Australian Slavonic and East European Studies (Formerly Melbourne Slavonic Studies) Journal of the Australia and New Zealand Slavists’ Association and of the Australian Association of Communist and Post-Communist Studies Volume 30, Nos. 1-2 2016 Australian Slavonic and East European Studies Editor: Dr Robert Lagerberg, University of Melbourne Deputy Editor: Assoc. Prof. Stefan Auer, University of Hong Kong Editorial Board Assoc. Prof. Judith Armstrong, University of Melbourne Dr Julie Fedor, University of Melbourne Dr John McNair, University of Queensland Dr Lyndall Morgan, University of Queensland Prof. Marko Pavlyshyn, Monash University Dr Alexandra Smith, University of Edinburgh Dr Ludmila Stern, University of New South Wales Dr David N. Wells, Curtin University Assoc. Prof. Kevin Windle, Australian National University ASEES is a refereed journal which publishes scholarly articles, review articles and short reviews on all aspects of Slavonic and East European Studies, in particular, language, literature, history and political science, and also art and social science. Arti- cles should have a maximum length of 8,500 words and review articles 4,000; they should be submitted to the editor electronically, preferably in .doc (Microsoft Word) format. All articles submitted for consideration should conform to the style guidelines set out in the ASEES web page. ASEES replaces Melbourne Slavonic Studies, founded in 1967 by the late Nina Christesen, which ceased publication with Volume 19, 1985. Back issues of most volumes are available for A$20.00 per issue plus GST. Recent volumes of ASEES are available online at: http://arts.unimelb.edu.au/soll/research/research-publications/european- studies/ and http://miskinhill.com.au/journals/asees/ Indexes to all volumes of MSS and ASEES are available at http://www.arts.uq.edu/slccs/ - follow the links to Publications, ASEES and Indexes. ii ASEES is normally published in one combined issue per year: the current sub- scription price is A$35. ISSN-0818 8149 Published by the School of Languages and Linguistics, The University of Melbourne, Australia. Telephone: +61 3 8344 5187 E-mail: [email protected] Web: http://arts.unimelb.edu.au/soll/research/research-publications/ european-studies ASEES © The Publishers and each contributor, 2016 ASEES Volume 31 (2017) will be a special issue devoted entirely to Russian poetry and is now full, so we are not accepting articles for this issue. We are currently accepting articles for Volume 32 (2018). An electronic copy (in Microsoft Word for- mat) should be sent to the editor by 1 August 2018. Papers received after this time will not be considered for publication in Volume 32. ASEES Volume 31 (2017) will appear towards the end of 2017. iii ANZSA Office bearers of the Australia and New Zealand Slavists’ Association are: President: Dr Marika Kalyuga, Macquarie University Vice-Presidents: Assoc. Prof. Kevin Windle, Australian National University Dr Mark Swift, University of Auckland Secretary-Treasurer Dr David N. Wells, Curtin University AACPCS Office bearers of the Australian Association of Communist and Post-Communist Studies are: President: Assoc. Prof. Roderic Pitty, University of Western Australia Secretary/Treasurer: Dr Anna Taitslin, University of Canberra Executive members: Prof. Leslie Holmes, University of Melbourne Mr Tony Phillips, University of Melbourne Assoc. Prof. Hans Hendrischke, University of New South Wales Assoc. Prof. Slobodanka Vladiv-Glover, Monash University Dr Lynne Alice, Deakin University iv CONTENTS ARTICLES BENJAMIN SUTCLIFFE The Thin Present of Trifonov’s Thaw: Time in Slaking the Thirst .................. 1 ANNA ARKATOVA Eros, Femininity and Revolution: Aleksandr Solzhenitsyn’s Fictive Explorations of the Silver Age ........................................................... 23 MARKO PAVLYSHYN Embracing and Resisting the German Legacy: The Early Verse of Iurii Fedʹkovych ......................................................................................... 53 KEVIN WINDLE An Anarchist’s Farewell: Alexander Zuzenko’s Correspondence on his Deportation from Australia in 1919........................................................... 87 STEFAN AUER AND NICOLE SCICLUNA Framing a New World Order? The Sino-Russian Challenge to the West .... 113 ROBERT LAGERBERG Key Areas of Variation in Russian Verbal Word Stress .............................. 143 v REVIEWS Arnold McMillin, Spring Shoots: Young Belarusian Poets in the Early Twenty-First Century (David Wells) .................................................. 187 Henrietta Mondry, Political Animals: Representing Dogs in Modern Russian Culture (Denis Ioffe) ......................................................... 189 Notes on Contributors .............................................................................................. 193 vi BENJAMIN SUTCLIFFE THE THIN PRESENT OF TRIFONOV’S THAW: TIME IN SLAKING THE THIRST In 1963 noted author Iurii Trifonov published his first novel in thirteen years. Slaking the Thirst (Utolenie zhazhdy) has two plots, both set in 1957 and deeply em- bedded in the cultural anxieties of the Thaw. One, recalling narratives from the 1930s- 1940s, deals with the 1950s struggles of those digging the Karakum Canal, a grandi- ose project to bring water from the Amu Darya River to irrigate Turkmenia. The sec- ond, parallel plot depicts embittered Petr Koryshev, a struggling journalist whose fa- ther was repressed in 1937. Both lines intersect when Koryshev defends the canal’s boss, talented but unorthodox Ermasov, against political opponents linked to Stalin- ism. The novel is a rambling but fascinating illustration of how conceptions of time intersect with the aftermath of the Twentieth Party Congress.1 Trifonov himself had a paradoxical relationship with the Thaw: like Koryshev, his father had been unjustly arrested under Stalin, as were his uncle and mother. The author repeatedly returns to this family tragedy in his fiction, depicting it as a dividing point between the innocence of childhood and trauma of adolescence — both were 1 In English Trifonov’s work has been rendered as ‘Slaking the Thirst’ and ‘Quenching the Thirst’. Unfortunately, neither conveys the nuances of overcoming and conquering (utolenie) in the Russian title. My analysis of the novel is based on: Utolenie zhazhdy, in Iurii Trifonov: sobranie sochinenii. 4 vols., S. A. Baruzdin et al. (eds), Moscow: Khudozhestvennaia literatura, 1985, vol. 1, pp. 409-750. The novel originally appeared in Znamia, 4-7/1963 and expands on some of the themes in Under the Sun (Pod solntsem, 1959), Trifonov’s volume of short stories about Turkmenia: Pod solntsem, Moscow: Sovetskii pisatel´, 1959. Slaking the Thirst was made into a film for which Trifonov helped write the screenplay: Utolenie zhazhdy, director Bulat Mansurov, Turkmenfil´m, 1966. I am grateful to two anonymous reviewers at Australian Slavonic and East European Studies for their comments on this article. ASEES, Vol. 30, Nos. 1-2 (2016): 1-21 BENJAMIN SUTCLIFFE coloured by the brutality of the purges. Yet his first novel, Students (Studenty, 1950), had glorified the late-1940s attacks on academics, winning Trifonov a Stalin Prize, but also focusing attention on his father’s status as an enemy of the people. Sudden fame and the suspicion of the authorities provoked a personal and artistic crisis that stymied Trifonov until the appearance in 1963 of Slaking the Thirst. What he found particular- ly embarrassing was the discouraging reaction of Aleksandr Tvardovskii, the editor who had praised Students, but who now advised the young author to write short sto- ries before attempting a longer work.2 This is the first article-length discussion in English on the novel; Anglophone and post-1985 scholarship gives short shrift to Slaking the Thirst because the novel seems to lack the apolitical introspection dominating Trifonov’s later narratives. It is also anomalous for being the author’s first major work to depict the Thaw, whereas Trifonov is best known for his Moscow povesti written in the Brezhnev years. Along with Students, Slaking the Thirst is the writer’s novel most concerned with contempo- raneity, an obsession that makes for a contradictory narrative which conveys the wor- ries of the Khrushchev period. As Polly Jones notes, the Thaw was itself marked by a basic paradox, as it attempted to continue the teleology of Soviet history while reveal- ing the systemic lies of Stalinism. Slaking the Thirst has a ‘thin’ and fragile present overshadowed by a discredited past and utopian future. What is happening in the plot is of less importance than how these actions are shaped by Stalinism and the better years that will supposedly follow. Images of temporality — how time appears in the 2 On the fate of Trifonov’s family, see Gillespie, David, Iurii Trifonov: Unity through Time, Cambridge, UK: Cambridge University Press, 1992, pp. 2-3. For the best discussion of Students, consult Ivanova, Natal´ia, Proza Iuriia Trifonova, Moscow: Sovetskii pisatel´, 1984. Semen Ekshtut discusses the crisis following the publication of Students — see his lively but superficial analysis in, Iurii Trifonov. Velikaia sila nedoskazannogo. Zhizn´ zamechatel´nykh liudei, Moscow: Molodaia gvardiia, 2014. Ivanova discusses Tvardovskii in Proza Iuriia Trifonova, p. 35. 2 TRIFONOV’S SLAKING THE THIRST narrative — convey uncertainty: Koryshev is far from convinced that the future will bring something better than the past.3 There is a sad coda to the history of the Karakum Canal: