"The Tracey Ullman Show" Episode Guide Compiled by Roger Reini ([email protected])
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mediasprawl: Springfield U.S.A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them. -
Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die
H O S n o t p U e c n e d u r P Saturday, October 7, 201 7, 8pm Zellerbach Hall Matt Groening and Lynda Barry Love, Hate & Comics—The Friendship That Would Not Die Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. ABOUT THE ARTISTS Matt Groening , creator and executive producer Simpsons , Futurama, and Life in Hell . Groening of the Emmy Award-winning series The Simp - has launched The Simpsons Store app and the sons , made television history by bringing Futuramaworld app; both feature online comics animation back to prime time and creating an and books. immortal nuclear family. The Simpsons is now The multitude of awards bestowed on Matt the longest-running scripted series in television Groening’s creations include Emmys, Annies, history and was voted “Best Show of the 20th the prestigious Peabody Award, and the Rueben Century” by Time Magazine. Award for Outstanding Cartoonist of the Year, Groening also served as producer and writer the highest honor presented by the National during the four-year creation process of the hit Cartoonists Society. feature film The Simpsons Movie , released in Netflix has announced Groening’s new series, 2007. In 2009 a series of Simpsons US postage Disenchantment . stamps personally designed by Groening was released nationwide. Currently, the television se - Lynda Barry has worked as a painter, cartoon - ries is celebrating its 30th anniversary and is in ist, writer, illustrator, playwright, editor, com - production on the 30th season, where Groening mentator, and teacher, and found they are very continues to serve as executive producer. -
Bossypants? One, Because the Name Two and a Half Men Was Already Taken
Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options. -
THTR 470 Sketch Syllabus Fall 18
Sketch Comedy for Theatre USCSchool of THTR-470 (2 units) Section 63081 Dramatic Arts Fall 2018 Mondays & Wednesdays 12-1:50pm Location: MCC 107 Kirstin Eggers, Adjunct Faculty Office: MCC 214 Office Hours: By appointment. Please schedule via email. Email: [email protected] Phone: (c) 323.898.7388 Course Description and Overview “The duty of comedy is to correct men by amusing them.” — Molière In this experiential writing and performance workshop course, we will explore and develop our comedic voices via the creation of comedic sketches, through the entire process — from idea generation, to writing, rewriting, rehearsal, and finally production and performance of a fully realized sketch comedy show, with an emphasis on comedic collaboration and ensemble building. Learning Objectives Throughout this course, we will work to develop our comedic voices through the medium of sketch — comedic explorations of concepts, characters and situations. We will learn sketch writing structure through the study of prominent existing sketches, and techniques for sketch performance and character creation. Students are expected to generate a high volume of comedic concepts and written material to serve their own creative exploration, and their own work ethic and writing practice. Students are also expected to serve the needs of the group, and work toward building a true comedy ensemble. Although we will be working toward a final workshop presentation, this course is focused on process over product — you are not expected to be funny 100% of the time, or even 10% of the time. You are expected to be brave, be open-minded, and stretch out of your comfort zone to explore and strengthen your own unique comedic voice. -
Emmy Nominations
69th Emmy Awards Nominations Announcements July 13, 2017 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) Emmy Noms to date Previous Wins to Category Nominee Program Network 69th Emmy Noms Total (across all date (across all categories) categories) LEAD ACTRESS IN A DRAMA SERIES Viola Davis How To Get Away With Murder ABC 1 3 1 Claire Foy The Crown Netflix 1 1 NA Elisabeth Moss The Handmaid's Tale Hulu 1 8 0 Keri Russell The Americans FX Networks 1 2 0 Evan Rachel Wood Westworld HBO 1 2 0 Robin Wright House Of Cards Netflix 1 6 0 LEAD ACTOR IN A DRAMA SERIES Sterling K. Brown This Is Us NBC 1 2 1 Anthony Hopkins Westworld HBO 1 5 2 Bob Odenkirk Better Call Saul AMC 1 11 2 Matthew Rhys The Americans FX Networks 2* 3 0 Liev Schreiber Ray Donovan Showtime 3* 6 0 Kevin Spacey House Of Cards Netflix 1 11 0 Milo Ventimiglia This Is Us NBC 1 1 NA * NOTE: Matthew Rhys is also nominated for Guest Actor In A Comedy Series for Girls * NOTE: Liev Schreiber also nominamted twice as Narrator for Muhammad Ali: Only One and Uconn: The March To Madness LEAD ACTRESS IN A LIMITED SERIES OR A MOVIE Carrie Coon Fargo FX Networks 1 1 NA Felicity Huffman American Crime ABC 1 5 1 Nicole Kidman Big Little Lies HBO 1 2 0 Jessica Lange FEUD: Bette And Joan FX Networks 1 8 3 Susan Sarandon FEUD: Bette And Joan FX Networks 1 5 0 Reese Witherspoon Big Little Lies HBO 1 1 NA LEAD ACTOR IN A LIMITED SERIES OR A MOVIE Riz Ahmed The Night Of HBO 2* 2 NA Benedict Cumberbatch Sherlock: The Lying Detective (Masterpiece) PBS 1 5 1 -
SHAY CUNLIFFE Costume Designer
(4/19/21) SHAY CUNLIFFE Costume Designer FILM & TELEVISION DIRECTOR COMPANIES CAST “PEACEMAKER” James Gunn HBO Max John Cena (Series) The Safran Company Lochlyn Munro Warner Bros TV Robert Patrick “WESTWORLD” Jonathan Nolan HBO Evan Rachel Wood (Season 3) Amanda Marsalis, et al. Bad Robot Aaron Paul Winner: Costume Designers Guild (CDG) Award Thandie Newton Nomination: Emmy Award for Outstanding Fantasy/Sci-Fi Costumes “GONE BABY GONE” Phillip Noyce 20th Century Fox TV Peyton List (Pilot) Miramax Joseph Morgan “BOOK CLUB” Bill Holderman June Pictures Diane Keaton Jane Fonda Candice Bergen Mary Steenburgen “50 SHADES FREED” James Foley Universal Pictures Dakota Johnson Jamie Dornan “50 SHADES DARKER” James Foley Universal Pictures Dakota Johnson Jamie Dornan “A DOG’S PURPOSE” Lasse Hallström Amblin Entertainment Dennis Quaid Walden Media Britt Robertson Pariah “THE SECRET IN THEIR EYES” Billy Ray Gran Via Productions Nicole Kidman IM Global Julia Roberts Chiwetel Ejiofor “GET HARD” Etan Cohen Warner Brothers Will Ferrell Gary Sanchez Kevin Hart Alison Brie “SELF/LESS” Tarsem Singh Ram Bergman Prods. Ryan Reynolds Endgame Ent. Ben Kingsley “THE FIFTH ESTATE” Bill Condon DreamWorks Benedict Cumberbatch Participant Media Laura Linney “WE’RE THE MILLERS” Rawson Thurber New Line Cinema Jennifer Aniston Ed Helms Jason Sudeikis “THE BOURNE LEGACY” Tony Gilroy Universal Pictures Jeremy Renner Rachel Weisz Edward Norton “BIG MIRACLE” Ken Kwapis Universal Pictures Drew Barrymore Working Title Films John Krasinski Anonymous Content Kristen Bell “MONTE -
Master Class with Andrea Martin: Selected Filmography 1 the Higher
Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A. -
American Monsters: Tabloid Media and the Satanic Panic, 1970-2000
AMERICAN MONSTERS: TABLOID MEDIA AND THE SATANIC PANIC, 1970-2000 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sarah A. Hughes May 2015 Examining Committee Members: Kenneth L. Kusmer, Advisory Chair, History Carolyn Kitch, Journalism Susan E. Klepp, History Elaine Tyler May, External Member, University of Minnesota, American Studies © Copyright 2015 by Sarah A. Hughes All Rights Reserved iii ABSTRACT “American Monsters: Tabloid Media and the Satanic Panic, 1970-2000,” analyzes an episode of national hysteria that dominated the media throughout most of the 1980s. Its origins, however, go back much farther and its consequences for the media would extend into subsequent decades. Rooted in the decade’s increasingly influential conservative political ideology, the satanic panic involved hundreds of accusations that devil-worshipping pedophiles were operating America’s white middle-class suburban daycare centers. Communities around the country became embroiled in criminal trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. The longest and most expensive trial in the nation’s history, the McMartin case is an important focal point of this project. In the 1990s, judges overturned the life sentences of defendants in most major cases, and several prominent journalists and lawyers condemned the phenomenon as a witch-hunt. They accurately understood it to be a powerful delusion, or what contemporary cultural theorist Jean Baudrillard termed a “hyperreality,” in which audiences confuse the media universe for real life. Presented mainly through tabloid television, or “infotainment,” and integral to its development, influence, and success, the panic was a manifestation of the hyperreal. -
70Th Emmy Awards Nominations Announcements July 12, 2018 (A Complete List of Nominations, Supplemental Facts and Figures May Be Found at Emmys.Com)
70th Emmy Awards Nominations Announcements July 12, 2018 (A complete list of nominations, supplemental facts and figures may be found at Emmys.com) Emmy Nominations Previous Wins 70th Emmy Nominee Program Network to date to date Nominations Total (across all categories) (across all categories) LEAD ACTRESS IN A DRAMA SERIES Claire Foy The Crown Netflix 1 2 0 Tatiana Maslany Orphan Black BBC America 1 3 1 Elisabeth Moss The Handmaid's Tale Hulu 1 10 2 Sandra Oh Killing Eve BBC America 1 6 0 Keri Russell The Americans FX Networks 1 3 0 Evan Rachel Wood Westworld HBO 1 3 0 LEAD ACTOR IN A DRAMA SERIES Jason Bateman Ozark Netflix 2* 4 0 Sterling K. Brown This Is Us NBC 2* 4 2 Ed Harris Westworld HBO 1 3 0 Matthew Rhys The Americans FX Networks 1 4 0 Milo Ventimiglia This Is Us NBC 1 2 0 Jeffrey Wright Westworld HBO 1 3 1 * NOTE: Jason Bateman also nominated for Directing for Ozark * NOTE: Sterling K. Brown also nominated for Guest Actor in a Comedy Series for Brooklyn Nine-Nine LEAD ACTRESS IN A COMEDY SERIES Pamela Adlon Better Things FX Networks 1 7 1 Rachel Brosnahan The Marvelous Mrs. Maisel Prime Video 1 2 0 Allison Janney Mom CBS 1 14 7 Issa Rae Insecure HBO 1 1 NA Tracee Ellis Ross black-ish ABC 1 3 0 Lily Tomlin Grace And Frankie Netflix 1 25 6 LEAD ACTOR IN A COMEDY SERIES Anthony Anderson black-ish ABC 1 6 0 Ted Danson The Good Place NBC 1 16 2 Larry David Curb Your Enthusiasm HBO 1 26 2 Donald Glover Atlanta FX Networks 4* 8 2 Bill Hader Barry HBO 4* 14 1 William H. -
Click Here to Download The
$10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. www.forevervets.com Expires 3/31/2020 4 x 2” ad Your Community Voice for 50 Years Your Community Voice for 50 Years RRecorPONTEPONTE VED VEDRARAdderer entertainmentEEXTRATRA!! Featuringentertainment TV listings, streaming information, sports schedules,X puzzles and more! has a new home at Here she comes, April 9 - 15, 2020 THE LINKS! 1361 S. 13th Ave., Ste. 140 ‘Mrs. America,’ Jacksonville Beach Ask about our Offering: 1/2 OFF in Cate Blanchett- · Hydrafacials All Services · RF Microneedling starring · Body Contouring · B12 Complex / Lipolean Injections FX on Hulu series · Botox & Fillers · Medical Weight Loss Cate Blanchett stars in VIRTUAL CONSULTATIONS “Mrs. America,” premiering Get Skinny with it! Wednesday on FX on Hulu. (904) 999-0977 www.SkinnyJax.com1 x 5” ad Now is a great time to It will provide your home: Kathleen Floryan List Your Home for Sale • Complimentary coverage while REALTOR® Broker Associate the home is listed • An edge in the local market LIST IT because buyers prefer to purchase a home that a seller stands behind • Reduced post-sale liability with WITH ME! ListSecure® I will provide you a FREE America’s Preferred 904-687-5146 Home Warranty for [email protected] your home when we put www.kathleenfloryan.com it on the market. -
Tracey Ullman Handout
Tracey Ullman's Show (BBC, UK), Last Words Introduction 1) Do you have a "bucket list" or any ambitions you hope to achieve? 2) What do people typically put on a bucket list? 3) Do you know anyone who has a less-than-traditional ambition? What is it? 4) What is a "regret"? Have you ever regretted not doing something? Video You are going to watch a video about a woman's last words. Watch the video for the first time and choose the best summary from the three options below. a) The woman is really hungry and cannot concentrate on saying something profound because she is thinking about food. b) The woman doesn't realise she is dying and wants to go online to find a good restaurant. c) The woman is concerned that she didn't post enough photos of her lunch on social media during her life. What food does the woman talk about? Watch a second time to fill in the gaps and put the dishes in the order they appear in the video: Order __ ___________ Salad __ A Piece of _____________ __ Chicken and ____________ __ A Packet of ____________ and an ____________ Grammar, Regrets Look at the following extract from the video: "I really wish I'd taken more pictures of my lunch and put them online." When we talk about a past that we wanted to happen but it didn't, we can use the construction I wish + subject + had + past participle. Changing the past is impossible and the verb wish shows that what follows is just a fantasy. -
130Th General Assembly Regular Session S. R. No. 97 2013-2014
130th General Assembly Regular Session S. R. No. 97 2013-2014 Senators Beagle, Bacon, Brown, Cafaro, Eklund, Gardner, Hite, Hughes, Jones, Lehner, Sawyer, Seitz, Skindell, Tavares, Turner, Uecker, Schaffer RESOLUTION In memory of Jonathan Winters. WHEREAS, The members of the Senate of the 130th General Assembly of Ohio were deeply saddened to learn of the death of Jonathan Winters and extend our heartfelt condolences to his family and friends; and WHEREAS, Jonathan Winters left an indelible impression on the people whose lives he touched, and he will be remembered as a spirited individual who contributed immeasurably to the world around him. A veteran of the U.S. Marine Corps and a native of Ohio, where he got his start in entertainment as a radio disc jockey and a television host, he was a pioneer of improvisational standup comedy, a new category that he was instrumental in developing, and he became the inspiration for the likes of Robin Williams, Jim Carrey, Johnny Carson, Lily Tomlin, Tracey Ullman, and Billy Crystal, who followed in his footsteps. In addition, he made history in 1956 when his program, The Jonathan Winters Show, was the first to use color videotape, and he will be remembered for his generosity, talents, and seemingly inexhaustible energy; and WHEREAS, Jonathan Winters's regard for improving the quality of life in our society was clearly evident in his personal sacrifices of time and effort to his family, friends, and community, including his wife, the late Eileen, and his two children, Lucinda and Jay. A cast member of such productions as S.