DOCSLIB.ORG

RUMBLE: the Indians Who Rocked the World Produced by Montreal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
RUMBLE: the Indians Who Rocked the World Produced by Montreal RUMBLE: The Indians Who Rocked the World Produced by Montreal film company Rezolution Pictures Selected for 2017 Sundance Film Festival in World Documentary Category Executive Producer: Tim Johnson, Senior Advisor of Bravo Niagara! FOR IMMEDIATE RELEASE December 1, 2016 - (Niagara-on-the-Lake, Ontario) Bravo Niagara! proudly congratulates Rezolution Pictures and Tim Johnson, a conceptual author and executive producer of the documentary RUMBLE: The Indians Who Rocked the World, on their film being invited to have its World Premiere at the 2017 Sundance Film Festival. Inspired by the Smithsonian Institution exhibit “Up Where We Belong: Native Musicians In Popular Culture," created by Tim Johnson (Mohawk) and Stevie Salas (Apache) for the National Museum of the American Indian, RUMBLE will tell the story of a profound, essential and, until now, missing chapter in the history of American music. In their role as executive producers of the documentary Tim and Stevie have continued to provide input and guidance on its content and development. “We couldn’t be more pleased than to have Tim as our senior advisor,” said Christine Mori, Artistic Director of Bravo Niagara!. “His experience at the highest level of directing a world-class art, history, and culture institution and of producing critically acclaimed exhibits and inspirational performing arts programs adds great strength and value to Bravo Niagara!’s persistent pursuit of curatorial excellence.” RUMBLE is the only exclusively Canadian-produced film announced by Sundance on Wednesday. RUMBLE, which is currently in post-production, is produced by the award-winning Montreal film company Rezolution Pictures. Directed by Catherine Bainbridge and co-directed by Alfonso Maiorana, RUMBLE was one of 113 feature-length films selected from among 13,782 Sundance film submissions (including 4,068 feature-length films and 8,985 short films). RUMBLE features biographies of Native music icons such as Buffy Sainte-Marie, Robbie Robertson, Mildred Bailey, Charley Patton, Oscar Pettiford, Jimi Hendrix, Rita Coolidge, and Jesse Ed Davis, supported by interviews with an impressive roster of participants including Quincy Jones, Tony Bennett, Martin Scorsese, Buddy Guy, Steven Van Zandt, and many others. “The honour of being invited to World Premiere RUMBLE at Sundance is both humbling and deeply gratifying,” said Mr. Johnson. “The thesis and concept for our original exhibit emerged when we were researching Native musicians who had success crossing over into mainstream culture. We discovered that their individual and collective contributions actually influenced and shaped several music genres spanning generations within popular music history.” Over a period of ten years Mr. Johnson’s executive leadership at the Smithsonian, as associate director for Museum Programs at the National Museum of the American Indian, produced a long list of critically acclaimed exhibits, influential programs, award-winning books and films, lectures, events, and periodicals, creating an era that significantly advanced the institution's museology and reputation. Bravo Niagara! believes music has the power to provide a platform for underrepresented voices and histories and is thrilled that Rezolution Pictures will be bringing international recognition to the vital contributions Native North Americans have made to popular music history. Read more: Sundance 2017 to Rock to Canada’s Beat (Toronto Star) http://on.thestar.com/2gAfHeM Read more: 2017 Sundance Film Festival: Competition And Next Lineup Announced http://www.sundance.org/blogs/news/competition-and-next-films-announced-for-2017-festival About Rezolution Pictures Rezolution Pictures is an award-winning film, television and interactive media production company, founded by Catherine Bainbridge and Ernest Webb, which plays a vital role in bringing cultural diversity to the North American broadcasting landscape. Since 2001 it has built itself a reputation for creating acclaimed series and one-of-a-kind productions, working with many of Canada’s best new and established talents to create unique comedy, dramatic, and non-fiction films, as well as video game programming, through its sister company Minority Media. The company produced the multiple- Gemini and Peabody Award-winning film, Reel Injun, as well as several award-winning documentaries and television series including the CSA-nominated Mohawk Girls, the Rockie-Award winning The Oka Legacy, Smoke Traders, Club Native, and Down The Mighty River. For more information please contact Rezolution Pictures media representative: Leisa Lee | [email protected] | 514-946-2010 The Leisa Lee Group Cote St. Luc Montreal, Qc H3X 2E8 Canada About Bravo Niagara! Festival of the Arts Bravo Niagara! is a not-for-profit organization dedicated to transforming communities through the power of music. Bravo Niagara! presents the world's finest Canadian and international artists in innovative, inspiring multi-sensory concert experiences in Niagara-on-the-Lake and the surrounding region. For more information about Bravo Niagara! please contact: Alexis Spieldenner | 289-686-3835 www.bravoniagara.org | [email protected] -30- .
Load more

Recommended publications
  • PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour
    FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Visit the PBS pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour A Provocative and Entertaining Look at the Portrayal of Native Americans in Cinema to Air November 2010 During Native American Heritage Month (San Francisco, CA)—Cree filmmaker Neil Diamond takes an entertaining, insightful, and often humorous look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema and examining the ways that the myth of “the Injun” has influenced the world’s understanding—and misunderstanding—of Natives. Narrated by Diamond with infectious enthusiasm and good humor, Reel Injun: On the Trail of the Hollywood Indian is a loving look at cinema through the eyes of the people who appeared in its very first flickering images and have survived to tell their stories their own way. Reel Injun: On the Trail of the Hollywood Indian will air nationally on the upcoming season of the Emmy® Award-winning PBS series Independent Lens in November 2010. Tracing the evolution of cinema’s depiction of Native people from the silent film era to today, Diamond takes the audience on a journey across America to some of cinema’s most iconic landscapes, including Monument Valley, the setting for Hollywood’s greatest Westerns, and the Black Hills of South Dakota, home to Crazy Horse and countless movie legends.
    [Show full text]
  • Imagine Native Nation
    Hour.ca ­ Film ­ Présence autochtone http://www.hour.ca/film/film.aspx?iIDArticle=17520 Film Front Now playing Upcoming Cinemas Repertory All films Présence autochtone June 11th, 2009 W rite a comment on this article ! The Taking of Pelham 123 Away We Go P résence autochtone Imagine native nation Melora Koepke June 4th, 2009 The Hangover [3] Festival Présence autochtone brings the best in aboriginal O'Horten culture to the city NFB 70th birthday Easy Virtue [1] It's time again for Présence autochtone, the festival that May 28th, 2009 celebrates all the arts and culture of North American native The Brothers Bloom [1] peoples (and some from around the world). It should be 2880 Film Blitz mentioned that the film portion of this festival is at the Every Little Step heart of a more extensive festival that features some very interesting art that's worth mentioning, as well as a May 21st, 2009 festival­like atmosphere at the centre of the city, Terminator: Salvation [1] specifically at Parc Émilie­Gamelin, at the corner of Berri Night at the Museum [2] and De Maisonneuve. Andrew Okpeaha MacLean's Sikumi The Limits of Control ­ Web (On the Ice) As far as artistic events go, I'm specifically intrigued by exclusive! [2] photo: Terres en vues Fragments, a ballet by Ojibway­Cree choreographer Lara May 14th, 2009 Kramer. The piece, which is a premiere, is based on the The Found Footage traumatic events that happened to her mother in the residential school system. Festival There will also be a special, super­interesting­looking section on the culture of the Marquesas, Il divo [1] Tahiti and French Polynesia.
    [Show full text]
  • RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
    FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures.
    [Show full text]
  • Visit Barrie Pribyl (Emeritus) Helen D
    WOMEN 2009 MAKE NEW RELEASES MOVIES WMM www.wmm.com Women Make Movies Staff Liza Brice Online Marketing & Outreach Coordinator ABOUT Jessica Drammeh IT/Facilities Coordinator WOMEN Teri Duerr Publicity & Publications Manager Kristen Fitzpatrick MAKE Distribution Manager Tracie Holder Production Assistance MOVIES Program Consultant Stephanie Houghton From cutting-edge documentaries that give depth to today’s headlines to Educational Sales & Marketing Coordinator smart, stunning films that push artistic and intellectual boundaries in all genres, Gayathri Iyer Women Make Movies (WMM) is the world’s leading distributor of independent Office Manager Maya Jakubowicz films by and about women. WMM’s commitment to groundbreaking films Finance & Administrative Manager continues in 2009 with 17 new, astonishing and inspiring works that tackle, with Bernadette Ludwig Finance Coordinator passion and intelligence, everything from human rights abuses in Nepal in Cristela Melendez Administrative Aide Julie Bridgham’s Human Rights Watch Nestor Almendros Prize Winner Merrill Sterritt THE SARI SOLDIERS, to Korean reunification with Canadian-Korean director Production Assistance Program Coordinator Min Sook Lee’s powerful TIGER SPIRIT, to change from post-apartheid South Julie Whang Sales & Marketing Manager Africa in internationally acclaimed director Kim Longinotto’s ROUGH AUNTIES, Debra Zimmerman and native identity in Mohawk filmmaker Tracey Deer’s second WMM film, Executive Director CLUB NATIVE. The WMM collection is used by thousands of educational, Board of Directors cultural, and community organizations across North America. In the last Claire Aguilar Vanessa Arteaga five years dozens of WMM films have been broadcast on PBS, HBO, Taina Bien-Aime and the Sundance Channel among others, and have garnered top awards from Tina DeFeliciantonio Sundance to Cannes, as well as Academy Awards®, Emmy Awards®, and Phoebe Eng Leslie Fields-Cruz Peabody Awards.
    [Show full text]
  • Key Creative Personnel: “Gespe’Gewa’Gi: the Last Land” S1 13 X 22-Minute Documentary Series for APTN, English and Mi’Gmaq Language Versions 2020-06-02
    BIOS -- Key Creative Personnel: “Gespe’gewa’gi: The Last Land” S1 13 x 22-minute documentary series for APTN, English and Mi’gmaq language versions 2020-06-02 Production Company Bio: Rezolution Pictures Inc. is an award-winning film, television and interactive media production company, founded by Ernest Webb and Catherine Bainbridge, which plays a vital role in bringing cultural diversity to the North American broadcasting landscape. Since 2001 it has built itself a reputation for creating acclaimed series and one-of-a-kind productions, working with many of Canada’s best new and established Indigenous talents to create unique comedy, dramatic, and documentary films and television series. In addition to the Sundance, Hot Docs, and Canadian Screen Award winner RUMBLE: The Indians Who Rocked the World, and Mohawk Girls, the company produced the multiple-Gemini and Peabody Award-winning film, Reel Injun, as well as several award-winning documentaries including The Oka Legacy, Smoke Traders, The Last Explorer, and Club Native. Rezolution has been producing documentary series with APTN for over a decade, creating successful programming in English and Indigenous languages such as Mohawk Girls, Down the Mighty River, Working it Out Together, Dream Big, Indians + Aliens, Dreamcatcher Bios, and Gespe’gewa’gi: The Last Land. List of Key Creative Personnel Ernest Webb Executive Producer / Writer / Co-Director (Cree) Greg Lawrence Executive Producer / Co-Director Lisa M. Roth Producer Catherine Bainbridge, Christina Executive Producers Fon, Linda Ludwick Heather Condo Trainee Director (Mi’gmaq) Carl Freed Editor / Co-Writer Rebecca Lessard Editor / Co-Writer Julian Morelli Editor / Co-Writer Edith Labbé DOP Kristen Brown Camera operator Marco Fania Sound recordist Rezolution Productions Inc.
    [Show full text]
  • Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
    Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE
    [Show full text]
  • Mohawk Girls: the Deft Interweaving of Gender and Race
    PRODUCTIONS / MARKETS / STRATEGIES HUMOR IN MOHAWK GIRLS: THE DEFT INTERWEAVING OF GENDER AND RACE JEAN SÉBASTIEN Name Jean Sébastien culture, comes out as an act of resilience that is manifested Academic centre Collège de Maisonneuve, Montréal by the First Nations’ director and producers. In the analysis (Québec) Canada of the documentary work of director Tracey Deer, an E-mail address [email protected] argument has been made to the effect that this resilience has historical roots in the culture of Hodinöhsö:ni’ KEYWORDS nations (once referred to as the Iroquois). In order for sitcom; First Nations; humor; race; gender. these communities to adjust to, at times, abrupt changes in their population, adoption of individuals or groups of ABSTRACT individuals has long been an important cultural institution. The sitcom Mohawk Girls (2014-2017) calls for a change This can be illustrated by the fact that the integration of in racialized and gendered identity models. Mohawk Girls a neighboring group to the Hodinöhsö:ni’ is referred to in deftly approaches racial issues, often in a serious tone, the group’s own culture as an adoption where an outside all the while giving its audience what it expects from eye might see it as the outcome of a political alliance. The a sitcom: witty dialogue, many of which play on issues show, through exaggeration and grotesque, takes on the of gender. Through the analysis of two episodes of the issues of gender and its games of seduction, all the while sitcom’s first season, we look at how the show represents considering the ambiguous interplay of seduction and issues of race on a reservation and how racialism is part of domination.
    [Show full text]
  • NSI Annual Report 2009-10
    annual report 09/10 training content creators in a changing world www.nsi-canada.ca I THE NuTs & bolTs of NsI 41 200+ Millions 100,000+ pages filled with associate faculty dollars that NSI has views of video content success stories about members – leaders generated for the on the NSI YouTube NSI training programs in the film and national and regional Channel. and award-winning television industry economies through the alumni. who collaborate in the production of projects design and delivery of emerging from its our training programs training programs and and mentor our through the ongoing students. work of our alumni. page 40-41 page 10-21 www.youtube.com/nsicanada 45+ 35+ 30+ 96% people employed by the film festivals NSI industry awards and alumni working in the NSI Totally Television Drama Prize films have accolades won by NSI screen industries. developed series Wapos screened at in the past alumni worldwide. Bay over five successful year. seasons. page 17 page 26 page 9 page 10 NsI ProfIlE The National Screen Institute – Canada (NSI) is a non-profit educational Facebook. NSI leads in the design and delivery of programs that provide institution with headquarters in Winnipeg. As Canada’s national film, training to Canada’s visible minority and Aboriginal screen professionals. Table of contents television and digital media training school, we train content creators Our graduates work in the industry and their projects contribute to the to succeed in this changing world. NSI Profile 1 regional and national economies stimulating employment for the long Message from the Co-Chairs; NSI Board 2 Our market-driven training programs have led to employment and term.
    [Show full text]
  • Indigenous-Film-Programme-2020-21
    1 REEL CANADA Uniting our Nations through Film WHO WE ARE REEL CANADA is a charitable organization whose mission is to introduce new audiences to the power and diversity of Canadian film and engage them in a conversation about identity and culture. Showcasing works by Indigenous filmmakers from Canada is an integral part of that mission. Our travelling film festival has reached over a million students – and it just keeps growing! WHAT WE DO LESSON PLANS AND Now entering our 16th season, we offer several programmes for students. And, through National RESOURCES Canadian Film Day (NCFD), we also bring an annual With a track record of thousands of successful school celebration of film to all Canadians. screenings, we can give you effective tools to get your colleagues and students excited about your Our Educational Programmes serve anywhere from event, and work with you to create a festival that will a single class to a whole school. They all incorporate resonate with your community. incredible work made by Indigenous filmmakers, and all of them are absolutely free of charge. We offer: • Film-specific lesson plans orf all feature-length Our Films in Our Schools: for more than 14 years, films in this programme we have helped teachers and students organize over 3,000 screenings of Canadian films • Lesson plans for Indigenous and Native studies courses Welcome to Canada: introducing new Canadians to Canadian film and culture through festival events • Lesson plans about Canadian film and torytellings designed specifically for English-language
    [Show full text]
  • New Sun:Layout 1
    Reaching Back + Reaching Out THE 7TH ANNUAL NEW SUN CONFERENCE ON ABORIGINAL ARTS: REACHING BACK + REACHING OUT The signature image for the 7th Annual earned her a devoted following. Her recent New Sun Conference on Aboriginal Arts award-winning film, Mohawk Girls, dramatically symbolizes this year’s theme, resonates with the experiences of youth far Reaching Back + Reaching Out. The beyond the Aboriginal community. No less photograph of dancer Santee Smith is a compelling are the smart and sassy lyric rich visual metaphor for a communal act of poems of performance artist Taqralik reaching back into the past to affirm the Partridge, whose wry observations of urban strength of traditions, to honour the Inuit life surge with a restless rhythm knowledge of elders, to rescue stories from and energy. The rhythms and energy of the shadows, and to revitalize art forms for contemporary Aboriginal life are given a new generation. The photographic image added context and historical depth by is no less a metaphor for reaching out heritage language conservationist Clealls beyond the Aboriginal community to a (John Medicine Horse Kelly), and ethno- myriad of other communities in a spirit of musicologist and pianist Elaine Keillor, who generosity and celebration. will trace the development of the ency- clopaedic websites, www.nativedance.ca and At this year’s conference Six Nations www.nativedrum.com. Joining them in dancer/choreographer Santee Smith will their presentation is singer Beverly Souliere, perform an excerpt from her work, a contributor to the latter website. Kaha:wi, and discuss the challenges and rewards of a life in dance.
    [Show full text]
  • DISCUSSION GUIDE Table of Contents Using This Guide 3
    DISCUSSION GUIDE Table of Contents Using This Guide 3 Indie Lens Pop-Up We Are All Neighbors Theme 4 About the Film 5 From the Filmmakers 6 Artist Profiles 8 Background Information 13 What is Indigenous Music? 13 Exclusion and Expulsion 14 Music and Cultural Resilience 15 The Ghost Dance and Wounded Knee 16 Native and African American Alliances 17 Discussion 18 Conversation Starter 18 Post-Screening Discussion Questions 19 Engagement Ideas 20 Potential Partners and Speakers 20 Activities Beyond a Panel 21 Additional Resources 22 Credits 23 DISCUSSION GUIDE RUMBLE: THE INDIANS WHO ROCKED THE WORLD 2 USING THIS GUIDE This discussion guide is a resource to support organizations hosting Indie Lens Pop-Up events for the film RUMBLE: The Indians Who Rocked the World. Developed primarily for facilitators, this guide offers background information and engagement strategies designed to raise awareness and foster dialogue about the integral part Native Americans have played in the evolution of popular music. Viewers of the film can use this guide to think more deeply about the discussion started in RUMBLE and find ways to participate in the national conversation. RUMBLE: The Indians Who Rocked the World is an invitation to come together with neighbors and pay tribute to Native influences on America’s most celebrated music. The film makes its PBS broadcast premiere on the Independent Lens series on January 21, 2019. Indie Lens Pop-Up is a neighborhood series that brings people together for film screenings and community-driven conversations. Featuring documentaries seen on PBS’s Independent Lens, Indie Lens Pop-Up draws local residents, leaders, and organizations together to discuss what matters most, from newsworthy topics to family and relationships.
    [Show full text]
  • Short Film Programme
    SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 43, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger and poverty. This Richler about how families deal with colours shifting in sync with jazz Oscar-nominated film was among older relatives, and the emotions COSMIC ZOOM music performed by the Oscar the first to incorporate computer- surrounding a grandmother’s death. Peterson Trio. animation technology. THE SWEATER THE BIG SNIT THE LOG DRIVER’S WALTZ Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. John Weldon 1979 3 min. Iconic author Roch Carrier narrates A wonderfully wacky look at two Kate and Anna McGarrigle sing a mortifying boyhood experience conflicts — global nuclear war and a along to the tale of a young girl who in this animated adaptation of his domestic quarrel — and how each is loves to dance and chooses to marry beloved book The Hockey Sweater. resolved. Nominated for an Oscar. a dancing log driver over her more well-to-do suitors.
    [Show full text]