Favela in Replica: Iterations and Itineraries of a Miniature City
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Vik Muniz N./B. 1961, São Paulo, Brazil Vive E Trabalha/Lives and Works in Rio De Janeiro and New York
vik muniz n./b. 1961, são paulo, brazil vive e trabalha/lives and works in rio de janeiro and new york formação / education B.A. in Advertising from Fundação Armando Álvares Penteado (FAAP), São Paulo, Brazil exposições (seleção) / exhibitions (selection) individuais em negrito / solo exhibitions in bold 2018 Vik Muniz, Chrysler Museum of Art, Norfolk, USA Vik Muniz: Verso, Belvedere Museum Vienna, Vienna, Austria Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Philadelphia, USA 2017 Vik Muniz: Handmade, Rena Bransten Gallery, San Francisco, USA Afterglow (Pictures of Ruin), Palazzo Cini, Venice, Italy Vik Muniz, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico Vik Muniz: a Retrospective, Eskenazi Museum of Art, Bloomington, USA Troposphere – Chinese and Brazilian Contemporary Art, Beijing Minsheng Art Museum, Beijing, China Look at Me!: Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection, Pera Museum, Istanbul, Turkey Pledges of Allegiance, Spencer Museum of Art, University of Kansas, Lawrence, USA Ways of Seeing, Fondation Boghossian - Villa Empain, Brussels, Belgium This Is Not a Selfie – Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, San Jose Museum of Art, San Jose, USA Glassstrass, Palazzo Franchetti, Venice, Italy A Vastidão dos Mapas, Museu Oscar Niemeyer (MON), Curitiba, Brazil Trazas simultáneas, Embaixada do BrasilArgentina, Espacio Cultural, Argentin 2016 Handmade, Galeria Nara Roesler, São Paulo, Brazil Vik Muniz, High Museum of Art, -
Born in 1961 in São Paulo, Brazil. Lives and Works Between New York, USA and Rio De Janeiro, Brazil
VIK MUNIZ Born in 1961 in São Paulo, Brazil. Lives and works between New York, USA and Rio de Janeiro, Brazil SOLO SHOWS 2020 Vik Muniz, ArtScience Museum, Singapore, Singapore (upcoming) El ilusionista, Museo de la Universidad de Navarra, Pamplona, Spain (upcoming) Vik Muniz: Surfaces, Rena Bransten Gallery, San Francisco, USA 2019 Vik Muniz, Sarasota Museum of Art – Ringling College of Art + Design, USA Surfaces, Baronian Xippas, Paris, France The Skateroom x Vik Muniz, Baronian Xippas, Paris, France Surfaces, Galeria Nara Roesler, São Paulo, Brazil Vik Muniz. Pictures of Paint, Sikkema Jenkins & Co., New York, USA Vik Muniz: Handmade, Xippas Gallery, Geneva, Switzerland Vik Muniz: Real Pictures, Ben Brown Fine Arts, London, UK Vik Muniz: Imaginária, Collection Lambert, Avignon, France. Travelling: Museu de Arte Moderna da Bahia, Salvador da Bahia, Brazil Vik Muniz: Hand Remade, FIGGE Art Museum, Davenport, USA 2018 Imaginaria, Casa Santa Ignez, Rio de Janeiro, Brazil Vik Muniz, Pictures of Garbage, Air and Others, UNESCO, Paris, France Vik Muniz, Barnes Saint-Honoré, Paris, France Vik Muniz. Photography and the Rebirth of Wonder, Chrysler Museum of Art, Norfolk, USA Vik Muniz: Handmade, Xippas Gallery, Paris, France Vik Muniz: Verso, Belvedere Museum, Vienna, Austria Vik Muniz, Dirimart Dolapdere, Istambul, Turkey 2017 Vik Muniz, Rena Bransten Gallery, San Francisco, USA Handmade, Galería Elba Benítez, Madrid, Spain Vik Muniz, nca | nichido contemporary art, Tokyo, Japan Afterglow: Pictures of Ruins, Palazzo Cini Gallery, Venice, Italy -
DOSSIER DE PRENSA Product Design Madrid Interviene Con Piezas De Diseño Contemporáneo El Museo Nacional De Artes Decorativas
DOSSIER DE PRENSA Product Design Madrid interviene con piezas de diseño contemporáneo el Museo Nacional de Artes Decorativas • Durante casi dos meses, 36 piezas de artistas y diseñadores actua- les dialogarán con piezas de la colección del Museo Nacional de Artes Decorativas • La exposición ‘Art Design: Diálogo entre dos épocas’ coincide con la semana de las grandes ferias de arte de Madrid y está recomendada por ARCO en su programa VIP Madrid. 5 de febrero de 2014.- La Plataforma Internacional de Diseño Industrial Product Design Madrid (PDM) y el Museo Nacional de Artes Decorativas (MNAD) organizan ‘Art Design: Diálogo entre dos épocas’, una exposición comisariada por Rossana Orlandi que tendrá lugar en el MNAD del 13 de febrero al 30 de marzo. Esta muestra supone un hito para el sector del diseño ya que es la primera vez que un grupo de piezas de Art Design entra en un museo de Madrid para convivir con su colección. ‘Art Design: Diálogo entre dos épocas’ se desarrollará en la tercera planta del MNAD, espacio donde se ex- ponen objetos de época Borbónica del siglo XVIII. De esta forma, las piezas de Art Design seleccionadas se expondrán en el recorrido habitual del museo con la intención de crear un diálogo entre piezas de diferentes siglos. La exposición se inaugurará el día 13 de febrero a las 19:00 horas, y coincidirá con la semana de las ferias de arte de Madrid. Además, ARCO (Feria de Arte Contemporáneo) incluirá ‘Art Design: Diálogo entre dos épocas’ como exposición recomendada en su programa VIP. Los productos que conforman la muestra son algunas de las piezas de Art Design que fueron selecciona- das entre todos los participantes de la Feria de Diseño Industrial PDM2, que tuvo lugar el pasado mes de noviembre en el Colegio Oficial de Arquitectos de Madrid. -
Leilão Online 23 E 24 Março 2020 Jucesp Nº 336
LEILÃO ONLINE 23 E 24 MARÇO 2020 JUCESP Nº 336 LEILÃO ONLINE 23 E 24 DE MARÇO DE 2020 www.leilaodearte.com LEILÃO ONLINE 23 E 24 DE MARÇO DE 2020 LEILÃO DIA 23 DE MARÇO ÀS 21H LEILÃO DIA 24 DE MARÇO ÀS 20H EXCLUSIVAMENTE ONLINE EXCLUSIVAMENTE ONLINE Para participar online faça já o seu cadastro Para participar online faça já o seu cadastro através do nosso site www.leilaodearte.com através do nosso site www.leilaodearte.com É necessária a aprovação prévia do seu É necessária a aprovação prévia do seu cadastro até 24h antes do leilão. cadastro até 24h antes do leilão. LANCES PRÉVIOS O pregão acontecerá exclusivamente na Por telefone ou e-mail plataforma online a partir das 19:45h, após o [email protected] início do leilão cada lote terá um intervalo de 30 segundos para outro arrematante cobrir o LANCES POR TELEFONE lance, consecutivamente. Após o término desse Cadastro prévio até as 18h do dia do Leilão intervalo o lote será encerrado. Tel (11) 3061-3155 (11) 3578-5919 www.leilaodearte.com No dia do pregão as obras serão apresentadas somente por projeção, a apreciação física das mesmas poderá ser feita durante a exposição. Não é de responsabilidade do Leiloeiro qualquer problema referente à falha de sistema, cadastro, manutenção de conexão com internet, ou outros relacionados, que por ventura venham a ocorrer no momento da licitação e que impeçam o USUÁRIO do sistema online de participar do leilão. EXPOSIÇÃO Veja fotos e vídeos através do site www.leilaodearte.com Solicite mais informações através do WhatsApp +55 11 93361-8643 @jameslisboaarte /jameslisboaleiloes 1 MARIO ZANINI Marinha 33 x 48 cm carvão sobre papel ass. -
The Pacification of Favelas in Rio De Janeiro an Analysis of the Impacts on the Feeling of Security and the Role of the State As a Security Provider
The pacification of favelas in Rio de Janeiro An analysis of the impacts on the feeling of security and the role of the state as a security provider Anke Janssen Radboud University Nijmegen July 2015 The pacification of favelas in Rio de Janeiro An analysis of the impacts on the feeling of security and the role of the state as a security provider Anke Janssen S4035534 Radboud University Nijmegen Master Globalisation, Migration and Development Human Geography Supervisor: dr. ir. M. Van Leeuwen July 2015 Front cover: A UPP police man in the Complexo da Penha favela. Source: Brazil274, 2014 Next page: Boys flying kites (pipas) on their rooftops (lajes). Source: Rodrigues, 2010 ii The favelas have something magical, a source of life and conviviality. The atmosphere is very positive. It is a misconception that a favela would only be a big sad misery. Of course, when the police arrive and there are shootings from all sides, it is a misery. But life goes on. This enormous zest for life is contagious. Nanko Van Buuren iii Acknowledgements This thesis has been written as part of the master specialization program Globalisation, Migration and Development of Human Geography at the Radboud University Nijmegen. Because of my love for soccer I got the idea to travel to Brazil during the 2014 World Cup and to study the impacts of this mega sport event. Unfortunately, it appeared to be impossible to go to Brazil in this period due to the World Cup bustles. Luckily, the IBISS Foundation offered the opportunity for a research internship In Rio de Janeiro from September 2014. -
Moralidades Entrecruzadas Nas Upps: Uma Narrativa Policial1 Jacqueline De Oliveira Muniz2 Elizabete Albernaz3
XI Reunião de Antropologia do Mercosul GT 40 - Políticas públicas de segurança, justiça e direitos humanos: etnografias de burocracias estatais e processos de reivindicações de direito 30 de Novembro a 4 de Dezembro de 2015 Montevideo, Uruguay Moralidades entrecruzadas nas UPPs: Uma narrativa policial1 Jacqueline de Oliveira Muniz2 Elizabete Albernaz3 Resumo: O presente artigo propõe-se a refletir sobre as formas narrativas do processo de pacificação nas favelas do Rio de Janeiro e suas impliCações, enquanto disCurso e polítiCa públiCa de segurança. Por um lado, busCa apreCiar as moralidades que se manifestam nas prátiCas disCursivas dos gestores e operadores do Programa de PolíCia PaCifiCadora, refletindo aCerCa dos risCos da Constituição de governos poliCiais, de exCeção, nas Comunidades populares. Por outro, pretende problematizar estas moralidades Como dispositivos de justificação que reconfiguram os sentidos das experiências pretéritas dos policiais em um “estado de guerra” e respaldam suas esColhas presentes Com vistas à manutenção dos territórios “retomados do tráfiCo de drogas” e ao estabelecimento de relações de proximidade nas Comunidades “resgatadas”, “paCifiCadas” ou “em paCifiCação”. Palavras-chave: PacifiCação. Unidade de PolíCia PacifiCadora (UPP). Moralidade. Cultura da guerra. Governo da políCia. Favela. Abstract: This artiCle intends to refleCt on the narrative forms of the paCifiCation proCess in the slums of Rio de Janeiro and its impliCations as a disCourse and publiC safety poliCy. On the one hand, seeks to understand -
Dois Olhares Sobre O Mesmo Sujeito: Aproximações Em Arte E Direito Two Views on the Same Subject
This version of Total HTML Converter is unregistered. DOIS OLHARES SOBRE O MESMO SUJEITO: APROXIMAÇÕES EM ARTE E DIREITO TWO VIEWS ON THE SAME SUBJECT: APPROACHES IN ARTS AND LAW Luciana Pedroso Xavier Marcelo Miguel Conrado RESUMO O presente trabalho tem como objetivo travar um diálogo entre as Artes Visuais e o Direito, demonstrando suas aproximações e contrapontos e levando em consideração a idéia de transdisciplinaridade. Tal intermediação será feita a partir das obras do artista plástico brasileiro Vik Muniz, o qual trabalha com retratos de pessoas feitos com materiais intimamente ligados ao(s) sentido(s) almejados – mas não limitados – pelo artista. Além disso, Muniz tem como característica produzir obras abertas à interpretação por parte do expectador. Desse modo, pretende-se refletir acerca do sujeito de direito contemporâneo, que passa a ser visto na dimensão da coexistencialidade, sendo aos poucos construído pelo olhar do outro. PALAVRAS-CHAVES: transdisciplinaridade; artes visuais; sujeito de direito; fotografia. ABSTRACT This paper aims to hold a dialogue between the visual arts and law, demonstrating their approaches and counterpoints and considering the notion of transdisciplinarity. Such mediation shall be made from the works of the Brazilian artist Vik Muniz, whose work depicts portraits of people made of materials closely related to the sense(s) desired - but not limited - by the artist. In addition, Muniz has the characteristic of producing works open to the interpretation of the viewer. Thus, a reflection is intended on the subject of contemporary law, who is to be seen in the dimension of co-existentiality, slowly being constructed through the gaze of others. -
Duke University Dissertation Template
‘Christ the Redeemer Turns His Back on Us:’ Urban Black Struggle in Rio’s Baixada Fluminense by Stephanie Reist Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Walter Migolo, Supervisor ___________________________ Esther Gabara ___________________________ Gustavo Furtado ___________________________ John French ___________________________ Catherine Walsh ___________________________ Amanda Flaim Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT ‘Christ the Redeemer Turns His Back on Us:’ Black Urban Struggle in Rio’s Baixada Fluminense By Stephanie Reist Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Walter Mignolo, Supervisor ___________________________ Esther Gabara ___________________________ Gustavo Furtado ___________________________ John French ___________________________ Catherine Walsh ___________________________ Amanda Flaim An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Stephanie Virginia Reist 2018 Abstract “Even Christ the Redeemer has turned his back to us” a young, Black female resident of the Baixada Fluminense told me. The 13 municipalities that make up this suburban periphery of -
"Man-Patron" Relationship in Contemporary Northeast Brazil" (1972)
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1972 Continuity of a traditional social pattern: the "man- patron" relationship in contemporary northeast Brazil Patricia Ellen Thorpe Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Family, Life Course, and Society Commons, Nature and Society Relations Commons, and the Social and Cultural Anthropology Commons Let us know how access to this document benefits ou.y Recommended Citation Thorpe, Patricia Ellen, "Continuity of a traditional social pattern: the "man-patron" relationship in contemporary northeast Brazil" (1972). Dissertations and Theses. Paper 958. https://doi.org/10.15760/etd.958 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN A3ST?~CT OF THE THESIS OF Patricia Ellen Thorpe for the Master of Arts in Anthropology presented October 24, 1972. Title: Continuity of A Traditional Social Pattern: The "Man-Patronlt Relationship in Contemporary Northeast Brazil .. APPROVED BY MEMBERS OF THE THESIS COMMITTEE: zr~COb Fried, Chairman Daniel/Scheans Tom Ne\-nnan Northeast Brazil is a region characterized by economic poverty and human misery. Poor ecological conditions con tribute to the nature of the dilemma, but another factor in the apparent cultural stagnation of the Northeast, may be the persistence of values and social practices traditiona.lly alig!1ed with the colonial sugar plantation system. Thus, this thesis represents e~ examination of the continuity of a given pattern, the man/patron relationship. -
Paper We Map the Long-Term, Worldwide Shift in Gender Ratios Among Migrant Populations
Gender Ratios in Global Migrations, 1850-2000 J. Trent Alexander Minnesota Population Center University of Minnesota Katharine M. Donato Department of Sociology Vanderbilt University Donna R. Gabaccia Department of History and Immigration History Research Center University of Minnesota Johanna Leinonen Department of History University of Minnesota April 2008 Funding for this project has been provided by the University of Minnesota's Office of International Programs, the Minnesota Population Center and the University of Minnesota's Immigration History Research Center. The collection of the source data was supported by grants to the Minnesota Population Center from the National Institute for Child Health and Human Development and the National Science Foundation. 1 Introduction Scholars in many disciplines have observed that men historically far outnumbered women among international movers. Two of geographer E.G. Ravenstein's late- nineteenth century "laws of migration" asserted that (1) short-distance migrants generally outnumbered longer distance ones, and that (2) within-country moves were usually dominated by women and between-country moves were dominated by men. Although many geographers have critiqued and extended Ravenstein's work, these two often- repeated laws have rarely been challenged since they were written in the late 1800s. Many textbooks in demography and world history presented these theories as conventional wisdom for much of the twentieth century (e.g., Peterson 1969: 264; United Nations 1979: 4; Manning 2005: 11). In the early 1980s, however, researchers at the U.S. Department of Labor and elsewhere pointed toward a "remarkable shift" in migrant gender ratios, from women constituting less than one-third of all U.S.-bound migrants in 1900 to almost one-half in the 1970s (Houston et al. -
Universidade Do Estado Do Rio De Janeiro Centro De Ciências Sociais Instituto De Filosofia E Ciências Humanas
Universidade do Estado do Rio de Janeiro Centro de Ciências Sociais Instituto de Filosofia e Ciências Humanas Monique Batista Carvalho Os dilemas da “pacificação”: práticas de controle e disciplinarização na “gestão da paz” em uma favela no Rio de Janeiro Rio de Janeiro 2014 Monique Batista Carvalho Os dilemas da “pacificação”: práticas de controle e disciplinarização na “gestão da paz” em uma favela no Rio de Janeiro Tese apresentada como requisito parcial para obtenção do título de Doutor, ao Programa de Pós-Graduação em Ciências Sociais, da Universidade do Estado do Rio de Janeiro. Orientadora: Prof.ª Dra. Márcia da Silva Pereira Leite Rio de Janeiro 2014 Monique Batista Carvalho Os dilemas da “pacificação”: práticas de controle e disciplinarização na “gestão da paz” em uma favela no Rio de Janeiro Tese apresentada como requisito parcial para obtenção do título de Doutor, ao Programa de Pós-Graduação em Ciências Sociais, da Universidade do Estado do Rio de Janeiro. Aprovada em 10 de novembro de 2014. Banca Examinadora: _________________________________________ Prof.ª Dra. Márcia da Silva Pereira Leite (Orientadora) Instituto de Filosofia e Ciências Humanas - UERJ _________________________________________ Prof. Dr. Gabriel de Santis Feltran Universidade Federal de São Carlos _________________________________________ Prof.ª Dra. Lia de Mattos Rocha Instituto de Filosofia e Ciências Humanas - UERJ _________________________________________ Prof. Dr. Luiz Antonio Machado da Silva Instituto de Estudos Sociais e Políticos - UERJ _________________________________________ Prof.ª Dra. Mariana Cavalcanti Rocha dos Santos Fundação Getúlio Vargas Rio de Janeiro 2014 DEDICATÓRIA À vovó Enilda Fernandes Batista, que me guiou pelo caminho. AGRADECIMENTOS O caminho percorrido até a chegada ao doutorado foi entremeado por diferentes experiências, entretanto, ouso dizer que esses últimos quatro anos vividos no PPCIS foram de intenso aprendizado e de amadurecimento intelectual. -
Universiv Micrdmlms International Aoon.Zeeb Road Ann Arbor, Ml 48106
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