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VERSÃO INTEGRAL (Pdf) #18 INTERATIVIDADE E DOCUMENTÁRIO INTERACTIVIDAD Y DOCUMENTAL INTERACTIVITY AND DOCUMENTARY INTERACTIVITÉ ET DOCUMENTAIRE SETEMBRO/2015 CONSELHO EDITORIAL Alfonso Palazón (Universidad Rey Juan Carlos, Espanha) Annie Comolli (École Pratique des Hautes Études, França) António Fidalgo (Universidade da Beira Interior, Portugal) António Weinrichter (Universidad Carlos III, Espanha) Bienvenido León Anguiano (Universidad de Navarra, Espanha) Casimiro Torreiro (Universidad Carlos III Madrid, Espanha) Cássio dos Santos Tomaim (Universidade Federal de Santa Maria, Brasil) Catherine Benamou (Universidade da California-Irvine, EUA) Claudine de France (Centre National de la Recherche Scientifique - CNRS, França) Frederico Lopes (Universidade da Beira Interior, Portugal) Gordon D. Henry (Michigan State University, EUA) Javier Campo (Universidad Nacional del Centro - UNICEN; Consejo Nacional de Investigaciones Científicas y Técnicas - CONICET, Argentina) José da Silva Ribeiro (Universidade Aberta, Portugal) José Filipe Costa (IADE-Instituto de Artes Visuais, Design e Marketing, Portugal) João Luiz Vieira (Universidade Federal Fluminense, Brasil) Julio Montero (Universidad Complutense de Madrid, Espanha) Luís Nogueira (Universidade da Beira Interior, Portugal) Luiz Antonio Coelho (Pontifícia Universidade Católica do Rio de Janeiro, Brasil) Margarita Ledo Andión (Universidad de Santiago de Compostela, Espanha) María Luisa Ortega Gálvez (Universidad Autónoma de Madrid, España) Michel Marie (Université de la Sorbonne Nouvelle - Paris III , França) Miguel Serpa Pereira (Pontifícia Universidade Católica do Rio de Janeiro, Brasil) Patrick Russell LeBeau (Michigan State University, EUA) Paula Mota Santos (Universidade Fernando Pessoa, Portugal) Paulo Serra (Universidade da Beira Interior, Portugal) Philippe Lourdou (Université Paris X – Nanterre, França) Robert Stam (New York University, EUA) Rosana de Lima Soares (Universidade de São Paulo, Brasil) Samuel José Holanda de Paiva (Universidade Federal de São Carlos, Brasil) Tito Cardoso e Cunha (Universidade da Beira Interior, Portugal) © Doc On-line www.doc.ubi.pt Revista Digital de Cinema Documentário | Revista Digital de Cine Documental | Digital Magazine on Documentary Cinema | Révue Électronique de Cinéma Documentaire Universidade da Beira Interior (Portugal), Universidade Estadual de Campinas (Brasil) Periodicidade semestral>Periodicidad semestral>Semestral periodicity>Périodicité semestrielle Editores: [email protected], [email protected] setembro | setiembre | september | septembre 2015 ISSN: 1646-477X DOI: 10.20287/doc.d18 Membros do Conselho que participaram na presente edição | Miembros del Consejo Editorial que participaron en esta edición | Members of the Editorial Board that participated in this edition | Membres du Conseil Editorial qui ont participé à cette édition: Casimiro Torreiro, Cássio dos Santos Tomaim, Javier Campo, José Filipe Costa, Luís Nogueira, Luiz Antonio Coelho, Miguel Serpa Pereira, Paula Mota Santos, Samuel José Holanda de Paiva, Tito Cardoso e Cunha. Outros avaliadores | Otros evaluadores | Other evaluators | Autres évaluateurs: Paulo Cunha. Índice EDITORIAL Editorial | Editor’s note | Éditorial Interatividade e documentário Marcius Freire, Manuela Penafria ........................................................................... - 2 - DOSSIER TEMÁTICO Dossier temático | Thematic dossier | Dossier Thématique O webdocumentário como um documentário feito de uma narrativa interativa, hipertextual e participativa Tatiana Levin ........................................................................................................... - 5 - Documentário e tecnologia: duas realidades em desenvolvimento paralelo Patrícia Nogueira ................................................................................................... - 33 - El documental interactivo en la cultura de convergencia y las narrativas transmedia Maximiliano de la Puente; Lorena Díaz Quiroga .................................................. - 61 - Documentários com ginga, perspectivas do documentarismo: dos webdocs à tv digital interativa brasileira Bráulio de Britto Neves ......................................................................................... - 84 - Brasil, mostra a sua cara: aproximações ao cenário brasileiro de documentários interativos André Paz; Julia Salles ......................................................................................... - 130 - Interatividade digital, audiência e webdocumentários Paulo Eduardo Cajazeira; José Jullian Gomes de Souza ...................................... - 166 - ARTIGOS Artículos | Articles | Articles O confinamento de Vanda: uma leitura do dispositivo Roberta Veiga ..................................................................................................... - 192 - Realismos audiovisuais: visibilidades intertextuais em documentários televisivos Rosana de Lima Soares ....................................................................................... - 216 - Glauber sob um regime de urgência Érico Araújo Lima ................................................................................................ - 241 - i La primera persona, el amor y la persistencia de las preguntas en El telón de azúcar, de Camila Guzmán Urzúa Anabella Castro Avelleyra ................................................................................... - 272 - Da exibição dos filmes da Comissão Rondon Ana Lobato .......................................................................................................... - 300 - LEITURAS Lecturas | Readings | Comptes Rendus Cinensaios de Agnès Varda: o documentário como escrita para além de si Letizia Osorio Nicoli ............................................................................................. - 324 - ANÁLISE E CRÍTICA DE FILMES Análisis y crítica de películas | Analysis and film review | Analyse et critique de films Estratégias interativas no webdocumentário Prison Valley Betina Broch ....................................................................................................... - 329 - Malvinas: un acercamiento a las imagénes generadas por computadora y las narrativas transmedia Pablo Francisco Gullino ...................................................................................... - 346 - Ley genérica entre mujeres y putos: democracia, Stronato y Guerra Guasu Rocco Carbone .................................................................................................... - 359 - ENTREVISTA Entrevista | Interviews | Entretiens Filme Janela da alma revisitado – uma conversa com o diretor João Jardim Dago Schelin ....................................................................................................... - 378 - Por um cinema infiltrado: entrevista com Adirley Queirós e Maurílio Martins a propósito de Branco sai, preto fica (2014) Alfredo Suppia; Paula Gomes ............................................................................. - 389 - DISSERTAÇÕES E TESES Tesis | Theses | Thèses Música em cena: à escuta do documentário brasileiro Cristiane da Silveira Lima .................................................................................... - 415 - ii Cineastas indígenas, documentário e autoenografia: um estudo do projeto Vídeo nas Aldeias Juliano José de Araújo ......................................................................................... - 417 - A asserção no cinema documentário musical brasileiro Cynthia Letícia Schneider .................................................................................... - 420 - Formas de representação no cinema: uma reflexão sobre o uso da mise en scène nos documentários paraibanos Riccardo Migliore ................................................................................................ - 422 - Islas de la memoria. Construcción del relato histórico y uso de imágenes digitales sobre la Guerra de Malvinas en producciones audiovisuales del periodo 2002-2012 Pablo Francisco Gullino ....................................................................................... - 424 - Webdocumentário e as funções para a interação no gênero emergente: análise de Fort McMoney e Bear 71 Fernanda Bernardes ............................................................................................ - 426 - A construção biográfica em Santiago Tais Marcato ........................................................................................................ - 428 - As primeiras produções do documentarista João Moreira Salles Caroline Maria Manabe ...................................................................................... - 430 - The act of killing, uma autoria partilhada Diana Rocha Svintiskas ........................................................................................ - 432 - Os documentários de Geraldo Sarno (1974-1987): sertão, poesia e religiosidade Felipe Corrêa Bomfim ......................................................................................... - 434 - Documentário e meio ambiente no Brasil: uma proposta de leitura ecologizante Janaína Welle ...................................................................................................... - 436 - A representação de inclusão social e digital por meio da música em documentários brasileiros Pamela de Bortoli Machado ................................................................................ - 438 - O som no documentário: a trilha sonora e suas transformações nos principais movimentos e momentos da
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