UNCORK YOUR CORN What I Think of for the Kindly Wish
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
Not Your Mother's Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief Intro Music) Rachel: Hello, and Welcome T
Not Your Mother’s Library Transcript Episode 11: Mamma Mia! and More Musicals (Brief intro music) Rachel: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Rachel, and once again since Melody’s departure I am without a co-host. This is where you would stick a crying-face emoji. Luckily for everyone, though, today we have a brand new guest! This is most excellent, truly, because we are going to be talking about musicals, and I do not have any sort of expertise in that area. So, to balance the episode out with a more professional perspective, I would like to welcome to the podcast Oak Creek Library’s very own Technical Services Librarian! Would you like to introduce yourself? Joanne: Hello, everyone. I am a new guest! Hooray! (laughs) Rachel: Yeah! Joanne: So, I am the Technical Services Librarian here at the Oak Creek Library. My name is Joanne. I graduated from Carroll University with a degree in music, which was super helpful for libraries. Not so much. Rachel: (laughs) Joanne: And then went to UW-Milwaukee to get my masters in library science, and I’ve been working in public libraries ever since. I’ve always had a love of music since I've been in a child. My mom is actually a church organist, and so I think that’s where I get it from. Rachel: Wow, yeah. Joanne: I used to play piano—I did about 10 years and then quit. (laughs) So, I might be able to read some sheet music but probably not very well. -
Malpaso Dance Company Is Filled with Information and Ideas That Support the Performance and the Study Unit You Will Create with Your Teaching Artist
The Joyce Dance Education Program Resource and Reference Guide Photo by Laura Diffenderfer The Joyce’s School & Family Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; and made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Special support has been provided by Con Edison, The Walt Disney Company, A.L. and Jennie L. Luria Foundation, and May and Samuel Rudin Family Foundation, Inc. December 10, 2018 Dear Teachers, The resource and reference material in this guide for Malpaso Dance Company is filled with information and ideas that support the performance and the study unit you will create with your teaching artist. For this performance, Malpaso will present Ohad Naharin’s Tabla Rasa in its entirety. Tabula Rasa made its world premiere on the Pittsburgh Ballet Theatre on February 6, 1986. Thirty-two years after that first performance, on May 4, 2018, this seminal work premiered on Malpaso Dance Company in Cuba. Check out the link here for the mini-documentary on Ohad Naharin’s travels to Havana to work with Malpaso. This link can also be found in the Resources section of this study guide. A new work by company member Beatriz Garcia Diaz will also be on the program, set to music by the Italian composer Ezio Bosso. The title of this work is the Spanish word Ser, which translates to “being” in English. I love this quote by Kathleen Smith from NOW Magazine Toronto: "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style. -
Spring 2021 Mayberry Magazine
Spring 2021 MayberryMAGAZINE Mayberry Man Andy Griffith Show Movie nearing release A star comes to visit Andy Finds Himself Mayberry Trivia College opened new Test your knowledge world What’s Happening? Comprehensive calendar ISSUE 30 Table of Contents Cover Story — Finally here? Despite the COVID-19 pandemic, work on the much ballyhooed Mayberry Man movie has continued, working around delays, postponements, and schedule changes. Now, the movie is just a few months away from release to its supporters, and hopefully, a public debut not too long afterward. Page 8 Andy finds himself He certainly wasn’t the first student to attend the University of North Carolina, nor the last, but Andy Griffith found an outlet for his creative talents at the venerable state institution, finding himself, and his career path, at the school. Page 4 Guest stars galore Being a guest star on “The Andy Griffith Show” could be a launching pad for young actors, and even already established stars sometimes wanted the chance to work with the cast and crew there. But it was Jean Hagen, driving a fast car and doing some smooth talking, who was the first established star to grace the set. Page 6 What To Do, What To Do… The pandemic put a halt to many shows and events over the course of 2020, but there might very well be a few concerts, shows, and events stirring in Mount Airy — the real-life Mayberry — this spring and summer. Page 10 SPRING 2021 SPRING So, You Think You Know • The Andy Griffith Show? Well, let’s see just how deep your knowledge runs. -
Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2017 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS Preface 1 Contributors 1 Theme Introduction 1 Theme: Residential Properties Associated with the Entertainment Industry 3 Sub-theme: Residential Properties Associated with Significant Persons in the Entertainment Industry, 1908-1980 13 Sub-theme: Entertainment Industry Housing and Neighborhoods, 1908-1980 30 Selected Bibliography 52 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to residential properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this context (or themes) as well as those identified through SurveyLA and other surveys. CONTRIBUTORS The Entertainment Industry context (and all related themes) was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy -
Citizen Kane
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Introduction
NOTES INTRODUCTION 1. Nathanael West, The Day of the Locust (New York: Bantam, 1959), 131. 2. West, Locust, 130. 3. For recent scholarship on fandom, see Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York: Routledge, 1992); John Fiske, Understanding Popular Culture (New York: Routledge, 1995); Jackie Stacey, Star Gazing (New York: Routledge, 1994); Janice Radway, Reading the Romance (Chapel Hill: University of North Carolina, 1991); Joshua Gam- son, Claims to Fame: Celebrity in Contemporary America (Berkeley: Univer- sity of California Press, 1994); Georganne Scheiner, “The Deanna Durbin Devotees,” in Generations of Youth, ed. Joe Austin and Michael Nevin Willard (New York: New York University Press, 1998); Lisa Lewis, ed. The Adoring Audience: Fan Culture and Popular Media (New York: Routledge, 1993); Cheryl Harris and Alison Alexander, eds., Theorizing Fandom: Fans, Subculture, Identity (Creekskill, N.J.: Hampton Press, 1998). 4. According to historian Daniel Boorstin, we demand the mass media’s simulated realities because they fulfill our insatiable desire for glamour and excitement. To cultural commentator Richard Schickel, they create an “illusion of intimacy,” a sense of security and connection in a society of strangers. Ian Mitroff and Warren Bennis have gone as far as to claim that Americans are living in a self-induced state of unreality. “We are now so close to creating electronic images of any existing or imaginary person, place, or thing . so that a viewer cannot tell whether ...theimagesare real or not,” they wrote in 1989. At the root of this passion for images, they claim, is a desire for stability and control: “If men cannot control the realities with which they are faced, then they will invent unrealities over which they can maintain control.” In other words, according to these authors, we seek and create aural and visual illusions—television, movies, recorded music, computers—because they compensate for the inadequacies of contemporary society. -
Audiogram Stu's News
2019 FEB 24310 Moulton Pkwy., Ste. D 949-484-4310 Audiogram Laguna Woods, CA 92637 FREE BATTERIES Stu’s News 949-484-4310 Get a package of batteries www.advancedearcare.com when you schedule an FUNNY BONE appointment for: “A cheerful heart is good medicine ...” • Updated hearing screening A funny thing happened on the way to better hearing... • Lifestyle assesment Stuart Spencer, My patient, Brian, had resisted BC-HIS • Measurement of how well upgrading his hearing aids until Board Certified your hearing aids are his youngest son, Paul, secretly Hearing Instrument functioning recorded him during the family’s Sciences © AUDIOGENIC, INC. – ALL RIGHTS RESERVED Thanksgiving get-together. After Brian saw the replay of Paul’s phone video, he conceded to giving Now ‘Ear This from the Expert NAME THAT STAR the family his Christmas present of Answers on pg. 3 new hearing aids. Here are some other examples: IT’S “SQUEEZY” TO SEE IF YOUR With the Oscar statuette due to make its next Son, Greg (realtor): “I had just HEARING AID IS WORKING! appearance on February 24th at the 91st Academy closed the sale on that horse Awards Ceremony, this seems like a good time property I’ve been working on since Are My Hearing Aids Really Helping? Sometimes it’s hard to hearing aid that is not. Then to remember some of our past favorites from the July, when the next-door rancher be sure if a hearing aid is squeeze it. If the “dead” Last month we addressed the commonly Patients sometimes tell me they don’t Silver Screen. -
Dead Zone Back to the Beach I Scored! the 250 Greatest
Volume 10, Number 4 Original Music Soundtracks for Movies and Television FAN MADE MONSTER! Elfman Goes Wonky Exclusive interview on Charlie and Corpse Bride, too! Dead Zone Klimek and Heil meet Romero Back to the Beach John Williams’ Jaws at 30 I Scored! Confessions of a fi rst-time fi lm composer The 250 Greatest AFI’s Film Score Nominees New Feature: Composer’s Corner PLUS: Dozens of CD & DVD Reviews $7.95 U.S. • $8.95 Canada �������������������������������������������� ����������������������� ���������������������� contents ���������������������� �������� ����� ��������� �������� ������ ���� ���������������������������� ������������������������� ��������������� �������������������������������������������������� ����� ��� ��������� ����������� ���� ������������ ������������������������������������������������� ����������������������������������������������� ��������������������� �������������������� ���������������������������������������������� ����������� ����������� ���������� �������� ������������������������������� ���������������������������������� ������������������������������������������ ������������������������������������� ����� ������������������������������������������ ��������������������������������������� ������������������������������� �������������������������� ���������� ���������������������������� ��������������������������������� �������������� ��������������������������������������������� ������������������������� �������������������������������������������� ������������������������������ �������������������������� -
"When Hollywood Went to WAR
P ROGRAM SOURCE INTERNATIONAL "When Hollywood Went to WAR When Hollywood Went to War is the real life story of nearly 90 celebrities who served in the United State Military during World War II. In our research, we collected hundreds of photographs, films and several interviews of men and women from the entertainment world. These 1940’s celebrities, young and some older, took time out in their successful careers to protect and preserve our freedom. This presentation will explain where they went to serve and what battlefields and/or naval battles they experienced. The most challenging facet of the project was finding photographs of these celebrities in uniform and in various theaters of the war. Most of the men served in the Army Air Corp. The Navy was the second most chosen service. As part of our research we found out what aircraft they were flying and if they were in the Navy, the ships they were on. Kirk Douglas was on a Sub-Chaser. Jimmy Stewart piloted the B-24 Liberator. Jonathan Winters was an Anti-aircraft gunner on the U.S.S. Wisconsin in the Battle of Okinawa. Henry Fonda served on a destroyer, the U.S.S. Satterlee. Mickey Rooney served in the Army under General Patton and earned a Bronze Star. Tyrone Power was a Marine Corp pilot flying missions at the Battles of Iwo Jima and Okinawa. Audie Murphy, the most decorated American soldier. Art Carney and Charles Durning were both wounded during the D-Day landing at Normandy, you will see that landing. Bea Arthur was a U.S. -
Ott Gangl Kenley Players Collection Special Collections – Akron Summit County Public Library
Ott Gangl Kenley Players Collection Special Collections – Akron Summit County Public Library ACCESSION #: 2008-44 ACQUISITION: This collection was donated by Ott Gangl in the spring of 2008. ACCESS: Restricted access; materials fragile: access by request at Main Library Special Collections only; material does not circulate. NO COPIES CAN BE MADE WITHOUT PERMSISSION FROM THE PHOTOGRAPHER (SEE JJ). VOLUME: 13 Boxes, 6 LF BIOGRAPHICAL NOTE: Ottmar Gangl was the publicity photographer for the Kenley Players Summer Theatre from approximately 1978-1986. RELATED COLLECTIONS: Ott Gangl Ohio Ballet Collection and the Ott Gangl Collection. SCOPE AND CONTENT: The photographs in the collection were taken at the first dress rehearsal of each performance. These images were then also used for advance publicity for shows in other U. S. cities. This collection consists approximately of 15,500 negatives with corresponding contact sheets (430), and photographs, including over 500 8x10 photographs pertaining to the Kenley Players, 1978-1986. This is a separate collection from the other collections of Ott Gangl’s that the library holds. ARRANGEMENT: This collection is arranged chronologically and also follows Ott Gangl’s personal indexing order. INVENTORY: SERIES 1: Contact Sheets Boxes 1-3 Descriptive Note: Contact sheets were originally stored in Kodak film boxes with corresponding negative sleeves in chronological order according to an indexing system created by Mr. Gangl. Contact sheets are in black and white, except where noted. See also SERIES 2: Negative Sheets; the indexing corresponds to contact sheet numbering. Negative sheets are available for all contact sheets listed below, except where noted. See also SERIES 3: Photographs for further production details.