Imago and Nzcs
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ne of the things that most concerns IMAGO is to improve and maintain standards in technological equipment and also the quality of screening in cinemas. Thus ensures that all the work that we, together with the directors and their collaborators, put into making a film, and the resulting quality, may be fully appreciated by movie-goers who, in many instances, are nowadays obliged to watch films which, owing to technical inadequacies and shortcomings, do not come up to the standard of the original.
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