DOCSLIB.ORG

Bibliographie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bibliographie Bibliographie Nonnos vonPanopolis – Editionen, Übersetzungen und Kommentare Die Bibliographie bietet ein Verzeichnis der Editionender Dionysiaka und der Paraphrase des Johannes-Evangeliums, der verwendeten Primärliteratur weiterer Autoren sowieder in der Arbeit zitiertenSekundärliteratur. Die Abkürzungender Zeitschriftentitel folgender Année Philologique,die Siglen der Autoren dem Wörter- buch vonLiddell – Scott – Jones und dem patristischen Lexikon vonLampe. Dionysiaka Accorinti (2004): Nonno di Panopoli. Le Dionisiache,vol. IV: canti XL–XLVIII,testo greco afronte, introduzione, traduzione ecommentoacuradiDomenicoAccorinti, Milano(BUR Classici Greci eLatini). Agosti (2004): Nonno di Panopoli. Le Dionisiache,vol.III: canti XXV–XXXIX,testo greco afronte, introduzione, traduzione ecommentoacuradiGianfrancoAgosti, Milano (BUR ClassiciGrecie Latini). Boitet de Frauville (1625): LesDionysiaques ou les voyages, les amours et les conquestes de Bacchus aux Indes, traduites du grecdeNonnus Panopolitain par Claude Boitet de Frauville, Paris. Chrétien (1985): Nonnos de Panopolis. LesDionysiaques,tomeIV: chants IX–X,texte établi et traduit par GisèlleChrétien, Paris(Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Chuvin (1976): Nonnos de Panopolis. LesDionysiaques,tomeII: chants III–V,texte établi et traduit par PierreChuvin, Paris(Collection des Universités de France, publiée sous le patronage de l’Association Guillaume Budé). Chuvin (1992): Nonnos de Panopolis. LesDionysiaques,tomeIII: chants VI–VIII,texte établi et traduit par PierreChuvin, Paris (Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Chuvin u. Fayant (2006): Nonnos de Panopolis. LesDionysiaques,tomeXV: chants XLI–XLIII,texte établi et traduit par PierreChuvin et Marie-Christine Fayant, Paris (Collection des Universités de France, publiée sous le patronage de l’Association Guillaume Budé). Cunaeus u. a. (1610): Petri Cunaei Animadversionum liber in Nonni Dionysiaca […], Danielis Heinsii Dissertatio de Nonni Dionysiacis et eiusdem Paraphrasi, Iosephi Scaligeri Coniectanea, ad editionem Plantini et Wecheli,Lugduni Batavorum. Cunaeus u. a. (1610a): Νόννου Πανοπολίτου Διονυσιακά.Nonni Panopolitae Dionysiaca, Petri Cunaei Animadversionum liber,Danielis Heinsii Dissertatio de Nonni Dionysiacis et eiusdem Paraphrasi, Iosephi Scaligeri Coniectanea, cum vulgata versione et Gerarti Falkenburgi lectionibus,Hanoviae. Del Corno u. a. (1997): Nonno di Panopoli. Le Dionisiache I(canti 1–12),acuradiDario Del Corno, traduzione di Maria Maletta, note di FrancescoTissoni, Milano (Biblioteca Adelphi 349). Del Corno u. a. (1999): Nonno di Panopoli. Le Dionisiache II (canti 13–24),acura di Dario Del Corno, traduzione di Maria Maletta, note di FrancescoTissoni, Milano (Biblioteca Adelphi 371). Nonnos vonPanopolis – Editionen, Übersetzungen undKommentare 265 Del Corno u. a. (2005): Nonno di Panopoli. Le Dionisiache III (canti 25–36),acura di Dario Del Corno, traduzione di Maria Maletta, note di FrancescoTissoni, Milano (Biblioteca Adelphi 470). Ebener (1985): Nonnos. WerkeinzweiBänden,aus dem Griechischen übertragen und herausgegeben vonDietrich Ebener,2Bde., Berlin u. Weimar (Bibliothek der Antike, Griechische Reihe). Falkenburg(1569): Νόννου Πανοπολίτου Διονυσιακά.Nonni Panopolitae Dionysiaca,nuncprimumin lucem edita, ex bibliothecaJoannisSambuciPannonij, cumlectionibusetconjecturis Gerarti Falkenburgii Noviomagi et indicecopioso, Antverpiae. Fayant (2000): Nonnos de Panopolis. LesDionysiaques,tomeXVII: chant XLVII,texte établi et traduit par Marie-Christine Fayant, Paris(Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Frangoulis (1999): Nonnos de Panopolis. LesDionysiaques,tomeXIII: chantXXXVII,texte établi et traduit par Hélène Frangoulis, Paris (Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Frangoulis (2006): Nonnos de Panopolis. LesDionysiaques,tomeXII: chants XXXV–XXXVI,texte établi, traduit et commentépar Hélène Frangoulis, avec la collaboration de BernardGerlaud, Paris (Collection des Universités de France, publiée sous le patronage de l’Association Guillaume Budé). Gerbeau u. Vian (1992): Nonnos de Panopolis. LesDionysiaques,tomeVII: chants XVIII et XIX,texte établi et traduit par Joëlle Gerbeau, avec le concoursdeFrancis Vian, Paris (Collection des Universités de France, publiée sous le patronagedel’Association GuillaumeBudé). Gerlaud (1994): Nonnos de Panopolis. LesDionysiaques,tomeVI: chants XIV–XVII,texteétabliet traduit par BernardGerlaud, Paris (Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Gerlaud (2005): Nonnos de Panopolis. LesDionysiaques,tomeXI: chants XXXIII–XXXIV,texte établi et traduit par BernardGerlaud, Paris (Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Gigli Piccardi (2003): Nonno di Panopoli. Le Dionisiache,vol. I: canti I–XII,testogreco afronte, introduzione, traduzione ecommentoacuradiDaria Gigli Piccardi, Milano (BUR Classici Greci eLatini). Gonnelli (2003): Nonno di Panopoli. Le Dionisiache,vol.II: canti XIII–XXIV,testo grecoafronte, introduzione, traduzione ecommentoacuradiFabrizio Gonnelli, Milano (BUR ClassiciGreci e Latini). Graefe (1813): Christian Friedrich Graefe, Νόννου τοῦ Πανοπολίτου τὰ κατὰὝμνον καὶ Νίκαιαν.Des Nonnos Hymnos und Nikaea,Sankt Petersburg. Graefe (1819/1826): Νόννου Πανοπολίτου Διονυσιακῶνβιβλίαμη.Nonni Panopolitae Dionysiacorum libri XLVIII,suis et aliorumconiecturis emendavit et illustravit Fridericus Graefe,vol.I:libros I– XXIV complectens,Lipsiae1819; vol. II: libros XXV–XLVIII complectens,Lipsiae 1826. Hernández de la Fuente (2001): Nono de Panópolis. Dionisíacas,cantos XIII–XXIV,introducción, traducción ynotas David Hernández de la Fuente, Madrid (Bibliotecaclásica Gredos 286). Hernández de la Fuente (2004): Nono de Panópolis. Dionisíacas,cantos XXV–XXXVI,introducción, traducción ynotas David Hernández de la Fuente, Madrid (Bibliotecaclásica Gredos 319). Hernández de la Fuente (2008a): Nono de Panópolis. Dionisíacas, cantos XXXVII–XLVIII, introducción, traducción ynotasDavid Hernández de la Fuente, Madrid (Biblioteca clásica Gredos 370). Hopkinson (1994b): Greek Poetry of the Imperial Period. An Anthology,Selected and Edited by Neil Hopkinson, Cambridge(CambridgeGreek and Latin Classics, Imperial Library). Hopkinson u. Vian (1994): Nonnos de Panopolis. LesDionysiaques,tomeVIII: chants XX–XXIV,texte établi et annotépar Neil Hopkinson, traduit par Francis Vian, Paris(Collection des Universités de France, publiée sous le patronage de l’Association Guillaume Budé). 266 Editionen, Übersetzungen undKommentareantiker Autoren Keydell(1959): Nonni Panopolitani Dionysiaca,recognovit Rudolfus Keydell, vol. prius libros I–XXIV continens, vol. alterum libros XXV–XLVIII continens, Berolini. Koechly (1857/1858): Nonni Panopolitani Dionysiacorumlibri XLVIII,recensuit et praefatus est Arminius Koechly,accedit index nominumaF. Spirone confectus,vol.I:Lipsiae 1857; vol. II: Lipsiae 1858 (Corpus PoetarumEpicorumGraecorum 16 und17). Lectius (1606): Οἱ τῆς ἡρωικῆςποιήσεως παλαιοὶ ποιηταὶ πάντες.Poetae Graeci veterescarminis heroici scriptores, qui extantomnes,apposita est eregione Latinainterpretatio,notae item variae lectiones margini adscriptae, cura et recensione Iacobi Lectii, accessitetindex rerum et verborum locupletissimum, AureliaeAllobrogum. Lubin (1605): Νόννου Πανοπολίτου Διονυσιακά.Nonni Panopolitae Dionysiaca,nuncdenuo in lucem editaetLatine reddita per Eilhardum Lubinum, ex bibliothecaJoannisSambuciPannonij, cum lectionibusetconiecturisGerartiFalkenburgii Noviomagi et indicecopioso, Hanoviae. Ludwich (1909/1911): Nonni Panopolitani Dionysiaca,recensuit Arthurus Ludwich, vol. prius libros I–XXIV continens: Leipzig1909; vol. alterum libros XXV–XLVIII continens: Leipzig 1911. Manterola u. Pinkler (1995): Nono de Panópolis. Dionisíacas, cantos I–XII,introducción,traducción ynotasSergioDaniel ManterolayLeandro Manuel Pinkler,Madrid (Biblioteca clásicaGredos 208). Marcellus (1856): Nonnos. LesDionysiaques ou Bacchus, poëme en XLVIII chants,grec et français, précédé d’uneintroduction,suivi de notes literaires,géographiques et mythologiques, d’un tableau raisonné des corrections et des tables et index complets, rétabli, traduit et commenté par le ComtedeMarcellus, Paris. Moser (1809): Nonni Dionysiacorumlibri sex, ab octavo ad decimum tertium, resBacchicas ante expeditionemIndicam complectentes,emendavit, omniumNonni librorumargumenta et notas mythologicas adjecit Georgius Henricus Moser,praefatusest Fridericus Creuzer,Heidelbergae. Rouse (1940): Nonnos. Dionysiaca, with an English Translation by William H. D. Rouse, Mythological Introductionand Notes by H. J. Rose, NotesonText Criticism by L. R. Lind, 3Bde., Cambridge (Ma.) u. London (Loeb Classical Library 344/354/356). Simon (1999): Nonnos de Panopolis. LesDionysiaques,tomeXIV: chants XXXVIII–XL,texte établi et traduit par BernadetteSimon, Paris(Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Simon (2004): Nonnos de Panopolis. LesDionysiaques,tomeXVI: chants XLIV–XLVI,texte établi et traduit par BernadetteSimon, Paris(Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Tissoni (1998): FrancescoTissoni, Nonno di Panopoli. Icanti di Penteo (Dionisiache 44–46), commento,Firenze (Pubblicazioni della Facoltà di lettere
Load more

Recommended publications
  • Późnoantyczny Epos Miniaturowy Grecki I Łaciński: Badania Porównawcze I Genologiczne
    UNIWERSYTET JAGIELLOŃSKI W KRAKOWIE WYDZIAŁ FILOLOGICZNY Natalia Cichoń Późnoantyczny epos miniaturowy grecki i łaciński: badania porównawcze i genologiczne Rozprawa doktorska napisana pod kierunkiem dr hab. Anny Marii Wasyl Kraków 2019 Składam serdecznie podziękowania mojej promotor, dr hab. Annie Marii Wasyl, która wzbudziła we mnie zainteresowanie epyllionem i epoką późnego antyku, nieustannie inspirowała mnie do pracy i poszerzania wiedzy oraz zawsze służyła nieocenioną pomocą. 2 SPIS TREŚCI Wstęp ……………………………………………………...……………….…….. 4 Rozdział 1. Kontekst literacko-kulturowy późnoantycznej epiki miniaturowej .... 11 1.1. Felix Carthago: twórczość literacka w Afryce Północnej na prze- łomie V i VI wieku n.e. ....…………...…………………………….. 17 1.2. Poeci wędrowni – grecki świat literacki między IV a VI wiekiem n.e. 41 Rozdział 2. Epos miniaturowy – historia i charakterystyka …………………….. 59 2.1. Problemy genologii antycznej …………………….……………… 61 2.2. Historia badań nad epyllionem …………………….…………….. 76 2.3. Epyllion epok wcześniejszych …………..………………….……. 95 Rozdział 3. Epos miniaturowy w późnym antyku ……..…………………...…... 109 3.1. Kompozycja utworu i techniki narracyjne ………………………. 110 3.2. Analiza proemium: zestawienie i interpretacja wypowiedzi poety- narratora na temat źródeł inspiracji poetyckiej …………….…….. 137 3.3. Narrazione commentata: obecność i rola narratora ………...……. 168 3.4. Intergatunkowość w obrębie struktury epyllionu ………………... 206 3.5. Oryginalność i reinterpretacja mitu ……………………………... 272 3.6. Bohaterowie w epyllionie ……………………...…………………
    [Show full text]
  • Caieta's Undying Fame
    Caieta’s Undying Fame : Aeneid 7.1-7 Autor(en): Skempis, Marios Objekttyp: Article Zeitschrift: Museum Helveticum : schweizerische Zeitschrift für klassische Altertumswissenschaft = Revue suisse pour l'étude de l'antiquité classique = Rivista svizzera di filologia classica Band (Jahr): 67 (2010) Heft 2 PDF erstellt am: 05.10.2021 Persistenter Link: http://doi.org/10.5169/seals-109709 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Caieta’s Undying Fame: Aeneid 7.1–7 By Marios Skempis, Erfurt Abstract: This paper discusses the Hellenistic background of Virgil’s epic by pointing out an unnoticed point of intersection between Callimachus’ Hecale and the Aeneid.
    [Show full text]
  • What the Poet Saw: Ovid, the Error and the Theme of Sight in Tristia 2
    Accademia Editorale What the Poet Saw: Ovid, the Error and the Theme of Sight in Tristia 2 Author(s): Jennifer Ingleheart Reviewed work(s): Source: Materiali e discussioni per l'analisi dei testi classici, No. 56 (2006), pp. 63-86 Published by: Fabrizio Serra editore Stable URL: http://www.jstor.org/stable/40236287 . Accessed: 25/07/2012 10:01 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Fabrizio Serra editore and Accademia Editorale are collaborating with JSTOR to digitize, preserve and extend access to Materiali e discussioni per l'analisi dei testi classici. http://www.jstor.org Jennifer Ingleheart What The Poet Saw: Ovid, the error and the thème of sight in Tristiaz1 famously attributeshis relegation of ad 8 to two distinct causes: a poem and a mysterious mistake, which he must not discuss for fear that talking about it might compound the of- fence alreadycaused by his misdeeds to Augustus, the agent of his banishment: perdiderintcum me duo elimina, Carmenet error, alterius facti culpa silenda mihi:2 nam non sum tanti, renouem ut tua uulnera, Caesar, quem nimio plus est indoluisse semel. itera pars superest, qua, turpi carminé facto,3 1 Audiences at the Classical Association Annual Conference in Warwick in 2003, and Durham, Exeter, Manchester, Oxford and ucl between January 2003 and Febru- ary 2005, hâve helped to improve this paper.
    [Show full text]
  • Myrtia, Nº 26 (2011) Jennifer Ingleheart, a Commentary on Ovid
    366 Reseñas Myrtia, nº 26 (2011) Jennifer Ingleheart, A Commentary on Ovid, Tristia, Book 2, Oxford 2010, 448 pages. Jennifer Ingleheart states in the preface that this book began life as a D. Phil. thesis at Oxford. She thanks her supervisors, Stephen Heyworth and Adrian Hollis, for their generosity and kindness. Dr Ingleheart has written an introduction, in which she explains the literary background to Ovid’s Tristia. She also adds a note on the manuscript tradition of the text: cf. page 28. The Latin text is then printed together with an English translation. I would now like to make the following observations on the text of the poem. On page 74 I. mentions Teuthras. Propertius refers to Teuthras at 1,11,11. I have recently argued that we should print the variant reading Titanis instead of the reading Teuthrantis in this passage. For the variant Titanis cf. Burman’s note ad loc. For Titanis = Circe cf. Ovid, Met. 14,14. Cf. moreover, my Studies in the Text of Propertius (Athens 2002), page 22. Burman used manuscripts in order to correct the text of Propertius: cf. my Studies, page 16 (note 3). On page 89 I. notes that Ovid “plays on the etymology of Augustus’ name.” Propertius was also interested in etymologies: cf. my Studies, page 78. At 2,34,53 Propertius mentions Stygias ... erumnas (“Stygian cares”, i.e. death). The variant reading erumnas was preserved for us by Burman. On page 199 I. discusses the words novissima .../ ...terra. It is possible that novissima means “most strange”. Cf. Lewis-Short, s.v.
    [Show full text]
  • Propertius As Cantor Euphorionis in 2.1.12
    Digital Kenyon: Research, Scholarship, and Creative Exchange Faculty Publications Classics 4-2016 Propertius as Cantor Euphorionis in 2.1.12 Clifford Weber Kenyon College, [email protected] Follow this and additional works at: https://digital.kenyon.edu/classics_pubs Part of the Classical Literature and Philology Commons Recommended Citation Clifford Weber, "Propertius as Cantor Euphorionis in 2.1.12," Classical Philology 111, no. 2 (April 2016): 177-184. This Article is brought to you for free and open access by the Classics at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. NOTES AND DISCUSSIONS PROPERTIUS AS CANTOR EUPHORIONIS IN 2.1.12 L’importance de la culture du poète est si grande que son art allusif à la fois embrasse d’innombrables connaissances littéraires et en même temps les réduit à des formes d’al- lusion parfois très indirectes: ainsi apparaît l’esprit d’un art qui cherche à dire beaucoup avec peu de mots, à suggérer plus qu’à développer et à insérer un maximum d’images dans un minimum de distiques. —Jean-Paul Boucher, Études sur Properce1 sive illam Cois fulgentem incedere cerno, totum de Coa veste volumen erit; seu vidi ad frontem sparsos errare capillos, gaudet laudatis ire superba comis; sive lyrae carmen digitis percussit eburnis miramur faciles ut premat arte manus; seu cum poscentis somnum declinat ocellos, invenio causas mille poeta novas; seu nuda erepto mecum luctatur amictu, tum vero longas condimus Iliadas; seu quicquid fecit, sive est quodcumque locuta, maxima de nihilo nascitur historia.
    [Show full text]
  • Hesperos-Studies-In-Ancient-Greek-Poetry-Presented
    HESPEROS Hesperos Studies in Ancient Greek Poetry Presented to M. L. West on his Seventieth Birthday Edited by P. J. FINGLASS C. COLLARD N. J. RICHARDSON 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Oxford University Press 2007 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2007 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any
    [Show full text]
  • The Record 2015/16
    The Record 2015/16 The Record 2015/16 contents 5 Letter from the Warden 6 The Fellowship 9 Fellowship Elections and Appointments 9 JCR and MCR Elections 10 Undergraduate Scholarships 12 Matriculation 16 College Awards and Prizes 18 Academic Distinctions 20 Higher Degrees 21 Fellows’ Publications 28 Sports and Games 34 Clubs and Societies 35 The Chapel 36 Parishes Update 37 Bursar’s Update 37 Gifts to the Library and Archive 38 Fellows’ Obituaries 42 Old Members’ Obituaries 56 News of Old Members letter from the warden When future historians review the past year I have no doubt that they will focus on the College’s success in launching the project to create the H B Allen Centre on the old Acland site. That is a transformative development which has been well reported in other publications. Nevertheless, immensely important though it is to Keble’s future, we are determined that the long term programme to refurbish our Victorian buildings should also continue to be a priority. With that thought in mind I want to take this opportunity to thank our long-serving conservation adviser, the architect David Yandell, who has retired from his role during the year. David’s contribution to raising the College’s awareness of its built heritage and the effectiveness of our custodianship cannot be overstated. Turning to the Fellowship I report the departure of five people. Professor Jonathan Hodgkin FRS retired from his post as Professor of Genetics in the Department of Biochemistry and hence as a Professorial Fellow of the College. Professor Brian Smith, a Fellow and Tutor in Physics departed to take up a post at the University of Oregon.
    [Show full text]
  • Alcestis Barcelońska Oraz Centon Alcesta. Późnoantyczne Spojrzenie
    ALCESTIS BARCELOŃSKA ORAZ CENTON ALCESTA Tu poterìs posthac alieno uiuere fato Anna Maria Wasyl ALCESTIS BARCELOŃSKA ORAZ CENTON ALCESTA PÓŹNOANTYCZNE SPOJRZENIE NA MIT I GATUNEK WYDAWNICTWO UNIWERSYTETU JAGIELLOŃSKIEGO Recenzent Prof. dr hab. Jerzy Styka Projekt okładki Magdalena Warzecha Na okładce: malowidło z Pompejów z tzw. Domu Poety Tragicznego, Museo Archeologico Nazionale di Napoli, nr. inw. 9026, fot. anonim/Wikimedia Publikacja dofi nansowana przez Uniwersytet Jagielloński ze środków Instytutu Filologii Klasycznej i Wydziału Filologicznego © Copyright by Anna Maria Wasyl & Wydawnictwo Uniwersytetu Jagiellońskiego Wydanie I, Kraków 2018 All rights reserved Niniejszy utwór ani żaden jego fragment nie może być reprodukowany, przetwarzany i roz- powszechniany w jakikolwiek sposób za pomocą urządzeń elektronicznych, mechanicznych, kopiujących, nagrywających i innych oraz nie może być przechowywany w żadnym systemie informatycznym bez uprzedniej pisemnej zgody Wydawcy. ISBN 978-83-233-4385-1 ISBN 978-83-233-9767-0 (e-book) www.wuj.pl Wydawnictwo Uniwersytetu Jagiellońskiego Redakcja: ul. Michałowskiego 9/2, 31-126 Kraków tel. 12-663-23-80, tel./fax 12-663-23-83 Dystrybucja: tel. 12-631-01-97, tel./fax 12-631-01-98 tel. kom. 506-006-674, e-mail: [email protected] Konto: PEKAO SA, nr 80 1240 4722 1111 0000 4856 3325 Spis treści Contents ..................................................................................................................... 7 Wprowadzenie ..........................................................................................................
    [Show full text]
  • Robin George Murdoch Nisbet 1925–2013
    ROBIN NISBET Robin George Murdoch Nisbet 1925–2013 ROBIN NISBET (known professionally as R. G. M. Nisbet), who was born in Glasgow on 21 May 1925, was one of the most distinguished and influential Latin scholars of his time. He studied at the University of Glasgow before going to Balliol College, Oxford, in 1947, for a second BA. On graduation in 1951, he moved at once as a Junior Research Fellow to Corpus Christi College (CCC), Oxford, where he became a Tutorial Fellow in 1952, and then moved across to the Corpus Christi Chair of Latin in 1970. He retired in 1992 and was (unusually) elected to an Honorary Fellowship at Corpus; other distinctions included an Honorary Fellowship at Balliol (1989), a Fellowship of the British Academy (1967) and its Kenyon Medal (1997). Nisbet himself composed an autobiographical memoir, a paper deliv- ered to the Oxford Philological Society at Corpus on 20 May 2005, the day before his eightieth birthday, entitled ‘A Retrospect’ (cited hereafter as AR). Its terse and witty texture, elegantly written with significant and often ironic asides on various issues, gives a good impression of its author’s style of public discourse.1 Its account of his family background is worth quotation: I had the good fortune to be born into a classical family, where in 1936 the death of Housman was mentioned at the breakfast-table, the first time I heard the name. My father, Robert Nisbet,2 was a lecturer in Glasgow University in the 1 The full text of the unpublished paper can be found in the Nisbet papers, Archives, Corpus Christi College, Oxford.
    [Show full text]
  • CULTURE in PIECES This Page Intentionally Left Blank Culture in Pieces
    CULTURE IN PIECES This page intentionally left blank Culture in Pieces Essays on Ancient Texts in Honour of Peter Parsons Edited by DIRK OBBINK and RICHARD RUTHERFORD 1 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Oxford University Press 2011 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Library of Congress Control Number: 2011923760 Typeset by RefineCatch Limited, Bungay, Suffolk Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–929201–1 13579108642 “ κομψ χαρ ει τ ανρ” α λλλοι μοθυμαδν “καγχ νου” ψιθυρ ζομεν.
    [Show full text]
  • Brill's Companion to Callimachus
    Brill’s Companion to Callimachus Brill’s Companion to Callimachus Edited by Benjamin Acosta-Hughes Luigi Lehnus Susan Stephens LEIDEN • BOSTON 2011 Cover illustration: Black granite statue of a Ptolemaic queen (59.1 inches high). 3rd century BC. Discovered at Canopus. Image reproduced courtesy of the HILTI Foundation. Photograph by Christoph Gerigk. This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Brill’s companion to Callimachus / edited by Benjamin Acosta-Hughes, Luigi Lehnus, Susan Stephens. p. cm. Includes bibliographical references and index. ISBN 978-90-04-15673-9 (hardback : alk. paper) 1. Callimachus—Criticism and interpretation. 2. Greek poetry, Hellenistic—Egypt—Alexandria—History and criticism. I. Acosta-Hughes, Benjamin, 1960– II. Lehnus, Luigi. III. Stephens, Susan A. IV. Title: Companion to Callimachus. PA3945.Z5B75 2011 881’.01—dc22 2011011254 The titles published in this series are listed at brill.nl/bccs. ISSN 1872-3357 ISBN 9789004156739 Copyright 2011 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Global Oriental, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change.
    [Show full text]
  • Ovid's Commentary on Augustan Marriage Legislation in the Ars Amatoria and the Metamorphoses Tara N
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 Politicizing Apollo: Ovid's Commentary on Augustan Marriage Legislation in the Ars Amatoria and the Metamorphoses Tara N. Godzich Scripps College Recommended Citation Godzich, Tara N., "Politicizing Apollo: Ovid's Commentary on Augustan Marriage Legislation in the Ars Amatoria and the Metamorphoses" (2014). Scripps Senior Theses. Paper 466. http://scholarship.claremont.edu/scripps_theses/466 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. POLITICIZING APOLLO: OVID’S COMMENTARY ON AUGUSTAN MARRIAGE LEGISLATION IN THE ARS AMATORIA AND THE METAMORPHOSES by TARA N. GODZICH SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR FINKELPEARL PROFESSOR CHINN APRIL 25, 2014 ABSTRACT: Augustan propaganda surrounding Apollo provided the perfect literary device through which Augustan poets could express their sentiments about the new regime. Augustus transformed Apollo from a relatively insignificant god in the Roman pantheon to his own multi- faceted god whose various attributes were meant to legitimize his new position within the Roman Empire. In this thesis I discuss how Ovid uses Augustus’ political affiliation with Apollo to comment on Augustan marriage legislation in two of his texts. In Ovid’s manual on seduction, the Ars Amatoria, he denies poetic inspiration from Apollo at the beginning of his work, preferring instead to draw from his own experiences.
    [Show full text]