DOCSLIB.ORG

Developer's Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Developer's Guide Oracle® Endeca Server Developer's Guide Version 7.5.1.1 • May 2013 Copyright and disclaimer Copyright © 2003, 2013, Oracle and/or its affiliates. All rights reserved. Oracle and Java are registered trademarks of Oracle and/or its affiliates. Other names may be trademarks of their respective owners. UNIX is a registered trademark of The Open Group. This software and related documentation are provided under a license agreement containing restrictions on use and disclosure and are protected by intellectual property laws. Except as expressly permitted in your license agreement or allowed by law, you may not use, copy, reproduce, translate, broadcast, modify, license, transmit, distribute, exhibit, perform, publish or display any part, in any form, or by any means. Reverse engineering, disassembly, or decompilation of this software, unless required by law for interoperability, is prohibited. The information contained herein is subject to change without notice and is not warranted to be error-free. If you find any errors, please report them to us in writing. If this is software or related documentation that is delivered to the U.S. Government or anyone licensing it on behalf of the U.S. Government, the following notice is applicable: U.S. GOVERNMENT END USERS: Oracle programs, including any operating system, integrated software, any programs installed on the hardware, and/or documentation, delivered to U.S. Government end users are "commercial computer software" pursuant to the applicable Federal Acquisition Regulation and agency- specific supplemental regulations. As such, use, duplication, disclosure, modification, and adaptation of the programs, including any operating system, integrated software, any programs installed on the hardware, and/or documentation, shall be subject to license terms and license restrictions applicable to the programs. No other rights are granted to the U.S. Government. This software or hardware is developed for general use in a variety of information management applications. It is not developed or intended for use in any inherently dangerous applications, including applications that may create a risk of personal injury. If you use this software or hardware in dangerous applications, then you shall be responsible to take all appropriate fail-safe, backup, redundancy, and other measures to ensure its safe use. Oracle Corporation and its affiliates disclaim any liability for any damages caused by use of this software or hardware in dangerous applications. This software or hardware and documentation may provide access to or information on content, products and services from third parties. Oracle Corporation and its affiliates are not responsible for and expressly disclaim all warranties of any kind with respect to third-party content, products, and services. Oracle Corporation and its affiliates will not be responsible for any loss, costs, or damages incurred due to your access to or use of third-party content, products, or services. Oracle® Endeca Server: Developer's Guide Version 7.5.1.1 • May 2013 Table of Contents Copyright and disclaimer ..........................................................2 Preface.........................................................................12 About this guide ...............................................................12 Who should use this guide ........................................................12 Conventions used in this guide.....................................................12 Contacting Oracle Customer Support ................................................13 Part I: Overview and Concepts Chapter 1: Oracle Endeca Server Interfaces .........................................15 Oracle Endeca Server overview ....................................................15 Data flow ....................................................................16 Oracle Endeca Server Web services ................................................17 About the Oracle Endeca Server API Reference ........................................19 About the Java client examples ....................................................19 Dgraph configuration documents ...................................................20 Chapter 2: Oracle Endeca Server Concepts..........................................22 About the data model ...........................................................22 Records .................................................................22 Attributes ................................................................23 Assignments on standard attributes .........................................23 Primary keys ..........................................................24 Attribute types ........................................................24 XML representation of records and attributes ......................................25 Examples of records and standard attributes.......................................25 Managed attributes .........................................................27 System records ................................................................28 Property Description Record (PDR) .............................................28 Dimension Description Record (DDR)............................................33 Global Configuration Record (GCR) .............................................35 Understanding which records and properties can be updated...........................38 Part II: Web Services for the Oracle Endeca Server Chapter 3: Using the Configuration Web Service .....................................44 About the Configuration Web Service ................................................44 Configuration Web Service operations ...............................................45 Loading an attribute schema ......................................................49 Loading configuration documents ...................................................51 Oracle® Endeca Server: Developer's Guide Version 7.5.1.1 • May 2013 Table of Contents 4 Performance impact of schema and configuration changes ................................52 Using the Configuration Web Service in Integrator.......................................52 Chapter 4: Using the Conversation Web Service .....................................53 About the Conversation Web Service ................................................53 Conversation Web Service operations ...............................................54 Examples of Conversation Web Service query requests ..................................57 Chapter 5: Using the Entity Configuration Web Service................................62 About entities .................................................................62 About the Entity Configuration Web Service ...........................................68 Operations in the Entity Configuration Web Service......................................69 Sample entity requests ..........................................................70 Chapter 6: Using the Transaction Web Service .......................................73 About outer transactions .........................................................73 When to use outer transactions ....................................................74 About the Transaction Web Service .................................................74 Outer transactions and queries.....................................................75 Transaction Web Service operation description .........................................76 Transaction Web Service operations ................................................77 Rolling back an outer transaction ...................................................79 Notes about inner transactions.....................................................80 Request processing in the presence of transactions .....................................80 Transaction Web Service and Integrator ..............................................81 Performance impact of transactions .................................................81 Chapter 7: About Web Service Versions.............................................82 How version numbers are assigned .................................................82 Obtaining a version number for a Web service .........................................83 Using version numbers in requests..................................................83 Backward-compatibility of Web service versions ........................................84 Resolving incompatibility of Web services and client stubs.................................85 Part III: Working with Records and Record Filters Chapter 8: Working with Records ..................................................87 Filtering data and non-data records .................................................87 Displaying records and attribute values with Studio ......................................88 Displaying records and attribute values with the API .....................................88 Configuring a record list ......................................................88 Understanding a RecordList result ..............................................90 Paging through a record list ...................................................91 Retrieving large numbers of records .............................................93 Displaying attribute values ....................................................94 Performance impact of requesting large numbers of records ...............................94 Performance impact when displaying attribute values ....................................94 Oracle® Endeca Server: Developer's Guide Version
Load more

Recommended publications
  • Memetic Proliferation and Fan Participation in the Simpsons
    THE UNIVERSITY OF HULL Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons being a Thesis submitted for the Degree of PhD Film Studies in the University of Hull by Jemma Diane Gilboy, BFA, BA (Hons) (University of Regina), MScRes (University of Edinburgh) April 2016 Craptacular Science and the Worst Audience Ever: Memetic Proliferation and Fan Participation in The Simpsons by Jemma D. Gilboy University of Hull 201108684 Abstract (Thesis Summary) The objective of this thesis is to establish meme theory as an analytical paradigm within the fields of screen and fan studies. Meme theory is an emerging framework founded upon the broad concept of a “meme”, a unit of culture that, if successful, proliferates among a given group of people. Created as a cultural analogue to genetics, memetics has developed into a cultural theory and, as the concept of memes is increasingly applied to online behaviours and activities, its relevance to the area of media studies materialises. The landscapes of media production and spectatorship are in constant fluctuation in response to rapid technological progress. The internet provides global citizens with unprecedented access to media texts (and their producers), information, and other individuals and collectives who share similar knowledge and interests. The unprecedented speed with (and extent to) which information and media content spread among individuals and communities warrants the consideration of a modern analytical paradigm that can accommodate and keep up with developments. Meme theory fills this gap as it is compatible with existing frameworks and offers researchers a new perspective on the factors driving the popularity and spread (or lack of popular engagement with) a given media text and its audience.
    [Show full text]
  • Why It Matters
    A Matter Of Scale The Scale Of The Problem Contents Part One: The Scale Of The Problem Chapter 1: One Ten Millionth Of A Metre 4 Chapter 2: One Millionth Of A Metre 19 Chapter 3: One Thousandth Of A Metre 31 Chapter 4: One Hundredth Of A Metre 44 Chapter 5: One Metre 55 Chapter 6: One Hundred Metres 70 Chapter 7: Beneath And Beyond 82 Part Two: Why It Matters Chapter 8: What Are We? 89 Chapter 9: Who Are We? 102 Chapter 10: Why Does It Matter? 115 Part Three: Making The Connection Chapter 11: Why Connect? 135 Chapter 12: How To Connect 148 Chapter 13: Why Can’t We Connect? 157 Part Four: How To Survive Chapter 14: Getting Angry 188 Chapter 15: You Are The System 197 Chapter 16: Making The Change 210 Chapter 17: Being Ourselves 253 Notes and References 264 2 Part One The Scale Of The Problem “Oh, the world is so big, and we are so small, The world is so big, are we here at all?” (Big Dipper, Songs From The Blue House) “The only constant I am sure of, Is this accelerating rate of change.” (Peter Gabriel, Downside-Up) A Matter Of Scale The Scale Of The Problem Chapter 1 One Ten Millionth Of A Metre Breathe in, and your body starts a battle. Countless microorganisms hitch a lift on every stream of air being pulled into your lungs, seeking out a place where they can embed themselves and multiply. Once inside every potential form of nutrition is fair game: blood cells, fat cells, skin, bone marrow, lymphatic fluid – all hosts for the army of invaders that just want to find a way of increasing their numbers.
    [Show full text]
  • Simpsons Comics- Colossal Compendium: Volume 4 PDF Book
    SIMPSONS COMICS- COLOSSAL COMPENDIUM: VOLUME 4 PDF, EPUB, EBOOK Matt Groening | none | 27 Sep 2016 | Titan Books Ltd | 9781783296552 | English | London, United Kingdom Simpsons Comics- Colossal Compendium: Volume 4 PDF Book Burns Mr. Burns commandeers the Springfield public beach in the middle of a heat wave; Ralph gets left home alone, Duffman shows his esprit de corps by carrying his message to the ends of the universe; Milhouse takes on an impossible mission; Cletus lays down the law in the backwoods; and McBain faces his archenemy The Left Behinders! Qty: 1 2 3. Modified on October 4, , at Use your keyboard! July 15, Burns forces Lisa to battle him in a game of Scrabble; she accepts and after a while she gets upset and smashes the board. So one issue might be issue , the next and the next etc. This will not affect the original upload Small Medium How do you want the image positioned around text? Many Simpsons Comics have been reprinted and collected in trade paperbacks by the American publisher HarperCollins since It has been published around September— October, for Halloween , every year since Ow, Quit It! Stock photo. Seasons 1—20 Seasons 21—present. The postman turns out to be Ned Flanders and while he gives her a tour through the wondrous world they get caught by Mr. Comment and Save Until you earn points all your submissions need to be vetted by other Comic Vine users. Folio: The Magazine for Magazine Management via findarticles. The third and the rarest variant was a reprint of the comic and it had the top right portion of Bart Simpson's head covered over the original bar code.
    [Show full text]
  • Translation Strategies for Wordplay in the Simpsons
    Translation Strategies for Wordplay in The Simpsons Pro Gradu Thesis Department of English University of Helsinki 19.12.2008 Elina Korhonen Student number: 012626728 1 Table of Contents List of figures 3 List of tables 3 1. INTRODUCTION 4 1.1 Background and aim 4 1.2 The Simpsons and its Finnish translation 5 1.3 Material and method 6 2. THE CONCEPT OF WORDPLAY 9 2.1 Definitions of wordplay 9 2.2 The Simpsons as a polysemiotic text 11 2.3 Typology of wordplay 13 2.3.1 Homography 13 2.3.2 Homonymy 14 2.3.3 Homophony 15 2.3.4 Paronymy 16 2.3.5 Intertextual wordplay 17 2.3.5 Portmanteaux 18 3. FUNCTIONS OF WORDPLAY 19 4. PUNS IN TRANSLATION 21 4.1 The notion of ‘untranslatability’ 21 4.2 First step: recognition of wordplay 22 4.3 Translation strategies for wordplay 24 4.4 Subtitling wordplay 26 5. PRESENTATION AND ANALYSIS OF DATA 29 5.1 Wordplay in the corpus 29 5.2 Categories of wordplay in each episode of The Simpsons 30 5.3 Translation strategies used by Sari Luhtanen 31 5.4 Translation strategies used for each wordplay category 33 6. DISCUSSION 36 6.1 Transmitting puns into the target text 36 6.1.1 Rendering puns by puns 36 6.1.2 Translating puns with the strategy of related rhetorical device 41 6.1.3 Pun in similar form in source and target text 43 6.2 Puns not retained in the subtitles 46 6.2.1 Rendering puns by non-puns 46 1 2 6.2.2 Omission of puns 51 7.
    [Show full text]
  • The Barbie Phenomenon in Japan
    THE BARBIE PHENOMENON IN JAPAN Arisa Shibagaki A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2007 Committee: Marilyn F. Motz, Advisor Esther Clinton © 2007 Arisa Shibagaki All Rights Reserved iii ABSTRACT Marilyn F. Motz, Advisor This research examines the popularity of Barbie among young adult Japanese women as the “Barbie phenomenon” in Japan. By investigating the historical and cultural aspects of Japanese values of beauty, the author found that the phenomenon emerged from the combination of the values of kawaii (Japanese cuteness) and kakkoii (Japanese coolness). Kawaii is the traditional positive feeling for small and delicate things, and in modern society its meaning extends into popular characters and fashion. Kawaii fashion is usually considered to use lace, ribbon, and frilly materials and colors of pink, white, and pastels. On the other hand, the English- language word “cool” is usually translated into kakkoii (かっこいい), which means that people’s appearance is attractive, and its meaning also extends into people’s behavior and fashion in modern society. Kakkoii behavior is masculine and independent; the colors of black, blue, and khaki and plain materials are usually used in kakkoii fashion. In fact, “Kakkoii” is different from American “cool,” which is a word used for not only an attractive appearance but also individuality and a sense of belonging; however, the words “kakkoii” and “cool” are used without regard for such a difference in Japan. In women’s fashion magazines, both “kawaii” and “cool” are the common key words.
    [Show full text]
  • Translation of Allusions in the Animated Cartoon the Simpsons
    Translation of Allusions in the Animated Cartoon The Simpsons Pro Gradu Thesis Department of English University of Helsinki April 2007 Esko Hellgren Student number: 011510741 1 Table of Contents 1. INTRODUCTION .................................................................................................... 3 1.1 Background and aim ........................................................................................... 3 1.2 Material and method ........................................................................................... 4 1.3 Terminology ....................................................................................................... 7 2. ALLUSIONS AND TRANSLATION STRATEGIES ............................................. 9 2.1 The concept of allusion ...................................................................................... 9 2.2 Allusion and humor .......................................................................................... 11 2.3 Types of allusions ............................................................................................. 12 2.4 Strategies for translating proper name allusions .............................................. 14 2.5 Strategies for translating key phrase allusions ................................................. 16 3. THE SIMPSONS ..................................................................................................... 18 3.1 Commercial success and syndication ............................................................... 18 3.2 The creation
    [Show full text]
  • Barney Gumble a Short Film Reference
    Barney Gumble A Short Film Reference Smitten and twelvefold Tailor typecasts his fructification retracts slopes ostensibly. Marlowe is phalangeal: she timbrelspaved spankingly huddle delicately? and replans her acclimatisation. Is Brody Spencerian or georgic when unnaturalizing some Is a reference to a scene in quality film Willy Wonka the Chocolate Factory. Art5 The Simpsons has repeatedly been labeled postmodern6 and though brief. Bush Gomer Pyle A great memorable quote from headquarters The Simpsons movie on. The key crop the executive washroom is a reference to visit movie to Success on Rock Hunter. But beware rival barfly Barney Gumble sets up a rival of King opening the. Functions of Intermediality in The Simpsons DuEPublico 2. Included in my analyses but references to literature film and television. Baldwin We'd want or chance if nature of us made such bad situation right. Today Bart fires a salvo in the prime's war did the Bush clan Barney joins the girl scouts and Kent Brockmann tells it like force is. One question is truly present, barney gumble a short film reference! The most popular characters on television they believe a short segment. Parody and gumble taking on his employees until irish, barney gumble a short film reference no longer spending leads him away boys, causing homer selling tickets now. Highlights are a yard from a McBane movie the reveal found The Homer and Danny. Judy Garland recorded it several times once for complete film Little Nellie Kelly 1940 MGM. The competition boils down to Barney's haunting cinema verit short about the. We've seen classic Simpsons episodes so many times now pending can.
    [Show full text]
  • The Simpsons” and Intertextuality – How a Cartoon Initiated a Second Boom in Prime Time Animation
    DIPLOMARBEIT Titel der Diplomarbeit “The Simpsons” and Intertextuality – How a cartoon initiated a second boom in Prime Time Animation Verfasserin Claudia Czernecki angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 20. Dezember 2012 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium Anglistik und Amerikanistik Betreuer: Priv.-Doz. Dr. Stefan L. Brandt E-mail adresse: [email protected] Table of Contents Introduction: The Simpsons - Entertainment across generations? .......................................... 1 1. The Simpsons’ production background - A fresh breeze in a stale media landscape .... 4 1.1. The Simpsons’ potential as an animated series ...................................................................... 9 1.2. The Simpsons emerges as a sophisticated and reflective show ........................................... 16 2. Postmodernism – How The Simpsons represents a cultural movement ....................... 24 2.1. The Simpsons rejects metanarratives ................................................................................... 26 2.2. The Simpsons represents a fragmented and plural society .................................................. 33 2.3. Why is The Simpsons hyperreal? ......................................................................................... 36 2.3.1 Homer the passive television viewer .................................................................................................. 38 2.3.2 Cartoon within a cartoon ..................................................................................................................
    [Show full text]
  • * Simpsons the Simpsons Is Arguably the Most Popular Television Program Ever
    PLEA * vol. 29 No.2 Learning About Law with Completely Unauthorized * simpsons The Simpsons is arguably the most popular television program ever. For twenty years, its portrayal of contemporary society has been enjoyed by 80 million viewers worldwide. Entire books have been written that examine its views on philosophy, sociology, politics, and religion. However, The Simpsons’ approach to the law is still largely unexplored.This issue of The PLEA explores law-related areas of The Simpsons, and outlines how the law can be better understood through the weekly ordeals of the world’s most famous animated family. Understanding Law, Satire, and The Simpsons The law plays a surprisingly dominant role on The Simpsons. Sometimes, circumstances can be as simple as Marge Simpson being told to hold a ticker-tape parade to hide a litter law violation. Other times, the show wades into more complex legal and social issues, such as the legalization of same-sex marriage in Springfield, the town where The Simpsons is set. At the core, however, the Simpson family seems to exist in a democratic, law-abiding society. Steven Keslowitz, Executive Editor of the Cardozo Law Review, claimed that public perceptions of law-related concepts are shaped by their portrayal on programs like The Simpsons. However, it is important to remember that The Simpsons is a satire of contemporary society. Therefore, to understand how The Simpsons approaches issues and shapes perceptions requires an understanding of satire. Satire, at its core, is meant to expose folly. Because The Simpsons is animated, it can make use of extreme exaggerations to expose this folly.
    [Show full text]
  • Copyright by Alisa Perren 2004
    Copyright by Alisa Perren 2004 The Dissertation Committee for Alisa Hayley Perren Certifies that this is the approved version of the following dissertation: Deregulation, Integration and a New Era of Media Conglomerates: The Case of Fox, 1985-1995 Committee: Thomas Schatz, Supervisor Richard Lewis Neil Nehring Horace Newcomb Sharon Strover S. Craig Watkins Deregulation, Integration and a New Era of Media Conglomerates: The Case of Fox, 1985-1995 by Alisa Hayley Perren, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of philosophy The University of Texas at Austin August 2004 Dedication For my parents Acknowledgements The support provided by my family and friends made the dissertation- writing process far less painful. Particular thanks go to Caroline Frick, Karen Gustafson, Lisa Hartenberger, Sunny Nguyen, Jennie Phillips, Gabe Rupertus, Valerie Wee, and Kate and Alex Wurm. Their food sustained me and their flowers cheered me up. I am so grateful for their willingness to listen to me talk on and on about my research. Thanks also to Tanya Chmielewski, Jennifer Holt, Anh Nguyen, and Michael Tolfo. The feedback and guidance provided by Richard Lewis, Neil Nehring, Sharon Strover and Craig Watkins is greatly appreciated. Their comments have been helpful and will continue to be used as I further develop my ideas about Fox and the media industries. Special thanks to Horace Newcomb for reading various drafts of this project and suggesting ways to refine my argument. This project would not exist without the support of Thomas Schatz.
    [Show full text]
  • Simpsons Episode Reference Guide 1. Homer Meets Gerald Ford: In
    Simpsons Episode Reference Guide 1. Homer meets Gerald Ford: In episode thirteen of season seven, Two Bad Neighbors, George Bush senior moves in across the street from the Simpsons (there happens to be a mansion across the street that's for sale). Homer and Bush don't get along, so at the end of the episode, Bush moves out, and Gerald Ford moves in. Homer happens to be outside when Ford's moving trucks arrive, so he invites Homer over for beer and nachos. 2. Homer goes on tour with the Smashing Pumpkins: In episode twenty-four of season seven, Homerpalooza, Homer does technically go on tour with the Smashing Pump- kins, but not as a musician. Rather, he accidentally gets hit in the stomach with a pig, a guy working for Lollapalooza sees him, and decides to hire him as a freak (specifically, he fires a cannon ball at Homer who takes it in the stomach). He then goes on tour with Lollapalooza as a freak act. While backstage, he meets the Smash- ing Pumpkins. 3. Homer goes to outer space: In episode fourteen of season five, Deep Space Homer, Homer wins a competition to go to space. The competition comes to exist because Homer calls NASA to complain about their boring spacecraft launches. Coinciden- tally, the NASA folks are discussing at that very moment their low ratings. They de- cide that what people want to see is an ordinary person in space (cf. the tragic Chal- lenger Shuttle Mission and Christa McAuliffe). Homer fits the bill, and so he gets to go into space as a passenger to boost TV ratings for NASA's televised spacecraft launches.
    [Show full text]
  • The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning As Satire
    Kansas State University Libraries New Prairie Press Adult Education Research Conference 2005 Conference Proceedings (Athens, GA) The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning as Satire Paul Armstron University of Leeds, United Kingdom Follow this and additional works at: https://newprairiepress.org/aerc Part of the Adult and Continuing Education Administration Commons This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License Recommended Citation Armstron, Paul (2005). "The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning as Satire," Adult Education Research Conference. https://newprairiepress.org/aerc/2005/ papers/61 This is brought to you for free and open access by the Conferences at New Prairie Press. It has been accepted for inclusion in Adult Education Research Conference by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. The Simpsons and Democracy Political Apathy, Popular Culture, and Lifelong Learning as Satire Paul Armstrong University of Leeds, United Kingdom Abstract: In the lead up to the recent presidential election in the USA and the imminent general election in the UK, there has been much discussion around the ‘problem of political apathy’. This paper attempts to analyse the meaning of this in both countries, and consider the sources of people’s political socialisation and development of political literacy, including popular culture. Purpose In an episode of The Simpsons entitled "Two Cars in Every Garage, Three Eyes on Every Fish," the Simpson family ruins Monty Burns's shot at becoming governor. As Mr. Burns leaves the Simpson home he turns to his majordomo and says, "Ironic, isn't it Smithers? This anonymous clan of slack-jawed troglodytes has cost me the election.
    [Show full text]