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Now AVAILABLE in a BLU-RAY Edition! the CRITERION COLLECTION PRESENTS Fear and Loathing in Las Vegas
1998 now AVAILABLE In A BLU-RAY EdItIon! THE CRITERION COLLECTION PRESENTS FEAR And LoAthIng In LAs VEgAs JOHNNY DEPP AND BENICIO DEL TORO star IN A CRITERION ALL-TIME BEsT-sELLER— NOw ON BLU-RAY! It is 1971, and journalist Raoul Duke barrels toward Las Vegas—accompanied by a trunkful of contraband and his unhinged Samoan attorney, Dr. Gonzo—to cover a motorcycle race. His cut-and-dried assignment quickly descends into a feverish psychedelic odyssey. Director Terry GILLIAM (Time Bandits, Brazil) and an all-star cast headlined by JOHNNY DEPP (Edward Scissorhands, Donnie Brasco) and BENICIO DEL TORO (The Usual Suspects, Che) show no mercy in adapting HUNTER s. THOMPsON’s legendary dissection of the American way of life to the screen, creating a film both hilarious and savage. DIRECTOR-APPROVED BLU-RAY sPECIAL EDITION FEATUREs • Digital transfer, approved by director Terry Gilliam, with a “The last word on gonzo journalism DTS-HD Master Audio soundtrack and an optional 5.1 mix and the cinema.” • Three audio commentaries: one with Gilliam, one with stars Johnny Depp and Benicio Del Toro and producer —Sight & Sound Laila Nabulsi, and one with author Hunter S. Thompson • Deleted scenes, with optional commentary by Gilliam • Selection of Thompson correspondence, read on camera by Depp “The most widely released midnight • Hunter Goes to Hollywood, a short documentary by movie ever . A hilarious paean to filmmaker Wayne Ewing reckless indulgence.” • A look at the controversy over the screenwriting credit —The Village Voice • Profile of Oscar Zeta Acosta, the inspiration for Dr. Gonzo • Collection of artwork by illustrator Ralph Steadman • Audio excerpt from the 1996 spoken-word CD Fear and Loathing in Las Vegas, featuring filmmaker Jim Jarmusch 1998 • 119 mInUtEs • CoLoR • 2.0 sURRoUnd • and actor Maury Chaykin 2.35:1 AspECt RAtIo • Fear and Loathing on the Road to Hollywood, a 1978 BLU-RAY EDITION SRP $39.95 BBC documentary with Thompson and Steadman PREBOOk 3/29/11 STREET 4/26/11 • Storyboards, production designs, stills gallery, theatrical Cat. -
1 GEORGE MASON UNIVERSITY VISITING FILM SERIES April 29
GEORGE MASON UNIVERSITY VISITING FILM SERIES April 29, 2020 I am pleased to be here to talk about my role as Deputy Director of the Washington, DC International Film Festival, more popularly known as Filmfest DC, and as Director of the Arabian Sights Film Festival. I would like to start with a couple of statistics: We all know that Hollywood films dominate the world’s movie theaters, but there are thousands of other movies made around the globe that most of us are totally unaware of or marginally familiar with. India is the largest film producing nation in the world, whose films we label “Bollywood”. India produces around 1,500 to 2,000 films every year in more than 20 languages. Their primary audience is the poor who want to escape into this imaginary world of pretty people, music and dancing. Amitabh Bachchan is widely regarded as the most famous actor in the world, and one of the greatest and most influential actors in world cinema as well as Indian cinema. He has starred in at least 190 movies. He is a producer, television host, and former politician. He is also the host of India’s Who Wants to Be a Millionaire. Nigeria is the next largest film producing country and is also known as “Nollywood”, producing almost 1000 films per year. That’s almost 20 films per week. The average Nollywood movie is produced in a span of 7-10 days on a budget of less than $20,000. Next comes Hollywood. Last year, 786 films were released in U.S. -
Jane Campion
Jane Campion Det er nok kvindehistorier, Jane Campion laver, men det er også dramatiske historier om lidenskaber og ensomhed, om nødvendigheden af at overskride grænser og om ikke altid at vide, hvad man skal stille op med sig selv hinsides disse Jane Campion er født i 1954 i New grænse, og som tror, at et kunstnerisk Zealand. Hun blev for alvor berømt med virke kan give hende den meningsfulde The Piano i 1993; et melodram a om den sociale plads, hun mangler. Hun flytter unge kvinde Ada, der med sin datter flyt ind hos sin visne og tillukkede søster, som ter til en nybyggerkoloni i New Zealand, på sin side hader Sweetie, hvis viljestyrke hvor hun pr. brev er blevet gift med en og evne til at fylde - med undskyldning i farmer, der ikke tager det så nøje, at hun sin ikke-normalitet - synes at have forpe- har en illegitim datter. Jane Campion be stet hendes barndomsliv og splittet fami gyndte at lave film i starten af 1980’erne; lien ad. Sweeties drømme er blålys; hun kortfilmene Peel (1982), en absurd historie bruger sin energi og sin på én gang om en konfliktfyldt rødhåret familie på påtrængende og frodige kropslighed i en biltur og en dreng der nægter at adlyde sin slags barnlig protest mod søsterens kede bestemmende far, Passionless Moments lige og ufrugtbare nabolag, men hun dør i (1983), en episodisk kortfilm om en filmens slutning. række hverdagsmenneskers ydmyge og Sweetie har den store krop til fælles lavmælte drømme, og A GirVs Own Story med Janet i An Angel at M y Table (1990, (1984) om en flok teenagepiger på en En engel ved mit bord), der også er lavet til katolsk skole, der drøm m er om sex, frihed tv i en tre-timers version - historien er og The Beatles, er alle lavet på The baseret på den new zealandske forfatter Australian Film and Television School, Janet Frames selvbiografi. -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
Middle East Studies & Middle Eastern Diaspora
2009 MIDDLE EAST STUDIES & MIDDLE EASTERN DIASPORA New Releases 3 Middle Eastern Diaspora 6 Middle East Studies 10 The Work of Jayce Salloum 14 N EW R ELEASES Our mission is to foster the creation, appreciation and dissemination of social issue media made by or about people of color. Today, TWN carries on the progressive vision of NEW daughter. Hadja, a political asylum T H E W AY N O RTH : seeker from Algeria, is sans papiers its founders, and remains the oldest media arts organization M A G H R E B I W O M E N (without papers). The documentary shows these women's struggles to in the United States devoted to filmakers of color and I N M ARSEILLE Shara K. Lange, 2008, 60 min cultivate alternative economic and their global constituencies. "I thought that in France life would social supports for themselves in a be easier—it’s the land of liberty. society that has historically ignored But it wasn’t like that at all." --Fatima or misunderstood them. HO W T O O R D E R Rhazi “These women's lives in the context of a France that seemed From Marseille come the stories on the brink of exploding, provide Online: www.twn.org We accept institutional purchase of North African women making the opportunity for an “inside orders, credit cards and PayPal new lives for themselves in tense, view” of part of one of the most Email: [email protected] complex, contemporary France. consequential mass migrations accounts. Remember to add $20 in the world today as the Islamic for shipping and handling. -
MMF-2017 Katalog.Pdf
2 Welcome to MAFF Market Forum MAFF Market Forum 2 3 4 e city of Malmö Welcome to Malmö 5 7 Meet the experts Forum 40 41 Schedule Market Screenings 54 64 Critics Without Borders Nordic countries – Egypt 2017 Case Study / Beauty And e Dogs 70 CONTENT 1 General Manager Mouhamad Keblawi Photographer: Yazan Saad I WANT TO WISH YOU all a warm welcome to MAFF Market Forum 2017. We are both excited and proud to present our third edition of this unique and propitious industry platform. MAFF Market Forum was launched with the ambition to bring the two worlds together, intertwining them with a tailored program created to build partnerships in an intimate environment. We bring together producers, funders, distributors and lm professionals in order to foster a cultural exchange and expand the production landscape. MAFF Market Forum was sprung out of the same ambition as the festival itself; to promote the Arab lm industry, create a gender and cultural diversity in the lm industry, and of course - to ensure all stories get a chance to be heard and seen. Even before the implementation of the rst edition of MAFF Market Forum, we realized that the initiative would have a major impact. Said and done - today, after only two years, several Nordic-Arabic lm collaborations have been implemented and initiated through our platform. And when we say our platform, we include an incredibly important part of the success; the participants. We are beyond thrilled to every year welcome lm professionals from all over the world. is year is no exception, and some of the most signicant and inuential institutes and organizations from both the Nordic countries and the Arab world are attending. -
SAN FRANCISCO EMBRACES ARAB HERITAGE MONTH Arab Cultural Festival, Arab Film Festival, Roads of Arabia Exhibition Celebrate Arab Heritage Month in October
PRESS CONTACTS: For Arab Film Festival For Asian Art Museum Brianna Nelson Annie Tsang 515.528.0088 415.581.3560 [email protected] [email protected] SAN FRANCISCO EMBRACES ARAB HERITAGE MONTH Arab Cultural Festival, Arab Film Festival, Roads of Arabia exhibition celebrate Arab Heritage Month in October SAN FRANCISCO, Oct. 2, 2014—San Francisco celebrates Arab Heritage Month with three major events in October. The 20th Annual Arab Cultural Festival kicks off the festivities on Saturday, Oct. 4 in Union Square. This day-long event transforms Union Square into an Arab bazaar for one Saturday every year, offering food, games and entertainment to the whole family. On Oct. 10, the Arab Film Festival launches its 18th edition at the Castro Theatre with screenings throughout the Bay Area, serving as the largest independent annual showcase of Arab films and filmmakers in the country. Rounding out the month is the new exhibition Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia at the Asian Art Museum. Roads of Arabia features recent archaeological discoveries that have radically transformed our understanding of Saudi Arabia. The exhibition includes more than 200 objects, revealing the Arabian Peninsula’s role as a cultural crossroads through trade and pilgrimage over thousands of years. Event details follow. 20th Annual Arab Cultural Festival Union Square, 333 Post Street Sat., Oct. 4, 11 AM–6PM Free The Arab Cultural Festival is the largest celebration of Arab arts and culture in Northern California. Since 1995, this day-long event has showcased the arts, entertainment, cuisine, traditions and spirit of Arab Americans and the Arab world. -
Key Creative Personnel: “Gespe’Gewa’Gi: the Last Land” S1 13 X 22-Minute Documentary Series for APTN, English and Mi’Gmaq Language Versions 2020-06-02
BIOS -- Key Creative Personnel: “Gespe’gewa’gi: The Last Land” S1 13 x 22-minute documentary series for APTN, English and Mi’gmaq language versions 2020-06-02 Production Company Bio: Rezolution Pictures Inc. is an award-winning film, television and interactive media production company, founded by Ernest Webb and Catherine Bainbridge, which plays a vital role in bringing cultural diversity to the North American broadcasting landscape. Since 2001 it has built itself a reputation for creating acclaimed series and one-of-a-kind productions, working with many of Canada’s best new and established Indigenous talents to create unique comedy, dramatic, and documentary films and television series. In addition to the Sundance, Hot Docs, and Canadian Screen Award winner RUMBLE: The Indians Who Rocked the World, and Mohawk Girls, the company produced the multiple-Gemini and Peabody Award-winning film, Reel Injun, as well as several award-winning documentaries including The Oka Legacy, Smoke Traders, The Last Explorer, and Club Native. Rezolution has been producing documentary series with APTN for over a decade, creating successful programming in English and Indigenous languages such as Mohawk Girls, Down the Mighty River, Working it Out Together, Dream Big, Indians + Aliens, Dreamcatcher Bios, and Gespe’gewa’gi: The Last Land. List of Key Creative Personnel Ernest Webb Executive Producer / Writer / Co-Director (Cree) Greg Lawrence Executive Producer / Co-Director Lisa M. Roth Producer Catherine Bainbridge, Christina Executive Producers Fon, Linda Ludwick Heather Condo Trainee Director (Mi’gmaq) Carl Freed Editor / Co-Writer Rebecca Lessard Editor / Co-Writer Julian Morelli Editor / Co-Writer Edith Labbé DOP Kristen Brown Camera operator Marco Fania Sound recordist Rezolution Productions Inc. -
Vimeo Link for ALL of Bruce Jackson's and Diane
April 20, 2021 (42:12) Jane Campion: THE PIANO (1993,121 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the virtual BFS Vimeo link for our introduction to The Piano Zoom link for all Spring 2021 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Directed and written by Jane Campion Produced by Jan Chapman Original Music by Michael Nyman Cinematography by Stuart Dryburgh Film Editing by Veronika Jenet Cast Academy Awards for Best Actress in a Leading Role Holly Hunter...Ada McGrath (Hunter), Best Actress in a Supporting Role (Paquin), Harvey Keitel...George Baines Best Writing, Screenplay Written Directly for the Sam Neill...Alisdair Stewart Screen (Campion), and nominations for Best Anna Paquin...Flora McGrath Cinematography, Best Costume Design, Best Kerry Walker...Aunt Morag Director, Best Film Editing and Best Picture. At Geneviève Lemon...Nessie Cannes: Best Actress (Hunter) and Palme d’Or Tungia Baker...Hira (Campion, tied with Ba wang bie ji) Ian Mune...Reverend Peter Dennett...Head Seaman “There is a silence where hath been no sound Te Whatanui Skipwith...Chief Nihe There is a silence where no grave may be Pete Smith...Hone in the cold grave, under the deep deep sea.” Thomas Hood (1799-1845) Jane Campion (30 April 1954, Wellington, New Zealand) is a New Zealand screenwriter, producer, and director. -
Le 2 Septembre Au Cinéma
DOSSIER DE PRESSE LE 2 SEPTEMBRE AU CINÉMA Distribution & Presse SPLENDOR FILMS - 2 bld Saint-Denis 75010 PARIS - T. 09 81 09 83 55 www.splendor-films.com Synopsis Psychologiquement et affectivement perturbée, Kay éprouve de profondes angoisses dans la vie. Son mariage avec Louis n’arrange que momentanément les choses. Le retour de sa sœur aînée Sweetie, va bouculer l’existence du couple. Notes de la réalisatrice « L’expérience des festivals comme Cannes ou ailleurs m’a fait me rendre compte que les gens semblaient apprécier le style de films que j’avais commencé à faire. Ça m’a décidé à essayer de faire un long métrage moderne à petit budget attaché à mon propre style. Je pensais que si nous ne demandions pas beaucoup d’argent, on nous laisserait essayer quelque chose de peu commun. Je me disais qu’il aurait été fantastique de faire un film avec la génération de cinéastes avec qui j’ai grandi. Pour la plupart d’entre nous, ce fut notre premier long métrage. » JANE CAMPION Entretien avec Jane Campion Propos recueillis par Michel Ciment (Cannes, 17 mai 1989) Extraits tirés de Jane Campion par Jane Campion, Michel Ciment, Éditions Cahiers du Cinéma, 2014 « Qu’avez-vous fait pendant ces trois années qui séparent vos courts métrages de Sweetie ? Après la présentation de mes films au Festival de Cannes, j’ai réfléchi à ce que j’allais entreprendre dans la mesure où des possibilités s’ouvraient à moi. Le premier projet que je voulais mener à bien c’était Sweetie, car il me semblait reposer sur le point de vue le plus moderne et le plus provocateur. -
Academy Announces 2020 Grant Recipients
MEDIA CONTACT [email protected] May 12, 2020 FOR IMMEDIATE RELEASE ACADEMY ANNOUNCES 2020 GRANT RECIPIENTS LOS ANGELES, CA – The Academy Foundation of the Academy of Motion Picture Arts and Sciences announced today the 96 recipients of its 2020 FilmCraft and FilmWatch grants, including recipients of the emergency grant funds announced last month in response to the COVID-19 pandemic. All of the grants, which total a combined $2.5 million in funds, are awarded based on current need to organizations that support filmmakers and reach audiences from underserved communities. “The Academy’s first priority remains to help those in our film community most impacted by the current global crisis. Our contribution of $2 million in emergency funds to the Academy Foundation, along with the grants we bestow on an annual basis, will surely benefit struggling organizations so they may continue to encourage diverse storytelling and enrich cinema and its artists,” said Academy governor and Education Committee chair Nancy Utley. “The Academy’s Grants committee is honored to continue to provide much-needed support to these 96 worthy organizations – their impact on the world of film is truly immeasurable,” said Marcus Hu, chair of the Grants committee. Grants range from $5,000-$200,000. Recipient institutions and programs are as follows: African Diaspora Film Festival, Inc. (New York, NY) African Film Festival (New York, NY) American Museum of Natural History/Margaret Mead Film Festival (New York, NY) American Film Institute (Los Angeles, CA) Arabian Sights -
Mohawk Girls: the Deft Interweaving of Gender and Race
PRODUCTIONS / MARKETS / STRATEGIES HUMOR IN MOHAWK GIRLS: THE DEFT INTERWEAVING OF GENDER AND RACE JEAN SÉBASTIEN Name Jean Sébastien culture, comes out as an act of resilience that is manifested Academic centre Collège de Maisonneuve, Montréal by the First Nations’ director and producers. In the analysis (Québec) Canada of the documentary work of director Tracey Deer, an E-mail address [email protected] argument has been made to the effect that this resilience has historical roots in the culture of Hodinöhsö:ni’ KEYWORDS nations (once referred to as the Iroquois). In order for sitcom; First Nations; humor; race; gender. these communities to adjust to, at times, abrupt changes in their population, adoption of individuals or groups of ABSTRACT individuals has long been an important cultural institution. The sitcom Mohawk Girls (2014-2017) calls for a change This can be illustrated by the fact that the integration of in racialized and gendered identity models. Mohawk Girls a neighboring group to the Hodinöhsö:ni’ is referred to in deftly approaches racial issues, often in a serious tone, the group’s own culture as an adoption where an outside all the while giving its audience what it expects from eye might see it as the outcome of a political alliance. The a sitcom: witty dialogue, many of which play on issues show, through exaggeration and grotesque, takes on the of gender. Through the analysis of two episodes of the issues of gender and its games of seduction, all the while sitcom’s first season, we look at how the show represents considering the ambiguous interplay of seduction and issues of race on a reservation and how racialism is part of domination.