Robin George Murdoch Nisbet 1925–2013
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Późnoantyczny Epos Miniaturowy Grecki I Łaciński: Badania Porównawcze I Genologiczne
UNIWERSYTET JAGIELLOŃSKI W KRAKOWIE WYDZIAŁ FILOLOGICZNY Natalia Cichoń Późnoantyczny epos miniaturowy grecki i łaciński: badania porównawcze i genologiczne Rozprawa doktorska napisana pod kierunkiem dr hab. Anny Marii Wasyl Kraków 2019 Składam serdecznie podziękowania mojej promotor, dr hab. Annie Marii Wasyl, która wzbudziła we mnie zainteresowanie epyllionem i epoką późnego antyku, nieustannie inspirowała mnie do pracy i poszerzania wiedzy oraz zawsze służyła nieocenioną pomocą. 2 SPIS TREŚCI Wstęp ……………………………………………………...……………….…….. 4 Rozdział 1. Kontekst literacko-kulturowy późnoantycznej epiki miniaturowej .... 11 1.1. Felix Carthago: twórczość literacka w Afryce Północnej na prze- łomie V i VI wieku n.e. ....…………...…………………………….. 17 1.2. Poeci wędrowni – grecki świat literacki między IV a VI wiekiem n.e. 41 Rozdział 2. Epos miniaturowy – historia i charakterystyka …………………….. 59 2.1. Problemy genologii antycznej …………………….……………… 61 2.2. Historia badań nad epyllionem …………………….…………….. 76 2.3. Epyllion epok wcześniejszych …………..………………….……. 95 Rozdział 3. Epos miniaturowy w późnym antyku ……..…………………...…... 109 3.1. Kompozycja utworu i techniki narracyjne ………………………. 110 3.2. Analiza proemium: zestawienie i interpretacja wypowiedzi poety- narratora na temat źródeł inspiracji poetyckiej …………….…….. 137 3.3. Narrazione commentata: obecność i rola narratora ………...……. 168 3.4. Intergatunkowość w obrębie struktury epyllionu ………………... 206 3.5. Oryginalność i reinterpretacja mitu ……………………………... 272 3.6. Bohaterowie w epyllionie ……………………...………………… -
Caieta's Undying Fame
Caieta’s Undying Fame : Aeneid 7.1-7 Autor(en): Skempis, Marios Objekttyp: Article Zeitschrift: Museum Helveticum : schweizerische Zeitschrift für klassische Altertumswissenschaft = Revue suisse pour l'étude de l'antiquité classique = Rivista svizzera di filologia classica Band (Jahr): 67 (2010) Heft 2 PDF erstellt am: 05.10.2021 Persistenter Link: http://doi.org/10.5169/seals-109709 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Caieta’s Undying Fame: Aeneid 7.1–7 By Marios Skempis, Erfurt Abstract: This paper discusses the Hellenistic background of Virgil’s epic by pointing out an unnoticed point of intersection between Callimachus’ Hecale and the Aeneid. -
The Politics of the Classical: Language and Authority in the Nineteenth Century
ISSN: 2632-4091 History of Classical Scholarship 20 July 2021 Issue 3 (2021): 267–294 THE POLITICS OF THE CLASSICAL: LANGUAGE AND AUTHORITY IN THE NINETEENTH CENTURY — CHRISTOPHER STRAY — ABSTRACT This paper offers a historical sociology of Classics, defined as the product of a form of social action that resists change and relativity by stressing timeless exemplary models of culture. In the nineteenth century, the enduring authority of Classics was eroded by nationalism, vernaculars and historicism. The operation of these cultural formations is analysed in relation to class and gender. The internal fissure between Latin and Greek within Classics is also explored. The emergence of disciplinary Classics is traced through a discussion of institutions and the veneration of academic heroes. KEYWORDS institutions, historicism, gender, cultural transfer, politics, language, authority, classicising or several centuries, the languages and civilisations of classical antiquity occupied an exemplary status in European culture and F society. This paper looks at the maintenance of and challenges to this status, and the ways in which its demise led to new forms of knowledge and to new kinds of intellectual authority. It is intended as an exercise in historical sociology.1 Classics has been with us for so long as a field of study that we may assume that we know what it is. It may be useful, therefore, to de- familiarise it, to ‘make it strange’.2 One way to do this is to find out just 1 This paper is based on a lecture given at a Genealogies of Knowledge conference at the University of Manchester in September 2019. -
Kenneth Dover and the Greeks Stephen Halliwell
Kenneth Dover and the Greeks Stephen Halliwell [The following is the text, as delivered, of the memorial lecture 'Kenneth Dover and the Greeks' given under the auspices of the Hellenic Society on April 4th 2011 in the Chancellor's Hall, Senate House, London, and attended by members of Sir Kenneth's family, by former colleagues, students, and friends, and by a wider audience. SH] It's a privilege but also rather daunting to have the opportunity to present this lecture. I find it hard to believe that it is only a few months short of thirty-five years since I made my way across Oxford one day in 1976 to the President's lodgings of Corpus Christi College to meet Kenneth Dover for the first time. He had returned to Oxford that summer to become a Head of house at the very time when I was about to embark on a D.Phil. thesis on Aristophanes; it was my exceptional good fortune that he had been assigned to me as my supervisor. I was already aware of his work as perhaps the greatest Aristophanic scholar in the world and one of the world's great Hellenists tout court. I also knew that I could never hope to satisfy his own exacting standards. So it was with a mixture of excitement and some trepidation that I approached that first meeting. Given that I was young, headstrong, and somewhat addicted to disagreeing with people whose knowledge and expertise were far superior to mine (and only my age has changed in the meantime), the relationship could have proved disastrous. -
Aristophanes in Performance 421 BC–AD 2007
an offprint from Aristophanes in Performance 421 BC–AD 2007 Peace, Birds and Frogs ❖ EDITED BY EDITH HALL AND AMANDA WRIGLEY Modern Humanities Research Association and Maney Publishing Legenda: Oxford, 2007 C H A P T E R 16 ❖ A Poet without ‘Gravity’: Aristophanes on the Italian Stage Francesca Schironi Since the beginning of the twentieth century, Aristophanes has enjoyed a certain public profile: I have counted at least seventy-four official productions that have taken place in Italy since 1911. The most popular play by far seems to be Birds, which has taken the stage in sixteen different productions. Clouds is also reasonably popular, having been staged in twelve different productions. There have also been some interesting rewritings and pastiches of more than one play. But particularly striking is the relative infrequency with which Frogs — in my view one of Aristophanes’ most engaging comedies — has been produced: it has only seen public performance twice, in 1976 and in 2002.1 Indeed, it is one of those two productions of Frogs that attracted my attention: the most recent one, directed by Luca Ronconi at Syracuse in May 2002. As most people know by now, this performance excited many discussions, in Italy,2 as well as abroad,3 because of widespread suspicion that it had incurred censorship at the hands of Berlusconi’s government. I would like to reconsider this episode, not only because it is both striking and ambiguous, but above all because on closer inspection it seems to me a particularly good illustration of how theatre, and in particular ancient Greek and Roman theatre, ‘works’ in Italy. -
What the Poet Saw: Ovid, the Error and the Theme of Sight in Tristia 2
Accademia Editorale What the Poet Saw: Ovid, the Error and the Theme of Sight in Tristia 2 Author(s): Jennifer Ingleheart Reviewed work(s): Source: Materiali e discussioni per l'analisi dei testi classici, No. 56 (2006), pp. 63-86 Published by: Fabrizio Serra editore Stable URL: http://www.jstor.org/stable/40236287 . Accessed: 25/07/2012 10:01 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Fabrizio Serra editore and Accademia Editorale are collaborating with JSTOR to digitize, preserve and extend access to Materiali e discussioni per l'analisi dei testi classici. http://www.jstor.org Jennifer Ingleheart What The Poet Saw: Ovid, the error and the thème of sight in Tristiaz1 famously attributeshis relegation of ad 8 to two distinct causes: a poem and a mysterious mistake, which he must not discuss for fear that talking about it might compound the of- fence alreadycaused by his misdeeds to Augustus, the agent of his banishment: perdiderintcum me duo elimina, Carmenet error, alterius facti culpa silenda mihi:2 nam non sum tanti, renouem ut tua uulnera, Caesar, quem nimio plus est indoluisse semel. itera pars superest, qua, turpi carminé facto,3 1 Audiences at the Classical Association Annual Conference in Warwick in 2003, and Durham, Exeter, Manchester, Oxford and ucl between January 2003 and Febru- ary 2005, hâve helped to improve this paper. -
Myrtia, Nº 26 (2011) Jennifer Ingleheart, a Commentary on Ovid
366 Reseñas Myrtia, nº 26 (2011) Jennifer Ingleheart, A Commentary on Ovid, Tristia, Book 2, Oxford 2010, 448 pages. Jennifer Ingleheart states in the preface that this book began life as a D. Phil. thesis at Oxford. She thanks her supervisors, Stephen Heyworth and Adrian Hollis, for their generosity and kindness. Dr Ingleheart has written an introduction, in which she explains the literary background to Ovid’s Tristia. She also adds a note on the manuscript tradition of the text: cf. page 28. The Latin text is then printed together with an English translation. I would now like to make the following observations on the text of the poem. On page 74 I. mentions Teuthras. Propertius refers to Teuthras at 1,11,11. I have recently argued that we should print the variant reading Titanis instead of the reading Teuthrantis in this passage. For the variant Titanis cf. Burman’s note ad loc. For Titanis = Circe cf. Ovid, Met. 14,14. Cf. moreover, my Studies in the Text of Propertius (Athens 2002), page 22. Burman used manuscripts in order to correct the text of Propertius: cf. my Studies, page 16 (note 3). On page 89 I. notes that Ovid “plays on the etymology of Augustus’ name.” Propertius was also interested in etymologies: cf. my Studies, page 78. At 2,34,53 Propertius mentions Stygias ... erumnas (“Stygian cares”, i.e. death). The variant reading erumnas was preserved for us by Burman. On page 199 I. discusses the words novissima .../ ...terra. It is possible that novissima means “most strange”. Cf. Lewis-Short, s.v. -
Propertius As Cantor Euphorionis in 2.1.12
Digital Kenyon: Research, Scholarship, and Creative Exchange Faculty Publications Classics 4-2016 Propertius as Cantor Euphorionis in 2.1.12 Clifford Weber Kenyon College, [email protected] Follow this and additional works at: https://digital.kenyon.edu/classics_pubs Part of the Classical Literature and Philology Commons Recommended Citation Clifford Weber, "Propertius as Cantor Euphorionis in 2.1.12," Classical Philology 111, no. 2 (April 2016): 177-184. This Article is brought to you for free and open access by the Classics at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. NOTES AND DISCUSSIONS PROPERTIUS AS CANTOR EUPHORIONIS IN 2.1.12 L’importance de la culture du poète est si grande que son art allusif à la fois embrasse d’innombrables connaissances littéraires et en même temps les réduit à des formes d’al- lusion parfois très indirectes: ainsi apparaît l’esprit d’un art qui cherche à dire beaucoup avec peu de mots, à suggérer plus qu’à développer et à insérer un maximum d’images dans un minimum de distiques. —Jean-Paul Boucher, Études sur Properce1 sive illam Cois fulgentem incedere cerno, totum de Coa veste volumen erit; seu vidi ad frontem sparsos errare capillos, gaudet laudatis ire superba comis; sive lyrae carmen digitis percussit eburnis miramur faciles ut premat arte manus; seu cum poscentis somnum declinat ocellos, invenio causas mille poeta novas; seu nuda erepto mecum luctatur amictu, tum vero longas condimus Iliadas; seu quicquid fecit, sive est quodcumque locuta, maxima de nihilo nascitur historia. -
Corpus Christi College the Pelican Record
CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LIII December 2017 CORPUS CHRISTI COLLEGE THE PELICAN RECORD Vol. LIII December 2017 i The Pelican Record Editor: Mark Whittow Acting Editor: Neil McLynn Assistant Editors: Sara Watson, David Wilson Design and Printing: Mayfield Press Published by Corpus Christi College, Oxford 2017 Website: http://www.ccc.ox.ac.uk Email: [email protected] Front cover: Detail from the Oglethorpe Bible, bequeathed to Corpus Christi by James Oglethorpe (d. 1785), founder of the American colony of Georgia. Back cover: Corpus Christi College from an original oil painting by Ceri Allen, featured in the 2017 edition of the Oxford Almanack. ii The Pelican Record CONTENTS President’s Report .................................................................................. 3 Dr. Mark Whittow – A Tribute Neil McLynn ............................................................................................. 7 Rededication of the College Chapel Judith Maltby ............................................................................................ 14 Foundation Dinner 2017 Keith Thomas ............................................................................................ 18 Creating the Corpus Christi Quincentenary Salt Angela Cork .............................................................................................. 26 A Year of Celebration: Corpus Turns 500 Sarah Salter ............................................................................................... 29 Review: As You Like It -
Kenneth James Dover 1920–2010
KENNETH DOVER Kenneth James Dover 1920–2010 I: 1920–55 KENNETH DOVER was a towering figure in twentieth-century Greek scholar- ship and on the British academic scene: head of an Oxford college, Chancellor of the University of St Andrews, President of the British Academy. He was knighted for services to scholarship in 1977, and had many honorary degrees conferred upon him. His scrupulous and untiring scholarship, like everything else he did, was governed by one commanding passion: the love of truth and rational argument. Something like this might of course be said of any good scholar, but with Dover it means something special. His commitment to truth and his confidence in reason were both exceptionally strong and exceptionally public. This was the foundation on which his enduring achievement rests. It also occasionally led him into misunderstandings and controversy, most notably in the reac- tions to his remarkable autobiography, Marginal Comment. This was a work of his seventies, and will be considered in its place. For the moment, it is enough to say that it is an essential source. What follows could not have been written without it. Kenneth James Dover was born on 11 March 1920, the only child of Percy Henry James Dover and Dorothy Healey. His father was a minor civil servant, his mother (to whom Kenneth always had a very great devo- tion) the daughter of two schoolteachers. They lived at Putney, in south- west London, and Kenneth’s education began at a private day-school in Biographical Memoirs of Fellows of the British Academy, XI, 153–175. -
Annual Report 63 for 2015-16 [PDF]
UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF CLASSICAL STUDIES Annual Report 63 1 August 2015 – 31 July 2016 SENATE HOUSE MALET STREET LONDON WC1E 7HU 1 STAFF DIRECTOR and EDITOR OF PUBLICATIONS Professor Greg Woolf, PhD, FSA Scot, FSA READER IN DIGITAL CLASSICS Gabriel Bodard, PhD (from 28 September 2015) SENIOR RESEARCH FELLOW Olga Krzyszkowska, PhD, FSA LEVERHULME EARLY CAREER FELLOW Hannah Cornwell, DPhil (from 1 January 2016) INSTITUTE MANAGER Valerie James, MA, MLitt PUBLICATIONS AND WEB MANAGER Elizabeth Potter, PhD (from 1 September 2016) EDITORIAL ASSISTANT Sarah Mayhew Hinder, MA (until 13 April 2016) LIBRARIAN Colin Annis, MA, MCLIP DEPUTY LIBRARIAN Paul Jackson, MA, MCLIP SENIOR LIBRARY ASSISTANT Susan Willetts, MSc, MA, MCLIP LIBRARY ASSISTANTS Christopher Ashill, MA, MLib, MCLIP Flor Herrero Valdes, BA WINNINGTON INGRAM TRAINEE Louise Wallace, BA 2 ADVISORY COUNCIL 2015-16 Chairman: Dr Andrew Burnett, CBE, FSA, FBA Ex officio Members: The Dean of the School of Advanced Study (Professor Roger Kain, FBA) The Pro-Dean Languages, Literature and Cultures (Professor Linda Newson, OBE, FBA) The Director (Professor Greg Woolf) Representatives of the Hellenic and Roman Societies Professor Robert Fowler, FBA (The Hellenic Society) Professor Catharine Edwards (The Roman Society) Representatives from University of London departments, UK Universities and the British Museum Professor Richard Alston (RHUL) Professor Barbara Borg (Exeter) Professor Catharine Edwards (Birkbeck) Ms J Lesley Fitton (British Museum) Dr Kate Gilliver -
Bibliographie
Bibliographie Nonnos vonPanopolis – Editionen, Übersetzungen und Kommentare Die Bibliographie bietet ein Verzeichnis der Editionender Dionysiaka und der Paraphrase des Johannes-Evangeliums, der verwendeten Primärliteratur weiterer Autoren sowieder in der Arbeit zitiertenSekundärliteratur. Die Abkürzungender Zeitschriftentitel folgender Année Philologique,die Siglen der Autoren dem Wörter- buch vonLiddell – Scott – Jones und dem patristischen Lexikon vonLampe. Dionysiaka Accorinti (2004): Nonno di Panopoli. Le Dionisiache,vol. IV: canti XL–XLVIII,testo greco afronte, introduzione, traduzione ecommentoacuradiDomenicoAccorinti, Milano(BUR Classici Greci eLatini). Agosti (2004): Nonno di Panopoli. Le Dionisiache,vol.III: canti XXV–XXXIX,testo greco afronte, introduzione, traduzione ecommentoacuradiGianfrancoAgosti, Milano (BUR ClassiciGrecie Latini). Boitet de Frauville (1625): LesDionysiaques ou les voyages, les amours et les conquestes de Bacchus aux Indes, traduites du grecdeNonnus Panopolitain par Claude Boitet de Frauville, Paris. Chrétien (1985): Nonnos de Panopolis. LesDionysiaques,tomeIV: chants IX–X,texte établi et traduit par GisèlleChrétien, Paris(Collection des Universités de France, publiée sous le patronagedel’Association Guillaume Budé). Chuvin (1976): Nonnos de Panopolis. LesDionysiaques,tomeII: chants III–V,texte établi et traduit par PierreChuvin, Paris(Collection des Universités de France, publiée sous le patronage de l’Association Guillaume Budé). Chuvin (1992): Nonnos de Panopolis. LesDionysiaques,tomeIII: chants VI–VIII,texte