Dissertation Community College As a Lifesong Or Swansong for the Underrepresented Population: a Holistic Critical Theory Perspe

Total Page:16

File Type:pdf, Size:1020Kb

Dissertation Community College As a Lifesong Or Swansong for the Underrepresented Population: a Holistic Critical Theory Perspe DISSERTATION COMMUNITY COLLEGE AS A LIFESONG OR SWANSONG FOR THE UNDERREPRESENTED POPULATION: A HOLISTIC CRITICAL THEORY PERSPECTIVE Submitted by David Leland Wolfe School of Education In partial fulfillment of the requirement For the Degree of Doctor of Philosophy Colorado State University Fort Collins, Colorado Summer 2011 Doctoral Committee: Advisor: Timothy Gray Davies Co-Advisor: James Banning Bruce Hall Wilson Awasu Copyright by David L. Wolfe 2011 All Rights Reserved ABSTRACT COMMUNITY COLLEGE AS A LIFESONG OR SWANSONG FOR THE UNDERREPRESENTED POPULATION: A HOLISTIC CRITICAL THEORY PERSPECTIVE Holistic critical theory seeks to explicate class, ethnicity, and gender issues. This perspective will be used to explore justice and inequities that face the underrepresented population at All Peoples Community College, a fictitious college. The underrepresented population in this community college context included: the poor; first-generation; those who experienced the foster-care system; Asian-, African-, and Native American; and Hispanic students; and finally welfare-mother students with children and is referred to as the Other. Holistic critical theory not only includes the rational values of Critical Theory, but also a the values of spirituality, and interculturalism. Spirituality has a significant influence in the discourse in adult learning theories and higher education and is define secularly (non- religiously) with three components: To know oneself; To develop an ethic of care; and to know the Other. Interculturalism is defined by Deardorff’s (2005) work using intercultural experts to define intercultural competence. She found 44 key elements concentrating primarily on communication and behaviors of a person functioning in an intercultural context. Nussbaum (1997) used the term interculturalism to extend the principals of diversity and multiculturalism. She defined interculturalism as a comparative searching that recognizes the common human needs across cultures and of dissonance and critical dialogue within ii cultures. I extend this a bit to allow the possibility to be transformed by culturally different Others. Interculturalism is transformative and is accomplished by having profound conversations, which imply deep listening, seeking profound understanding, and encouraging internal and potentially external changes based upon new knowledge. iii TABLE OF CONTENTS Prologue ........................................................................................................................ 1 Introduction ................................................................................................................... 6 Chapter 1 – Background of the Study ........................................................................... 7 Critical Multicultural Perspective ......................................................................... 8 Privilege and the Dominant Culture ................................................................... 11 Literature on the Other ........................................................................................ 13 Statement of Purpose .............................................................................................. 15 Research Questions: The Focus of the Inquiry ....................................................... 18 First Research Question ...................................................................................... 19 Second Research Question .................................................................................. 19 Third Research Question..................................................................................... 20 Fourth Research Question ................................................................................... 20 Summary ............................................................................................................. 21 Definitions............................................................................................................... 21 Delimitations ........................................................................................................... 27 Conceptual Framework: Orientational .................................................................... 28 Summary ................................................................................................................. 30 Chapter 2 – Literature Review .................................................................................... 31 Frameworks............................................................................................................. 31 Population ............................................................................................................... 31 Frameworks and Models, Definitional Categories, and Dominant Views ............. 33 Bourdieuian Theory ............................................................................................ 34 iv Critical Race Theory ........................................................................................... 38 Summary of Theories .......................................................................................... 43 Definitional Categories of Social Class .............................................................. 45 Positions Held by the Dominant Group .................................................................. 48 A General Description of the EEC Student ............................................................ 51 Poor Underrepresented Students ......................................................................... 52 First-generation Underrepresented Students ....................................................... 53 Former Foster-Care Students .............................................................................. 58 Asian-American Underrepresented Students ...................................................... 61 African-American Underrepresented Students ................................................... 65 Native American Underrepresented Students ..................................................... 76 Hispanic Underrepresented Students .................................................................. 82 Welfare Mothers with Children .......................................................................... 90 Summary ............................................................................................................. 97 Chapter 3 – Methodology ........................................................................................... 99 Qualitative Paradigm .............................................................................................. 99 Critical Theory Methodology ............................................................................... 101 Research Design .................................................................................................... 101 Sampling, Participants, and Document ............................................................. 102 Researcher-Participant Relationship ................................................................. 103 Interview Process .............................................................................................. 106 Risks and Benefits of Interviewing ................................................................... 107 Reciprocity ........................................................................................................ 108 v Stakeholder Reporting ...................................................................................... 109 Ethics and Ethical Procedures ........................................................................... 110 Data Analysis .................................................................................................... 111 Fieldwork, Field Notes, and Reflexivity ........................................................... 112 Thick Description.............................................................................................. 113 Historical Foundations ...................................................................................... 113 Data Analysis Procedure ................................................................................... 114 Trustworthiness ................................................................................................. 115 Transferability and Validity .............................................................................. 116 Emerging Structures .............................................................................................. 119 Chapter 4 – The Underrepresented Population’s Stories .......................................... 121 Introduction ........................................................................................................... 121 The Pseudonyms ............................................................................................... 122 The Four Structures........................................................................................... 123 Structures Defined ................................................................................................ 124 Jason ...................................................................................................................... 125 Structural System .............................................................................................. 126 Dominant Ideology ........................................................................................... 130 Lifeworld..........................................................................................................
Recommended publications
  • It Takes a Village: Collaborative Social Justice Through Choral Musicking
    Graduate Theses, Dissertations, and Problem Reports 2018 It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Shaffer, Natalie, "It Takes a Village: Collaborative Social Justice Through Choral Musicking" (2018). Graduate Theses, Dissertations, and Problem Reports. 7249. https://researchrepository.wvu.edu/etd/7249 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Music in Music History. Evan A. MacCarthy, Ph.D., chair Travis Stimeling, Ph.D David Taddie, Ph.D. School of Music Morgantown, WV 2018 Keywords: Social Justice, Justice, Collaborative, Choir, Choral Music, Community, Narrative, Counter Narrative, Musicking, Memory, Memorying, Rememorying, Conductor, Chorus, Medical Ethnomusicology, Applied Ethnomusicology Copyright 2018 Natalie Shaffer ABSTRACT It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Serious injustice and broken communities are not new developments in modern society.
    [Show full text]
  • 1926 Nov GIRLS
    THE MAGAZINE OF THE GIRLS’ HIGH SCHOOL » i FORT STREET m TABLE OF CONTENTS ROUND THE SCHOOL. A PAGE FOR GUIDES. NEWS OF THE OLD GIRLS. VERSE— Ariel and the Mortal The Organ Cl^arge of the Hungry The New Day Retribution Dead Roses Dampier The Miniature The Withered Rose Maypole—1620 The Fairies’ Hour The Quarrel When the*Whole World Stalactites Twilight Envied Me. Adoration Sleep The Pipes of Pan Margaret Farewell Slumber Songs Haunt of the Nymphs SKETCHES AND ARTICLES— Seen in George Street Fairy Shops To the Top of Blackwall What Sydney Missed Parliament House Mountain Reflections Now the Day is Over . The Royal Colonial A Day Dream The Lone, Long Road Institute’s Medal. Suez Look Before You Dance Boronia Early Rising The Blowhole Some Books A Day Prices of a Beach in It is Written—Finis A Tragical Romance “Summer time” The Pause of the Moon That Word A Storm The Municipal Markets PHOTOGRAPHS. DRAWINGS. r Days out-of-doors -take a BROWNIE —and then you’ll have the fun of picture-making. A splendid present to receive at Christmas is the Brownie Gift Box—a complete photographic outfit in a box. Price 25/- complete, contains No. 2 Brownie Camera, picture size, 2 | x inches; Instruction Manual; 1 roll of Kodak Film; Kodak Portrait Attachment for sharp focus “close-ups”; Kodak Album, Kodak Photo. Paste, Booklet “At Home with the Kodak.” OP ALL KODAK DEALERS, AND KODAK (Australasia) PTY. LTD., 379 GEORGE STREET, & 108 MARKET STREET, SYDNEY. AND ALL STATES AND N.Z. n Summer Vacation Brings New Beach Wear The beach and out-of-door season is in full swing, and the coming vacation necessitates hours of careful shopping.
    [Show full text]
  • Martin Amis on Vladimir Nabokov's Work | Books | the Guardian
    Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... The problem with Nabokov Vladimir Nabokov's unfinished novella, The Original of Laura, is being published despite the author's instructions that it be destroyed after his death. Martin Amis confronts the tortuous questions posed by a genius in decline Martin Amis The Guardian, Saturday 14 November 2009 larger | smaller Vladimir Nabokov in Switzerland, in about 1975. Photograph: Horst Tappe/Getty Images Language leads a double life – and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs (LOOK LEFT), and so on. Then you enter your study, where language exists in quite another form – as the stuff of patterned artifice. Most writers, I think, would want to go along with Vladimir Nabokov (1899-1977), when he reminisced in 1974: The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) by Vladimir Nabokov 304pp, Penguin Classics, £25 1 of 11 11/15/09 12:59 AM Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... Buy The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) at the Guardian bookshop ". I regarded Paris, with its gray-toned days and charcoal nights, merely as the chance setting for the most authentic and faithful joys of my life: the coloured phrase in my mind under the drizzle, the white page under the desk lamp awaiting me in my humble home." Well, the creative joy is authentic; and yet it isn't faithful (in common with pretty well the entire cast of Nabokov's fictional women, creative joy, in the end, is sadistically fickle).
    [Show full text]
  • The Black Power Movement
    A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................
    [Show full text]
  • Friendship Sloopdays
    FRIENDSHIP SLOOP DAYS 1993 YEARBOOK AND GUIDE 33rd* Annual Regatta 71 Commercial St. Boothbay Harbor, Me. 04538 207-633-7066 We're the new collectible store in *, Booth/iay town and have Bossons, Lilliput Lane, Hudson Pewter, Santonnes, Ron Lee, 633-4900 Melody in Motion, Coca-Cola, plates and more! Open seven days a week through the season HARBOR MARKET ( Lower level of the Maine Trading Post) Commercial St. • Fresh Produce Boothbay Harbor, Maine 207-633-0723 • Fresh Baked Breads and Muffins The entrance is under the green • First Quality Meats XT war &/!(<)> coaster pound, serv-iM westers, awning in the Pier 8 Parking Lot. (available fresh or frozen) Open 7 days a week steamed c/a/KS, a v-arieta< o& seafood, hotdo&s, haixi 7a.m. 'til 10p.m. • Freshest of Fish & Lobster & sandu/iohes , Ta^es are OK the docK, axd inside far mete/Kent weather. • Bulk Grains, Herbs & Spices I he Co-op is ou/Ke>daxd operated l>y> ooca/?KisheriKen. ... „ Deliveries Available if a u coiisters or Mornings - Afternoons Our grocery selection is geared to your needs. 11:30 a. IK.- 8:30 f>. m. Delivery by land or water, whooe^a.ce or retail Monitoring channel 9 or order by phone. lobsters— 8 a., K. -8f>.n<. 633-0723 SUPPLIES AT DISCOUNT Rope..Gear..Electronics Safety..Hardware..Charts Electrical..Plumbing..Paint Fasteners..lnflatables..Dinghies Largest Chandlery North of Boston 14,000 Items In Stock Free Catalog HAMILTON MARINE ^ A A Route 1 Searsport, Maine 04974 JL T JL (207) 548-6302 OldBaldy Friendship Sloop MARINE SUPPLY, INC.
    [Show full text]
  • Homeless Campaigns, & Shelter Services in Boulder, Colorado
    Dreams of Mobility in the American West: Transients, Anti- Homeless Campaigns, & Shelter Services in Boulder, Colorado Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Andrew Lyness, M.A. Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Leo Coleman, Advisor Barry Shank Theresa Delgadillo Copyright by Andrew Lyness 2014 Abstract For people living homeless in America, even an unsheltered existence in the urban spaces most of us call “public” is becoming untenable. Thinly veiled anti-homelessness legislation is now standard urban policy across much of the United States. One clear marker of this new urbanism is that vulnerable and unsheltered people are increasingly being treated as moveable policy objects and pushed even further toward the margins of our communities. Whilst the political-economic roots of this trend are in waning localism and neoliberal polices that defined “clean up the streets” initiatives since the 1980s, the cultural roots of such governance in fact go back much further through complex historical representations of masculinity, work, race, and mobility that have continuously haunted discourses of American homelessness since the nineteenth century. A common perception in the United States is that to be homeless is to be inherently mobile. This reflects a cultural belief across the political spectrum that homeless people are attracted to places with lenient civic attitudes, good social services, or even nice weather. This is especially true in the American West where rich frontier myths link notions of homelessness with positively valued ideas of heroism, resilience, rugged masculinity, and wilderness survival.
    [Show full text]
  • Xerox University Microfilms
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • The Scultori and Ghisi Engraving Enterprise in Sixteenth-Century Mantua and Beyond
    “OLD IN SUBSTANCE AND NEW IN MANNER”: THE SCULTORI AND GHISI ENGRAVING ENTERPRISE IN SIXTEENTH-CENTURY MANTUA AND BEYOND by Hilary Letwin A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland December, 2013 Part 1 Abstract: This dissertation seeks to reframe the way in which the prints of the incisori Mantovani, Giovanni Battista (1503-1575), Adamo (1530?-1587) and Diana Scultori (1547-1612), and Giorgio Ghisi (1520-1582), are examined. Previously, their contributions in the printmaking process, largely engraving prints that are after the designs of other artists, have been dismissed as reproductive. This dissertation examines the ways in which these printmakers worked to elevate their engravings from simply reproductive to creative works of art in their own right. Their engravings, which certainly took inspiration from the designs of Giulio Romano, among others, were not the product of a close collaboration between a master and the engravers. Instead, the engravers appear to have worked fairly autonomously, in Mantua and elsewhere, engaging with and manipulating their source material, experimenting technically and in the design of their prints, and finally questioning the role of engraving within the greater framework of artistic practice in the sixteenth century. Chapter one examines the work of Giovanni Battista, who used printmaking as a creative outlet, seeking a freedom not possible in his other sculptural projects that were carried out according to the specifications of patrons and artistic masters. His engravings can be seen as an attempt to “conquer” these outside influences. Chapter two considers the prints and career of Adamo Scultori, who used his prints to comment on the “enslavement” of reproductive printmakers to their sources.
    [Show full text]
  • Clytemnestra's Daughters by Christopher Shorr
    Clytemnestra's Daughters by Christopher Shorr Based on the tragedies of Aeschylus, Sophocles and Euripides Christopher Shorr 1010 N. New Street Bethlehem, PA 18018 [email protected] 484-695-3564 © 2009 Christopher Shorr The Plot This play at times follows traditional plots, but moves between Euripides’, Sophocles’ and Aeschylus’ versions of the story of the house of Atreus, and at other times takes new turns. Special Thanks Special thanks to Sycamore Rouge, Moravian College, the Southampton Playwriting Conference and Touchstone Theatre, for their assistance in the development of the script, and to Rebecca Kolacki and Alanah Cervantes for their research assistance. Structure Divided into three acts, the play should be performed in two halves, separated by an intermission: Act I (Iphigenia); Intermission; Act II (Chrysothemis) and Act III (Electra) Music The play begins and ends with a few lines of a song. Although written with the 1937 song “Someday My Prince Will Come” by Larry Morey and Frank Churchill in mind, it may be difficult to secure rights to this song for performance. If that is the case, another song could be used. Something wistful and nostalgic with fairytale themes would be ideal. There are plenty of songs in the public domain that could work. Perhaps the 1917 song “I'm Always Chasing Rainbows” by Joe McCarthy and Harry Carroll: At the end of the rainbow there's happiness, And to find it how often I've tried, But my life is a race, just a wild goose chase, And my dreams have all been denied. Why have I always been a failure? What can the reason be? I wonder if the world's to blame, I wonder if it could be me.
    [Show full text]
  • Stirling College Swansong
    TABLE OF CONTENTS Principal's Report -----------------------2 Farewell to Ian Collier --------------------3 Swansong Editorial ----------------------4 Student Representative Council Report - - - - 6 Registered Courses ----------------------9 Staff List ------------------------- -- - 8 - 1 3 Tawdry Audrey - - - - - - - - - - - - - - - - - - - - 1 4 - 1 6 Performing Arts Cafe - - - - - - - - - - - - - - - 1 4 - 1 6 Excursions - - - - - - - - - - - - - - - - - - - - - - - - - 1 9 - 2 0 Formal Committee - - - - - - - - - - - - - - - - - - - - - - 2 1 Health Ed - - - - - - - - - - - - - - - - - - - - - - - - - - 2 2 - 2 3 Principal's Profile - - - - - - - - - - - - - - - - - - - - - - 2 4 Library Satire -------------------------26 Media ---------------------------------2 9 Year 12 Photos - - - - - - - - - - - - - - - - - - - - - 3 3 - 6 8 Learner Drivers - - - - - - - - - - - - - - - - - - - - 3 7 - 3 8 Theatre Experience - - - - - - - - - - - - - - - - - - - - - 4 2 ACT Zone Athletics - - - - - - - - - - - - - - - - - - - - - 4 4 Medea - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 5 2 - 5 3 French--------------------------------54 Inter School Christian Fellowship - - - - - 6 4 - 6 5 Year 11 Photos - - - - - - - - - - - - - - - - - - - - - 7 1 - 7 5 ~ STIRLING COLLEGE 1989 1 This has been a big year The past, no matter how I wish you well as you for me and it is certainly satisfying or leave Stirling College and a big year for you. I am disappointing is a thing am excited for you as proud to have been to build on, not to dwell
    [Show full text]
  • Vanya and Sonya and Mash and Spike: the Study Guide
    Vanya and Sonya and Mash and Spike: The Study Guide Meet the Playwright Christopher Durang, a playwright and actor, is a published writer who typically crafts comedies – satire, dark comedy, parody, or absurdist. The Idiots of Karamazov, co-authored with Yale classmate Albert Innaurato, was his first professional production at the Yale Repertory Theatre and featured then student Meryl Streep. Next, in 1975, his play The Nature and Purpose of the Universe was presented off-off Broadway at the Direct Theatre. A History of the American Film was a play that was produced by the Eugene O’Neill National Playwriting Conference in 1976, and then had three back-to-back productions at the Hartford Stage Company, Mark Taper Forum in Los Angeles, and Arena Stage in Washington D.C. Following this “triple premiere” it moved to Broadway and earned Durang a Tony nomination for Best Book of a Musical. In 1979, Durang and Sigourney Weaver rewrote Das Lusitania Songspiel, which became a cult success that satirized the work of Brecht and Weill with mishmashes of current shows. The musical garnered both Durang and Weaver Drama Desk nominations for Best Performer in a Musical. Sister Mary Ignatius Explains It All For You was another success. Despite a rough start in raising money to move it to a commercial production, Andre Bishop re-presented the play and garnered favor from critics, moving the play to Off-Broadway for a run lasting over two years. He soon had several more plays published and performed, including Beyond Therapy (1981), Baby With The Bathwater (1983), The Marriage of Bette and Boo (1985).
    [Show full text]
  • Letters of Anton Chekhov to His Family and Friends, with Biographical Sketch
    LETTERS OF ANTON CHEKHOV TO HIS FAMILY AND FRIENDS THE MACMILLAN COMPANY UBW YORK • BOSTON • CHICAGO • DAU.AS ATUCTTA • SAJ< FRANCISCO MACMILLAN & CO., Uuttso LONDON • BOM BAT • CALCVTTA MELBOVaXB THE MACMILUO? CO. OF CANADA, Ltd. TORONTO LETTERS OF ANTON CHEKHOV TO HIS FAMILY AND FRIENDS WITH BIOGR.\PHICAL SKETCH TR.A.NSL.4TED BY CONSTANCE GARNETT THE MACMILLAN COMPANY 1920 A II rights reserved COPYKIGHT, 1920, BT THE MACMILLAN COMPANY Set up and printed. Published, February, 1920 TRANSLATOR'S NOTE Of the eighteen hundred and ninety letters published by Chekhov's family I have chosen for translation these letters and passages from letters which best to illustrate Chekhov's life, character and opinions. The brief memoir is abridged and adapted from the biographical sketch by his brother Mihail. Chekhov's letters to his wife after his mar- riage have not as yet been published. \ BIOGKAPIIICAL SKETCH In 1841 a serf belonging to a Russian nobleman pur- chased iiis freedom and the freedom of his family for 3,500 roubles, i)eing at the rate of 700 roubles a soul, with one daughter, Ahixandra, thrown in for nothing. The grandson of this serf was Anton Chekhov, the author; the son of the nobleman was Tcherlkov, the Tolstoyan and friend of Tolstoy. There is in this nothing striking to a Russian, but to the English student it is sufficiently signif- icant for several reasons. It illustrates how recent a growth was l\u) (jduealed middle-class in pre- revohitionary Russia, and it sliows, what is pi^rhaps more significant, the homogeneity of the; Russian people, and their capacity for comphitely changing their whole way of life.
    [Show full text]