An Astrological Overview: the Horoscope in Brief
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Your Horoscope Chart Report
Your Horoscope Chart Report Report Prepared By ; Team Cyber Astro 1 Dear XYZ Please find our analysis for your Complete Horoscope Chart Report . We thank you for giving us this opportunity to analyse your birth chart. The accuracy of the predictions depends on the accuracy of the time of birth given to us by you. Kindly note that as per Vedic Astrology the stars will control only 75% of your life and the critical 25% will be your own efforts. We wish you luck and pray to God that you overcome all obstacles in your life . With Warm Regards Mr. D. P. Sarkar Team Cyber Astro 2 Table of Content Sr. No. Content Details. Page Nos . 1. Your Personal Birth Details. 5 2. Explanation of your Horoscope Chart; 6 to 8 Your horoscope chart. 6 Primary details of your horoscope chart. 7 Introduction of your horoscope chart. 8 3. Relationship between planets and signs in your horoscope chart; 9 to 15 Sign type & element table. 10 Sign type explanation. 11 to 12 Sign element explanation. 13 Planet type and element table. 13 Strength & Functionalities of planets. 14 Explanation of special status of planets. 15 4. Interpretation of three pillars of your horoscope chart. 16 to 22 Your ascendant interpretation. 16 Your Sun sign interpretation. 17 to 19 Your Moon sign interpretation. 20 Other planets interpretation. 21 to 22 5. Houses in your horoscope chart. 23 to 27 House table of your horoscope chart. 23 to 24 Explanation of each house of horoscope chart. 25 to 28 6. Analysis of Vimsottari Dasha periods: 29 to 35 Dasha table. -
The Zodiac Man in Medieval Medical Astrology
Quidditas Volume 3 Article 3 1982 The Zodiac Man in Medieval Medical Astrology Charles Clark University of Colorado Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Clark, Charles (1982) "The Zodiac Man in Medieval Medical Astrology," Quidditas: Vol. 3 , Article 3. Available at: https://scholarsarchive.byu.edu/rmmra/vol3/iss1/3 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Zodiac Man in Medieval Medical Astrology by Charles Clark University of Colorado A naked male figure was a familiar illustration in many medieval and Renaissance manuscripts. Standing with his legs and arms slightly spread, the twelve images or names of the zodiac were superimposed on his body, from his head (Aries) to his feet (Pisces). Used as a quick reference by physicians, barber-surgeons, and even laymen, the figure indicated the part of the body which was "ruled" by a specific sign of the zodiac. Once the correct sign was determined for the particular part of the body, the proper time for surgery, bloodletting, administration of medication, or even the cutting of hair and nails could be found. This depended, above all, upon the position of the moon in the heavens, since it was a medieval commonplace attributed to the astronomer Ptolemy (ca. 150 A.D.) that one touched neither with iron nor with medication the part of the body in whose zodical sign the moon was at that particular moment. -
As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4. -
New Levels of Interpretation in the Aspect Pattern
New Levels of Interpretation in the Aspect Pattern Stars, Gaps and Channels in the Horoscope Michael A. Huber Contains results of Michael Huber’s researches into the significance of patterns within the spaces in the aspect structure. These are claimed to reveal hidden spiritual qualities of the human character. Originally published in ‘Astrolog’, the German-language magazine of API Switzerland. Translated by Heather Ross. Translation funded through a generous bequest from Agnes Shellens. Published by and copyright © 2008 Astrological Psychology Association www.astrologicalpsychology.org New Levels of Interpretation in the Aspect Pattern Stars, Gaps and Channels in the Horoscope Michael A. Huber A new, unknown dimension in the horoscope appears when the aspect pattern is drawn, which reveals hitherto hidden spiritual qualities of the human character. First published in ‘Astrolog’ Issues 121-124, April-October 2001. Translated by Heather Ross Introduction New, Enhanced Aspect Pattern Design The depths of the human soul are almost There are particular new elements that we can unfathomable, is this not also true for the fi nd in the aspect pattern. If drawn correctly, a horoscope? This is not always apparent though, multi-dimensional image, a fascinating, abstract as the horoscope has a fi nite number of elements art form emerges. This leads the eye away from and also remains unchanged throughout a person’s the external details and reveals a wholeness in lifetime. The mind can review, understand and which we can see things that could not previously refl ect upon everything, once it knows the signs, be interpreted astrologically and often even houses, planets and aspect pattern in detail. -
A Mini-Course in Astrology Deciphering Your Horoscope Wheel
A Mini-Course in Astrology If you want to know more about astrology, here is a brief outline of how horoscopes work, concise meanings of each part of the horoscope and, scattered throughout, tips on how to put these parts together. Deciphering Your Horoscope Wheel The horoscope wheel is a complete, accurately calculated chart such as a professional astrologer would draw up. This wheel is actually a diagram showing how the planets and signs were arranged around you at the moment of your birth. Think of yourself, just being born, as being at the center. The two horizontal spokes are the horizon of the place where you were born. Above this line are the planets that were up in the sky. Below it are the planets that were hidden below the horizon. The sky is shown as if you were facing south. As the Earth turns on its axis each day, the Sun would rise to your left in the east, culminate or reach its highest point around noon, set to your right, and anticulminate or reach its lowest point about midnight before rising the next day. Were you born during the day or at night? If you look at your own horoscope wheel, you should see your Sun (q) either above or below the horizon, reflecting the time of day when you were born. The diagram above shows approximately where the Sun would be at various times during a 24-hour period. The planets, too, make this entire trip clockwise around the horoscope wheel each day, but each rises and sets at a different time. -
Michael Baigent from the Omens of Babylon
Celestial correspondence: modern invention or Egyptian epiphany? by Judy Hall Downloaded from www.astrozero.co.uk This is version 1.0 of the document (created 5 July 2005); given both the antiquity and the sheer scope of its subject-matter, it is inevitable that there will be many suggestions for improvement which readers may want to make. The author invites all such comments, which can be forwarded to her via the above website. What is below is as that which is above, and what is above is as that which is below, in order to perform the miracle of one thing only. The Emerald Tablet of Hermes Trismegistus (Trans.Lubicz quoting Huberlain, l7961) That which is above is like to that which is below, and that which is below is like to that which is above, to accomplish the miracles of (the) one thing. The Emerald Tablet of Hermes Trismegistus [Trans. Robert Steele and Dorothy Singer, 19282] ‘For this is the maxim of old Hermes, Quod est superius, est sicut id quod est inferius’ Ashmole Theatrum Chemicum Britannicum [1652]3 Heaven above, heaven below; stars above, stars below; All that is above, thus also below; understand this and be blessed 4 Kircher, Prodrom Copt. If I live or pass on, I am Osiris. I enter in and reappear through you. I decay in you, I grow in you, I fall down in you…. The gods are living in me for I live and grow in the corn that sustains the Honoured Ones. … I have entered the Order, I rely upon the Order, I become Master of the Order, I emerge in the Order. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. ART, ASTROLOGY AND ASTRONOMY AT THE WlPERiAL COURT OF RUDOLF ïI (1576 - 1612) by ANDREA S. BUBENLK A thesis submitted to the Depanment of An History In confonnity with the requirernents for the degree of Master of Arts Queen's University Kingston, Ontario, Canada December, 2000 ctlp).right G Andrea S. Bubenik National iibrary Bibliothèque nationale du Canada Aquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington OttawaûN KtAW O#awaON KIA ON4 Caneda Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract -nie wrkof artists at the Imperia1 court of Holy Roman Emperor Rudolf II ( 1576- 16 12) cannot be isolated from underlying court belief in the "magical universe" of the late Renaissance. Past historiography has often focused on the personality of the Emperor himself, at the expense of situating works of art more specifically in the context of his ccllection and court. -
Choosing a Man Through Astrology PLR Report
TarotReadingDaily.com Table of Contents Astrology and What it Means when Dating ............................................................ 1 Aries ....................................................................................................................... 2 Taurus .................................................................................................................... 3 Gemini ................................................................................................................... 4 Cancer .................................................................................................................... 5 Leo ......................................................................................................................... 6 Virgo ...................................................................................................................... 7 Libra Man ............................................................................................................... 8 Scorpio ................................................................................................................... 9 Sagittarius ............................................................................................................ 10 Aquarius............................................................................................................... 11 Pieces ................................................................................................................... 12 Conclusion .......................................................................................................... -
The Tetrabiblos
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com %s. jArA. 600003887W s ♦ ( CUAEPEAJr TERMST) T »|n 2E SI m -n_ Til / Vf .eras X ,8 ¥ 8JT? 8 i 8 %8 $ 8 »! c? 8 U 8 9 8 17? £ 8 9 7 u ?2 it 7 9 7 1?„ *1 It' 9 7 T?76 ?x U7 *S V? <* 6 9.6 6 5 v76 cf 6 9 6 *8 ?? A$6 0 5 »2 rf 5 U5 ni * a <* 5 \b 6** *l <? 5 U*6* <* 4 M 94 ?* <J 4 U4 9 *j? tic? 4 U4 9 4 9" \ ______ - Of the double Figures . the -first is the Day term.. the secontl.theNioht. * Solar Semicircle.-. A TiJ ^= tx\ / Vf lunar Df 03 1 8 t K « U Hot & Moist. Commanding T S IL S Jl nj i...Hot icDrv. Obeying ^ n\ / vf-=X %...HotSc Dry Moderately Masculine Diurnal. .TH A^/at %... Moist StWarnv. Feminine Nocturnal. B S Trj tit. Vf X y.. Indifferent . long Ascension Q «n«j^5=Tr^/ ~}..- Moist rather Warm.. ifibvl Z».* vy set X T W H I* ? k J . Benetic •-. Fixed tf «a TH. sas 1? <? Malefic. Bicorporeal _H ttj / X 0 y.... Indifferent.. Tropical °3 Vf \l J* iQMasculine. Equinoctial T ^i= ^ ^ Feminine . Fruitful d n\ X y Indifferent . Beholding icof..\ H & <5|/ &Vf I> \%Dj.. Diurnal. Equal Fewer. ...) 7* -rrK]=fi=-x ^J- 4 % } .Nocturnal . The Aspects 8 A D *^n{)'. -
Astrology and Astronomy: from Conjunction to Opposition Resources
Astrology and Astronomy: From Conjunction to Opposition Resources Daniel Kunth Institut d’Astrophysique de Paris, France E-mail:[email protected] Summary Key Words As science communicators dealing with astronomy we often find a strong interest amongst the public in astrology — how the stars and planets directly Astrology affect our individual lives. Nowadays astrology is at odds with the scientific Society nature of astronomy, but this has not always been the case. Presented here is a background to astrology, to give a deeper understanding of where it has come from and why it has such an enduring place in all forms of global media. Astrology has adapted to changes in soci- be considered a science. Astrological analy- constitutes a psychological alienation that ety throughout history, and as a result it sis, while sometimes quite sophisticated, can easily be over-exploited by those inter- continues to benefit from a positive public does not utilise any traditional scientific ested in financial gain. image. The commercial and social success methodology. Astrology even skips the nec- of astrology, largely driven by the media, is essary confrontation between hypothesis Throughout our own civilisation, astrology surprising given the dominance that science and proof, the opposite of a rigorous scien- has had both fervent and casual believers enjoys within our society. Its foundations tific approach. Astronomers oppose not only within nearly all social classes or cultures. exploit the widely held belief that pervasive the astrological assertion that cosmological From ancient times to the present, humans connections exist between the macrocosm positioning can directly impact a person’s have been challenged to predict and pre- (the Universe as a whole) and our microcosm destiny, but also astrology’s ignorance of pare for life events from the joyous to the (human society and social relationships). -
Astronomy and Astrology Philippe Zarka LESIA, Observatoire De Paris, 5 Place Jules Janssen, 92195 Meudon, France Email: [email protected]
The Role of Astronomy in Society and Culture Proceedings IAU Symposium No. 260, 2009 c International Astronomical Union 2011 D. Valls-Gabaud & A. Boksenberg, eds. doi:10.1017/S1743921311002602 Astronomy and astrology Philippe Zarka LESIA, Observatoire de Paris, 5 Place Jules Janssen, 92195 Meudon, France email: [email protected] Abstract. Astrology meets a large success in our societies, from the private to the political sphere as well as in the media, in spite of the demonstrated inaccuracy of its psychological as well as operational predictions. We analyse here the relations between astrology and astronomy, as well as the criticisms opposed by the latter to the former. We show that most of these criticisms are weak. Much stronger ones emerge from the analysis of the astrological practice compared to the scientific method, leading us to conclude to the non-scientificity of astrology. Then we return to the success of astrology, and from its analysis we propose a renewed (and prophylactic) rˆole for astronomy in society. Keywords. Astrology, sociology, psychology 1. Introduction: what is astrology? The influence of celestial bodies on Earth has several obvious manifestations: life on Earth depends on the Sun, seasons are linked to its position in the sky (due to the non- perpendicularity of the Earth’s rotation axis with respect to the ecliptic plane), ocean tides are controlled by the position of the Moon (via its differential gravitation) and of the Sun, and eclipses are due to Sun–Moon–Earth alignments. Astrology extrapolates these factual influences by postulating that the positions of the Sun, Moon and 8 planets other than Earth (hereafter called the “luminars” following Kunth & Zarka 2005) with respect to the sky background, as well as with respect to each other, influence terrestrial events and human psychology and destiny. -
Sub Signo Capricorni. the Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings
Artl@s Bulletin Volume 10 Issue 1 Images in Circulation Article 2 Sub signo Capricorni. The Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings Alessandra Magni independent scholar, [email protected] Umberto Verdura Ecole Normal Supérieure, [email protected] Gabriella Tassinari independent scholar, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/artlas Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Magni, Alessandra; Umberto Verdura; and Gabriella Tassinari. "Sub signo Capricorni. The Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings." Artl@s Bulletin 10, no. 1 (2021): Article 2. This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. This is an Open Access journal. This means that it uses a funding model that does not charge readers or their institutions for access. Readers may freely read, download, copy, distribute, print, search, or link to the full texts of articles. This journal is covered under the CC BY-NC-ND license. Images in Circulation Sub signo Capricorni. The Image of Capricorn in Glyptics: Literary Sources, Gemstones, Impressions, Drawings independent scholar Alessandra Magni École normale supérieure Umberto Verdura independent scholar Gabriella Tassinari Abstract The relationship between glyptics and the circulation of images can be analysed from differ- ent perspectives, as seen in the case study of the image of Capricorn. The goat-fish monster entered the European collective imagination during Antiquity, when its image was spread on gems and coins.