DOCSLIB.ORG

Jack Benny Program 1954 Oct-Dec.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jack Benny Program 1954 Oct-Dec.Pdf fl )' ` 507 0 019914 J .S .N .1 ROORAM 1 R6VISSD SCRIPT kk alS ~~no~Cttc~ A MRICAN TOBACCO CCMPANY . LUCKY STRIXE TO JACK BFNNY PRCCRAM SEPTE2mER 26, 1954 CBS 4 :00 - 4 :3C PM YRr (Txenecribed - Sept . 2, 1954) flTYl01 0019915 SET #1 . RRG; AMBRICAN TOBACCO COMPANY 'THg JACK BENNY PRCGRAM' #1 SEPTIsNIDER 26, 1954 7 :OC-7 :3C PM EST SUNWY OPENING CIX'945HCIAL WIISON : THE JACK BENNY PROGRAM . transcribed and presented by UJCKY STRIICE . the cigarette that's toasted to taste better! (TRANSCRIBED) If you want better taste from your cig-a-xette, DOLISNS : WITH FULL Lucky Strike is the brand to get! ORGH . B .G .) IT'S TOASTID to give you the best taste yet . It's the toasted (CIAP . CIAP, C1AP) cig-a-rette They take fine tobacco, it's light tobacco, it's mild tobacco, too . Then IT'S TOASTED, yes, IT'S TOASTED, because the toasting brings the flavor right through . So, to get better taste from your cig-a-rette, Iuckv Strike is the brand to get! IT'S TOASTED to give you tl^a best taste yet, It's the toasted (CIAP . .CLAP, CLAP) cig-a-xrotte : WILSON : This is Don Wilson . I'd like you to listen to just the last part of that song once again . TRANSCRIBED) COLLINS : It's the toasted (CIAP . .CAP, CLAP) cig-a-rette : WITH FULL ORCH . B .G .) RT ATH010019916 1 THE JACK B:.NNY PROGRAM SET #1 -2- SEPTEMBER 26, 1954 WIISON : Thst's one important reason a Lucky tastes (CONT'D) better . It's toasted : The fine tobacco that goes into everyLUolq is toasted to taste better . "IT'S TOASTED" -- the famous Iucky Strike process -- brings Luckies - fine tobacco to its peak of flavor -- tones up this light, mild, naturally good-tasting tobacco to make it taste even better . Cleaner, fresher, smoother . That's why we say this : if you want real enioyment from your cigarette . make it Iuckv Strike . Optional : TRANSCRIBED : If you want .better taste from your cig-a-rette, COId,iNS : WITH FULL Luckv Strike is the brand to get! ORCH . B .O .) IT'S TOASTED to give you the best taste yet . It's the toasted (CIAP . .CIAP, CIAP) cig-a-rette . RT 0 AT}401 0 19917 1 (Sept . 26th(ShwT STe)ns . Sept . 2, 19 54 ) -1- (FIRST ROUTINE) (AFTER COM14gI2CIAL, MUSIC UP AND DONN) DON : THE LUCKY STRIKS PROGRAM, STARRING JACK BFNNY• .WITH MARY LIVINGSTONE, ROCB84TER, DENNIS DAY, BOB CROSBY, AND "7COURS TRULYi DON WILSON . (APPLAUSE . .MUSIC UP AND DOWN) DON : LADIES AND GEMPIEMEQ . .WHILS SEYPFDYBER IS ONE OF THE MOST BEAUTIFUL MONTHS OF THE YEAR, TRERE IS A CERTAIN SADNESS ABOUT IT . .YES, MANY 8AD THINGS OCCUR AT THIS TIME OF YEAR . .CHILDREN HAVE TO GO BACK TO SCHOOL . .VACATIONS ARE OVER AND PEOPLE HAVE TO GO BACK TO WORK . .THE FLOWIItS NILP, TH6 LEAVFS DIE AND JACK BENNY COMES BACK ON THE AIR . JACK: Hu.n DON : AND HERE HE IS . .JACK BENNY (APPLAUSE) JACK: Thank you, thank you, thank you . .Hello again, this is Jaok Benny talking . .end Don, I want to discuss that introduction with you . _ DON : I thought you would, Jack . .I ' m glad you liked it . all, I spent the entire summer working on JACK: \Oh . .you made that introduction u urself . .and it took you Sumaer? DON : Yes, it did, c . .You see, I have to work by myself . .I haven't four wr s like you have . l CB 0 HTX 1 0019918 I JACK: Then for heavens sakes, .what have you got in y ~ st ? . ( .I could have svorn th le~e you put on'a bathing s saw t-oQ lit ne of a typewriter . DON : Now wait e mi , Jac . ia is the first program of the sees , and I don't like your ing off with ,jokes . a6out my size . ~._-----~. JACK : 1 I'm glad you brought up the aub~ect of inaults, Don .On our final show of the season last May you introduced me with an insult . .end now the first shox of the new season you do the same thing . DON : I'm sorry, Jack . JACK : You should be . .And before dropping the subject, let me remind you of the lyrics of that beautiful tune written about this particular month . DON : The September Song? JACK : Yes . remember, Don . ."It's a long, long time . .from May to December" . .and it seems even longer when yodr.`11At ailioribw6ir eat:•r[ , .So watch it, Slenderella Boy . .Now this is a new season so we'll let bygones bedf® -- BOB : N1, Jeck . .Hi, Don . JACKS Bob Bob or aby . (APPLAUSB) - JACK: Bob, you look wonderful . BOB :03eSt+SO do you,~ J~ack . .,aFnd you, too, Don . DCN~~Thanks~T T1 me`;Twhere did you MWn your vacation, 86b? BCB : '.1e11 Don, I didn't have wW real vacation, . .You see, my television . wwgmm on C .B .S. _ ~. I Y-si~it's on fivarM fR xeek,'i`-w s kept very busy . CB RTH 0 1 0019919 -3- JACK : Gee, that's awful . BCB : YsaSNbut it did have its compensations . .2 was pa].d every week . JACK : So you were paid every wee~k . .What good is that? . .A man rv-ecA .-, needs a little relaxatloK . .Money isn't everything . You ought to realize that . BOB : Ch, usherjLs.qD.o~ ROBIN : Yes, sir . BOB : Can you tell me w':nre Mr . Benny's broadcasting from, b¢J IWNn the wrong studio . JACK : iio, no, Bob . .you're not in the wrong studlo . .It's just that I have a new writer and he hasn't grasped my c'naxacter yet . .That's all . BCB :W 4X' i W'nen he gets his first check, he will . JACK : I guess so, . they all do sooner or later . DON : Gee, I feel sorry for you, Bob . .,working all summer . c~¢a~ BOB ; GP., it wasn't *WM bad, Don .,. .2 took every weok-end ofP . Qc.. ~ Why, last week-end I had a wonderful time with my brother Bing . JACK : W:at did you do? BOB : 'riell, we did a little mountain cllmbing . Then we went i n to the woods and un ad . .then we enjoyed some wonderful fishing in a couple of stres.ms and lakes? JACK : Wrore were you----Yellowstone Paric? BOB : No, in Bing's front yard . JACK : Now wait a minute, Bob . .I know Bing hae a big house and grounds, but it's not .yhat big . Aren't you exaggerating a little? BA RTSSO 1 0019920 1 BOB : No, I'm not, Jack . .In fact, it's an even money bet that ~`. Bing's place becomes a state before Hawaii . JACK : Goe ry may have to go to Wsshington as a Senator, WA ~ guess you ' re right, Bob . you can have a nice vacation ,just on week-endsf¢nlL tJ.~a BOB : Oh sure ., .It ' s amazing ~what you can do iry~two days,••,Why, a couple of weeks agoA m` leFt _ e~yand I went way up to the High Sierras, JACK : You took-ftwnk Remley with you? BOB : Yea em* a very unfortunat~ nR ~p ned ~ were ~ climbing around a narrow cliff Bemley slipped and fe11 about thirty feet to a small ledge, and no one ' could reach h1m . JACK : Gosh, that's terrlble . .,What happenedlb~7, BOB : Well, finally one of those Saint Bernard dogs with the brsndy around its neck got to him . JACK : Well, thank goodness . .where ' s Remley now? BOB : ~)~t1The last I saw of him, ne and the dog were walking off axm in am . JACK : Well, Remley always was an animal Sover . You should see the tender way he treats an old crow .,,It's touching . ..Why I remember once when iV -- DENMS~'o~~jlello, Mr . Benny . .hello, everybody . JACK : ~AHry . LL:NNIS ; (APPLAUSE) DENNIS : Gee, it's good to see ail of you again . DON : ~r~ood seeing ou, Dennie . 18a 0 00 fiiX 1 19921 1 -5- DOB : I sure missed you, kid . ! JACK : Yeah . .You know, even though I hate to see our vacations end, there's something nice about all of us getting ~~ together again . D6NNIShat l s right, Mr . Benny . .Here we are starting a new series . JACK ; Yes, sir . DENNIS : Are you looking forward to a good season? JACK : I sure am . DENNIS : So am I . JACK: That's good . DENNIS : In fact, this will be the best season I ever bad . JACK : Why? I16NNI S~~}~ qui tSJ your show . JACK : ou Ie qeu~ ng the show? DENNIS : Uh huh . JACK : Don, get me a chair . .I know this is going to lead into something and I want to be comfortable . (SOUND : CHAIR MOVED) ~ JACK : There we are . .Now Dannis .tiwhy a you quitting my show? DENNIS :~ I t hink a man who is married and has nine children should be in business for himself . JACK : Dennis . Dennis . Look at me . DENNIS : Yes, sir . JACK : Denrls . .do you have nine childrsn? DENNIS : No . JACK : Are you married? DENNIS ; No . 13A Rrx 01 0019922 -6- JACK : Then why would you say you're leaving my show because you ' re ruarried and have nine children? DENNIS : I did that for your sake . JACK : My sake? IENNIS : I didn't want people to know I'm quitting because of the lousy salary you pay me . JACK : W'iBt? D2NNIS : I grasped your character twelve years ago . JACK : Now, wait a mi-nu a. How can you say I psy you a bad ~ -a.dWj•? .
Load more

Recommended publications
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • Jack Benny Program 1953 Sep-Dec.Pdf
    -'^:AD-IH TO THE COMMERCIAL Bv JACK BENRY Affi} TAG DI'.iEOTLYBY JACK BENNY IdAS RELEASED FflCM a>)C SOS ANGELES, BECAUSE OF TV PROGRAM BEING SEEN AT 10 P1S-LOS ANGELES TIME, RY ;KU1 016+2-1 0 1 PROGRAM $`1 REVISID SCRIPT 11~7 it /15 IJrOGC/CUSf' AbIERICAN''16SACC~O COMP~ LUCK? STRII~ TfIE JACK SRPIPIY PROGHAM SurIDas, SEPTEMW 13, 1953 CES 4 :00-4 :30 PM PDT (TRANSCRI3ED Sr PT . 9, 1953) KT R1'Y;tJ1 018410 2 THE .TA.CK BF~NNY PROGRAM AMIIdTCPN TOBACCO CO . "SEPTEMBER 13, 1953 (Transcribed September 9, 1953) OPENING COM[uIERCIAL : WILSON : The Jack Benny program . transcribed ar.d presented by Lucky Strike! (Pause) You know, friends . smoking enjoyment is all a matter of taste! And the fact of the matter is . ~ ' COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother COLISNS : Luckies taste better CHCRUS ; Cleaner, fresher, smoother For Lucky Strike means fine tobacco Richer tasting fine tobacco COLLINS ; Luckies taste better CHORUS : Cleaner, fresher, smoother Lucky Strike . Lucky StriKe WITSON : This is Don Wilson . You know, your enjoyment of a I cigarette depends on its taste . That's true, friends . Smoking enjoyment is all a matter of taste . And the fact of the matter,is -- Luckies taste better . cleaner, fresher, smoother . Now there are two mighty good reasons for that . The first one you already know . iS/MFT, :.ucky 1 Strike means fine tobacco . light, naturally mi':d, good-tasting tobacco . And second, Luckies are made to taste better -- made round and firm and fully packed to draw freely and smoke evenly .
    [Show full text]
  • Jack Benny Program 1954 Jan-Mar.Pdf
    PROGRAM #17 FGVISED SCRIPT THA AMERICAN TOBACCO COMPANY_ 7.UCISY °TRII{E THE JArK BENNY p RCGRAM OiRVDAY,,,,_SAMLARY~;,1954 ^B° 4 :0_0 ° &, .30 PM PS'P (TRAN50RIE1ED DEC-wMBF~'R 23, 1953) (=17 ' X 0 9 C71 84 5? 'PEsE AMG7iI0AN TO&1CC0 CObII'ANY "TI-IF JACg 3EP7NY _rAC_GRAM" #17 7 :00 - i :30 PM EST JANUARY 3 . 1994 SUMIAY WILSON : THE JAC={'3ENNY PRCGRA[4 . .Transcribed anrl presented by LL"CR~' SLRIISE! COLS.INS : Luckies taste better : CF_ORUS : Cleaner, Fresher, Smoocner! COLLINS : Luckies taste better! C YiORUS : Cieener, Fresher, Smootner! For Lucky Strike means fine tobacco Richer-tasting fine tobacco COLLINS : Luckies taste better! CHORUS : Cleaner, Fresher, Smootiner! Lucky Strike : Lucky Strike : WILSON : This ia Don Wilson. Friends, -.;nereos no doubt =_bout 1t . Smoking enjoytt;nt is all a matter of taste . And the fact of the matter is I l uckies taste better, Cleaner., Fresher, Smoother . Now, freshness is particularly important, for if a ci g arette isn't truly fresh, it oan ' t possibly give you the an j oviwnc it should . That ' s why every pack of Luckies is extra tightly sealed -- to bring you Luckies' better taste in all its netural frestmess . Yes, Luckies do taste better because -- f irst LS/P+ E T - Lucky 3trike meana iine tobacco . Then, too, Luckies taste better because they ' re made better, ., made round and firm and fully _.acked, to draw freely and smoke evenly . Mo,s_" I ) HT .'s6 0 1 CI 18457 4 . 4fENING COWk.RCL1L (CO :VTINIIED) tif1L50N : (GOSFPIM7ED) So, £rierAs, smoke the cigarette that has better teste ur"nen it ' s niade, and then brings you all that better tssce '_n a fresh cigarette .
    [Show full text]
  • Jack Benny Program 1950 Sep-Oct.Pdf
    A T r) •t rl r~Q -0 1 10 PROGRAM #1 REVISED SCRIPT AMERICAN TOBACCO COMPANY LUCBY STRIKE THE JACK BENNY PROGRAM B D SUNDAY, SE.PTIIVSMAS 10, ROA1950 CASTCBS 4 : 00 -4 : 30 PM CDT , . ._•.~ ~ .u . .F 2t'm~~.v.:+:....... .~__ _ . AT'14 11 .t t~rl9 9 '2 19 THE JACK &MiNY PROGRAM SEPTEIeM 10, 1950 OPEPtI1VG CODOMCIAL RIGGS : (CHANT -- 65 to 68 -- SOLD Ar~RICAN) SHP.RBUTT : THE JACK BENNY PROGRAM . presented by LUCKl.' STRIKE . CHORUS : Be Happy -- Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike today! (SHORT CLOSE) ORCH : (SHORT VAMP) MAN : To pick the mildest cigarette You donTt need sleight of hand . Taste Luckies' magic mildness, then They'll be your favorite brand! ORCH : (SHORT VAMP) GIRL : I wash and scrub, and cook and sew And still I sing a song -- Because I never work alone . I've Lucky Strike along ; CHORUS : Be happy - - Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike toda9 : (SHORT CLOSE) (CONTID NE$T PAGE) THE JACK BENIVY PROGRAM SEPTEMBER 10,1950 OPENING COMMERCIAL ( CoiVT tD) SHARBUTT : (FRIENDLY AN.D SP IRZTED ) Eri j oy your c igare tte . En j oy truly fine tobacco that combines both perfect mildness and rich taste in one great cigarette -- Lucky Strike! For only fine tobacco gives you both real mildness and rich taste . And, LS/MFT -- Lucky Strike means fine tobacco . So friends, Be Happy -- Go Lucky! Try a carton of Lucky Strike! CHORUS : Be Happy -- Go Luck,F Be Happy -- Go Luck,y Strike Be Happy -- Go Lucks- Go Lucky Strike today ; (LONG CLOSE) , -1- (FIRST ROUTINE) (AFTER CONUIPRCIAL, MUSIC UP AND DOWN) DON : THE LUCKY STRIKE PROGRAM, STARRING JACK BENNY .WITH 'MARY LIVINGSTONE, PHIL HARRIS, ROCHESTER, DENNIS DAY, AND YOURS TRULY" DON WILSOiV .
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Lucille Ball and the Vaudeville Heritage of Early American Television Comedy
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: White, Rosie (2016) Funny peculiar: Lucille Ball and the vaudeville heritage of early American television comedy. Social Semiotics, 26 (3). pp. 298-310. ISSN 1035-0330 Published by: Taylor & Francis URL: http://dx.doi.org/10.1080/10350330.2015.1134826 <http://dx.doi.org/10.1080/10350330.2015.1134826> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/25818/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published
    [Show full text]
  • Myers, Allison.Pdf
    FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Bachelor of Arts in English with Distinction. Spring 2010 Copyright 2010 Allison Myers All Rights Reserved FROM ALEICHEM TO ALLEN: THE JEWISH COMEDIAN IN POPULAR CULTURE by Allison Myers Approved: ______________________________________________________________________________________ Elaine Safer, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: ______________________________________________________________________________________ Ben Yagoda, M.A. Committee member from the Department of English Approved: ______________________________________________________________________________________ John Montaño, Ph.D. Committee member from the Board of Senior Thesis Readers Approved: ______________________________________________________________________________________ Ismat Shah, Ph.D. Chair of the University Committee on Student and Faculty Honors ACKNOWLEDGMENTS I would like to express utmost gratitude to my thesis advisor, Elaine Safer, for all the guidance she has given and for all the jokes she has told me over the course of writing my thesis. I also extend my thanks to Ben Yagoda and John Montaño, my thesis committee, for guiding me in this process. It is because of University of Delaware’s incredible Undergraduate Research Program that I was able to pursue my interests and turn it into a body of work, so I owe the department, and specifically Meg Meiman, many thanks. Finally, I am grateful for every fellow researcher, family member and friend who has lent me a book, suggested a comedian, or just listened to me ramble on about the value of studying Jewish humor. iii TABLE OF CONTENTS Abstract .................................................................................................................................................................
    [Show full text]
  • Autograph Albums - ITEM 936
    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
    [Show full text]
  • Jack Benny Program 1951 Apr-Jun.Pdf
    111,' 4 07 0 16<)i"1A PROGRAN #30 REVISED SCRIPT ' LUCkY STRIKE ' TRE JACK BENNY PROCdiAM . SUNDAY, APRIL 1, 1951 CBS 4 :00-4 :30 PM (Transcribed, March 22,4 1951) prxoT oiea P1 s THE JACK BENNY PROGRAM SUNDAY, APRIL 1, 1951 (TRANSCRIBED MARCH 22, 1951) OPhNING COMMERCIAL . RIGGS : (CHANT -- 65 to 68 -- SOLD AMERICAN) SHARBUTT : THE JACK BENNY.PRCGRAM -- transcribed -- presented by LUCKY STRIICE! . CHORUS : Be Happy -- Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike today! (SHORT CLOSE) ORCH : (VAMP) GIRL: To pick a better cigarette You don't need sleight of hand, Try Luckies' better taste and then They'll be your favorite brand! (SAYS) Honestly -- Luckies taste better than anv other ciaarette! MAN : I roamed around the whole wide world From New York to Tibet, And I can tell you Lucky Strike's The finest cigarette! (SAYS) You'll discover -- Luckies taste better than any other cigarette! CHORUS : Be Happy -- Go Lucky Be Happy -- Go Lucky Strike Be Happy -- Go Lucky Go Lucky Strike today! (SHORT CLOSE) RT}l01 0180~ 17 THE JACK BENNY PROGRAM .,UNDAY, APRIL 1, 1951 (TRANSCRIBED MARCH 22, 1951) OPFR'IIJG CO~II''IE.RCL4L (CONT'D) Sf41RBUTT : Friends, millions of amokers agree -- Luckies taste better than any other civ,arettet And here's why . You see, fine tobacco and only fine tobacco always gives you that happy blending of' perfect mildness and rich, true tobacco taste, and -- LS/DIFT -- Lucky Strike means fine tobacco! Yes, Lucky Strike's fine tobacco giveJs you everything you want in a cigarette -- real mildness -- rich taste -- complete smoking enjoyment! So, if you're not happy with your present brand, and a recent 38-city survey shows that millions are not, switch to Lucky Strike .
    [Show full text]
  • Women's Leadership in Primetime Television an Introductory Study
    Women’s Leadership in Primetime Television An Introductory Study Natalie Greene Spring 2009 General University Honors Capstone Advisor: Karen O’Connor Greene 1 Women’s Leadership in Prime-time Television: An Introductory Study Introduction When television executives report their core audience, women always come out ahead. A 2007 Nielsen Media Research report showed that, with only two exceptions, every broadcast network channel had more female viewers than men. ABC’s female audience almost doubled its male audience during the 2007-08 season (Atkinson, 2008). 1 Women onscreen, however, seem to reflect a different reality, making up only 43% of characters in the prime-time 2007-08 season (Lauzen, 2008). 2 As studies going back as far as the 1970s show, women on screen not only fail to represent the proportional makeup of women in society, they also overwhelmingly show a stereotypically gendered version of women (McNeil, 1975; Signorielli and Bacue, 1999; United States Commission on Civil Rights, 1977). This paper aims to address the evolution of women’s leadership in prime-time network scripted television from 1950 to 2008. Because of the way that women have been traditionally marginalized in television, it is important to study the shows that have featured women as lead characters. Characters such as Lucy Ricardo ( I Love Lucy, 1951-1960) influenced later female leads such as Ann Marie ( That Girl, 1966-1971), Mary Richards ( The Mary Tyler Moore Show, 1970-1977) and Murphy Brown ( Murphy Brown, 1988-1998). Thus, along with an introduction to socialization theory and feminist television criticism, this paper covers a selection of some of the most influential female characters and women-centered shows of this period.
    [Show full text]
  • Druid Hillpark
    ON THE AIR THE EVENING STAR B-25 TODAY'S RADIO Washington. DC ** TELEVISION-RADIO THt'BSDAV. MARCH SI, 1A47 HIGHLIGHTS Television Today—Thursday, Mar. 21, 1957 Well, Ralph Asked TV-RADIO SERVICE 6:00, WDON, WASH-FM ln Springfield Area (Ch. (Ch. 7) (Ch. Fairfax—Falla >.M. WRC 4J~WTTGTCh. 5> WMAL WTOP 91 the Concert Hall: Mendels- 1 Church—Alexandria ;M Bmn In • Day Ufa Witt' Irlgtter Bay fiet Ytart'e's Ranch Special on Outside Antenna " ’ sohn. Symphony No. 4 In A: Eliiabata Edge at "Simitars How She Was... Installation :3C Malara Rammces The Uneipecte* ;Stoat Storm at Califaraia" Tchaikovsky, Francesca da 4:15 " " ” ” :4S I Ni|ht Kit Carsaa By BERME HARRISON Rimini: Schubert, Symphony! FRANCONIA ELECTRONICS - :M Ceme*y Tima The Milt Mickny Name Club Kiras 'a - *n*y TV No. 5 in B; Rimsky-Korsakov,: " " “ “ Reflections: " " Grant Stow the Russian Easter Overture. ” " Chances are one many :30 “Sasia" Mickay Mousi Clat My Little Maryie that of Dr. George Hays Gale's patients tult ¦ ‘'b " ” 5:15:4S * « ” " Gala Storm back home in Newport. Ohio, didn’t, altogether appreciate the 7:05, WTOP Amos ’n’ Andy Television's Number One Dramatic Hour ¦ ,T Music Hall: Andy and the :00 YhTßilly Baffin Bill. Jr Cite* Mi national publicity she received on This Is Your Life (WRC—4) "fh*~L*u*~Wilf ” “ " " " . Kingflsh find themselves, Johnson Shoe last night. 6:15:3C Bast: 4-Cast Tta Fan Heuta Town ana Country 4:38 Spotliitt Ralph Edwards identified this patient byway of introducing homeless when they’re sud- :4S Gibbons; Sam Billy loknsoa Time; Allen Oou|.
    [Show full text]
  • Otr the Jack Benny Radio Program Free Downloads Otr: the Jack Benny Radio Program Free Downloads
    otr the jack benny radio program free downloads Otr: the jack benny radio program free downloads. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 669a54f98a8884c8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Otr: the jack benny radio program free downloads. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store.
    [Show full text]