2011–2012 Annual Report 2011–2012 Annual Report Table of Contents
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Intra-Actions with Educational Media at the National Film Board of Canada, 1960-2016
Making Waves: Intra-actions with Educational Media at the National Film Board of Canada, 1960-2016 CAROLYN STEELE A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PRODRAM IN COMMUNICATION AND CULTURE APRIL 2017 YORK UNIVERSITY TORONTO, ONTARIO © Carolyn Steele 2017 ABSTRACT This dissertation aims to excavate the narrative of educational programming at the National Film Board of Canada (NFB) from 1960 to 2016. The producers and creative staff of Studio G – the epicentre of educational programming at the NFB for over thirty years – produced extraordinarily diverse and innovative multimedia for the classroom. ‘Multimedia’ is here understood as any media form that was not film, including filmstrips, slides, overhead projecturals, laserdiscs and CDs. To date, there have been no attempts to document the history of educational programming at the NFB generally, nor to situate the history of Studio G within that tradition. Over the course of five years, I have interviewed thirty-four NFB technicians, administrators, producers and directors in the service of creating a unique collective narrative tracing the development of educational media and programming at the NFB over the past fifty- six years and began to piece together an archive of work that has largely been forgotten. Throughout this dissertation, I argue that the forms of media engagement pioneered by Studio G and its descendants fostered a desire for, and eventually an expectation for specific media affordances, namely the ability to sequence or navigate media content, to pace one’s progress through media, to access media on demand and to modify media content. -
PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Visit the PBS pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour A Provocative and Entertaining Look at the Portrayal of Native Americans in Cinema to Air November 2010 During Native American Heritage Month (San Francisco, CA)—Cree filmmaker Neil Diamond takes an entertaining, insightful, and often humorous look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema and examining the ways that the myth of “the Injun” has influenced the world’s understanding—and misunderstanding—of Natives. Narrated by Diamond with infectious enthusiasm and good humor, Reel Injun: On the Trail of the Hollywood Indian is a loving look at cinema through the eyes of the people who appeared in its very first flickering images and have survived to tell their stories their own way. Reel Injun: On the Trail of the Hollywood Indian will air nationally on the upcoming season of the Emmy® Award-winning PBS series Independent Lens in November 2010. Tracing the evolution of cinema’s depiction of Native people from the silent film era to today, Diamond takes the audience on a journey across America to some of cinema’s most iconic landscapes, including Monument Valley, the setting for Hollywood’s greatest Westerns, and the Black Hills of South Dakota, home to Crazy Horse and countless movie legends. -
Imagine Native Nation
Hour.ca Film Présence autochtone http://www.hour.ca/film/film.aspx?iIDArticle=17520 Film Front Now playing Upcoming Cinemas Repertory All films Présence autochtone June 11th, 2009 W rite a comment on this article ! The Taking of Pelham 123 Away We Go P résence autochtone Imagine native nation Melora Koepke June 4th, 2009 The Hangover [3] Festival Présence autochtone brings the best in aboriginal O'Horten culture to the city NFB 70th birthday Easy Virtue [1] It's time again for Présence autochtone, the festival that May 28th, 2009 celebrates all the arts and culture of North American native The Brothers Bloom [1] peoples (and some from around the world). It should be 2880 Film Blitz mentioned that the film portion of this festival is at the Every Little Step heart of a more extensive festival that features some very interesting art that's worth mentioning, as well as a May 21st, 2009 festivallike atmosphere at the centre of the city, Terminator: Salvation [1] specifically at Parc ÉmilieGamelin, at the corner of Berri Night at the Museum [2] and De Maisonneuve. Andrew Okpeaha MacLean's Sikumi The Limits of Control Web (On the Ice) As far as artistic events go, I'm specifically intrigued by exclusive! [2] photo: Terres en vues Fragments, a ballet by OjibwayCree choreographer Lara May 14th, 2009 Kramer. The piece, which is a premiere, is based on the The Found Footage traumatic events that happened to her mother in the residential school system. Festival There will also be a special, superinterestinglooking section on the culture of the Marquesas, Il divo [1] Tahiti and French Polynesia. -
Plan Technologique 2016-2020
L’ONF EST UN PRODUCTEUR ET DISTRIBUTEUR PUBLIQUE D’OEUVRES AUDIOVISUELLES. • Établis en 1939. • Plus de 14,000 productions dont 200 en développement chaque année. • 13 studios dans 9 villes canadiennes. • Principalement des documentaires, animations et des œuvres interactives. • 75 nominations aux Oscar®, plus de 5,000 prix. Inventaire • Collection d’oeuvres - 14 000 linéaires ( 10 000 en format pellicule, 3000 en format vidéos et 1000 en format « Born Digital ») - 100 intéractives (web, application) •Plans d’archives 4000 heures ou 60 000 plans •Musique et effets sonores 20 0000 effets et 6000 rubans-maître de musique •Photos 500 000 éléments Plan de numérisation et conservation En 2008 l’ONF à démarrer la mise en oeuvre d’un vaste plan de numérisation et conservation. 1. Favoriser l’accessibilité actuelle et future des œuvres de l’ONF en formats numériques. 2. Assurer la préservation des Objectifs œuvres de l’ONF sur les supports numériques. 3. Restaurer les œuvres de l’ONF ayant subi des détériorations dues à l’usure. Plan de numérisation et conservation À date nous avons numérisé toutes les œuvres de la collection active (soit 60 % des oeuvres). Afin de répondre aux demandes d’accessibilité courantes de l’ONF Ainsi, nous traitons 8000 titres. Ils se répartissent ainsi : - 1500 titres en 35 mm - 4500 titres en 16 mm - 1500 titres en vidéo (SD ou HD) - 500 titres « Born Digital » Nous numérisons nos œuvres sur film dans les résolutions suivantes : - 3K - les œuvres en bon état en format 16 mm ou en 35 mm - 6K - les œuvres patrimoniales en 16 mm et en 35 mm, les œuvres à risque en 16 et 35 mm Les œuvres en format vidéo (SD et HD) et Born Digital dans la meilleure résolution offerte par la source. -
COUNCIL Agenda
ST JOHN’S COLLEGE COUNCIL Agenda For the Meeting of January 24, 2018 Meal at 5:30, Meeting from 6:00 Room 108, St John’s College 1. Opening Prayer 2. Approval of the Agenda 3. Approval of the November 22, 2017 Minutes 4. Business arising from the Minutes 5. New Business a) Set the budget parameters for the upcoming fiscal year b) Bequest from the estate of Dorothy May Hayward c) Appointment of Architectural firm to design the new residence d) Approval of the Sketch Design Offer of Services for the new residence e) Development Committee f) Call for Honorary Degree Nominations 6. Reports from Committees, College Officers and Student Council a) Reports from Committees – Council Executive, Development, Finance & Admin. b) Report from Assembly c) Reports from College Officers and Student Council i) Warden ii) Dean of Studies iii) Development Office iv) Dean of Residence v) Spiritual Advisor vi) Bursar vii) Registrar viii) Senior Stick 7. Other Business 8. Adjournment ST JOHN’S COLLEGE COUNCIL MINUTES For the Meeting of November 22, 2017 Meal at 5:30, Meeting from 6:00 Room 108, St John’s College Present: D. Watt, G. Bak, P. Cloutier (Chair), J. McConnell, H. Richardson, J. Ripley, J. Markstrom, I. Froese, P. Brass, C. Trott, C. Loewen, J. James, S. Peters (Secretary) Regrets: D. Phillips, B. Pope, A. Braid, E. Jones, E. Alexandrin 1. Opening Prayer C. Trott opened the meeting with prayer. 2. Approval of the Agenda MOTION: That the agenda be approved as distributed. D. Watt / J. McConnell CARRIED 3. Approval of the September 27, 2017 Minutes MOTION: That the minutes of the meeting of September 27, 2017 be approved as distributed. -
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O
ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca/en E-mail: [email protected] Cover page: ANGRY INUK, Alethea Arnaquq-Baril © 2017 National Film Board of Canada ISBN 0-7722-1278-3 2nd Quarter 2017 Printed in Canada TABLE OF CONTENTS 2016–2017 IN NUMBERS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS 1. THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 2. INCLUSION 3. WORKS THAT REACH EVER LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 4. AN ORGANIZATION FOCUSED ON THE FUTURE AWARDS AND HONOURS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES IN 2016–2017 FINANCIAL STATEMENTS ANNEX I: THE NFB ACROSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP AS THE CROW FLIES Tess Girard August 1, 2017 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2017. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada ANTHEM Image from Canada 150 video 6 | 2016-2017 2016–2017 IN NUMBERS 1 VIRTUAL REALITY WORK 2 INSTALLATIONS 2 INTERACTIVE WEBSITES 67 ORIGINAL FILMS AND CO-PRODUCTIONS 74 INDEPENDENT FILM PROJECTS -
RUMBLE: the Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.Org
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom RUMBLE: The Indians Who Rocked the World Premieres on Independent Lens Monday, January 21, 2019 on PBS and PBS.org An Electrifying Look at the Native American Influence in Popular Music Despite Attempts to Ban, Censor and Erase Indian Culture (San Francisco, CA) — A musical celebration of how Native American musicians transformed blues, jazz and rock, RUMBLE: The Indians Who Rocked the World, will premiere on Independent Lens Monday, January 21, 2019, 10:00-11:30 PM ET (check local listings) on PBS, and will also be available simultaneously for online streaming at pbs.org. As the film reveals, early pioneers of the blues such as Charley Patton had Native as well as African American roots, and one of the first and most influential jazz singers, Mildred Bailey, had a voice trained on Native American songs. As the folk rock era took hold in the ‘60s and ‘70s, Native Americans such Link Wray. as Robbie Robertson and Buffy Sainte-Marie helped to define Credit: Bruce Steinberg, courtesy of its evolution, and Native guitarists and drummers like Link LinkWray.com Wray, Jimi Hendrix, Jesse Ed Davis and Randy Castillo forever changed the trajectory of rock and roll. The film is directed by Catherine Bainbridge (Reel Injun), co-directed by Alfonso Maiorana, executive produced by legendary rock guitarist Stevie Salas (Apache) and Tim Johnson (Mohawk), and produced by Christina Fon, VP and Executive Producer of Rezolution Pictures. -
May 6–15, 2011 Festival Guide Vancouver Canada
DOCUMENTARY FILM FESTIVAL MAY 6–15, 2011 FESTIVAL GUIDE VANCOUVER CANADA www.doxafestival.ca facebook.com/DOXAfestival @doxafestival PRESENTING PARTNER ORDER TICKETS TODAY [PAGE 5] GET SERIOUSLY CREATIVE Considering a career in Art, Design or Media? At Emily Carr, our degree programs (BFA, BDes, MAA) merge critical theory with studio practice and link you to industry. You’ll gain the knowledge, tools and hands-on experience you need for a dynamic career in the creative sector. Already have a degree, looking to develop your skills or just want to experiment? Join us this summer for short courses and workshops for the public in visual art, design, media and professional development. Between May and August, Continuing Studies will off er over 180 skills-based courses, inspiring exhibits and special events for artists and designers at all levels. Registration opens March 31. SUMMER DESIGN INSTITUTE | June 18-25 SUMMER INSTITUTE FOR TEENS | July 4-29 Table of Contents Tickets and General Festival Info . 5 Special Programs . .15 The Documentary Media Society . 7 Festival Schedule . .42 Acknowledgements . 8 Don’t just stand there — get on the bus! Greetings from our Funders . .10 Essay by John Vaillant . 68. Welcome from DOXA . 11 NO! A Film of Sexual Politics — and Art Essay by Robin Morgan . 78 Awards . 13 Youth Programs . 14 SCREENINGS OPEning NigHT: Louder Than a Bomb . .17 Maria and I . 63. Closing NigHT: Cave of Forgotten Dreams . .21 The Market . .59 A Good Man . 33. My Perestroika . 73 Ahead of Time . 65. The National Parks Project . 31 Amnesty! When They Are All Free . -
NFB TEAM Producer Mixing Hugues Sweeney Serge Boivin Geoffrey Mitchell Administrator Jean-Paul Vialard Manon Provencher Luc Léger
nfb.ca/mytribe An interActive documentAry thAt Allows us to experience the worlds of 8 music fAns And see how the internet trAnsforms their interpersonAl relAtionships And helps forge their identity. 8 chArActers, 8 music styles, 8 views of the web And sociAl networks. PRESS KIT An interActive documentAry thAt Allows us to experience the worlds of 8 music fAns And see how the internet trAnsforms their interpersonAl relAtionships And helps forge their identity. 8 chArActers, 8 music styles, 8 views of the web And sociAl networks. nfb.ca/mytribe from reallife? is it a powerful conversely, engine for the distinctions construction or, of new communities? Can the virtual even be dissociated apprehend the world’s diversity if they are systematically searching for what is But “the can same?” Does the the reassurance Internet offered erase cultural by this virtual social life result in isolation, even to the exclusion of reality? “safe virtual home”,aspaceinwhichtoopenupandrevealone’strueself. How do users a becomes thus Web The validated. been has identity their that proof opinions—all and approval, of signs comments, receive to for their “fellows,” they choose a tribe to which to belong. In return for expressing themselves, sharing and posting, they expect Online social networks enable people to images share and music, emotions. information, Looking vehicle for forging an identity. each To his own “tribe”: Goth, emo, reggae, rap, vampire … Music is often more than a simple cultural product; it acts as a born between1982and1996.Thispermanentconnectionnecessarilychangeshowtheyseetheworld. users “connected”)—Web (for “C” Generation is This online. week a hours twenty than more spending are Quebecers young went, goes virtual, the definition remains unchanged but the practice revolutionizesTwenty everyday years after life. -
2012–2013 NFB Annual Report
Annual Report T R L REPO A NNU 20 1 2 A 201 3 TABLE 03 Governance OF CONTENTS 04 Management 01 Message from 05 Summary of the NFB Activities 02 Awards Received 06 Financial Statements Annex I NFB Across Canada Annex II Productions Annex III Independent Film Projects Supported by ACIC and FAP Photos from French Program productions are featured in the French-language version of this annual report at http://onf-nfb.gc.ca/rapports-annuels. © 2013 National Film Board of Canada ©Published 2013 National by: Film Board of Canada Corporate Communications PublishedP.O. Box 6100,by: Station Centre-ville CorporateMontreal, CommunicationsQuebec H3C 3H5 P.O. Box 6100, Station Centre-ville Montreal,Phone:© 2012 514-283-2469 NationalQuebec H3CFilm Board3H5 of Canada Fax: 514-496-4372 Phone:Internet:Published 514-283-2469 onf-nfb.gc.ca by: Fax:Corporate 514-496-4372 Communications Internet:ISBN:P.O. Box 0-7722-1272-4 onf-nfb.gc.ca 6100, Station Centre-ville Montreal, Quebec H3C 3H5 4th quarter 2013 ISBN: 0-7722-1272-4 4thPhone: quarter 514-283-2469 2013 GraphicFax: 514-496-4372 design: Oblik Communication-design GraphicInternet: design: ONF-NFB.gc.ca Oblik Communication-design ISBN: 0-7722-1271-6 4th quarter 2012 Cover: Stories We Tell, Sarah Polley Graphic design: Folio et Garetti Cover: Stories We Tell, Sarah Polley Cover: Soldier Brother Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper Printed in Canada/100% recycled paper 2012–2013 NFB Annual Report 2012–2013 93 Independent film projects IN NUMBERS supported by the NFB (FAP and ACIC) 76 Original NFB films and 135 co-productions Awards 8 491 New productions on Interactive websites NFB.ca/ONF.ca 83 33,721 Digital documents supporting DVD units (and other products) interactive works sold in Canada * 7,957 2 Public installations Public and private screenings at the NFB mediatheques (Montreal and Toronto) and other community screenings 3 Applications for tablets 6,126 Television broadcasts in Canada * The NFB mediatheques were closed on September 1, 2012, and the public screening program was expanded. -
Webdocumentário E As Funções Para a Interação No Gênero Emergente: Análise De Fort Mcmoney E Bear 71
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL ― PUCRS UNIDADE ACADÊMICA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO SOCIAL FERNANDA BERNARDES WEBDOCUMENTÁRIO E AS FUNÇÕES PARA A INTERAÇÃO NO GÊNERO EMERGENTE: ANÁLISE DE FORT MCMONEY E BEAR 71 Porto Alegre 2015 Fernanda Bernardes WEBDOCUMENTÁRIO E AS FUNÇÕES PARA A INTERAÇÃO NO GÊNERO EMERGENTE: Análise de Fort Mcmoney e Bear 71 Dissertação apresentada como requisito para obtenção do título de Mestre pelo Programa de Pós- Graduação em Comunicação Social da Faculdade de Comunicação da Pontifícia Universidade Católica do Rio Grande do Sul ― PUCRS. Orientador: Roberto Tietzmann. Porto Alegre 2015 Fernanda Bernardes WEBDOCUMENTÁRIO E AS FUNÇÕES PARA A INTERAÇÃO NO GÊNERO EMERGENTE: Análise de Fort Mcmoney e Bear 71 Dissertação apresentada como requisito para obtenção do título de Mestre pelo Programa de Pós- Graduação em Comunicação Social da Faculdade de Comunicação da Pontifícia Universidade Católica do Rio Grande do Sul ― PUCRS. Aprovada em ___ de ____________ de ____. BANCA EXAMINADORA Orientador: Prof. Dr. Roberto Tietzmann – PUCRS Prof. Dr. André Fagundes Pase – PUCRS Prof.ª Dr.ª Miriam de Souza Rossini – UFRGS LISTA DE IMAGENS Figura 1. Proposta de leitura dos gêneros documentário interativo e webdocumentário ......... 19 Figura 2. Navegação em Aspen Movie Map ............................................................................. 28 Figura 3. Cena de Moss Landing ............................................................................................. -
Database Aesthetics, Modular Storytelling, and the Intimate Small Worlds of Korsakow Documentaries 2016
Repositorium für die Medienwissenschaft Anna Wiehl Database aesthetics, modular storytelling, and the intimate small worlds of Korsakow documentaries 2016 https://doi.org/10.25969/mediarep/3331 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Wiehl, Anna: Database aesthetics, modular storytelling, and the intimate small worlds of Korsakow documentaries. In: NECSUS. European Journal of Media Studies, Jg. 5 (2016), Nr. 1, S. 177– 197. DOI: https://doi.org/10.25969/mediarep/3331. Erstmalig hier erschienen / Initial publication here: https://www.necsus-ejms.org/test/korsakow-documentaries/ Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0 Attribution - Non Commercial - No Derivatives 4.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0 EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Database aesthetics, modular storytelling, and the intimate small worlds of Korsakow documentaries Anna Wiehl NECSUS 5 (1), Spring 2016: 177–197 URL: https://necsus-ejms.org/korsakow-documentaries Keywords: complexity, database narrative, digital documentary, non-linearity, relationality, small data Small – the alternative big? Within the context of digitalisation