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Citizen Kane
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
The Image of Police Officer As Emerging from Road Movies and Road Lingo
ZESZYTY NAUKOWE UNIWERSYTETU RZESZOWSKIEGO SERIA FILOLOGICZNA ZESZYT 51/2008 STUDIA ANGLICA RESOVIENSIA 5 Grzegorz A. KLEPARSKI, Magorzata MARTYNUSKA THE IMAGE OF POLICE OFFICER AS EMERGING FROM ROAD MOVIES AND ROAD LINGO Road movies: The roots of the genre American society holds many things to be dear – indeed one might say that, becoming to such a heterogenous notion these notions are equally varied. However, one might define a number of values which are commonly held to be of great importance to America as a whole, such as mobility, independence, fairness, individualism, freedom, determination and courage. These values are best encapsulated in the film genre known as ‘road movies’, through which Hollywood has sought to celebrate the very nature of Americanness. The purpose set to the pages that follow is to outline the concept of freedom as the guiding force of the characters in the road movies and – in particular – the role and the concept of POLICE OFFICER who either turns out to be a constraint on freedom or – on rare occasions – its facilitator. The second part of the paper concerns the trucker language, and – more specifically – the picture of the POLICE OFFICER in the language of CB radio. In particular, we shall analyse the linguistic mechanisms involved in shaping the concept discussed; that is the working of the devices of zoosemy and metonymy. From the very outset, it can be observed that right from the very origins of settlement in the New World, the first Americans were always connected – in some way – with the road and the concept of travelling.1 The early settlers were pioneers wandering westwards; crossing wide stretches of land, constantly on the move in search of a place to live. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
UNCORK YOUR CORN What I Think of for the Kindly Wish
Pa|e Two Chicago Sunday Tribune Looking at Hollywood Newfoundland's New Airport with Ed Sullivan A Big Help The Revolt to Ocean GANDAR LAKE o f Ann Flying BYy WAYNE THOMIS Sothern kNE OF THE least known airports in the world— By ED SULLIVAN o the Newfoundland flying Hollywood. field, situated in the midst of \S A RESULT of her fine job 500 square miles of virgin tim- in " Trade Winds/' which berland on the bleak little tri- she followed up with angle of rocks and scrub brush "Maisie," youthful and attrac- in the mouth of the bay of the tive Ann Sothern is the talk of St. Lawrence river—is destined the town. She should be the soon to become one of the ALTITUDE OF 540 FEET KEEPS RUNWAYS CONTAIN PAVING EQUAL talk of the town, because she world's most important aviation FIELD CLEAR OF FOG gambled $50,000 and a year of terminals. TO 100 MILES OF 20 FT. HIGHWAY her movie career on the propo- The field that has just been s i t i o n that Hollywood was completed after nearly three wrong and she was right. She years of heroic work by a crew Newfoundland's new airport as seen from the air. came close to starving, but she of more than 1,000 men, is to be won, and that, as the rabbit the jump-off point for most of or roughly 2,100 miles to C said, is a tale of importance. the east-bound trans-Atlantic don, the big international a Miss Sothern is a rarity in this airliners and the initial port of port of entry outside Londo town because she refuses to be arrival for most of the ocean air England. -
Audiogram Stu's News
2019 FEB 24310 Moulton Pkwy., Ste. D 949-484-4310 Audiogram Laguna Woods, CA 92637 FREE BATTERIES Stu’s News 949-484-4310 Get a package of batteries www.advancedearcare.com when you schedule an FUNNY BONE appointment for: “A cheerful heart is good medicine ...” • Updated hearing screening A funny thing happened on the way to better hearing... • Lifestyle assesment Stuart Spencer, My patient, Brian, had resisted BC-HIS • Measurement of how well upgrading his hearing aids until Board Certified your hearing aids are his youngest son, Paul, secretly Hearing Instrument functioning recorded him during the family’s Sciences © AUDIOGENIC, INC. – ALL RIGHTS RESERVED Thanksgiving get-together. After Brian saw the replay of Paul’s phone video, he conceded to giving Now ‘Ear This from the Expert NAME THAT STAR the family his Christmas present of Answers on pg. 3 new hearing aids. Here are some other examples: IT’S “SQUEEZY” TO SEE IF YOUR With the Oscar statuette due to make its next Son, Greg (realtor): “I had just HEARING AID IS WORKING! appearance on February 24th at the 91st Academy closed the sale on that horse Awards Ceremony, this seems like a good time property I’ve been working on since Are My Hearing Aids Really Helping? Sometimes it’s hard to hearing aid that is not. Then to remember some of our past favorites from the July, when the next-door rancher be sure if a hearing aid is squeeze it. If the “dead” Last month we addressed the commonly Patients sometimes tell me they don’t Silver Screen. -
Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters. -
"When Hollywood Went to WAR
P ROGRAM SOURCE INTERNATIONAL "When Hollywood Went to WAR When Hollywood Went to War is the real life story of nearly 90 celebrities who served in the United State Military during World War II. In our research, we collected hundreds of photographs, films and several interviews of men and women from the entertainment world. These 1940’s celebrities, young and some older, took time out in their successful careers to protect and preserve our freedom. This presentation will explain where they went to serve and what battlefields and/or naval battles they experienced. The most challenging facet of the project was finding photographs of these celebrities in uniform and in various theaters of the war. Most of the men served in the Army Air Corp. The Navy was the second most chosen service. As part of our research we found out what aircraft they were flying and if they were in the Navy, the ships they were on. Kirk Douglas was on a Sub-Chaser. Jimmy Stewart piloted the B-24 Liberator. Jonathan Winters was an Anti-aircraft gunner on the U.S.S. Wisconsin in the Battle of Okinawa. Henry Fonda served on a destroyer, the U.S.S. Satterlee. Mickey Rooney served in the Army under General Patton and earned a Bronze Star. Tyrone Power was a Marine Corp pilot flying missions at the Battles of Iwo Jima and Okinawa. Audie Murphy, the most decorated American soldier. Art Carney and Charles Durning were both wounded during the D-Day landing at Normandy, you will see that landing. Bea Arthur was a U.S. -
Ott Gangl Kenley Players Collection Special Collections – Akron Summit County Public Library
Ott Gangl Kenley Players Collection Special Collections – Akron Summit County Public Library ACCESSION #: 2008-44 ACQUISITION: This collection was donated by Ott Gangl in the spring of 2008. ACCESS: Restricted access; materials fragile: access by request at Main Library Special Collections only; material does not circulate. NO COPIES CAN BE MADE WITHOUT PERMSISSION FROM THE PHOTOGRAPHER (SEE JJ). VOLUME: 13 Boxes, 6 LF BIOGRAPHICAL NOTE: Ottmar Gangl was the publicity photographer for the Kenley Players Summer Theatre from approximately 1978-1986. RELATED COLLECTIONS: Ott Gangl Ohio Ballet Collection and the Ott Gangl Collection. SCOPE AND CONTENT: The photographs in the collection were taken at the first dress rehearsal of each performance. These images were then also used for advance publicity for shows in other U. S. cities. This collection consists approximately of 15,500 negatives with corresponding contact sheets (430), and photographs, including over 500 8x10 photographs pertaining to the Kenley Players, 1978-1986. This is a separate collection from the other collections of Ott Gangl’s that the library holds. ARRANGEMENT: This collection is arranged chronologically and also follows Ott Gangl’s personal indexing order. INVENTORY: SERIES 1: Contact Sheets Boxes 1-3 Descriptive Note: Contact sheets were originally stored in Kodak film boxes with corresponding negative sleeves in chronological order according to an indexing system created by Mr. Gangl. Contact sheets are in black and white, except where noted. See also SERIES 2: Negative Sheets; the indexing corresponds to contact sheet numbering. Negative sheets are available for all contact sheets listed below, except where noted. See also SERIES 3: Photographs for further production details. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B.