIXON, KATHIE LEE GIFFORD AMONG WINNERS TO BE HONORED AT THE 41st ANNUAL GRACIE AWARDS ON MAY 24 Local Market, Public and Student Award-Winners to be Honored at the Gracies Awards Luncheon on June 21 Los Angeles, CA, March 21, 2016 – In a milestone year of record-breaking entries, the Alliance for Women in Media Foundation (AWMF) celebrates women by recognizing their outstanding achievements across all sectors in media. This year’s 41st annual Gracie Awards, in support of the AWMF’s educational programs, charitable activities, public service and scholarship campaigns that benefit women in media, will take place on Tuesday, May 24th at the Beverly Wilshire Hotel in Beverly Hills, California. The spectacular evening event will recognize such esteemed honorees as Tina Fey, Angela Bassett, Cynthia Nixon, Jada Pinkett Smith, Kathie Lee Gifford, along with some of the most talented women behind the camera. Then in June, local market, public and student award winners will be recognized at the Gracies Awards Luncheon on June 21 at Cipriani in New York, New York. This year, AWMF is taking a fresh and exciting new approach to the Gracie Awards show programming by naming Vicangelo Bulluck as Executive Producer. Bulluck’s extensive portfolio includes opening the Hollywood Bureau office of the national NAACP and was its first executive director. He also served as the Managing Director of Outreach and Special Events for the Academy of Motion Picture Arts and Sciences. At the Academy, Bulluck managed the production of the Governors Awards, the Sci-Tech Awards, the Student Academy Awards and the first-ever Oscars Concert. -
The Federal Computer Commission, 84 N.C
NORTH CAROLINA LAW REVIEW Volume 84 | Number 1 Article 3 12-1-2005 The edeF ral Computer Commission Kevin Werbach Follow this and additional works at: http://scholarship.law.unc.edu/nclr Part of the Law Commons Recommended Citation Kevin Werbach, The Federal Computer Commission, 84 N.C. L. Rev. 1 (2005). Available at: http://scholarship.law.unc.edu/nclr/vol84/iss1/3 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Law Review by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. THE FEDERAL COMPUTER COMMISSION KEVIN WERBACH* The conventional wisdom that the computer industry thrives in the absence of government regulation is wrong. Federal Communications Commission ("FCC") rules touch every personal computer ever made. Over the last quarter-century, the FCC has steadily increasedits influence over personalcomputing devices and applications. Perhaps surprisingly, though, the "Federal Computer Commission" has largely been a positive force in the technology sector. Regulators are now poised to take several actions that could shape the future of the Internet and the computer industry. In this environment, exposing the Federal Computer Commission provides a foundation for reasoned policy approaches. The fate of a dynamic and important set of industries should not be decided under the influence of a myth. INTRODU CTION ....................................................................................... 2 I. FEAR AND LOATHING .............................................................. 8 II. FCC COMPUTER REGULATION: PAST AND PRESENT ............. 14 A. Computers Invade the Phone Network ............................ 16 1. The Battle Over Terminal Attachments .................... 16 2. The Computer Inquiries and Open Network A rchitecture ................................................................ -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Eat. Sleep. Watch Dawson's Creek: Teenagers
EAT. SLEEP. WATCH DAWSON’S CREEK: TEENAGERS’ PERCEPTIONS OF TEENAGE LIFE ON DAWSON’S CREEK by AMANDA STEWART HALL (Under the Direction of MARIA CAROLINA ACOSTA-ALZURU) ABSTRACT Drawing on cultural studies, especially Hall’s theory of encoding and decoding of texts (1973), this study examines how a sample of the audience of Dawson’s Creek, a Warner Brothers’ Television show, interpret and relate to the show and whether they incorporate these meanings in their lives. Ten in-depth interviews were conducted with females aged 15- to 21-years-old to discern the reality of representations on the show of teenage life and how these participants engage with the show. Findings suggest the show enables its viewers to identify with the portrayal of the teenage experience, especially when examining the show’s characters. Limitations of the study include the diversity of the sample used. Future research suggestions include an examination of how the show’s messages are encoded by the show’s creative team. In addition, future research should include a more in-depth examination into how Dawson’s Creek has changed the nature of teenage television. INDEX WORDS: Cultural Studies, Popular Culture, Dawson’s Creek, Stuart Hall, Teenagers and Television, Consumption of Television, Encoding and Decoding Texts. EAT. SLEEP. WATCH DAWSON’S CREEK: TEENAGERS’ PERCEPTIONS OF TEENAGE LIFE ON DAWSON’S CREEK by AMANDA STEWART HALL B.A., University of North Carolina Charlotte, 1999 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2002 © 2002 Amanda Stewart Hall All Rights Reserved EAT. -
Annual Report
ANNUAL REPORT 2013 Archive Name ATAS14_Corp_140003273 MECH SIZE 100% PRINT SIZE Description ATAS Annual Report 2014 Bleed: 8.625” x 11.1875” Bleed: 8.625” x 11.1875” Posting Date May 2014 Trim: 8.375” x 10.875” Trim: 8.375” x 10.875” Unit # Live: 7.5” x 10” LIve: 7.5” x 10” message from THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER At the end of 2013, as I reflected on my first term as Television Academy chairman and prepared to begin my second, it was hard to believe that two years had passed. It seemed more like two months. At times, even two weeks. Why? Because even though I have worked in TV for more than three decades, I have never seen our industry undergo such extraordinary — and extraordinarily exciting — changes as it has in recent years. Everywhere you turn, the vanguard is disrupting the old guard with an astonishing new technology, an amazing new show, an inspired new way to structure a business deal. This is not to imply that the more established segments of our industry have been pushed aside. On the contrary, the broadcast and cable networks continue to produce terrific work that is heralded by critics and rewarded each year at the Emmys. And broadcast networks still command the largest viewing audience across all of their platforms. With our medium thriving as never before, this is a great time to work in television, and a great time to be part of the Television Academy. Consider the 65th Emmy Awards. The CBS telecast, hosted by the always-entertaining Neil Patrick Harris, drew our largest audience since 2005. -
Sunday Morning Grid 7/20/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 7/20/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program NewsRadio Paid Program 4 NBC News Å Meet the Press (N) Å Conference Paid Action Sports (N) Å Auto Racing Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Exped. Wild The Open Today 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program The Benchwarmers › 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Local Local Local Local Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Cooking Cooking Kitchen Lidia 28 KCET Hi-5 Space Travel-Kids Biz Kid$ News LinkAsia Special (TVG) 30 ION Jeremiah Youssef In Touch Hour of Power Paid Program Married Mad Max Beyond Thunderdome (1985) 34 KMEX Conexión En contacto República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Harvest In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Paid Fórmula 1 Fórmula 1 Gran Premio de Alemania. (N) Daddy Day Care ›› (2003) Eddie Murphy. (PG) Firewall ›› (2006) 50 KOCE Peg Dinosaur Suze Orman’s Financial Solutions for You (TVG) Healing ADD With-Amen Favorites The Civil War Å 52 KVEA Paid Program Jet Plane Noodle Chica LazyTown Paid Program Enfoque Enfoque (N) 56 KDOC Perry Stone In Search Lift Up J.