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A Lute of Jade : Being Selections from the Classical Poets of China
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES IN MEMORY OF CARROLL ALCOTT PRESENTED BY CARROLL ALCOTT MEMORIAL LIBRARY FUND COMMITTEE xrbe Mist)om ot tbe iBast Secies Edited by L. CRANMER-BYNG Dr. S. A. KAPADIA A LUTE OF JADE TO PROFESSOR HERBERT GILES WISDOM OF THE EAST A LUTE OF JADE BEING SELECTIONS FROM THE CLASSICAL POETS OF CHINA RENDERED WITH AN INTRODUCTION BY L. CRANMER-BYNG AUTHOR or "THE ODES OF CONFUCIUS*' ^'itb lutes of gold and lutes ofjade LiPo ^i.'i NEW YORK E. P. DUTTON AND COMPANY 1915 Pnnttd hy Hoiell, Watson <t Viney, Ld., London and AyUAury, SngUmi. 3i77 C8S ^'5 CONTENTS Introduction 9 9 The Ancient Ballads . 12 Poetry before the T'angs The Poets of the T'ang Dynasty U A Poet's Emperor 18 Chinese Verse Form 22 The Influence of Religion on Chinese Poetry 23 Thb Odes of Confucius 29 32 Ch'U Yuan . The Land of Exile 32 Wang Sbng-ju 36 Ch'en TzC-ang 36 Sung Chih-wen 38 40 Kao-Shih . 40 Impressions of a Traveller Desolation 41 Mjsng Hao-jan 43 The Lost One 43 44 A Friend Expected 46 Ch'ang Ch'ien . 46 A Night on the Mountain 1495412 CONTENTS TS'BN-TS'AN. A Dream of Spring Tu Fu The Little Rain . A Night of Song . The Recruiting Sergeant Chants of Autumn UTo To the City of Nan-king Memories with the Dusk Return An Emperor's Love On the Banks of Jo-yeh Thoughts in a Tranquil Night The Guild of Good-fellowship Under the Moon . -
It Takes a Village: Collaborative Social Justice Through Choral Musicking
Graduate Theses, Dissertations, and Problem Reports 2018 It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Shaffer, Natalie, "It Takes a Village: Collaborative Social Justice Through Choral Musicking" (2018). Graduate Theses, Dissertations, and Problem Reports. 7249. https://researchrepository.wvu.edu/etd/7249 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Music in Music History. Evan A. MacCarthy, Ph.D., chair Travis Stimeling, Ph.D David Taddie, Ph.D. School of Music Morgantown, WV 2018 Keywords: Social Justice, Justice, Collaborative, Choir, Choral Music, Community, Narrative, Counter Narrative, Musicking, Memory, Memorying, Rememorying, Conductor, Chorus, Medical Ethnomusicology, Applied Ethnomusicology Copyright 2018 Natalie Shaffer ABSTRACT It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Serious injustice and broken communities are not new developments in modern society. -
The Sunday Book of Poetry
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fe Wi ilkWMWM niiiiiiiiiiiiiiiiiii no THE GIFT OF Prof .Aubrey Tealdi iiiiuiiiiiiiiiiuiiiiiiiiiiiiMiiiiiuiiiiiiiiiiiiiiiiiiiiiiiuiHiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiii.il!!: tJU* A37f , k LONDON : R. CLAY, SON, AND TAYLOR, PRINTERS, BREAD STREET HILL. Fourth Thousand. THE SUNDAY BOOK OF POETRY SELECTED AND ARRANGED BY V,v ., .O" F^-A*! EX A N D E R AUTHOR OF "HYMNS FOR LITTLE CHILDREN," ETC. Jfambou srab Cambridge : MACMILLAN AND CO. 1865. A Taip in&e' when tonat v.... <lu: lie Ria sev ate Pi di . B IT- PREFACE The present volume will, it is hoped, be found to contain a selection of Sacred Poetry, of such a character as can be placed with profit and pleasure in the hands of intelligent children from eight to fourteen years of age, both on Sundays and at other times. It may be well for the Compiler to make some remarks upon the principles which have been adopted in the present selection. Dr. Johnson has said that " the word Sacred should never be applied but where some reference may be made to a higher Being, or where some duty is exacted, or implied." The Compiler be lieves she has selected few poems whose insertion may not be justified by this definition, though several perhaps may not be of such a nature as are popularly termed sacred. Those which appear under the division of the Incarnate Word, and of Praise, and Prayer, are of course in some cases directly hymns, and in all cases founded upon the great doctrines of the Christian faith, or upon the events of the Redeemer's life. -
Psych-Psychoanalyst 4-05.Indd
Psychologist– Official Publication of Division 39 of the American Psychoanalyst Psychological Association Volume XXV, No.2 Spring 2005 FROM THE PRESIDENT: SAY EVERYTHING David Ramirez, PhD o Es war, soll Ich warden. Where id was, there ego the bedrock beginning for the apprentice psychotherapist, Wshall be. Does psychoanalysis have a motto? If it as important as competence with formal assessment and did, would this be it? These have been words to ponder and knowledge of the DSM. to reference in theoretical papers since written by Freud Despite the cliché “easier said than done,” many of us in 1933, comprising a lexigraphic distillation of what was were taught to listen in ways that recognized listening to be generally considered the aim of the psychoanalytic pro- a special skill requisite to facilitating talk, to saying every- cess. Throughout the twentieth century, these words were thing. We came to understand just how hard this “saying” considered both literally and figuratively as a kind of core is, and that in fact, when it comes to the experience of emo- coda to many psychoanalytic concepts. Where id was, there tion, it is actually much easier to do, to act, than to say. Lis- ego shall be. More koan than motto, psychoanalysis, with tening well as patients struggle to express the difficulties of its combination of mysterious concepts and idealistic out- living and understanding was valued as the psychoanalytic comes, had a little something for everyone. clinician’s strong suit. Key to this transformation of id to ego are the words Today, graduate clinical training is marked by an that constitute the dictate to the subject of analytic therapy: emphasis on activity by the therapist, demonstrated by the “Say everything.” Now there’s a motto! Short and to the phenomenon tagged as “manualized treatments.” These point. -
1926 Nov GIRLS
THE MAGAZINE OF THE GIRLS’ HIGH SCHOOL » i FORT STREET m TABLE OF CONTENTS ROUND THE SCHOOL. A PAGE FOR GUIDES. NEWS OF THE OLD GIRLS. VERSE— Ariel and the Mortal The Organ Cl^arge of the Hungry The New Day Retribution Dead Roses Dampier The Miniature The Withered Rose Maypole—1620 The Fairies’ Hour The Quarrel When the*Whole World Stalactites Twilight Envied Me. Adoration Sleep The Pipes of Pan Margaret Farewell Slumber Songs Haunt of the Nymphs SKETCHES AND ARTICLES— Seen in George Street Fairy Shops To the Top of Blackwall What Sydney Missed Parliament House Mountain Reflections Now the Day is Over . The Royal Colonial A Day Dream The Lone, Long Road Institute’s Medal. Suez Look Before You Dance Boronia Early Rising The Blowhole Some Books A Day Prices of a Beach in It is Written—Finis A Tragical Romance “Summer time” The Pause of the Moon That Word A Storm The Municipal Markets PHOTOGRAPHS. DRAWINGS. r Days out-of-doors -take a BROWNIE —and then you’ll have the fun of picture-making. A splendid present to receive at Christmas is the Brownie Gift Box—a complete photographic outfit in a box. Price 25/- complete, contains No. 2 Brownie Camera, picture size, 2 | x inches; Instruction Manual; 1 roll of Kodak Film; Kodak Portrait Attachment for sharp focus “close-ups”; Kodak Album, Kodak Photo. Paste, Booklet “At Home with the Kodak.” OP ALL KODAK DEALERS, AND KODAK (Australasia) PTY. LTD., 379 GEORGE STREET, & 108 MARKET STREET, SYDNEY. AND ALL STATES AND N.Z. n Summer Vacation Brings New Beach Wear The beach and out-of-door season is in full swing, and the coming vacation necessitates hours of careful shopping. -
Today's Operas
Today’s Operas BERG: WOZZECK Alban Berg: Wozzeck (1926). Opera in Three Acts. Text by the composer, based on Woyzeck by Georg Büchner (1813–37). Büchner was a brilliant but short-lived writer from the start of the 19th Century. His play, a searing attack on militarism and social injustice, was left unfinished at his death, existing only as a large number of short scenes. It was first performed only in 1913 in Munich and in Vienna the following year, a performance that Berg attended. Working on the opera during his own service in the World War, Berg must have seen uncanny relevance across the centuries. The opera premiered in Berlin in 1925 under Erich Kleiber, and was an immediate success until banned by the Nazis in 1933. [The following synopsis is adapted from Wikipedia. Sections to be played in class are underlined.] Despite its atonality, the three acts and the five scenes in each act are distinguished by reference to conventional musical structures. These are listed after each section below. Act One, Scene 1 (Suite). Wozzeck is shaving the Captain who lectures him on the qualities of a "decent man" and taunts him for living an immoral life. Wozzeck slavishly replies, "Jawohl, Herr Hauptmann" — 1 — repeatedly to the Captain's abuse. However, when the Captain scorns Wozzeck for having a child out of wedlock, Wozzeck protests that it is difficult to be virtuous when he is poor. The flustered Captain, unable to comprehend Wozzeck, finally concedes that he is a decent man, and dismisses him. Act One, Scene 2 (Rhapsody and Hunting Song). -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
A Librettist's Reflections on Opera in Our Times
Israel Eliraz A LIBRETTIST'S REFLECTIONS ON OPERA IN OUR TIMES [1] Pierre Boulez may have mourned the death of the opera and suggested setting fire to opera houses (he has repented since and has even written in this rnusical form himsel~, but the Old Lady is still going strong. She is no Ionger as regal and as much admired as in the 18th century, nor is she as popular and vital as she was in mid-I9th century for bold young rivals have entered the arena: film, radio, musicals and television. But reviewing the new operas written in this century, from MOSES UND ARON by Schoenberg and WOZZECK by Berg, to works by Luigi Dallapiccola, lldebrando Pizzetti, Werner Egk, Marcel Delannoy and others, one is taken by surprise by the abundance, versatility and ingenuity in musical, theatrical and ideological terms, of modern opera. What the rnusical avant -garde considered a defunct creature, a 'dinosaur' of sorts (this strange animal is over 370 years old), became, to their dismay, a phoenix redux. At tirnes it metarnorphosed into political drarna (Weiii-Brecht); at others it returned to the oratory form (Stravinsky, Honegger, Debussy), and on still other occasions it turns upon itself with laudable irony, as in Mauricio Kagel's STAATSTHEATER. Anylhing can happen in an opera, all is allowed and, if one rnay venture to express some optirnisrn - which is not easy in our province - it still has some surprises in store for us. [2] Music Iovers have been accustorned to think that it is in the nature of opera to address the 'larger issues'- biblical, rnylhological, historical, national. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Take 2 Dance Band Current Song List
TAKE 2 DANCE BAND CURRENT PLAYLIST 24K MAGIC BRUNO MARS 25 OR 6 TO 4 CHICAGO AFRICA TOTO AIN’T IT FUN PARAMORE AIN’T NO MOUNTAIN HIGH ENOUGH GAYE & TERRELL AIN’T NO OTHER MAN CHRISTINA AGUILERA AIN’T NOBODY CHAKA KHAN AIN’T THAT A KICK IN THE HEAD DEAN MARTIN AMERICAN GIRL TOM PETTY ANOTHER ONE BITES THE DUST QUEEN ANY WAY YOU WANT IT JOURNEY ARE YOU GONNA BE MY GIRL JET AT LAST ETTA JAMES ATTENTION CHARLIE PLUTH BABY ONE MORE TIME BRITNEY SPEARS BACK IN LOVE AGAIN L.T.D. BEAT IT MICHAEL JACKSON BEST OF MY LOVE THE EMOTIONS BILLIE JEAN MICHAEL JACKSON BLACK CAT JANET JACKSON BLURRED LINES ROBIN THICKE BOOGIE OOGIE OOGIE TASTE OF HONEY BORDERLINE MADONNA BORN TO BE WILD STEPPENWOLF BROKENHEARTED KARMIN CAKE BY THE OCEAN DNCE CALIFORNIA GIRLS KATY PERRY CALIFORNIA LOVE 2PAC CALL ME MAYBE CARLY RAE JEPSEN CALLING BATON ROUGE GARTH BROOKS CAN’T STOP THIS FEELING JUSTIN TIMBERLAKE CAR WASH ROLLS ROYCE CELEBRITY SKIN HOLE CLOSER CHAINSMOKERS COME OUT & PLAY OFFSPRING CRAZY IN LOVE BEYONCE DA YA THINK I’M SEXY STEWART & DNCE DANCE TO THE MUSIC SLY/FAMILY STONE DER KOMMISSAR AFTER THE FIRE DIE YOUNG KE$HA DON’T PHUNK WITH MY HEART BLACKEYED PEAS DON’T STOP BELIEVING JOURNEY DREAMS FLEETWOOD MAC ESCAPADE JANET JACKSON EVERYBODY BACKSTREET BOYS EVERYBODY WANTS YOU BILLY SQUIRE FAITHFULLY FAME DAVID BOWIE FEEL FOR YOU CHAKA KHAN FEELS CALVIN HARRIS FINALLY CECE PENISTON FINESSE BRUNO MARS FORGET YOU CEE LO GREEN GAME OF LOVE SANTANA GENIE IN A BOTTLE CHRISTINA AUGILERA GET DOWN ON IT KOOL & THE GANG GET INTO THE GROOVE MADONNA GET LUCKY DAFT PUNK GIRLS JUST WANNA HAVE FUN CINDI LAUPER GOOD VIBRATIONS MARKY MARK GOT TO BE REAL CHERYL LYNN GROOVE LINE HEATWAVE H.O.L.Y. -
Martin Amis on Vladimir Nabokov's Work | Books | the Guardian
Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... The problem with Nabokov Vladimir Nabokov's unfinished novella, The Original of Laura, is being published despite the author's instructions that it be destroyed after his death. Martin Amis confronts the tortuous questions posed by a genius in decline Martin Amis The Guardian, Saturday 14 November 2009 larger | smaller Vladimir Nabokov in Switzerland, in about 1975. Photograph: Horst Tappe/Getty Images Language leads a double life – and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs (LOOK LEFT), and so on. Then you enter your study, where language exists in quite another form – as the stuff of patterned artifice. Most writers, I think, would want to go along with Vladimir Nabokov (1899-1977), when he reminisced in 1974: The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) by Vladimir Nabokov 304pp, Penguin Classics, £25 1 of 11 11/15/09 12:59 AM Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... Buy The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) at the Guardian bookshop ". I regarded Paris, with its gray-toned days and charcoal nights, merely as the chance setting for the most authentic and faithful joys of my life: the coloured phrase in my mind under the drizzle, the white page under the desk lamp awaiting me in my humble home." Well, the creative joy is authentic; and yet it isn't faithful (in common with pretty well the entire cast of Nabokov's fictional women, creative joy, in the end, is sadistically fickle). -
The Ithacan, 1938-11-11
Ithaca College Digital Commons @ IC The thI acan, 1938-39 The thI acan: Spring 1931 to 1939-40 11-11-1938 The thI acan, 1938-11-11 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1938-39 Recommended Citation Ithaca College, "The thI acan, 1938-11-11" (1938). The Ithacan, 1938-39. 4. http://digitalcommons.ithaca.edu/ithacan_1938-39/4 This Newspaper is brought to you for free and open access by the The thI acan: Spring 1931 to 1939-40 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1938-39 by an authorized administrator of Digital Commons @ IC. - Football-Home Orche-tra Concert Brooklyn Little Theatre Today atan Sunday Z-472 Vol. X, No. 4 The Ithacan: Friday, November 11, 1938 Page 1 I I Student Recital Movement To Adopt The Concert Band Liliom In Rehearsal Ithaca College New Alma Mater Under Mr. Beeler For Production Held In -!- Early In December Soccer Team Students At Work Reaches New -High Composing Lyrics -!- -1- Little Theatre And Music Molnar Play Under Breaks Even -! -1- On Sunday, October 30, Profes- . Direction of -!- Music Students Present sor Walter Beeler. conducted the Games With Panzer First Recital of The movement to obtain a new Concert Band to a new high in Prof. Dean Current Series Alma Mater and other new school And West Chester presenting and establishing the -I- -I- songs is already in progress. Much State Teachers band as a musical organization. -!- Program and notes: dissatisfaction has been expressed Professor Beeler's objective is ideal, Liliom, written 29 years ago by Valcik ..........................................