Luis Trenker Der Schmale Grat Der Wahrheit
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Ressources Pédagogiques 2019/2020
RESSOURCES PÉDAGOGIQUES 2019/2020 «WITH A SMILE» LE MONDE DE CHARLES CHAPLIN EN CONCERT ORCHESTRE DE PARIS FRANK STROBEL, DIRECTION CINÉ-CONCERT JEUDI 10 OCTOBRE - 10H30 GRANDE SALLE PIERRE BOULEZ - PHILHARMONIE DE PARIS 1 Jeudi 10 octobre10h30 Pour les élèves de primaires : 10 - 12 ans (du CM2 à la 5e) CINÉ-CONCERT «WITH A SMILE» Musique de Johannes Brahms, Charles Chaplin et Richard Wagner A l'occasion du 130e anniversaire de Charles Chaplin, «With a Smile» présente une sélection d’extraits d’oeuvres inoubliables projetées sur grand écran (La Ruée vers l’or, Les Lumières de la ville, Les Temps modernes, Le Dictateur), accompagnée par de la musique souvent composée par Chaplin lui-même. Grâce à des images rarement projetées, l’héritage d’un des plus grands artistes du xxe siècle revit en ciné-concert. En écho à l’exposition que la Philharmonie lui consacre, une sélection d’extraits d’œuvres inoubliables projetées sur grand écran est accompagnée par de la musique composée par Chaplin lui-même, mais aussi par Brahms et Wagner. Doué d’un grand sens mélodique, Charlie Chaplin a parsemé de thèmes d’une redoutable efficacité – confiant à des collaborateurs le soin de les habiller instrumentalement – certains de ses films les plus po- pulaires. D'ailleurs parmi les trois Oscars qu'il a reçus au cours de sa carrière, celui des Feux de la rampe a été décerné pour la musique du film. Grâce aux images projetées, dont certaines inédites, l’héritage d’un des plus grands artistes du xxe siècle revit en ciné-concert. En collaboration avec European Filmphilharmonic Institute et Roy Export S.A.S. -
Diciembreenlace Externo, Se Abre En
F I L M O T E C A E S P A Ñ O L A Sede: Cine Doré C/ Magdalena nº 10 c/ Santa Isabel, 3 28012 Madrid 28012 Madrid Telf.: 91 4672600 Telf.: 91 3691125 Fax: 91 4672611 (taquilla) [email protected] 91 369 2118 http://www.mcu.es/cine/MC/FE/index.html (gerencia) Fax: 91 3691250 MINISTERIO DE CULTURA Precio: Normal: 2,50€ por sesión y sala 20,00€ abono de 10 PROGRAMACIÓN sesiones. Estudiante: 2,00€ por sesión y sala diciembre 15,00€ abono de 10 sesiones. 2009 Horario de taquilla: 16.15 h. hasta 15 minutos después del comienzo de la última sesión. Venta anticipada: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. Horario de cafetería: 16.45 - 00.00 h. Tel.: 91 369 49 23 Horario de librería: 17.00 - 22.00 h. Tel.: 91 369 46 73 Lunes cerrado (*) Subtitulaje electrónico DICIEMBRE 2009 Monte Hellman Dario Argento Cine para todos - Especial Navidad Charles Chaplin (I) El nuevo documental iberoamericano 2000-2008 (I) La comedia cinematográfica española (II) Premios Goya (y V) El Goethe-Institut Madrid presenta: Ulrike Ottinger Buzón de sugerencias Muestra de cortometrajes de la PNR Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las copias que se exhiben son las de mejor calidad disponibles. Las duraciones que figuran en el programa son aproximadas. Los títulos originales de las películas y los de su distribución en España figuran en negrita. -
Vysoké Učení Technické V Brně
MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA Katedra občanské výchovy Přínos Ch. Chaplina soudobé kultuře Bakalářská práce Brno 2011 Vedoucí práce: Autor: PhDr. Radovan Rybář, Ph.D. Milena Minksová Abstrakt Bakalářská práce Přínos Ch. Chaplina soudobé kultuře podává informaci o ţivotě a díle všestranného umělce Charlese Spencera Chaplina (1889 – 1977). Práce se snaţí zachytit jeho ţivot, uměleckou tvorbu a v ní obsaţenou sociální kritiku, reakci na danou dobu. Práce se zaměřuje na díla Moderní doba (Modern Times) a Diktátor (The Great Dictator). Nadčasové poznatky z filmů lze aplikovat do dnešní doby. Klíčová slova Charles Chaplin, kultura, groteska, němý film, sociální kritika, Moderní doba, Diktátor Abstract The baccalaureate thesis Chaplin´s contribution to contemporary culture gives information about life and work of the versatile artist Charles Spencer Chaplin (1889 – 1977). This essay tries to capture his life, artistic creation containing social criticism and the reaction against era he lived. Essay is focused on pieces: Modern Times and The Great Dictator. Timeless knowledge of the movies can be applied to present time. Keywords Charles Chaplin, culture, comedy, silent film, social criticism, Modern Times, The Great Dictator Bibliografická citace MINKSOVÁ, Milena. Přínos Ch. Chaplina soudobé kultuře: bakalářská práce. Brno: Masarykova univerzita, Fakulta pedagogická, Katedra občanské výchovy, 2011. 51 s. Vedoucí bakalářské práce PhDr. Radovan Rybář, Ph.D. Čestné prohlášení Prohlašuji, ţe jsem závěrečnou vypracovala samostatně, s vyuţitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. -
Read Ebook {PDF EPUB} Scream a Screenplay by Kevin Williamson Unsubs Central
Read Ebook {PDF EPUB} Scream A Screenplay by Kevin Williamson UnSubs Central. Your stop for killer book and film reviews about the world's most notorious serial murderers. Scream 4: Calling Kevin Williamson. In 2014, I came across an opportunity to write for an arts & entertainment website. To apply, all I had to do was write a film review. I had never written a film review. After a flurry of research on “How to Write a Film Review,” next was deciding the film. I did not have to think long. I would review Scream 4 . I had an encyclopedic knowledge of the Scream series and had lost count of how many times I had watched and rewatched. I considered Wes Craven one of my heroes. The topper? Scream 4 had filmed in my town and many a late night was spent sitting on a sidewalk across the street watching them film. Yes, I would review Scream 4 . Below is my review as sent to the editor in 2014. Spoiler alert – I got the gig and for three years was a blogger for The Script Lab. Happy reading! Dimension Films – 2011 Director: Wes Craven Screenplay: Kevin Williamson, Ehren Kruger (not credited) Scream 4: Calling Kevin Williamson, Calling Kevin Williamson by Michelle Donnelly. With fevered anticipation I arrive at the movie theater on opening night to see Scream 4 , the latest installment of the Scream series. An hour and fifty-one minutes later, I walk out wondering what I have done to drive screenwriter Kevin Williamson away and am confused as to why he wants to destroy the relationship we once had. -
KATALOG Distribucija Kinoteka
distribucija kinoteka KATALOG FILMSKIH KLASIK NA DIGITALNEM NOSILCU Slovenska kinoteka, www.kinoteka.si Miklošičeva 28, Ljubljana Cirkus REŽIJA, SCENARIJ, MONTAŽA IN GLASBA Cirkus (The Circus) CHARLES CHAPLIN Charlie Chaplin | ZDA | 1928 | 72 min | DCP (posneto na 35mm filmski trak) | FOTOGRAFIJA ROLAND TOTHEROH slovenski podnapisi IGRAJO CHARLES CHAPLIN, MERNA KENNEDY, AL ERNEST GARCIA, HENRY BERGMAN, POVZETEK HARRY CROCKER Potepuh se odpravi v cirkus, kjer ga začne preganjati policija, saj misli, da je zmikavt. PRODUKCIJA CHARLES CHAPLIN Med begom se nepričakovano znajde sredi cirkuške arene in postane najbolj (UNITED ARTISTS) priljubljena točka, ki navduši občinstvo, zato mu cirkuški upravnik ponudi delo. Potepuh se zaljubi v upravnikovo hčer, vendar mora za njeno naklonjenost tekmovati s postavnim vrvohodcem. Da bi ga prekosil in s tem osvojil dekletovo srce, se Charlie še sam preizkusi na vrvi. Za Cirkus je Chaplin na prvi podelitvi nagrad Ameriške filmske akademije – današnjih oskarjev – prejel častno nagrado za režijo, scenarij, igro in produkcijo. S svojo domiselno komičnostjo in brezčasnim humorjem je Cirkus postal eden najdonosnejših nemih filmov vseh časov. O AVTORJU Charles Spencer Chaplin se je rodil leta 1889 v Londonu. Njegovo otroštvo je zaznamo- vala huda revščina v londonskih slumih; s polbratom Sydneyjem sta več let preživela v delovni sirotišnici. Za igro nadarjeni Chaplin je kmalu unovčil svoje sposobnosti in začel nastopati v plesnih skupinah, varietejih in gledališčih, leta 1906 pa se je pridružil prestižni skupini Freda Karna, pod katerim se je razvil v nadarjenega komedijanta. Med enim od gostovanj skupine v Ameriki je prejel ponudbo za delo in leta 1913 podpisal pogodbo z New York Motion Picture Company. -
AN ANGEL in HELL: ARTUR BRAUNER and the ATTEMPT to MAKE a GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer
AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC Peter Krämer University of East Anglia, UK Abstract Film Studies tends to deal only with film projects that have been completed and pays particular attention to the work of directors, thus largely ignoring the fact that the vast majority of attempts to make movies fail, and marginalising the crucial role played by scriptwriters and producers in the initiation and development of flm projects. To counter this tendency, this essay examines the unsuccessful attempt, between the 1970s and the early 1990s, of Artur Brauner, one of the leading producers in postwar (West) Germany, to make a biopic about Oskar Schindler. Like the Jewish workers rescued by Schindler, Brauner is a Jewish Holocaust survivor from Poland whose career as a producer has combined mainstream entertainment movies with flms about the Third Reich and especially about the Holocaust. The essay explores the full range of his activities as a producer on the Schindler biopic – ranging from script development and fnancing to negotiations with actors and directors; highlights their transnational dimensions (through the involvement of personnel and co- production partners from France, the UK, Israel, the US, Poland, and the Soviet Union); and explores the refusal of (West) German funding bodies to support this project. Keywords: Artur Brauner, Oskar Schindler, unrealised flm projects, pro- ducers, flm funding. Bu çalışma 18 Aralık 2017 tarihinde sinecine dergisine ulaşmış; 06 Mart 2018 tarihinde kabul almıştır. Krämer, P. (2018). An Angel in Hell: Artur Brauner and The Attempt to Make a German Oskar-Schindler-Biopic. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Download Detailseite
H-9005:H_ 30.01.2011 15:24 Uhr Seite 398 Berlinale 2011 Agnieszka Holland Hommage BITTERE ERNTE Armin Mueller-Stahl ANGRY HARVEST AMERE RECOLTE Bundesrepublik Deutschland 1985 Länge 105 Min. Format 35 mm, 1:1.37 Farbe Stabliste Regie Agnieszka Holland Buch Paul Hengge Agnieszka Agnieszka Holland Holland, nach dem Roman Biografie von Hermann Geboren am 28.11.1948 in Warschau. H. Field, Stanislaw Regiestudium an der Prager Film hoch - Mierzenski schule FAMU. In den 70er Jahren Kamera Jozef Ort-Snep Regis seurin an polnischen Theatern Kameraassistenz Christian Karp und beim Polnischen Fernsehen, Schnitt Barbara Kunze Regie assistentin bei Krzysztof Zanussi, Ton Gunther Kortwich Drehbücher für Andrzej Wajda. 1980 Elisabeth Trissenaar, Armin Mueller-Stahl Foto: Deutsche Kinemathek Musik Jörg Straßburger erster internationaler Kinoerfolg mit Bauten Werner Schwenke AKTORZY PROWINCJONALNI (PRO- Ausstattung Holger Scholz VINZSCHAUSPIELER). 1981 Emigration BITTERE ERNTE Kostüm Hannelore Wessel nach Paris. Hat seither Filme in Oberschlesien, 1943. Nachdem die Jüdin Rosa aus einem Güterzug und Regieassistenz Dorota Paciarelli Frankreich, Deutschland und den damit der Deportation in ein KZ entkommen ist, findet sie Unterschlupf bei Herstellungsltg. Peter Hahne USA realisiert. dem Bauer Leon. Er pflegt die verstörte Frau gesund. Doch Rosa weiß nicht, Produzent Artur Brauner wie sie ihren Retter einschätzen soll. Denn Leon ist zwar ein hilfsbereiter Co-Produzent Klaus-Dieter Biography Lehmann Born in Warsaw on 28.11.1948, she Mann, aber auch ein Kriegsgewinnler, -
Hliebing Dissertation Revised 05092012 3
Copyright by Hans-Martin Liebing 2012 The Dissertation Committee for Hans-Martin Liebing certifies that this is the approved version of the following dissertation: Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood Committee: Thomas Schatz, Supervisor Hans-Bernhard Moeller Charles Ramírez Berg Joseph D. Straubhaar Howard Suber Transforming European Cinema : Transnational Filmmaking in the Era of Global Conglomerate Hollywood by Hans-Martin Liebing, M.A.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication In loving memory of Christa Liebing-Cornely and Martha and Robert Cornely Acknowledgements I would like to thank my committee members Tom Schatz, Charles Ramírez Berg, Joe Straubhaar, Bernd Moeller and Howard Suber for their generous support and inspiring insights during the dissertation writing process. Tom encouraged me to pursue this project and has supported it every step of the way. I can not thank him enough for making this journey exciting and memorable. Howard’s classes on Film Structure and Strategic Thinking at The University of California, Los Angeles, have shaped my perception of the entertainment industry, and having him on my committee has been a great privilege. Charles’ extensive knowledge about narrative strategies and Joe’s unparalleled global media expertise were invaluable for the writing of this dissertation. Bernd served as my guiding light in the complex European cinema arena and helped me keep perspective. I consider myself very fortunate for having such an accomplished and supportive group of individuals on my doctoral committee. -
Holocaust Film Before the Holocaust
Document généré le 28 sept. 2021 22:42 Cinémas Revue d'études cinématographiques Journal of Film Studies Holocaust Film before the Holocaust: DEFA, Antifascism and the Camps Les films sur l’Holocauste avant l’Holocauste : la DEFA, l’antifascisme et les camps David Bathrick Mémoires de l’Allemagne divisée. Autour de la DEFA Résumé de l'article Volume 18, numéro 1, automne 2007 Très peu de films représentant l’Holocauste ont été produits avant les années 1970. Cette période a souvent été considérée, sur le plan international, comme URI : https://id.erudit.org/iderudit/017849ar une période de désaveu, tant politique que cinématographique, de la DOI : https://doi.org/10.7202/017849ar catastrophe ayant frappé les Juifs. Outre les productions hollywoodiennes The Diary of Anne Frank (George Stevens, 1960), Judgment at Nuremberg (Stanley Aller au sommaire du numéro Kramer, 1961) et The Pawnbroker (Sidney Lumet, 1965), on a souvent fait remarquer que peu de films est- ou ouest-européens ont émergé de ce paysage politique et culturel, ce qui a été perçu par plusieurs comme une incapacité ou une réticence à traiter du sujet. Le présent article fait de cette présomption son Éditeur(s) principal enjeu en s’intéressant à des films tournés par la DEFA entre 1946 Cinémas et 1963, dans la zone soviétique de Berlin-Est et en Allemagne de l’Est, et qui ont pour objet la persécution des Juifs sous le Troisième Reich. ISSN 1181-6945 (imprimé) 1705-6500 (numérique) Découvrir la revue Citer cet article Bathrick, D. (2007). Holocaust Film before the Holocaust: DEFA, Antifascism and the Camps. -
KATHLEEN DETORO Costume Designer
KATHLEEN DETORO Costume Designer official website TELEVISION (partial list) CASTLE ROCK (Season 2) Bad Robot / Hulu EP: J.J. Abrams, Stephen King Trailer COUNCIL OF DADS (Pilot) NBC EP: Joan Rater, Tony Phelan THE CROSSING (Season 1) ABC Studios Dir: Rob Bowman SCALPED (Pilot) WGN / Warner Horizon Dir: Adil El Arbi, Bilall Fallah Prod: Len Goldstein TRAINING DAY (Pilot) CBS Prod: Antoine Fuqua, Jerry Bruckheimer, Trailer Will Beall BLOOD & OIL (Season 1) Flame Ventures / ABC Prod: Josh Pate, Cynthia Cidre, Tony Krantz VEGAS (Pilot & Season 1) CBS Studios / CBS Prod: Nick Pileggi, James Mangold, Cathy Konrad BREAKING BAD (Pilot & Seasons 1-4) Sony / AMC Prod: Vince Gilligan, Mark Johnson Clip IDENTITY (Pilot) CBS Studios / CW Exec Prod: Alex Kurtzman, Roberto Orci NECESSARY ROUGHNESS (Pilot) Sony / USA Prod: Elizabeth Kruger, Craig Shapiro FLASH FORWARD (Pilot) ABC Studios / ABC Prod: Brannon Braga, David Goyer MASTERWORK (Pilot) 20th Century Fox / FOX Prod: Paul Scheuring, Zack Estrin JUSTICE (Pilot & Season 1) Warner Bros. / FOX Prod: Jerry Bruckehimer THRESHOLD (Season 1) CBS Paramount / CBS Prod: Brannon Braga, David Heyman CLOSE TO HOME (Pilot) Warner Bros. / CBS Prod: Jerry Bruckheimer SKIN (Pilot & Season 1) Warner Bros. / FOX Prod: Jerry Bruckheimer LEGALLY BLONDE (Pilot) Touchstone TV / ABC Prod: Marc Platt, Rachel Sweet *ALLY MCBEAL (Seasons 4 & 5) 20th Century Fox / FOX Prod: David E. Kelley, Bill D’Eli *Costume Designer’s Guild Nomination 2001 & 2003 FEATURES (partial list) KIM POSSIBLE Disney Prod: Zanne Devine, Dir: Zach Lipovsky, Robert Schooley Adam Stein THE GUEST Snoot Entertainment Prod: Keith Calder, Dir: Adam Wingard Jessica Wu, Chris Harding SCREAM II Dimension Prod: Bob Weinstein, Dir: Wes Craven Cathy Konrad HARD RAIN Paramount Pictures Prod: Mark Gordon, Dir: Mikael Salomon Ian Bryce DEAD MAN ON CAMPUS Paramount/MTV Films Prod: Gale Ann Hurd Dir: Alan Cohn OVERNIGHT DELIVERY New Line Cinema Prod: Roger Birnbaum Dir: Jason Bloom . -
The Gendered Politics of Hollywood Film Production Culture
The Gendered Politics of Hollywood Film Production Culture Jessica-Angel Nichole Hunter-Thomas Faculty Mentor: Professor Reed Moran Department of Film and Electronic Arts I long personally for the day when that modifier [woman director] is a moot point. I anticipate that day will come. I think we’re close. If ‘The Hurt Locker’ or the attention that it’s getting can make the impossible seem possible to somebody, it’s pretty overwhelming and gratifying. At least we’re heading in the right direction. ——Kathryn Bigelow Los Angeles Times February 2, 2010 Abstract This paper explores the cultural inner workings of the film industry and the factors that contribute to the dearth of women employed “behind the scenes” within the Hollywood Production Culture. The Hollywood Production Culture is defined as the cultural norms, practices, and economic influences functioning within Hollywood. Throughout the history of the film industry, women have been underrepresented in positions of power and influence. These positions of power and influence are labeled Above-The-Line positions and include producers, writers, directors, and cinematographers. This study focuses on finding and analyzing the contributing factors of the gender disparity in Above-The- Line positions. The methodology used to explore the gender disparity within Hollywood Production Culture is an interdisciplinary approach, using textual analysis of industry literature, scholarly studies, and data analysis. 85 Introduction and Background The 2010 Academy Awards was host to a historical event—for the first time in its over 80-year history, the top directorial honor was granted to a woman. Kathryn Bigelow was only the fourth woman to be nominated, and at the 2010 Academy Awards, she became the first ever to win for her Iraqi war film, The Hurt Locker.