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An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Sherlock Holmes and the Nazis: Fifth Columnists and the People’S War in Anglo-American Cinema, 1942-1943
Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Smith, C Author post-print (accepted) deposited by Coventry University’s Repository Original citation & hyperlink: Smith, C 2018, 'Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943' Journal of British Cinema and Television, vol 15, no. 3, pp. 308-327. https://dx.doi.org/10.3366/jbctv.2018.0425 DOI 10.3366/jbctv.2018.0425 ISSN 1743-4521 ESSN 1755-1714 Publisher: Edinburgh University Press This is an Accepted Manuscript of an article published by Edinburgh University Press in Journal of British Cinema and Television. The Version of Record is available online at: http://www.euppublishing.com/doi/abs/10.3366/jbctv.2018.0425. Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the author’s post-print version, incorporating any revisions agreed during the peer-review process. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. Sherlock Holmes and the Nazis: Fifth Columnists and the People’s War in Anglo-American Cinema, 1942-1943 Christopher Smith This article has been accepted for publication in the Journal of British Film and Television, 15(3), 2018. -
DUFFY's TAVERN Irish Eyes
CD 6A: “Mrs. Nussbaum Asks John J. Anthony for Marital Advice” - 01/22/1947 Minerva Pious guest stars as Mrs. Nussbaum. She DUFFY’S TAVERN is hoping to get some marriage advice from another guest, John J. Anthony. Irish Eyes Artie Shaw CD 6B: “Archie Has Three Days to Live” - 02/09/1949 Program Guide by Elizabeth McLeod Our favorite bartender thinks he's on death’s door. Will he tell the gang at the Tavern? If you listen to a lot of radio comedy, you’ll soon develop an awareness of and (an appreciation for) dialect. Skill in the use of variant forms of English was an CD 7A: “Schoolmate Willie Gundig Visits” - 02/16/1949 essential tool in the radio performer’s kit -- and if you pick up any radio casting Archie goes all out to impress his old schoolmate Willie Gundig. directory of the 1930s or 1940s, you’ll find classified listings sorting out actors according to those dialects in which they were proficient. You’ll notice a great CD 7B: “Archie Throws a Block Party” - 03/30/1951 many of these performers listing “New York,” “Brooklyn,” or “Bronx” accents Can Archie afford to book Artie Shaw for his big block party? What are his among their accomplishments…but if you listen to a lot of radio, you’ll also soon alternatives if he can’t? notice that a lot of those accents weren’t very good. CD 8A: “Archie Writes an Opera for TV” - 11/16/1951 No, it took a real New Yorker to really sound like one on the air. -
Scuttlebutt from the Spermaceti Press 2014
Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of Dupage
ESSAI Volume 11 Article 12 Spring 2013 An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Brody (2013) "An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes," ESSAI: Vol. 11, Article 12. Available at: http://dc.cod.edu/essai/vol11/iss1/12 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Analysis of the Perennial Big-Screen Representations of An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes by Brody Challinor (English 1154) n the 1939 movie, The Adventures of Sherlock Holmes, Conan Doyle‘s famous detective [Basil Rathbone] finds himself up against his greatest nemesis, Professor Moriarty, [George Zucco] I whom he must fight on two different fronts; protecting a young lady and her brother from the deadly implications of a series of cryptic notes, while simultaneously protecting the Crown Jewels. This portrayal of the character was released to a backdrop of a world in tension, hitting theaters on the first official day of World War II, once Nazi Germany invaded Poland. In sharp contrast to its predecessor, however, the 1979 Murder by Decree pitted Holmes [Christopher Plummer] against what some might call the ‗phantom‘ menace of a fictionalized Jack the Ripper, following hot on the heels of both the Watergate scandal as well as the American feminist movement. -
A New Boat House ...And a New Arts Centre
2004 6/10/05 11:36 Page 1 Abingdon News Lent 2004 The Newsletter of Abingdon School No 3 A New Boat House ... Matthew Pinsent, the gold medal winning Olympic oarsman, opened Abingdon School’s new boathouse on the 22nd October. It was nearly twelve months to the day since the Friends of the Boat Club decided to raise the money for a boathouse worthy of a school that in 2002 had won the Triple – the Schools’ Head on the Tideway, the National Schools’ Regatta at Nottingham and the Matthew Pinsent at the Princess Elizabeth Cup at opening of the boathouse Henley. It was a chilly autumn evening but this didn’t deter nearly four hundred people from crowding into the riverside site to hear Matthew Pinsent encourage the rowers and talk about the importance of good facilities for success. ... and a New Arts Centre The Right Hon. Francis Maude (OA 1971), retiring Chairman of the Governors, opened the new Arts Centre on Open Day, the 11th October. A week later, with the paint scarcely dry and in some places not yet applied, the newly named Amey Theatre hosted its first event, a Gala Charity Concert in which musicians from the School joined those from the band of the Royal Logistic Corps. During the first week in December the theatre saw three performances on three consecutive nights of the senior play, The Nativity, followed on the fourth day by a matinee and evening performance of the Grand Opening Concert. Actors and audience alike appreciated the benefits of the extended stage, the new technical gallery, the enlarged foyer and the refurbished cloakrooms. -
(And Holmes Related) Films and Television Programs
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led stories or 4 novels) to many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 5-22-14 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
Jack Benny Program 1954 Jan-Mar.Pdf
PROGRAM #17 FGVISED SCRIPT THA AMERICAN TOBACCO COMPANY_ 7.UCISY °TRII{E THE JArK BENNY p RCGRAM OiRVDAY,,,,_SAMLARY~;,1954 ^B° 4 :0_0 ° &, .30 PM PS'P (TRAN50RIE1ED DEC-wMBF~'R 23, 1953) (=17 ' X 0 9 C71 84 5? 'PEsE AMG7iI0AN TO&1CC0 CObII'ANY "TI-IF JACg 3EP7NY _rAC_GRAM" #17 7 :00 - i :30 PM EST JANUARY 3 . 1994 SUMIAY WILSON : THE JAC={'3ENNY PRCGRA[4 . .Transcribed anrl presented by LL"CR~' SLRIISE! COLS.INS : Luckies taste better : CF_ORUS : Cleaner, Fresher, Smoocner! COLLINS : Luckies taste better! C YiORUS : Cieener, Fresher, Smootner! For Lucky Strike means fine tobacco Richer-tasting fine tobacco COLLINS : Luckies taste better! CHORUS : Cleaner, Fresher, Smootiner! Lucky Strike : Lucky Strike : WILSON : This ia Don Wilson. Friends, -.;nereos no doubt =_bout 1t . Smoking enjoytt;nt is all a matter of taste . And the fact of the matter is I l uckies taste better, Cleaner., Fresher, Smoother . Now, freshness is particularly important, for if a ci g arette isn't truly fresh, it oan ' t possibly give you the an j oviwnc it should . That ' s why every pack of Luckies is extra tightly sealed -- to bring you Luckies' better taste in all its netural frestmess . Yes, Luckies do taste better because -- f irst LS/P+ E T - Lucky 3trike meana iine tobacco . Then, too, Luckies taste better because they ' re made better, ., made round and firm and fully _.acked, to draw freely and smoke evenly . Mo,s_" I ) HT .'s6 0 1 CI 18457 4 . 4fENING COWk.RCL1L (CO :VTINIIED) tif1L50N : (GOSFPIM7ED) So, £rierAs, smoke the cigarette that has better teste ur"nen it ' s niade, and then brings you all that better tssce '_n a fresh cigarette . -
Forti Draws Ambivalent· Response in Progressions Series Performance
Page 6, Retriever, 29 September. 1975 ,Film The Hound of the Baskervilles, the 1939 character actors like John Carrdine, Baskervilles. definitive screen-' version of the Sherlock Lionel Atwill and Beryl Mercer in their One of the major reasons to go see-this Holmes mystery, is being re-released heyday. now, in re-release, is that a vintage Fox amid a great resurge of interest in For the devotees of Holmes films, Hound Movietone short is being shown with it. mysteries, as well as one of the most phony represents the first and finest of the Rath The short is a monologue given by Comin and pretentious promotional campaigns bone-Bruce series. Mter The Adventures Doyle, himself, in which he discusses the ever. of Sherlock Holmes (1938), the films were origins of Holmes and his (Doyle's) in· Accompanying the newspaper ads, is a taken from Fox to Universal studios and terest in spiritualism. This is a rare ex· blurb that states that Holmes is "the an inferior director (Roy William Neill). perience for any fan of Doyle. first hip cop," that the film "struggled out As the series ~ent through the early '40's , Those fans will undoubtedly approve of of Hollywood" and that it was "highly they became less adaptations of Conan this re-release while - others who are censored. " Doyle's work and more Hollywood egged-<>n by outlandish promotional First, not oply was Holmes not hip, but propaganda for the War effort. It is these material will be confused and extremely he was never a cop. Second, the "con later films that are dated by the passage of disappointed. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Lucille Ball and the Vaudeville Heritage of Early American Television Comedy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Citation: White, Rosie (2016) Funny peculiar: Lucille Ball and the vaudeville heritage of early American television comedy. Social Semiotics, 26 (3). pp. 298-310. ISSN 1035-0330 Published by: Taylor & Francis URL: http://dx.doi.org/10.1080/10350330.2015.1134826 <http://dx.doi.org/10.1080/10350330.2015.1134826> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/25818/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published