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It Takes a Village: Collaborative Social Justice Through Choral Musicking
Graduate Theses, Dissertations, and Problem Reports 2018 It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Shaffer, Natalie, "It Takes a Village: Collaborative Social Justice Through Choral Musicking" (2018). Graduate Theses, Dissertations, and Problem Reports. 7249. https://researchrepository.wvu.edu/etd/7249 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Music in Music History. Evan A. MacCarthy, Ph.D., chair Travis Stimeling, Ph.D David Taddie, Ph.D. School of Music Morgantown, WV 2018 Keywords: Social Justice, Justice, Collaborative, Choir, Choral Music, Community, Narrative, Counter Narrative, Musicking, Memory, Memorying, Rememorying, Conductor, Chorus, Medical Ethnomusicology, Applied Ethnomusicology Copyright 2018 Natalie Shaffer ABSTRACT It Takes a Village: Collaborative Social Justice Through Choral Musicking Natalie Shaffer Serious injustice and broken communities are not new developments in modern society. -
1968Yearbook.Pdf
Welcome Welcome to the eighth annual Friendship Sloop Days. During the spring of 1961, plans were hastily made for a race that was to be a homecoming for Friendship Sloops. Little did we realize that we were grabbing a bear by the tail. With our eighth regatta coming up shortly, we know what enthusiasm and love there is for these boats. Our first year was a one1 day, one race affair, but so many sloops travelled so many miles to join in tht. fun, it was decided in order to make it worthwhile for them to travel so far, three days should be set aside for racing. This has worked out well, and everyone seems happy with the arrangement. Thanks to a competent Race Committee, the race itself has been one of our lesser problems. Accommodating the crowds of people who want to see these boats from shore or watch them race from other boats has been quite an undertaking for a small fishing village of 800 people. Such problems as feed- ing up to 5,000 people, and parking their cars seemed insurmountable, but thanks to the veracity of "many handsJmake light work," the impossible was easily accomplished. Outdoor meals were served, banquets prepared, park- ing lots set up, a taxi service arranged,; and innumerable other facilities pro- Dedication — vided to help make things run smoothly; The aspect of all this that strikes most people first, is the fact that no individuals profit from any of this. Many of SID PRIOR : For many years our Town Committee Chairman. Sid the organizations of the town benefit, however. -
1926 Nov GIRLS
THE MAGAZINE OF THE GIRLS’ HIGH SCHOOL » i FORT STREET m TABLE OF CONTENTS ROUND THE SCHOOL. A PAGE FOR GUIDES. NEWS OF THE OLD GIRLS. VERSE— Ariel and the Mortal The Organ Cl^arge of the Hungry The New Day Retribution Dead Roses Dampier The Miniature The Withered Rose Maypole—1620 The Fairies’ Hour The Quarrel When the*Whole World Stalactites Twilight Envied Me. Adoration Sleep The Pipes of Pan Margaret Farewell Slumber Songs Haunt of the Nymphs SKETCHES AND ARTICLES— Seen in George Street Fairy Shops To the Top of Blackwall What Sydney Missed Parliament House Mountain Reflections Now the Day is Over . The Royal Colonial A Day Dream The Lone, Long Road Institute’s Medal. Suez Look Before You Dance Boronia Early Rising The Blowhole Some Books A Day Prices of a Beach in It is Written—Finis A Tragical Romance “Summer time” The Pause of the Moon That Word A Storm The Municipal Markets PHOTOGRAPHS. DRAWINGS. r Days out-of-doors -take a BROWNIE —and then you’ll have the fun of picture-making. A splendid present to receive at Christmas is the Brownie Gift Box—a complete photographic outfit in a box. Price 25/- complete, contains No. 2 Brownie Camera, picture size, 2 | x inches; Instruction Manual; 1 roll of Kodak Film; Kodak Portrait Attachment for sharp focus “close-ups”; Kodak Album, Kodak Photo. Paste, Booklet “At Home with the Kodak.” OP ALL KODAK DEALERS, AND KODAK (Australasia) PTY. LTD., 379 GEORGE STREET, & 108 MARKET STREET, SYDNEY. AND ALL STATES AND N.Z. n Summer Vacation Brings New Beach Wear The beach and out-of-door season is in full swing, and the coming vacation necessitates hours of careful shopping. -
Martin Amis on Vladimir Nabokov's Work | Books | the Guardian
Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... The problem with Nabokov Vladimir Nabokov's unfinished novella, The Original of Laura, is being published despite the author's instructions that it be destroyed after his death. Martin Amis confronts the tortuous questions posed by a genius in decline Martin Amis The Guardian, Saturday 14 November 2009 larger | smaller Vladimir Nabokov in Switzerland, in about 1975. Photograph: Horst Tappe/Getty Images Language leads a double life – and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs (LOOK LEFT), and so on. Then you enter your study, where language exists in quite another form – as the stuff of patterned artifice. Most writers, I think, would want to go along with Vladimir Nabokov (1899-1977), when he reminisced in 1974: The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) by Vladimir Nabokov 304pp, Penguin Classics, £25 1 of 11 11/15/09 12:59 AM Martin Amis on Vladimir Nabokov's work | Books | The Guardian http://www.guardian.co.uk/books/2009/nov/14/vladimir-naboko... Buy The Original of Laura: (Dying is Fun) a Novel in Fragments (Penguin Modern Classics) at the Guardian bookshop ". I regarded Paris, with its gray-toned days and charcoal nights, merely as the chance setting for the most authentic and faithful joys of my life: the coloured phrase in my mind under the drizzle, the white page under the desk lamp awaiting me in my humble home." Well, the creative joy is authentic; and yet it isn't faithful (in common with pretty well the entire cast of Nabokov's fictional women, creative joy, in the end, is sadistically fickle). -
It Must Be Karma: the Story of Vicki Joy and Johnnymoon
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-14-2010 It Must be Karma: The Story of Vicki Joy and Johnnymoon Richard Bolner University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bolner, Richard, "It Must be Karma: The Story of Vicki Joy and Johnnymoon" (2010). University of New Orleans Theses and Dissertations. 1121. https://scholarworks.uno.edu/td/1121 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. It Must be Karma: The Story of Vicki Joy and Johnnymoon A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Rick Bolner B.S. University of New Orleans, 1982 May, 2010 Table of Contents Prologue ...............................................................................................................................1 -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
List of Friendship Sloops
DEDICATION is dedicated to the town of Friendship. His dedication to the town is what brought about the sloop races. Other men had the idea but it was Herald who brought it to fruition. None of the existing organizations or committees in the town wanted to tackle such a tremendous undertaking, so almost single-handedly, Herald set up a new organization to promote this tremendous idea. Thus the Friendship Sloop Society was born. The first year was difficult. It was not easy to solicit help because people thought it couldn't be done. With great determination and dedica- tion, Herald set to work, writing letters and news releases; setting up committees and organizing work groups; arranging for parking and police DEDICATION — help — a million and one things to be done, and Herald saw to it Herald Jones — without whom this whole thing would they were done and done well. never have started. \ more appropriate word would be difficult to find! Herald Jones COVER — Without Herald it would never have begun. Friendship Sioop Society's Burgee superimposed over Without Herald it would have failed. His fore- photos taken at last year's regatta. sightedness is responsible for the most successful revival of any character boat in the world. Because of him, the Friendship Sloop today is known in CARTOONS — all corners of the world. Donna Weisel We take our hats off to you, Herald Jones, and dedicate this booklet to you. PHOTOGRAPHS — Carlton Simmons Program Printed by The Courier-Gazette, Rockland, Maine Welcome For the ninth time we welcome one and all to Friendship Sloop Friendship Sloop Society Days. -
Homeless Campaigns, & Shelter Services in Boulder, Colorado
Dreams of Mobility in the American West: Transients, Anti- Homeless Campaigns, & Shelter Services in Boulder, Colorado Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Andrew Lyness, M.A. Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Leo Coleman, Advisor Barry Shank Theresa Delgadillo Copyright by Andrew Lyness 2014 Abstract For people living homeless in America, even an unsheltered existence in the urban spaces most of us call “public” is becoming untenable. Thinly veiled anti-homelessness legislation is now standard urban policy across much of the United States. One clear marker of this new urbanism is that vulnerable and unsheltered people are increasingly being treated as moveable policy objects and pushed even further toward the margins of our communities. Whilst the political-economic roots of this trend are in waning localism and neoliberal polices that defined “clean up the streets” initiatives since the 1980s, the cultural roots of such governance in fact go back much further through complex historical representations of masculinity, work, race, and mobility that have continuously haunted discourses of American homelessness since the nineteenth century. A common perception in the United States is that to be homeless is to be inherently mobile. This reflects a cultural belief across the political spectrum that homeless people are attracted to places with lenient civic attitudes, good social services, or even nice weather. This is especially true in the American West where rich frontier myths link notions of homelessness with positively valued ideas of heroism, resilience, rugged masculinity, and wilderness survival. -
What Is Our Maritime Heritage? a Marine Education Infusion
7* DOCUUNT RESUME ED 211 376 SE C36 .'AUTHOR Butzow, John W.: And Others Tint What Is Our Maritime Heritage? Marine Education Infusion Unit on Ships andSailing. Revised Edition. INSTITUTN Maine Univ., Orono. Coll. of EducationA. SPCNS AGITCY National Science Foundation,Washington, !LC. PUE DATE. 60 GRANT F-SER-8008177., NOTE 7 p.: For related documents,see SE-f1:6 055-059. Produced through the Northern New England Marine Education Project. Contains. colored print 'whichmay not 'reproduce well. , AVAIL/iBLE FROM Northern New England Marine Education ErojectrUniv. ', of Maine .at Orono, 206,Shibles Hall, Orono, ME04409 -- ($3.00). EDFS PRICE MF01/PC03 Plus Potage:,, . , °_.., DESCRIPTORS *Activity Units:'Erementary Secondary Education: Environmental Education: Instructional Eatexials; *Interdisciplinary Apprpach: Intermediate Grades; Junior .High, School Students; Local History: *Marine ,Biology: *Navigation: North American Bi%story: s -- 'Oceanography: Water Resources _ IDENTIIERS *Marine Education: Shipbuilding: *Ships ' '. ABSIIRAICT ` " The heritage of ships and boats of northern New England serves as the fbcal point of thisinterdisciplinary; unit for fifth th*ough ninth-gradestudents'. Information on. maritime heritage, buoyancy and flotation, buildinga whitehall rotting boat, masts and sails, basicbf sailing, and northernNew England ships and shipp ng is provided in the teacher's section. Corresponding . illustrat ons, are included. A variety of student activitiesinvolve making sa ling and floating model boats, singingsea chanties, playing bard games, reading'pcems andprose, and making scrimshaw,. Lists of' rint:and nonprint resources and pliaces to visitare provided. (DC) 4 e . , . ..., e., \ t 'i *******0*****1!********4c**********************iig************************ * Reproductions supplied by ERRS' are- the best thatcan be made * * from the original document. -
Guide to the William A. Baker Collection
Guide to The William A. Baker Collection His Designs and Research Files 1925-1991 The Francis Russell Hart Nautical Collections of MIT Museum Kurt Hasselbalch and Kara Schneiderman © 1991 Massachusetts Institute of Technology T H E W I L L I A M A . B A K E R C O L L E C T I O N Papers, 1925-1991 First Donation Size: 36 document boxes Processed: October 1991 583 plans By: Kara Schneiderman 9 three-ring binders 3 photograph books 4 small boxes 3 oversized boxes 6 slide trays 1 3x5 card filing box Second Donation Size: 2 Paige boxes (99 folders) Processed: August 1992 20 scrapbooks By: Kara Schneiderman 1 box of memorabilia 1 portfolio 12 oversize photographs 2 slide trays Access The collection is unrestricted. Acquisition The materials from the first donation were given to the Hart Nautical Collections by Mrs. Ruth S. Baker. The materials from the second donation were given to the Hart Nautical Collections by the estate of Mrs. Ruth S. Baker. Copyright Requests for permission to publish material or use plans from this collection should be discussed with the Curator of the Hart Nautical Collections. Processing Processing of this collection was made possible through a grant from Mrs. Ruth S. Baker. 2 Guide to The William A. Baker Collection T A B L E O F C O N T E N T S Biographical Sketch ..............................................................................................................4 Scope and Content Note .......................................................................................................5 Series Listing -
Classic Boat
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Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.