157 Bijlage 4 Cast En Credits: Scream Directed by Wes Craven Written By

Total Page:16

File Type:pdf, Size:1020Kb

157 Bijlage 4 Cast En Credits: Scream Directed by Wes Craven Written By Bijlage 4 Cast en credits: Scream Directed by Wes Craven Written by Kevin Williamson Produced by Cary Woods and Cathy Konrad Executive Producers Bob Weinstein & Harvey Weinstein and Marianne Maddalena Co-executive Producer Stuart M. Besser Co-producer Dixie J. Capp Director of Photography Mark Irwin, A.S.C. C.S.C. Production Designer Bruce Alan Miller Editor Patrick Lussier Music by Marco Beltrami Costume Designer Cynthia Bergstrom Castings by Lisa Beach, C.S.A. A WES CRAVEN film A WOODS ENTERTAINMENT production A DIMENSION FILMS presentation Cast Casey Drew Barrymore Phone Voice Roger Jackson Steve Kevin Patrick Walls Casey’s Father David Booth Caseys Mother Carla Matley Sidney Neve Campbell Billy Skeet Ulrich Mr. Prescott Lawrence Hecht Gale Weathers Courteney Cox Kenny W. Earl Brown Tatum Rose McGowan Mrs. Tate Lois Saunders Deputy Dewey David Arquette Sheriff Barke Joseph Whipp Stuart Matthew Lillard Randy Jamie Kennedy TV Reporter 1 Lisa Beach TV Reporter 2 Tony Kilbert Mark Loomis C.W. Morgan Mrs. Riley Frances Lee McCain Cotton Weary Liev Schreiber Expected Teen 1 Troy B ishop Expected Teen 2 Ryan Kennedy 157 Cheerleader in Bathroom Leonora Scelfo Girl in Bathroom Nancy Ann Rider Reporter with Mark Lisa Canning Yelling Girl in Video Store Bonnie Wood Party Teen 1 Aurora Draper Party Teen 2 Kenny Kwong Teen on Couch Justin Sullivan Bored Teen Kurtis Bedford Girl on Couch Angela Miller Stunt Performers Dane Farwell Kathy Marshall Noby Arden Christine Baur Clay Boss Christopher Doyle Frank Lloyd Allen Robinson Lynn Salvatori Lee Waddell Unit Production Manager Stuart Besser First Assistant Director Nicholas C. Mastandrea Second Assistant Director Lucille Ouyang Additional Director of Photography Peter Deming Executives in Charge of Production Cary Granat Richard Potter Music Supervisor Jeffrey Rabhan Associate Producer Nicholas C. Mastandrea Second Second Assistant Director Daniel K. Arredondo Script Supervisor Annie Welles Art Director David Lubin Set Decorator Michele Poulik Assistant Set Decorator Debra Eckard Lead Person Richard Lambert Local Lead Person Ken Montante Set Designer Nanci Noblett Set Dresser/Buyer Lori Harrison On-Set Dresser Josh Elliot Standby Greensperson James Burke Standby Painter Victoria Carlson Property Master John “J.P.” Jones Assistant Property Master John “Skip” Weaver Art Department Coordinator Gerald Lehtola Art Department Production Assistant Charlene Barr “A” Camera Operator Robert Tomer Paul Hughen First Assistant Camera Gary Ushino Scott Ressler Second Assistant Camera Jeffrey N. Civa 158 Renee Treyball Camera Loaders Egor Davidoff Lisa Ferguson Steadicam Operators Kirk R. Gardner Mark Van Loon Dan Kneece Steadicam Assistant Marie Pederson Penny Sprague Steve Mann Chief Lighting Technician Jay W. Yowler Assistant Chief Lighting Tecnhician Scott Medcalf Rigging Lighting Technician Mark Lewis Lighting Technicians Steven Strong Terry Sullivan Kelsey Smith Jason Boccaleoni Firts Company Grip Charles M. Smallwood Second Company Grip Kevin Ball Dolly Grip Charles J. Schray Rigging Grip Ron Diggory Grips Joe Allen James Ronnei Nicholas Meeks Dick Dova Richard Spah Norris Fong Mark Shankel First Assistant Editor Peter Devaney Flanagan Second Assistant Editor Yvonne Valdez Assistant Editor Paul Kieran Apprentice Editor Lynn Dupre Costume Supervisors Mathew Clayton Hodey Gary J. Saldutti Costumers Ricki Fournier Patricia Kazmierowski Sound Mixer Richard Goodman Boom Operator Sean Rush Cableperson James Distefano Key Hair Stylist Barbara Olvera Hair Stylist Lynn Marie Curreri Christina Raye Key Make-up Artist Carol Schwartz Make-up Artists Karen Bradley Kris Ravetto Melanie Levitti Special Make-up Effects by Kurtzman, Nicotero & Berger EFX Group, INC. 159 Special Make-up Effects Supervision Robert Kurtzman Greg Nicotero Howard Berger Special Make-up Effects Crew Garrett Immel William Hunt Theodore J. Maines Christine Stahl Robert Maverick Ramon Velazco Special Make-up Effects coordinator Kamar Bitar Stunt Coordinator Tony Cecere Special Effects Supervisor Frank Ceglia Special Effects Foreman Mark Byers Video Playback 24 Frame Marty Brenneis Bernie Druckman Video Artist Doug Hunt Assistant to Mr. Craven Julie Plec Assistant to Ms. Maddalena Lisa McCampbell Assistant to Mr. Woods Lizzie Schwartz Kristen March Assistant to Mr. Konrad Mo Milligan Production Office Coordinator Dean Wright Assistant Production Office Coordinator Andrew Durham Production Secretary Katherine Zilavy Production Assistants Lauren Feige John D. Embry David Denison Brian Dettor Chad Maxwell James Capp Christian Evol Wadman Paul Boettiger Ivy K. Lukas Jessica Closson Sam Shank DGA Trainee Heather French Production Accountant David Crockett Assistant Production Accountant/Payrol Ivan Genit II Accounting Assistant Robert Cable Accounting Production Assistant Michelle Stevens Casting Assistant Sarah Katzman Local/Extra Casting Nancy Hayes Merv Lado Hayes & Van Horn Casting Location Manager Eric Klosterman Additional Location Manager David Thornsberry Assistant Location Manager Thomas Harrigan Location Assistant Michael D. Gillis Unit Publicist Claire Raskind Unit Photographer David Moir 160 Craft Service Mary Ellen Leonard Caterer Tomkats Catering Construction Coordinator Robert Carlyle Construction General Foreperson William A. Fobert Local Construction Coordinator Dwight Williams Paint Foreperson Teresa Nielsen Carpenters Art Williams Scott Newell Braxton Bragg Katsumiko Okada Painters Wendy Gayner Robert Burg Leslie Turnbull Bernie Honigman Carrie Nardello David Erickson Transportation Coordiantor Derek Raser Transportation Captain J.T. Thayer II Drivers Don Feeney Tracey Thielen Earl Thielen Steve Earle Geoff Teagardin Bruce Callahan David Joseph Jeff Coffman Glenn Midcap Chuck Visconte Rick Suggett Dan Porteous Brian Moore Henry Travers Mike Sawyer Mike Ford John Peters Jill Wattles Susan Rice Ken Skinner Rose Malley Carsten Rabehl Ben Davis John Mattson Pete Brocco John Martin Kevin Carstenson Post Production Supervisor Daniel K. Arredondo Post Production Assistant Ryan Krayser Sound Editorial Clay Digital Sound Sound Supervisor Paul Clay, M.P.S.E. Dialogue Editors Vic Radulich John Wilde Bob Goold Marla McGuire Effects Editors Scott Tinsley Sam Gemette A.D.R. Supervisor John Adams 161 A.D.R. Editor Patric Somerset Sound Assistants Tom Caterer Vanessa Lapato Jean-Marie Mitchell Sound Coördinator Dinia Watkins Foley Artists Stan Fiferman Roy Baker Foley Mixer Paul Benedict Ken Sommervile ADR Mixer Lee Tinkham Beau Biggart ADR Voice Casting Barbara Harris A.D.R. Loop Group Jeremy Miller David McCharen Tara Boger Greg Finley Steve Alterman Laura Galt Doris Hess Casey Bishop Noreen Reardon Justin Shenkarow Jet Rhein Allice Livingston Background Vocals Rose Thompson Re-Recording Mixers Rick Alexander Leslie Shatz Tom Dahl Re-Recorded by Buena Vista Sound Recordist Steve Cohler POL Chris Sparkes Music Editor E. Getney Webb Orchestra conducted by Marco Beltrami Orchestrations by Peter Anthony William Boston Orchestra Conductor Ken Watson Music Preparation Julian Bratolyubov Scoring Mixer Tim Boyle Music Consultant Ed Gerrard Negative Cutter Ro Negative Cutting, Inc. Color Timer Michael Mertens Camera Dollies by Chapman/Leonard Studio Equipment Titles & Opticals CFI: The Imaging Group Insurance by Great Northern\Reiff & Associates Legal Services by Alexander, Halloran, Nau & Rose Vertaling Digital Video Post Production 162 Bijlage 5 Cast en credits: Scream 2 Directec by Wes Craven Written by Kevin Williamson Produced by Cathy Konrad and Marianne Maddalena Executive Producers Bob Weinstein & Harvey Weinstein Kevin Williamson Co-producer Daniel Lupi Co-executive Producers Cary Granat Richard Potter Andrew Rona Director of Photography Peter Deming Edited by Patrick Lussier Production Designer Bob Ziembicki Music by Marco Beltrami “Cassandra Aria” by Danny Elfman Music Supervisor Ed Gerrard Costume Designer Kathleen Detoro Casting by Lisa Beach. c.s.a. A Film by Wes Craven a KONRAD PICTURES production In Association with Craven / Maddalena films A DIMENSION FILMS Presentation Unit Production Manager Daniel Lupi First Assistant Director Nicholas Mastandrea Second Assistant Director Lucille Duyans Associate Producers Nicholas Mastandrea Julie Plec Dan Arredondo Cast (in Order of Apperance) Maureen Jada Pinkett Phil Omar Apps Usher Giving out Costumes Paulette Patterson Screaming Girl up Aisle Rasila Schroeder “Stab” Casey Heather Graham “The Voice” Roger Jackson Popcorn Boy Peter Deming Theater Girl 1 Molly Gross Theater Girl 2 Rebecca McFarland 163 Sidney Prescott Neve Campbell Hally Elise Neal Cotton Weary Live Schreiber Cotton’s Interviewer Kevin Williamson Girl in Dorm Hallwey Sandy Heddings Reporter outside Theater Dave Allen Clark Reporter 1 Joe Washington Reporter 2 Angie Dillart Reporter 3 John Patrick Arts Teacher Craig Shoemaker CiCi Sarah Michelle Gellar Film Class Guy 1 Josh Jackson Film Class Guy 2 Walter Franks Mickey Thimoty Olyphant Film Class Mopey Girl Nina Petronzit Randy Meeks Jamie Kennedy Derik Jerry O’Connell Gale Weathers Courteney Cox Joel Duane Martin Debbie Salt Laurie Metcalf Reporter 4 Stephanie Belt Reporter 5 Richard Doughty Chief Hardley Lewis Arquette Sorority Sister Lois Rebecca Gayheart Sorority Sister Murphy Portia de Rossi Dewey Riley David Arquette Dawny Marisol Nichols Coroner ad CiCi’s House Cornelia Kiss ER Doctor Lucy Lin Officer Andrews Philip Pavel Captain Down Thimoty Hillman Tori’s Interviewer Nancy O’Dell Tori Spelling Tori Spelling “Stab” Billy Luke Wilson Drama Teacher David Warner Zeus
Recommended publications
  • Tese De Charles Ponte
    UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
    [Show full text]
  • KATHRINE GORDON Hair Stylist IATSE 798 and 706
    KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell
    [Show full text]
  • La Marche Des Morts
    1 La marche des morts Au commencement, il y avait un livre. Au commence- ment, il y a toujours un livre. Le comic book The Walking Dead paraît pour la première fois en 2003. D’abord pressenti pour être une bande dessinée de science-fiction sur fond d’invasion zombie et portant le joli nom de Dead Planet, le projet est revu et corrigé à maintes reprises. L’aspect SF est remisé au placard, et le cadre de l’histoire nous plonge dans une époque contemporaine, à ceci près qu’une épidémie galopante a transformé une très grande partie de l’humanité en zombies. Très vite, l’œuvre en noir et blanc remporte un énorme succès. Pensez donc, le premier numéro de la BD sorti en 2003 à seulement 7300 exemplaires est aujourd’hui vendu à plus de 10 000 euros. Les chiffres de vente donnent le vertige. Le numéro 100, édité avec 10 couvertures diffé- rentes, s’est vendu à près de 400 000 exemplaires rien qu’aux États-Unis. En France aussi, le phénomène TWD affole les compteurs. Tous les spécialistes le confirment : c’est le grand hit comics des 15 dernières années. Bien que 7 THE WALKING DEAD DÉCRYPTÉ TWD ne soit arrivé dans l’Hexagone qu’en 2007, chaque tome est aujourd’hui édité à plus de 100 000 exemplaires. Plus de 2 millions d’albums ont été écoulés en moins de 10 ans, et la licence représente près de la moitié des ventes de comics dans notre pays. Rien qu’en 2013, le numéro 1 a été acquis par plus de 50 000 curieux.
    [Show full text]
  • Partition Prod.Notes Final
    PARTITION PRODUCTION NOTES India, 1947, in the last days of the British Raj, a way of life is coming to an end. Intertwining cultures are forced to separate. As PARTITION divides a nation, two lives are brought together in a profound and sweeping story that reveals the tenderness of the human heart in the most violent of times. From award-winning Kashmiri born filmmaker Vic Sarin comes PARTITION— A timeless love story played out in the foothills of the Himalayas against a backdrop of political and religious upheaval. The Story Line Determined to leave the ravages of war behind, 38-year-old Gian Singh (Jimi Mistry), a Sikh, resigns from the British Indian Army to a quiet life as a farmer. His world is soon thrown in turmoil, when he suddenly finds himself responsible for the life of a 17-year-old Muslim girl, Naseem Khan (Kristin Kreuk) traumatized by the events that separated her from her family. Slowly, resisting all taboos, Gian finds himself falling in love with the vulnerable Naseem and she shyly responds. In a moving and epic story, woven into an exotic tapestry, they battle the forces that haunt their innocent love, fighting the odds to survive in a world surrounded by hate. The History Director Vic Sarin’s memories of India—the things he witnessed and the stories he heard as a child—have left an indelible impression on him. The tragic story of a friend of Sarin’s father - a Sikh gentleman who loved a Muslim woman - became the inspiration for the two archetypal Romeo and Juliet characters in his movie.
    [Show full text]
  • Une Tragédie Gore / Scream 2 De Wes Craven]
    Document generated on 09/29/2021 11:05 p.m. 24 images Une tragédie gore Scream 2 de Wes Craven Marcel Jean Number 91, Spring 1998 URI: https://id.erudit.org/iderudit/23647ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (1998). Review of [Une tragédie gore / Scream 2 de Wes Craven]. 24 images, (91), 52–52. Tous droits réservés © 24 images, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Scream 2 de wes crave n tation finale se déroule sur la scène). Craven poursuit enfin son travail sur la représenta­ tion à travers quelques scènes où il isole l'image du son (recours au téléphone, à la caméra vidéo, puis aux espaces insonorisés d'un studio d'enregistrement). De tout cet étalage, deux éléments ressortent. D'abord la fonction cathattique du cinéma d'horreur, qui est en quelque sorte mise de l'avant par le cinéaste qui se plaît à confronter le spectateur à sa propre Sarah Michelle Gellar. Un film annonçant la fin du gore. jouissance face à l'expérience de la peur.
    [Show full text]
  • Luis Trenker Der Schmale Grat Der Wahrheit
    LUIS TRENKER DER SCHMALE GRAT DER WAHRHEIT CREDITS LUIS TRENKER D/AT|2015|BR|OV|90´ Regie: Wolfgang Murnberger Drehbuch: Peter Probst Kamera: Peter von Haller Produktion: Annie Brunner, Andreas Richter Darsteller: Tobias Moretti, Brigitte Hobmeier, Anatole Taubman WOLFGANG MURNBERGER FILMOGRAPHIE 2015 Das ewige Leben 2011 Mein bester Feind 2009 Der Knochenmann 2004 Silentium 2000 Komm, süsser Tod 1990 Himmel oder Hölle VORSTELLUNGEN STARNBERG SCHLOSSBERGHALLE 02.08., 19:30 UHR SCHLOSS SEEFELD 03.08., 17:00 UHR DIESSEN 04.08., 20:00 UHR WWW.FSFF.DE MR. TURNER - MEISTER DES LICHTS WILLIAM TURNER MR. TURNER CREDITS GB | 2014 | DCP | DE | 150´ Regie: Mike Leigh Drehbuch: Mike Leigh Kamera: Dick Pope Produktion: Georgina Lowe Darsteller: Dorothy Atkinson, Paul Jesson, Timothy Spall MIKE LEIGH FILMOGRAPHIE 2010 Another Year 2008 Happy-Go-Lucky 2004 Vera Drake 2002 All or Nothing 1997 Karriere Girls 1996 Lügen und Geheimnisse 1993 Nackt VORSTELLUNGEN SEEFELD 01.08., 11:00 UHR STARNBERG 02.08., 10:30 UHR HERRSCHING 09.08., 11:00 UHR FÜNF SEEN FILM FESTIVAL 2015 WALK THE LINE JOHNNY CASH CREDITS WALK THE LINE USA | 2005 | BR | DE | 136´ Regie: James Mangold Drehbuch: James Mangold, Gill Dennis Kamera: Phedon Papamichael Produktion: Cathy Konrad, James Keach Darsteller: Joaquin Phoenix, Reese Witherspoon, Robert Pa- trick, Ginnifer Goodwin, Dallas Roberts, Dan John Miller JAMES MANGOLD FILMOGRAPHIE 2013 Wolverine: Weg des Kriegers 2007 Todeszug nach Yuma 2005 Walk the Line 2003 Identität - Identity 2001 Kate & Leopold 1999 Durchgeknallt VORSTELLUNGEN STARNBERG 02.08., 22:00 UHR 21:30 UHR OPEN AIR BIERGARTEN HOCHSTADT 05.08., 21:30 UHR WWW.FSFF.DE FÜNF SEEN FILM FESTIVAL 2015 WWW.FSFF.DE MICHAEL VERHOEVEN FILMOGRAPHIE (Auswahl) 1967 Paarungen (auch Drehbuch) 1969 Der Kommissar - Dr.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • MEMOIRS of a GEISHA John Williams, Composer Dreamworks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, Prods
    KENNETH WANNBERG MUSIC EDITOR MEMOIRS OF A GEISHA John Williams, Composer DreamWorks SKG Ian Bryce, Lucy Fisher, Steven Spielberg, Douglas Wick, prods. Rob Marshall, dir. STAR WARS: EPISODE 3-REVENGE John Williams, Composer OF THE SITH Lucas Film Rick McCallum, prod. George Lucas, dir. THE TERMINAL John Williams, Composer DreamWorks SKG Laurie MacDonald, Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. HARRY POTTER AND THE PRISONER John Williams, Composer OF AZKABAN Warner Bros. David Heyman, prod. Alfonso Cuaron, dir. CATCH ME IF YOU CAN John Williams, Composer DreamWorks SKG Walter Parkes, Steven Spielberg, prods. Steven Spielberg, dir. MINORITY REPORT John Williams, Composer 20th Century Fox Walter Parkes, Jan De Bont, Gerald Molen, Bonnie Curtis, prods. Steven Spielberg, dir. STAR WARS: EPISODE 2-ATTACK OF John Williams, Composer THE CLONES LucasFilm / JAK Productions Rick McCallum, prod. George Lucas, dir. HARRY POTTER AND THE John Williams, Composer SORCERER’S STONE Warner Bros. David Heyman, prod. Chris Columbus, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KENNETH WANNBERG MUSIC EDITOR A.I.: ARTIFICIAL INTELLIGENCE John Williams, Composer DreamWorks / Warner Bros. Kathleen Kennedy, Bonnie Curtis, Steven Spielberg, prods. Steven Spielberg, dir. THE PATRIOT John Williams, Composer Sony Pictures Dean Devlin, Mark Gordon (II), Gary Levinson, prods. Roland Emmerich, dir. ANGELA’S ASHES John Williams, Composer Paramount Pictures David Brown, Alan Parker, Scott Rudin, prods. Alan Parker, dir. STAR WARS: THE PHANTOM John Williams, Composer MENACE Lucas Film Rick McCallum, prod. George Lucas, dir. STEPMOM John Williams, Composer Sony Pictures Wendy Finerman, Mark Radcliffe, Michael Barnathan, prods. Chris Columbus, dir. SAVING PRIVATE RYAN John Williams, Composer DreamWorks SKG Steven Spielberg, Mark Gordon, Ian Bryce, Gary Levinson, prods.
    [Show full text]
  • Baptist Church in Nursing - Education (BSN to MSN); and Valecia Baldwin, Girls Do Not Always Have the Get the Shovel and Conduct My Sumter
    Woods in the hunt at 2 under B1 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 FRIDAY, APRIL 12, 2019 75 CENTS Sumter Police arrest 6 in drug-related sting A2 School district waiting on state for next move Financial recovery plan had $6.6M in budget cuts, but state board turned it down BY BRUCE MILLS enue levels. Because the state board de- its intention is to achieve necessary per- mean the state can take over the entire [email protected] nied the district’s appeal of state Super- sonnel cuts through attrition and re- district or take board members off their intendent of Education Molly Spear- structuring. seats, but it does allow them to lead the Though it will change because Sum- man’s fiscal emergency declaration in “I don’t know where the plan stands district financially. ter School District’s appeal of its state- Sumter, the state will recommend now, since we lost the appeal,” Miller In an email to all district employees declared fiscal emergency was denied changes to the plan and budget. said. “I’m waiting to hear from the state late Wednesday afternoon, Interim Su- Tuesday, the financial recovery plan District Chief Financial Officer Jenni- Department. I am not allowed to move perintendent Debbie Hamm also said presented at the hearing showed about fer Miller said Thursday that she and forward with anything, and we’re on administration is waiting on guidance $6.6 million in budget cuts.The cuts pre- administration are on hold now, waiting hold until the state Department con- from the state Department and doesn’t sented before the state Board of Educa- on those recommendations from the tacts us because they are technically in want to cut personnel.
    [Show full text]
  • Download the Production Notes
    THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.bvpublicity.com © 2007 Buena Vista Pictures Marketing and Walden Media, LLC. All Rights Reserved. Disney.com/Terabithia BRIDGE TO TERABITHIA PRODUCTION NOTES “Just close your eyes and keep your mind wide open.” PRODUCTION NOTES —Leslie Deep in the woods, far beyond the road, across a stream, lies a secret world only two people on Earth know about—a world brimming with fantastical creatures, glittering palaces and magical forests. This is Terabithia, where two young friends will discover how to rule their own kingdom, fight the forces of darkness and change their lives forever through the power of the imagination. From Walt Disney Pictures and Walden Media, the producers of “The Chronicles of Narnia,” and based on one of the most beloved novels of all time, comes an adventurous and moving tale that explores the wonders of friendship, family and fantasy: BRIDGE TO TERABITHIA. The story begins with Jess Aarons (JOSH HUTCHERSON), a young outsider on a quest to become the fastest kid in his school. But when the new girl in town, Leslie Burke (ANNASOPHIA ROBB), leaves Jess and everyone else in her dust, Jess’s frustration with her ultimately leads to them becoming fast friends. At first, it seems Jess and Leslie couldn’t be more different—she’s rich, he’s poor, she’s from the city, he’s from the country—but when Leslie begins to open up the world of imagination to Jess, they find they have something amazing to share: the kingdom of Terabithia, a realm of giants, ogres and other enchanted beings that can only be accessed by boldly swinging across a stream in the woods on a strand of rope.
    [Show full text]
  • 1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
    29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form.
    [Show full text]
  • Félags- Og Mannvísindadeild
    Félags- og mannvísindadeild MA-ritgerð Blaða- og fréttamennska Slægjur Undirflokkur hryllingsmynda Oddur Björn Tryggvason September 2009 Félags- og mannvísindadeild MA-ritgerð Blaða- og fréttamennska Slægjur Undirflokkur hryllingsmynda Oddur Björn Tryggvason September 2009 Leiðbeinandi: Guðni Elísson Nemandi: Oddur Björn Tryggvason Kennitala: 070278-5459 Ágrip Slægjur eru undirflokkur hryllingsmynda sem áttu blómaskeið sitt um miðbik áttunda áratugarins og fyrri hluta þess níunda. Þessar tegundir mynda þóttu ekki merkilegar út frá kvikmyndalegu sjónarmiði og voru harðlega gagnrýndar. Slægjurnar voru álitnar þrepinu ofar en klámmyndir. Auðvelt er að afskrifa myndirnar sökum einsleitni þeirra en þegar betur er að gáð má glögglega sjá að þær eru afsprengi umhverfisins og lýsandi dæmi um þann veruleika sem ákveðin kynslóð upplifði. Óvættirnir voru gjarnan táknrænir fyrir refsivendi óæskilegrar hegðunar og góð gildi ásamt sjálfsbjargarhvöt voru það sem þurfti til að lifa af. Félags- og stjórnmálalegar aðstæður höfðu sitt að segja í upprisu þessarra mynda og þær öðluðust vinsældir á umrótartíma í Bandaríkjunum. Fjallað verður um þessa tegund mynda og leitast við að varpa ljósi á menningarlegt gildi þeirra. bls. 3 Abstract Slasher films are a sub category within horror films that had it‘s glory days in the late seventies and early eighties. These films were not considered very noteworthy from a cinematic viewpoint and were harshly criticized by critics. Slasher films were thought to be one nocth above pornographic films. It‘s easy to write these films off because of their simplitcity but looking beneath the cover one can clearly see that these films are culturally significant and are indicative of a reality experienced by a certain generation.
    [Show full text]