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Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well. -
At Home with the Movies
At Home with the Movies PAT COSTA THE BOBO (1967) Friday, May 26 (NBC) He plays a Russian-British Thursday, May 25 (CBS) double agent and Mia Farrow is The regular Friday night NBC the love interest, naturally. The As I A poorly-done comedy starring movie is. pre-empted this night best parts are taken by Tom Peter Sellers, this is about an ex- for Chronolog, the documentary Courtenay, Per Oscarsson and matador from Barcelona who de series that everyone says they Lionel Stander in supporting cides to become a singer and se watch when pollsters call to ask roles.- See It duce a high-class prostitute which programs are being played by Britt Ekland. viewed. It was rated A-3, unobjection able for adults, by the national Rossano Brazzi and Adolfo Catholic film office. Celi are lost in supproting roles. TOPAZ (1970) Those who watched the televi supporting awards for their The national Catholic film of Saturday, May 27 sion industry present itself a- work on "The Mary Tyler Moore fice rated this A-3, unobjection wards for 2'/s hours recently at A foreign-intrigue adventuite THE SINGING NUN (1966) Show", gave extended credit able "for adults. Monday, May 29 (NBC) the 24th annual Emmy show to the writers on that situation drama, this one uses the Cuban could have learned a lot about comedy, which is one of the best missile crisis as its launching A syrupy concoction starring this medium. written fun shows of ail time. Gabrielli pad, with John Forsyth the only Debbie Reynolds as a constantly jiame in the cast that hops from cheerful nun who manages a rec And probably the first lesson Lesson three could deal with Speaks in country to country in this politi ord contract in between serving was that TV knows no more another background job so cal cloak and dagger film. -
Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2017 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS Preface 1 Contributors 1 Theme Introduction 1 Theme: Residential Properties Associated with the Entertainment Industry 3 Sub-theme: Residential Properties Associated with Significant Persons in the Entertainment Industry, 1908-1980 13 Sub-theme: Entertainment Industry Housing and Neighborhoods, 1908-1980 30 Selected Bibliography 52 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to residential properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this context (or themes) as well as those identified through SurveyLA and other surveys. CONTRIBUTORS The Entertainment Industry context (and all related themes) was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy -
A Foreign Affair (1948)
Chapter 3 IN THE RUINS OF BERLIN: A FOREIGN AFFAIR (1948) “We wondered where we should go now that the war was over. None of us—I mean the émigrés—really knew where we stood. Should we go home? Where was home?” —Billy Wilder1 Sightseeing in Berlin Early into A Foreign Affair, the delegates of the US Congress in Berlin on a fact-fi nding mission are treated to a tour of the city by Colonel Plummer (Millard Mitchell). In an open sedan, the Colonel takes them by landmarks such as the Brandenburg Gate, the Reichstag, Pariser Platz, Unter den Lin- den, and the Tiergarten. While documentary footage of heavily damaged buildings rolls by in rear-projection, the Colonel explains to the visitors— and the viewers—what they are seeing, combining brief factual accounts with his own ironic commentary about the ruins. Thus, a pile of rubble is identifi ed as the Adlon Hotel, “just after the 8th Air Force checked in for the weekend, “ while the Reich’s Chancellery is labeled Hitler’s “duplex.” “As it turned out,” Plummer explains, “one part got to be a great big pad- ded cell, and the other a mortuary. Underneath it is a concrete basement. That’s where he married Eva Braun and that’s where they killed them- selves. A lot of people say it was the perfect honeymoon. And there’s the balcony where he promised that his Reich would last a thousand years— that’s the one that broke the bookies’ hearts.” On a narrative level, the sequence is marked by factual snippets infused with the snide remarks of victorious Army personnel, making the fi lm waver between an educational program, an overwrought history lesson, and a comedy of very dark humor. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
'Soldier's Bible'
www.flw-guidon.com INSIDE Volume 7, Number 34 Published in the interest of the personnel at Fort Leonard Wood, Missouri Thursday, August 25, 2005 IMA Northwest Region director visits installation Soldier’s Bible Use of DA symbol on military editions of Christian scriptures pos es possible First Amendment violation. See Page 7A Photo by Shatara Seymour Simulator test Left, Mike Keeling, DPW chief of operations, discusses the construction work taking place at Building 319 with Gen. Peter Schoomaker, Army chief of While here, Schoomaker spoke with Randall Robinson, IMA NW Region director, and Col. J.C. staff, operates the Six Degree of Fort Leonard Wood key leaders and pre Abney, Garrison Commander. Background, Sue Halter, Freedom Simulator at the Joint Tactical sented the Meritorious Service Medal deputy Garrison commander, joins the group. Vehicle Simulation Facility during his to Sgt. 1st Class Christopher Beat the Heat visit to Fort Leonard Wood, Friday. Trouszkowski, 701st Military Police Story and photo by Pat Shields The ASMC is a not-for-profit Schoomaker came to Fort Leonard Battalion, Protective Services Unit, for GUIDON staff organization for all personnel in Bruce C. Clarke Wood for a Maneuver Support distinguishing himself by outstanding volved in professions of financial Library’s summer read Center overview and to observe training non-combative service as a part Randall Robinson, Northwest management in the Department of ing program ends. at the Mounted Operations on Urban Schoomaker’s protective services team. Region Installation Management Defense. Terrain Site, JTVSF and to view a mine See next week’s GUIDON for the full Agency director, visited Fort Comptrollership includes ac See Page 1B dog search demonstration. -
Film Film Film Film
City of Darkness, City of Light is the first ever book-length study of the cinematic represen- tation of Paris in the films of the émigré film- PHILLIPS CITY OF LIGHT ALASTAIR CITY OF DARKNESS, makers, who found the capital a first refuge from FILM FILMFILM Hitler. In coming to Paris – a privileged site in terms of production, exhibition and the cine- CULTURE CULTURE matic imaginary of French film culture – these IN TRANSITION IN TRANSITION experienced film professionals also encounter- ed a darker side: hostility towards Germans, anti-Semitism and boycotts from French indus- try personnel, afraid of losing their jobs to for- eigners. The book juxtaposes the cinematic por- trayal of Paris in the films of Robert Siodmak, Billy Wilder, Fritz Lang, Anatole Litvak and others with wider social and cultural debates about the city in cinema. Alastair Phillips lectures in Film Stud- ies in the Department of Film, Theatre & Television at the University of Reading, UK. CITY OF Darkness CITY OF ISBN 90-5356-634-1 Light ÉMIGRÉ FILMMAKERS IN PARIS 1929-1939 9 789053 566343 ALASTAIR PHILLIPS Amsterdam University Press Amsterdam University Press WWW.AUP.NL City of Darkness, City of Light City of Darkness, City of Light Émigré Filmmakers in Paris 1929-1939 Alastair Phillips Amsterdam University Press For my mother and father, and in memory of my auntie and uncle Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 633 3 (hardback) isbn 90 5356 634 1 (paperback) nur 674 © Amsterdam University Press, Amsterdam, 2004 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Third Division World War II Vol One.Pdf
THIRD INFANTRY DIVISION THE VICTORY PATH THROUGH FRANCE AND GERMANY VOLUME ONE 'IVG. WILLIAM MOHR THE VICTORY PATH THROUGH FRANCE AND GERMANY THIRD INFANTRY DIVISION - WORLD WAR II VOLUME ONE A PICTORIAL ACCOUNT BY G. WILLIAM MOHR ABOUT THE COVER There is nothing in front of the Infantry in battle except the enemy. The Infantry leads the way to attack and bears the brunt of the enemy's attack. The primary purpose of the Infan try is to close with the enemy in hand-to-hand fighting. On the side of a house, tommy gunners of this Infantry patrol, 1st Special Service Froce Patrol, one of the many patrols that made possible the present offensive in Italy by feeling out the enemy and discovering his defensive strength, fire from the window of an adjoining building to blast Nazis out. The scene is 400 yards from the enemy lines in the Anzio area, Italy. Fifth Army, 14 April, 1944. The 3rd Infantry Division suffered 27,450 casualties and 4,922 were killed in action. 2 - Yellow Beach, Southern France, August, 1944 3 - Marseilles, France, August, 1944 4 - Montelimar, France, August, 1944 5 - Cavailair, France, August, 1944 6 - Avignon, France, August, 1944 7 - Lacroix, France, August, 1944 8 - Brignolles, France, August, 1944 9 -Aix-En-Provence, France, August, 1944 12 - St. Loup, France, August, 1944 13 - La Coucounde, France, August, 1944 14 - Les Loges Neut, France, August, 1944 15 - Besancon, France, September, 1944 18 - Loue River, Ornans, France, September, 1944 19 - Avonne, France, Septem&er, 1944 20 - Lons Le Sounier, France, September, 1944 21 - Les Belles-Baroques, France, September, 1944 22 - St. -
XXXI:4) Robert Montgomery, LADY in the LAKE (1947, 105 Min)
September 22, 2015 (XXXI:4) Robert Montgomery, LADY IN THE LAKE (1947, 105 min) (The version of this handout on the website has color images and hot urls.) Directed by Robert Montgomery Written by Steve Fisher (screenplay) based on the novel by Raymond Chandler Produced by George Haight Music by David Snell and Maurice Goldman (uncredited) Cinematography by Paul Vogel Film Editing by Gene Ruggiero Art Direction by E. Preston Ames and Cedric Gibbons Special Effects by A. Arnold Gillespie Robert Montgomery ... Phillip Marlowe Audrey Totter ... Adrienne Fromsett Lloyd Nolan ... Lt. DeGarmot Tom Tully ... Capt. Kane Leon Ames ... Derace Kingsby Jayne Meadows ... Mildred Havelend Pink Horse, 1947 Lady in the Lake, 1945 They Were Expendable, Dick Simmons ... Chris Lavery 1941 Here Comes Mr. Jordan, 1939 Fast and Loose, 1938 Three Morris Ankrum ... Eugene Grayson Loves Has Nancy, 1937 Ever Since Eve, 1937 Night Must Fall, Lila Leeds ... Receptionist 1936 Petticoat Fever, 1935 Biography of a Bachelor Girl, 1934 William Roberts ... Artist Riptide, 1933 Night Flight, 1932 Faithless, 1931 The Man in Kathleen Lockhart ... Mrs. Grayson Possession, 1931 Shipmates, 1930 War Nurse, 1930 Our Blushing Ellay Mort ... Chrystal Kingsby Brides, 1930 The Big House, 1929 Their Own Desire, 1929 Three Eddie Acuff ... Ed, the Coroner (uncredited) Live Ghosts, 1929 The Single Standard. Robert Montgomery (director, actor) (b. May 21, 1904 in Steve Fisher (writer, screenplay) (b. August 29, 1912 in Marine Fishkill Landing, New York—d. September 27, 1981, age 77, in City, Michigan—d. March 27, age 67, in Canoga Park, California) Washington Heights, New York) was nominated for two Academy wrote for 98 various stories for film and television including Awards, once in 1942 for Best Actor in a Leading Role for Here Fantasy Island (TV Series, 11 episodes from 1978 - 1981), 1978 Comes Mr. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Police Stage Large Dlrug Raid
PAGE TEN-B - MANCHESTER EVENING HERAU). Mam Ik-sUt . ( ■.iiii I' i i I VI- m mvi! Inside today Area MB Dear Abb>- 9R Buiinet. 2B Food IB SHOP YOUR MANCHESTER NEW CAR DEALERS Cliurrliei . 5A Obiluane. 6A Clav...... MB Opinion 4A COmirt 9B Sp«rt<i 54B In Weekend CB Convac. Oillecton' Comer, Forum ol the Art* and Televi- IPIRIESIIDtIIITi EIW TIIIDt^ iion Proftrami '7 ) C V . /■ V - 1 . Good Morning Havt A Good Day Police stage large dlrug raid Manchester Police made the three others were arrested on the policewomen in the restrooms of the served a search and seizure warrant and an on going investigation by the largest drug raid in its history Friday street, all for possession of drugs and establishment. Those who were about 7: 30 p.m., signed by Judge Police Department, Police Chief night at the Pinball Wizard, a popular some for disorderly conduct as of 10 arrested were loaded on a bus Nicholas Armanlano of the Common Robert Lannan. who was on the scene Outside today youth hang-out at 541 Main St., near p.m. About 15 more were waiting to waiting outside. Pleas C< lurt 12 Friday all night, said All key police per The establishment, which has been The rjiid was the result of many sonnel were involved in the raid, in Q ear nights and sunny days through the center. be searched. Complete body searches were a favorite hang-out of youths for on-going complaints in recent months eluding 10 detectives and about 10 FEBRUARY 11th thru FERRUARY 20th Sunday. -
The Per Niente Per Niente Club Septembre 1, Due Mila Cinque Volume 1, Issue IX Editor Joe Di Leo
The Per Niente Per Niente Club Septembre 1, due mila cinque Volume 1, Issue IX Editor Joe Di Leo Richard Conte (March 24, 1910 – April 15, 1975) Inside this issue: was an American actor who appeared in films such as I'll Cry Tomorrow and The Godfather. Bread and Onions 2/3 He was born Nicholas Conte in Jersey City, New Jersey, the son of a barber. Mrs Calabash 3 In 1935, Conte was spotted by Elia Kazan and John Garfield when he was working as an entertainer at a Connecticut resort, which led to Conte finding Roy Campanella 4/5 stage work. Conte eventually earned a scholarship to study at the Neighborhood Playhouse in New York, where he became a standout actor. The 5' 8" Maggiore’s Corner 6 Conte became a Broadway actor in the late 30s, starring in such plays as Night Music and Walk Into My Parlor. That lead to his first film performance in 1939, Heaven with a Barbed Wire Fence. Letter’s to the Editor 7 In 1942 he signed a long-term contract with 20th Century Fox. He then changed his The Journey Over 8/9 stage name to Richard. His first film at Fox was Guadalcanal Diary (1943). During the World War II years, Conte played mostly soldiers in war dramas, including A Walk in the Sun (1945). Spiegelman on Golf 10/11 During the World War II years Conte appeared in such Fox crime dramas as Cry of the Grandpa 12 City and Call Northside 777 (both from 1948). In the early 1950s, Conte, now not Pictures 13 working for Fox, began appearing in films for various studios.