The Virgin Mary from Books of Hours to Religious Emblem Books

Total Page:16

File Type:pdf, Size:1020Kb

The Virgin Mary from Books of Hours to Religious Emblem Books Howie, Candace Cameron (2013) Pretty pictures: from paint to print. Images depicting the Virgin Mary from books of hours to religious emblem books. MPhil(R) thesis. http://theses.gla.ac.uk/4261/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Pretty Pictures: From Paint to Print. Images depicting the Virgin Mary from Books of Hours to Religious Emblem Books. Candace Cameron Howie Submitted in fulfilment of the requirements for the Degree of Masters of Philosophy School of Modern Languages and Cultures Faculty of the Arts University of Glasgow September 2011 Tables of Contents List of Figures ........................................................................................................................ 3 Acknowledgement.................................................................................................................. 5 Chapter 1 Introduction ........................................................................................................... 6 1.1 Literacy and Literature ........................................................................................... 9 1.2 Books of Hours .................................................................................................... 11 1.3 The Invention of Print .......................................................................................... 17 1.4 Emblem Books ..................................................................................................... 20 1.5 Manuscripts and Emblems ................................................................................... 22 Chapter 2 – From Manuscript to Print ................................................................................. 24 2.1 The Birth of the Printing Press ............................................................................. 24 2.2 The Transition from Manuscript to Print ............................................................. 25 2.3 Printed Books of Hour (including English Printed Prayer Books) ...................... 26 2.4 Printer to the King: Vérard’s Printed Books ........................................................ 34 2.5 Conclusion ........................................................................................................... 36 Chapter 3 - The Virgin Mary ............................................................................................... 38 3.1 From the Background to the Forefront: The Rise of Mary .................................. 38 3.2 Queen of Heaven and Intercessor for the Masses ................................................ 39 3.3 An Example of Perfection: Woman, Wife & Mother .......................................... 41 3.4 Conclusion ........................................................................................................... 44 Chapter 4 Case Studies – Manuscripts ................................................................................. 46 4.1 Mary the Child ..................................................................................................... 46 4.2 Mary the Young Maiden ...................................................................................... 51 4.3 Mary domesticated ............................................................................................... 53 4.4 Conclusion ........................................................................................................... 57 Chapter 5 Case Studies Printed Books of Hours .................................................................. 60 5.1 Conclusion ........................................................................................................... 69 Chapter 6 Mary and Emblems.............................................................................................. 70 6.1 What is an Emblem? ............................................................................................ 70 6.2 Emblems: Educational Weapon ........................................................................... 71 6.3 Calvinists and Emblems ....................................................................................... 72 6.4 Catholics and Emblems ........................................................................................ 74 6.5 Emblems and the Use of Marian Iconography ..................................................... 80 6.6 Conclusion ........................................................................................................... 91 Chapter 7 Conclusion ........................................................................................................... 93 List of References ................................................................................................................ 98 Bibliography ......................................................................................................................... 99 Primary Sources ........................................................................................................... 99 Secondary Sources ..................................................................................................... 101 List of Image References ................................................................................................... 109 3 List of Figures Figure 1 Turotte Family dedication ..................................................................................... 16 Figure 2 Turotte family being interceded for by Mary ........................................................ 16 Figure 3 Printed Book of Hours ........................................................................................... 22 Figure 4 Adoration of the Magi ........................................................................................... 22 Figure 5 Adoration of the Magi ........................................................................................... 28 Figure 6 Duc de Berry’s Anatomical Man .......................................................................... 29 Figure 7 Printed Anatomical Man/ Sketal Figure with Jester .............................................. 29 Figure 8 Printed Zodiac Man, Eviscerated Man with Zodiac Signs .................................... 29 Figure 9 Richard Day Prayer Book ...................................................................................... 32 Figure 10 Tree of Jesse ........................................................................................................ 32 Figure 11 Queen Elizabeth ................................................................................................... 35 Figure 12 Vérard’s mark ...................................................................................................... 36 Figure 13 Printer Presenting Book to King Charles III ( Preliminary Page) ....................... 36 Figure 14 Joachim Teaches Mary ........................................................................................ 51 Figure 15 Mary Taken to the Temple .................................................................................. 51 Figure 16 Mary Weaving ..................................................................................................... 52 Figure 17 Mary Swoons at Crucifixion .............................................................................. 535 Figure 18 Battle for the Soul ................................................................................................ 58 Figure 19 Printed Book of Hours ......................................................................................... 61 Figure 20 Printed Book of Hours ......................................................................................... 61 Figure 21 Childhood ............................................................................................................ 61 Figure 22 Marriage ............................................................................................................... 61 Figure 23 Deathbed .............................................................................................................. 62 Figure 24 Pisces in February ................................................................................................ 62 Figure 25 Duc de Berry’s February ..................................................................................... 62 Figure 26 Duc de Berry’s Pisces .......................................................................................... 63 Figure 27 The Annunciation ................................................................................................ 63 Figure 28 The Nativity ......................................................................................................... 63 Figure 29 The Annunciation ................................................................................................ 63 Figure 30 The Nativity ........................................................................................................
Recommended publications
  • The Phenomenon of Abstraction and Concretization
    Abstraction and Concretization Of the Fruit of the Tree of Knowledge of Good and Evil As Seen Through Biblical Interpretation and Art Alyssa Ovadis Department of Jewish Studies Faculty of Arts McGill University, Montreal April 2010 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Master of Arts © Alyssa Ovadis 2010 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-68378-1 Our file Notre référence ISBN: 978-0-494-68378-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • The Zodiac Man in Medieval Medical Astrology
    Quidditas Volume 3 Article 3 1982 The Zodiac Man in Medieval Medical Astrology Charles Clark University of Colorado Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Clark, Charles (1982) "The Zodiac Man in Medieval Medical Astrology," Quidditas: Vol. 3 , Article 3. Available at: https://scholarsarchive.byu.edu/rmmra/vol3/iss1/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Zodiac Man in Medieval Medical Astrology by Charles Clark University of Colorado A naked male figure was a familiar illustration in many medieval and Renaissance manuscripts. Standing with his legs and arms slightly spread, the twelve images or names of the zodiac were superimposed on his body, from his head (Aries) to his feet (Pisces). Used as a quick reference by physicians, barber-surgeons, and even laymen, the figure indicated the part of the body which was "ruled" by a specific sign of the zodiac. Once the correct sign was determined for the particular part of the body, the proper time for surgery, bloodletting, administration of medication, or even the cutting of hair and nails could be found. This depended, above all, upon the position of the moon in the heavens, since it was a medieval commonplace attributed to the astronomer Ptolemy (ca. 150 A.D.) that one touched neither with iron nor with medication the part of the body in whose zodical sign the moon was at that particular moment.
    [Show full text]
  • As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
    Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4.
    [Show full text]
  • Michael Baigent from the Omens of Babylon
    Celestial correspondence: modern invention or Egyptian epiphany? by Judy Hall Downloaded from www.astrozero.co.uk This is version 1.0 of the document (created 5 July 2005); given both the antiquity and the sheer scope of its subject-matter, it is inevitable that there will be many suggestions for improvement which readers may want to make. The author invites all such comments, which can be forwarded to her via the above website. What is below is as that which is above, and what is above is as that which is below, in order to perform the miracle of one thing only. The Emerald Tablet of Hermes Trismegistus (Trans.Lubicz quoting Huberlain, l7961) That which is above is like to that which is below, and that which is below is like to that which is above, to accomplish the miracles of (the) one thing. The Emerald Tablet of Hermes Trismegistus [Trans. Robert Steele and Dorothy Singer, 19282] ‘For this is the maxim of old Hermes, Quod est superius, est sicut id quod est inferius’ Ashmole Theatrum Chemicum Britannicum [1652]3 Heaven above, heaven below; stars above, stars below; All that is above, thus also below; understand this and be blessed 4 Kircher, Prodrom Copt. If I live or pass on, I am Osiris. I enter in and reappear through you. I decay in you, I grow in you, I fall down in you…. The gods are living in me for I live and grow in the corn that sustains the Honoured Ones. … I have entered the Order, I rely upon the Order, I become Master of the Order, I emerge in the Order.
    [Show full text]
  • Note to Users
    NOTE TO USERS This reproduction is the best copy available. ART, ASTROLOGY AND ASTRONOMY AT THE WlPERiAL COURT OF RUDOLF ïI (1576 - 1612) by ANDREA S. BUBENLK A thesis submitted to the Depanment of An History In confonnity with the requirernents for the degree of Master of Arts Queen's University Kingston, Ontario, Canada December, 2000 ctlp).right G Andrea S. Bubenik National iibrary Bibliothèque nationale du Canada Aquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington OttawaûN KtAW O#awaON KIA ON4 Caneda Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract -nie wrkof artists at the Imperia1 court of Holy Roman Emperor Rudolf II ( 1576- 16 12) cannot be isolated from underlying court belief in the "magical universe" of the late Renaissance. Past historiography has often focused on the personality of the Emperor himself, at the expense of situating works of art more specifically in the context of his ccllection and court.
    [Show full text]
  • Choosing a Man Through Astrology PLR Report
    TarotReadingDaily.com Table of Contents Astrology and What it Means when Dating ............................................................ 1 Aries ....................................................................................................................... 2 Taurus .................................................................................................................... 3 Gemini ................................................................................................................... 4 Cancer .................................................................................................................... 5 Leo ......................................................................................................................... 6 Virgo ...................................................................................................................... 7 Libra Man ............................................................................................................... 8 Scorpio ................................................................................................................... 9 Sagittarius ............................................................................................................ 10 Aquarius............................................................................................................... 11 Pieces ................................................................................................................... 12 Conclusion ..........................................................................................................
    [Show full text]
  • Special Collections Display
    6 August: Special Collections display Hunterian Psalter England: c. 1170 MS Hunter 229 (U.3.2) One of a small group of elaborately illuminated twelfth century English psalters, this book is regarded as the greatest treasure of Dr William Hunter's magnificent eighteenth century library. Hunter acquired the manuscript in France amongst several other lots at the Jean-Louis Gaignat sale of 10 April 1769; he paid 50 livres and one sou for it - at the time, he was generally paying three times as much for early printed books. The identity of the undoubtedly wealthy patron who commissioned the manuscript's production is unknown, although it may possibly have been Roger de Mowbray (d.1188), from one of the greatest Anglo-Norman families of the twelfth century; having been a crusader, he had a knowledge of the sacred sites of the Holy Land and also founded the Augustinian houses of Byland and Newburgh near to his castle in Thirsk. Given the number of northern saints commemorated in the calendar (Cuthbert and his translation, Wilfrid, John of Beverley and Oswald), it is likely that its first owner resided in a Northern Diocese while three commemorations of St Augustine point to a connection with the Augustinian Canons. The manuscript’s script and initials show close similarities to another English psalter now preserved in the Royal Library, Copenhagen (MS Thott 143), and it is probable that the two manuscripts were produced in the same scriptorium. The diocese of York is a reasonable place of origin, although Lincoln is another possibility. Neither this nor the Copenhagen Psalter has an entry in the Calendar for Thomas Becket, which suggests that they were completed some time before his canonization in 1173.
    [Show full text]
  • York Minster's Chapter House and Its Painted Glass Narratives
    York Minster’s Chapter House and its Painted Glass Narratives Volume 1 of 3 Ann Hilary Moxon PhD University of York History of Art December 2017 Abstract This thesis focuses on the late thirteenth-century narrative glazing scheme of the chapter house in York Minster and the political and religious context of its design. Created as an intrinsic and integrated part of one of the most elaborate and important buildings in the period, the glass has suffered interventions affecting both its appearance and the positions of its narrative panels. By examining the glass in the context of contemporary visual and textual material, it has been possible to reconstruct the original order of the panels and to identify the selection of episodes the lives of the saints, some for the first time. The study has demonstrated the extent to which the iconography was rooted in liturgy and theology relevant to the period which, in turn, reflected the priorities of a dominant group among the active members of Chapter for whose use the building was constructed and, by extension, the contemporary Church. Further, the glass shows strong Mariological themes which reflected features in the rest of the decorative scheme and the architecture of the chapter house, indicating that the glazing scheme may have been conceived as part of the architectural whole. The conclusions are supported by parallel research into the prosopography of the contemporary Chapter which additionally suggests that the conception of the programme may have had its roots in the baronial wars of the
    [Show full text]
  • Sub Signo Capricorni. the Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings
    Artl@s Bulletin Volume 10 Issue 1 Images in Circulation Article 2 Sub signo Capricorni. The Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings Alessandra Magni independent scholar, [email protected] Umberto Verdura Ecole Normal Supérieure, [email protected] Gabriella Tassinari independent scholar, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Magni, Alessandra; Umberto Verdura; and Gabriella Tassinari. "Sub signo Capricorni. The Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings." Artl@s Bulletin 10, no. 1 (2021): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Images in Circulation Sub signo Capricorni. The Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings independent scholar Alessandra Magni École normale supérieure Umberto Verdura independent scholar Gabriella Tassinari Abstract The relationship between glyptics and the circulation of images can be analysed from differ- ent perspectives, as seen in the case study of the image of Capricorn. The goat-fish monster entered the European collective imagination during Antiquity, when its image was spread on gems and coins.
    [Show full text]
  • The Phenomenon of Abstraction and Concretization
    Abstraction and Concretization Of the Fruit of the Tree of Knowledge of Good and Evil As Seen Through Biblical Interpretation and Art Alyssa Ovadis Department of Jewish Studies Faculty of Arts McGill University, Montreal April 2010 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Master of Arts © Alyssa Ovadis 2010 iii ABSTRACT This work examines the patterns inherent to the understanding of the nature of the forbidden fruit in an attempt to demonstrate parallels between the reasoning of biblical interpreters, on one hand, and of artists, on the other. While the biblical text, in Gen. 2:16-17, offers an abstract portrayal by vaguely employing the word “fruit,” visual representations inevitably present a more concrete and less generic image by illustrating a specific fruit. My research presents this phenomenon of abstraction and concretization through five chapters that exhibit the juxtaposition of the biblical text to its illustration: first, the representation of the Garden of Eden; second, the portrayal of the two trees, the Tree of Knowledge and the Tree of Life; third, the presence of the Fruit of the Tree of Knowledge in those visual depictions; fourth, its absence; and fifth, typological references to the Forbidden Fruit within New Testament scenes. RÉSUMÉ Cet ouvrage examine les motifs inhérents à la compréhension de la nature du fruit défendu en tentant de démontrer des parallèles entre le raisonnement des interprètes bibliques d‟un côté, et celui des artistes de l‟autre. Alors que le texte biblique de la Genèse 2:16-17 offre une représentation abstraite en employant vaguement le mot «fruit», les représentations visuelles, elles, présentent inévitablement une image plus concrète et moins générique en illustrant un fruit spécifique.
    [Show full text]
  • Download Download
    Alisha Meininghaus Born under a Lucky Star Interpretations of Woodcuts of Pseudo-astrological Birth Amulets from German-Jewish Printing Houses in the 18th Century Abstract This article examines illustrations of the zodiac signs on birth amulets from Ger- man-Jewish printing houses from the 18th century. These woodcuts are part of a long tradition of astrological references in Jewish art and literature. However, the amulet texts themselves do not contain any astrological topics. What, then, is the relationship of the woodcuts to the text and to the function of the amulets? By contextualizing the images with other contemporary traditions of illustration, this article provides three interpretation models which can explain the choice of the zodiac signs on the amulets. Keywords Woodcuts, Amulets, Zodiac Signs, Astrology, Judaism, Magic Biography Alisha Meininghaus is a doctoral candidate in the Department of the Study of Religions at the Philipps University of Marburg. Her dissertation focuses on German-Jewish birth amulets in the 18th and 19th centuries. She is a fellow of the Leo Baeck Programme of the Studienstiftung des Deutschen Volkes and the Leo Baeck Institute London and is an associate member of the collaborative project “Dynamiken religiöser Dinge im Museum” (REDIM). Astrology and Amulets Astrological ideas are certainly not the first association that comes to mind when thinking about traditional Judaism.1 However, when one looks at ob- jects that originate from the early modern tradition of the German Jews, nu- 1 My sincere thanks go to all the individuals and institutions mentioned in the captions for kindly providing the photographs. www.jrfm.eu 2021, 7/1, 45–65 Born under a Lucky Star | 45 DOI: 10.25364/05.7:2021.1.4 merous illustrations of zodiac signs catch the eye.
    [Show full text]
  • A History and Test of Planetary Weather Forecasting
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 5-2010 A History and Test of Planetary Weather Forecasting Bruce Scofield University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Geology Commons Recommended Citation Scofield, Bruce, A" History and Test of Planetary Weather Forecasting" (2010). Open Access Dissertations. 221. https://scholarworks.umass.edu/open_access_dissertations/221 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A HISTORY AND TEST OF PLANETARY WEATHER FORECASTING A Dissertation Presented by BRUCE SCOFIELD Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Geosciences © Copyright by Bruce Scofield 2010 All Rights Reserved A HISTORY AND TEST OF PLANETARY WEATHER FORECASTING A Dissertation Presented by BRUCE SCOFIELD Approved as to style and content by: ______________________________________ Lynn Margulis, Chair _______________________________________ Robert M. DeConto, Member _______________________________________ Frank Keimig, Member _______________________________________ Brian W. Ogilvie, Member _______________________________________ Theodore D. Sargent, Member _______________________________________ R. Mark Leckie, Department Head Department of Geosciences ACKNOWLEDGEMENTS I would like to first thank my advisor, Lynn Margulis, for her recognition that my unconventional thesis lies within the boundaries of the geosciences. She understands very well how ideas in science come in and out of fashion and things that were dismissed or ignored in the past may very well be keys to future insights.
    [Show full text]