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v a a a S l N h museum Ostozhenka - Novy Arbat - h ly o s u ’ l v zov

Moscow City o o Sa k a d B y o uz k a architectural office vo a ulo Frunzeskaya naberezhnaya a e n ulitsa L’vaTolstogo e s per k s a t n iy Sadovoe kol’tso o t i tsk b i l Tverskaya - Belorusskaya l’ e ne e t l s u kuz re o t o u v z s o theatre a y N n y k 5- ay

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Kazanskiy pereulok s p z u i

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Prospekt Mira s t r k hotel a a e K ov K ru y u o

m P l z s sk o h k iy k e i restaurant Zamoskvorechye Oktyabr’skaya y va v l n p Nesvizhskiy pereulok i Krasnokholmskaya naberezhnaya e c r Paveletskaya h pointe of interest North e u s

l k o a M o s k v a p e k a k ISBN 978-88-96780-96-1 Valovaya ul. y department stores East a u ul lits itsa 78 Pionerskiy a K prud ru bookstores South msk i Zhitnaya ulitsa ON THE ROAD city Neskuchnaya naberezhnaya y v M o s k v a p e k a al schools of art and architecture West Zhitnaya ulitsa Mikhail Khazanov Komsomol’skiy prospekt ulitsa Krymskiy val Valovaya ulitsa Moscow l skiy va 83 Oktyabr’skaya Krym € 18.00 ulitsa Dobryninskaya B

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l ’ s H I h J 79 o y

S 3- t y Dobryninskiy pereulok ro

c ON THE ROAD Editor of collection Table of contents Laura Andreini

editorial project photolithography Guidebook as tool 4 Forma Edizioni srl, Firenze, Italia LAB di Gallotti Giuseppe Fulvio, Moscow 5 [email protected] Firenze, Italia www.formaedizioni.it printing Political / geographical facts 6 editorial production Gutenberg Press Limited, General information 7 Archea Associati Gudja Road, Tarxien, Malta Useful tips 8 PLA 19 editorial direction Laura Andreini we would like to thank Moscow Historical Introduction 10 Riccardo Crenna textual supervision Simona Flacco Skyline 12 Riccardo Bruscagli Alessandra Dall’Ara Yulia Filatova author Lorenza Bonamore Strategies for visiting Moscow 16 Alessandro De Magistris Giulia Arduini Routes 20 Umberto Zanetti for their collaboration Kremlin - Historic City Center 22 Ostozhenka - Novy Arbat - Moscow City 38 editorial staff Valentina Muscedra Tverskaya - Belorusskaya 76 Maria Giulia Caliri Chistye Prudy - Sretenka - Prospekt Mira 108 Zamoskvorechye 122 graphic design North 140 Elisa Balducci East 164 Alberto Bolzonetti Vitoria Muzi South 172 Isabella Peruzzi West 186 Mauro Sampaolesi Exhibition centers 204 translations Maureen Fay Young Theaters 206 Schools of Art and Architecture 207 Bookstores 207 Department stores 208 With the support of: Restaurants 208 Hotels 210 Architectural offices 211 Remarkable Buildings 213 Moscow Committee for Architecture and Urban Development Index by architect 218 Index by project 220 © 2017 Forma Edizioni srl, Firenze Transportation 222 All rights reserved, no part of this publication may be Archcouncil of Moscow reproduced in any form or by any means without the prior permission in writing of the publisher.

First Edition: April 2017 Schusev State Museum of Architecture Schusev State Museum ISBN 978-88-96780-96-1 of Architecture Political / geographical facts General information useful addresses and numbers

country Websites and main offices Bicycle rentals Federal Agency for Tourism Velobike Service available from May through October language (Russiatourism) http://www.russiatourism.ru/en/ http://velobike.ru/ Russian Myasnitskaya ulitsa 47, 101000 Moscow Car sharing area code Mon -Thu / 9.00 am - 6.00 pm Belkacar.ru +7 (495) or (499) Fri / 9.00 am - 4.45 pm Paveletskaya naberezhnaya 2 , 115114 Moscow T. +7 (495) 234 3300 Moscow tourism portal coordinates [email protected] 55°45' 06'' N http://en.travel2moscow.com Call center 8 800 220 0001 (from a local landline) 37°37' 04'' E +7 800 220 0001 (from a foreign landline) GENERAL CONSULATE OF FRANCE Bolshaya Yakimanka 45, 115127 Moscow area Official website of the City of Moscow Tel +7 (495) 937 1500 2 561,5 sq.km https://www.mos.ru/en/ population GENERAL CONSULATE OF GERMANY EMERGENCY SERVICES 12.330.126 Leninski prospekt 95А, 119313 Moscow Police 02 Tel +7 (495) 933 4311 density Ambulance 03 4.813,63 inhabitants / sq.km Fire Department 01 GENERAL CONSULATE OF GREAT BRITAIN Consular Services time zone URBAN TRANSPORT Smolenskaya naberezhnaya 10, 121099 Moscow UTC+3 Tel +7 (495) 956 7200 Useful information on the city’s transport systems and the purchasing and pricing of tickets and GENERAL CONSULATE OF ITALY passes is available at the site http://www.expat. Yakimanskaya naberezhnaya 10, 119180 Moscow ru/s_transport.php Tel +7 (495) 796 9692 The site http://msk.rusavtobus.ru/en/ will help you decide the best means of transport to use based on GENERAL CONSULATE OF THE UNITED STATES 10 your starting and destination points Administrative districts ACS, U.S. Embassy Moscow Airport-city American Citizen Services Express trains take about 50 minutes between the 21 Novinskiy Bulvar 21, 123242 Moscow 2 3 1. Central Sheremetevo, Domodedovo, and Vnukovo airports Tel +7 (495) 728 5577 9 2. Northern 4 and the Belorusskaya, Paveleskaya, and Kievskaya 1 3. North-Eastern metro stations, respectively. HOW TO PHONE 8 5 4. Eastern Tickets can be purchased at the departure points From a local landline: dial the trunk prefix 8, then 5. South-Eastern and on line 7 the city prefix (495 or 499), then the number 6 6. Southern http://www.aeroexpress.ru/ 11 7. South-Western From a foreign landline: dial international prefix Subway (+7), city prefix (495 or 499) and the number 8. Western Official site of the 9. North-Western http://mosmetro.ru/ 10. Zelenogradsky An interactive map is available on the site 12 11. Novomoskovsky http://engl.mosmetro.ru/flash/scheme01.html The iPhone app can be found at 12. Troitsky https://itunes.apple.com/it/app/metro-di-mosca/ id476323439?mt=8

6 7 Useful tips

1. Getting around_For long and medium distances, the vast Metro network amples of the avant-garde period, which also includes the Tsentrosoyuz by is the best way to travel. You can avoid lines at the stations and save money Le Corbusier. overall by purchasing smart cards with journey credits or travel passes that The various phases of , which culminated in the fam- allow unlimited travel. ous seven , are best illustrated along the city’s main radial Outside of the historic Ring, the early twentieth-century peri- axes, in particular Tverskaya ulitsa, Leninsky prospekt, and Leningradsky meter of the city, it can be pleasant to use the surface transport, in particu- prospekt, as well the Sadovaya . lar trams, buses, and trolleybuses, especially in summertime. The Schusev State Museum of Architecture (MUAR) offers a rich program While there are still only a limited number of bicycle paths, cycle hire is an of temporary exhibitions as well as the extraordinary seventeenth-century excellent way to travel along the tree-lined Bulvar. wood model of the Kremlin on permanent display. Because of chronic traffic congestion, it is best to avoid using private cars, The Ostozhenka district, adjacent to the reconstructed Cathedral of Christ except on weekends, when Moscovites all escape to their dachas. the Savior, contains the best concentration of works of contemporary archi- Taxis can be found at airports, rail terminals and some metro stations. Book tecture from the post-communist period. several hours ahead of time by phone or online if you want to be picked up The hosts European, Middle Eastern, and Asian art collec- from a specific place. Companies like Uber or Get-a-Taxi have handy mobile tions, in addition to the world-famous paintings from the Impressionist and apps for booking rides within minutes. Post-Impressionist periods. Also available in Moscow are informal “taxi” services consisting of private The State displays beautiful collections of Russian citizens circulating the city in their own car and offering rides. They can be fine art, with works from the 11th to early 20th centuries at the Staraya flagged on the street by holding out your arm. The fare must be negotiated Tretyakovskaya, and the not-to-be-missed avant-garde works of the 20th before the start of the trip and will almost always take place in Russian. The century at the Novaya Tretyakovskaya. inexperienced are not advised to use this method of transport. A car sha- One of Moscow’s main architectural attractions is a tour of the spectacular ring service is also available. For information see the website Belkacar.ru. “underground palaces” of its historic metro stations, in particular along Line One (red), Line Two (green), and the Circle Line (brown). 2. Eating_To keep food costs down, you can eat at kiosk chains like Kroshka-Kartoshka, Teremok, or Riksha Ivan, and Russian restaurant chains 5. Bird’s-eye views of Moscow_Beautiful panoramic views can be enjoyed like Mu-Mu, Elki-Palki, or Grabli. Also worth trying are Stolovaya 57 (the re- from the restaurants of the historic Ukraina and Leningradskaya hotels, as construction of a typical Soviet canteen), located inside the GUM depart- well as from the Ostankino towers and the . ment store, or, if you can pass as a student, the university cafeterias, in par- ticular at MGU. 6. Documents_Police conducting ID checks may ask you for your passport and other documents. Some people prefer to leave the originals in their 3. Sleeping_In alternative to more refined solutions, you can stay at an in- hotel and carry photocopies when they go out. Travelers who spend more ternational hotel chain, such as Holiday Inn, Mercure, or Ibis. Book early be- than seven workdays in Russia (including Saturday, counting from the date cause the prices can rise sharply in certain times of the year, even at these of entry at the airport) must register their entry visa. If you are staying at a types of hotels. hotel, the management will take care of registration. If you are staying in a private home, you should find out how to register your visa before arriving 4. Must-see highlights_Sites that should not be missed include the Red in Russia. Do not lose the migration card that is issued to you at the port Square and the adjacent GUM department store, St. Basil’s Cathedral, of entry, as you must submit it to immigration authorities upon departure. Lenin’s Mausoleum, and the eastern walls of the Kremlin, which is the true heart and historical jewel of the city. 7. Money exchange_If you do not already have local currency, change The Moscow style of is well-represented by a visit to the a small amount of money for rubles upon arrival at the airport. Once you Ryabushinsky House (now the Gorky Museum). The cylindrical Melnikov reach the city, you will find an endless number of exchange offices, clearly House, the Rusakov club by the same architect, the Zuev workers’ club by visible from the street. They are open at all hours and offer much better Golosov, and the Narkomfin collectivist house by Ginzburg are the best ex- exchange rates.

8 9 Moscow Historical Introduction

Alessandro De Magistris* / Umberto Zanetti**

Moscow, the capital of the Russian Federation, was founded in the 11th This resulted in the construction of immense residential districts (rajony) century at the confluence of the Neglinnaya and Moskva rivers. Its layout with standardized services, inspired by a productivist that is based on a ring-road system, with streets radiating out from the Krem- marked a reconciliation with the lnternational Style of the Western coun- lin, which was originally a fortress and of political and religious tries. This functionalist approach of mass construction continued to char- power. Initially built in wood, as was the entire settlement, the Kremlin was acterize the architectural production of the final decades of Soviet Moscow. surrounded by walls in white limestone from the 13th-14th centuries, a period of great artistic and building impulse that placed Moscow amongst PROSPECTS FROM THE 1990S THROUGH TODAY the ranks of such older cities as Kiev, Novgorod, and Vladimir. The limestone walls were replaced in the 15th century by the red brick for- With the dissolution of the USSR, a new phase of pressing and radical trans- tifications that are still visible today. The layout and urban fabric that con- formation took shape in the early 1990s, accompanied by the privatization tinued to characterize the development of Moscow took form during the of the economy and the revival of the real estate market. The rigid planning gradual expansion of the city during the 18th and 19th centuries. After the tools in force until the 1980s were replaced by profoundly different pre- revolution and throughout the 20th century, Moscow, as the capital of the scriptions, summarized by the “Moscow 2020” plan and its updated ver- Soviet State, underwent important changes that confirmed its status as sion, “Moscow 2025.” The most significant episodes of post-socialist Mus- Russia’s preeminent urban center. Its role as a model communist city is re- covite architecture has been driven by investments in the service sector, in flected in both the architecture and in the urban development projects pro- particular banks and office and commercial complexes, and in the construc- moted by the various general plans drawn up during the Soviet era, begin- tion of luxury homes. These buildings reflect a decisive renewal of the city’s ning with the historic Genplan Rekonstruktsii of 1935. architectural culture, accompanied by a rebirth of the profession of architect The early 20th century is deeply permeated by eclecticism and by the ex- and initially dominated, with rare exceptions, by an eclectic approach ex- traordinary expressions of Art Nouveau (in Russia novyj stil’ or modern). The pressed through the commercial banalization of historic motifs. Revolution marked a radical break with the past. Increasingly ambitious More recent times, following changes in the top tiers of city government, urban works from the 1920s clearly reflected the range of opportunit- have been characterized by a new scale of operations involving the redefin- ies, directions, and original developments of Soviet design culture at that ition of the relationships between the city center and its regional context. time. The initial directions in which the various and opposing avant-garde Among the issues and important urban developments being addressed, trends expressed themselves are represented by such masterpieces as the also by means of international competitions, are the Moscow City business Narkomfin collectivist apartment house (Ginzburg), Melnikov’s cylindrical center, which is nearing completion, the refurbishment of the vast Soviet house, and the Rusakov (Melnikov), the Zuev (Golosov), and the ZiL (A. Ves- legacy of long-abandoned industrial areas, the infill of urban voids, and the nin) workers’ clubs. renovation of large public spaces and parklands. An essential part of the The openness towards experimentation of those years also applied to Le latest phase of modernization consists in the upgrading of infrastructures, Corbusier. A leading figure of Western design culture, he built in Moscow the in particular the Metro network and links between the city and the airport. innovative and imposing Tsentrosoyuz Building, headquarters of the union Another significant aspect is the increasing awareness of the importance of cooperatives. of – and the importance of preserving – the city’s heritage of avant-garde With Stalin’s rise to power and the long Stalinist era came eclectic mani- architecture, which is seriously threatened by degradation and speculation. festations of the “Socialist Realism” that reshaped the city from the 1930s through the 1950s. This moment in history can be read in the Metro stations, the monumental buildings, the gigantic administrative complexes and resid- ential blocks (kvartaly), and, as the final expression of the Stalinist era, the sky- scrapers (Visotky) that went up in celebration of Russia’s victory in the Great Patriotic War (World War II). The advent of Khrushev and de-Stalinization led to the rejection of monu- mentalism and initiated a period of industrialization of construction processes * Architect, Full Professor (Politecnico di Milano) aimed at providing solutions to the dramatic and endemic housing shortage. ** Civil Engineer (Politecnico di Milano), founder of the architecture firm ZDA

10 11 Embankment House onthe Christ theSaviour Cathedral of Hotel Ukraina Moscow City MID Pushkin Museum N ovy Arbat Lenin Library Kremlin

MUAR © Denis Esakov Zamoskvorechye Udarnik Cinema N ovaya Tretyakovskaya Garage Embankment House onthe Krasny Oktyabr Luzhniki S Ostozhenka S trelka tadium MGU

© Denis Esakov Strategies for visiting Moscow

A | Kremlin - Historic City Center and studio/32, today a branch of the MUAR Museum of Architecture, and the The Kremlin - Historic City Center itinerary rotates around the historic center Narkomfin collectivist residential building/36. At the intersection with Ku- of Moscow, between the Moskva River and the Bulvar ring roads. The compos- tuzovsky Prospekt, Novy Arbat culminates with the SEV-Comecon headquar- ite character of this area bears witness to the city’s layers of history and the ters/38, the Russian White House/37, and the Hotel Ukraine. To the north- constant transformation of its urban fabric to this day. The Kremlin, Moscow’s west, in tangent to the Third Ring, is the new business center, Moscow City/40, earliest fortified village, is bound by a system of large public spaces, consist- with its interesting collection of international high-rise styles. ing principally of the , within which stands Lenin’s Mausoleum/01, and Manege Square/03, whose renovation with an underground shopping C| Tverskaya - Belorusskaya mall was an emblematic redevelopment project of the 1990s. Moscow’s most The historic link between Moscow and St. Petersburg, /06, famous religious and civic monuments are concentrated in a limited area that became, under the Stalinist regime, a point of reference within the new urban has always remained the heart of the city. In addition to the Kremlin and the landscape. The first section of the street, after it crosses the Bulvar, opens onto Cathedral of Christ the Savior/14 are a number of cultural buildings, including , which is overlooked by the Izvestiya newspaper build- the Pushkin Museum, the Muar Museum, the Lenin Library/13, the Bolshoi ing/48 and the Rossiya Theatre/50. The Utro Rossii printing house/49 is also Theater, and the MKhAT. close by. On either side of the Sadovoye Koltso (the ), from east The district is crossed radially by a major traffic artery, Tverskaya ulitsa/06, and to west, are notable examples of Modernism/Art Nouveau, for instance the also encompasses such historic commercial buildings as GUM/02, TSUM/09, Ryabushinsky Mansion, Gorky Museum/42, and of avant-garde Soviet archi- and Detsky Mir/10, Soviet and government buildings, including the KGB build- tecture, for instance the Mostorg Department Store/45. Interesting works of ing/11 and the State Duma, and the headquarters of service-sector compan- contemporary architecture include the headquarters of the Union of Architects ies, including Northern Insurance/04 and the Central Telegraph Office/07. The of Russia/41, the Granatny residential complex/43, and the Patriarkh resid- center of Moscow has been an elite residential district throughout its history. ential complex/47, which looks onto the charming residential Here we find Mokhovaya House/05, Dinamo Society Building/12, and Bry- area. Continuing on, we reach Mayakovskaya Square and the Mayakovskaya usov residential building/08, as well as several historic hotels: Hotel National, Metro Station/52, which is an ideal starting point for an itinerary in discov- Hotel Moskva, and Hotel Metropol. ery of the “underground palaces,” the historic stations of the first Metro lines. Not far from here is the Penguin office building/53, and, at the far end of this B| Ostozhenka - Novy Arbat - Moscow City section of the Koltso, the recently built Tsvetnoy Central Market/51, by the Numerous experimental buildings have sprung up in Ostozhenka since the firm Meganom. Traveling along Tverskaya, moving outward from the city cen- early 2000s, redesigning the fabric of the neighborhood. Such structures as the ter, we find the Belorusskaya station. Numerous office complexes have sprung Unicredit Bank/21, Maple House/22, Copper House/16, the Butikovsky/20, up around this important node, among which Belaya Ploshchad/56, which is Barkly Plaza/15 and Ether/19 office towers, and the Molochny/18 and not far from the Zuyev Club/55, one of the most famous examples of workers’ Korobenikov/23 residential complexes have transformed the district into one clubs built towards the end of the 1920s. On Leningradsky Prospekt, just be- of Moscow’s most prestigious and attractive parts of the city. In contrast to fore its intersection with the Third Ring, is the Experimental residential build- their modern style, the nearby Pompeii House/33 is an excellent work of re- ing/58 and, in the vicinity, the Begovaya residential complex/57, inspired by le fined contemporary eclecticism. The Frunze quarter, which extends north from Corbusier. In the eastern part of this itinerary are two historic structures, the the Frunzeskaya embankment along the Moskva River, was traditionally occu- Pravda/59 and the Bakhmetevsky Bus Garage/60, as well as the recently built pied by the Red Army and contains the Frunze Military Academy/28 and the Federal Court of Arbitration of the Region of Moscow/54. Kauchuk Factory Club/27. Nearby are two modern building complexes, Fu- sion Park/25 and Burdenko/29, along with the Levshinsky residential com- D| Chistye Prudy - Sretenka - Prospekt Mira plex/30, the facades of which reinterpret the classic canons. In the early 1960s, The northeast sector of Moscow, close to the Garden Ring, contains extremely Khrushchev demolished a picturesque neighborhood to make way for Novy Ar- interesting 20th century administrative buildings: the Tsentrosoyuz/68, the bat/34, as part of his project for modernizing the city. The old ulitsa Arbat, a Gostorg/67, a masterpiece of early Constructivism, the Narkomzem/64, the remnant of this historic fabric, was pedestrianized in the 1980s and has be- Ministry of Transport/65, one of the seven Stalinist skyscrapers, and, adjacent, come an important tourist attraction. In the vicinity are the Melnikov house the NKPS People's Commissariat of Transportation/66. A little farther out is the

16 17 Yaroslavsky railway station/62. It is a remarkable work of Art Nouveau architec- Metro/91, Siemens AG/87, and Alkon 1/89, along Leningradsky Prospekt, and ture and one of Moscow’s most important transport nodes. Among the many the new Aeroflot headquarters/93 and the Khimki Business Park/92, adja- interesting examples of adaptive reuse in this part of the city are Art House/72, cent to Sheremetevo Airport. along the River, Winzavod/71, the historic wine factory converted into a center for contemporary art, Gazgolder/70, which has been converted G| East into a multipurpose center, and the new office building complex, B0 2-M/61. The southeast part of the city, which extends along Entuziastov Shosse and Nearby is an excellent example of late-Soviet cultural architecture, the Taganka the banks of the Moskva River as far as the Danilovsky District, attests to the Theater/74. Soviet regime’s emphasis on large-scale manufacturing in its drive to industri- alize the country. The area was occupied by enormous factories and industrial E| Zamoskvorechye sites, including GPZ-1, AZLK, Serp & Molot, and the ZiL automotive plant/104. The area encompassing Bolotnaya and the Zamoskvorechye district Competitions were recently held for the renovation and adaptive reuse of the have always been industrial in nature, and still retain many of the same latter two factories. Workers’ housing complexes and cultural centers, including features and charm. After crossing the historic Bolshoy Kamenny bridge, the ZiL Cultural Center/102, were built in close proximity to the factories. The we encounter interesting examples of Soviet residential architecture, such Stanislavsky Factory/100 is an excellent example of the successful conversion as the imposing /76. Continuing along Ber- of one of these former industrial sites. Two additional buildings of great interest senevskaya Embankment, we arrive at the Strelka Institute/77, one of the on this itinerary are the 1930s Gosplan Parking Garage/105 by Konstantin Mel- most important features of the new Moscow, and Krasny Oktyabr, a former nikov, and the Dominion Office Building/101 by Zaha Hadid. industrial area that is currently undergoing major transformation. On the Kadashevskaya Embankment we reach the new Tretyakov Gallery, H| South which has an extraordinary collection of avant-garde Soviet and 20th-century The southern periphery of Moscow, served by major transport arteries, had been works. Across from the gallery is the entrance to Gorky Park/78, Moscow’s set aside for high-density housing development since the 1920s. This policy principal recreational area during Soviet times. Today, Gorky Central Park has was reconfirmed and intensified during the postwar period (the 1949-51 plan) been fully revived as a cultural and recreational center, also hosting Garage/79, and in the 1960s-1970s. The Southern Experimental Districts/108, including a center for art and culture. Other points on the itinerary include the MOGES-1 Novye Cheryomushki, Yugo-Zapadny/121, Severnoye/114, Nagat- electric power plant/75 , a masterpiece of Soviet industrial architecture, and ino-Sadovniki/116 and Yasenevo/115, represent some of the most emblematic the modern office complexes Vivaldi Plaza/83 and Ozerkovskaya/84. Further housing projects from the city’s various periods of expansion. The House of the south is the Shabolovskaya neighborhood, which contains the Shabolovka New Way of Life/107, a complex of communal apartments, was presented as residential complex/80, the student dormitory complex/82, and the Shuk- a prototype for collectivist living. Particularly interesting recent structures include hov Radio Tower/81, an extraordinary steel structure. the Danilovsky Fort/106 and Nauchny Park/111 business centers, the Av- ant-garde residential tower/110, and the 77 residential complex/113. F | North This itinerary encompasses a vast area characterized and organized around the I| West presence of the principal road and rail links situated in the northern part of the The western district of Moscow is heterogeneous, with both remarkable his- city, including the Leningradsky, Butyrskaya, and Mira metro stations. Along toric buildings and a number of works of contemporary architecture. In the these main routes and surrounding areas are various examples of contempor- first category are the Stalinist /118, and the Mos- ary architecture, as well as a number of masterpieces of Soviet architecture. filmovskaya Building/117, along with the Luzhniki Olympic Complex (which In particular, from the 1920s, are the Rusakov/99 and Burevestnik/98 work- includes the former Central Lenin Stadium), which also served as a venue for ers’ clubs. The VDNKh/95 trade show complex and amusement park was built the 1980 Olympics. The three modern developments on this itinerary lie in the between the 1930s and 1950s. Interesting examples of contemporary resid- easternmost part of the district: Skolkovo Technopark, with the buildings Hy- ential architecture include, among others, the Aerobus mega-complex/88 and percube/125 and Matrex/124, the Moscow School of Management/123, the VDNKh tower/94. As regards the new generation of office buildings, par- and, in Barvikha, the new Luxury Village shopping center/127, with the adja- ticularly worth mentioning are Mercedes-Benz Plaza/86, Metropolis/90, AG cent Mercury Theatre/126 and Hotel Barvikha/128.

18 19 F

C

D

A

B

E

Routes

A. Kremlin - Historic G City Center B. Ostozhenka - I Novy Arbat - Moscow City H C. Tverskaya - Belorusskaya D. Chistye Prudy - Sretenka - Prospekt Mira E. Zamoskvorechye F. North G. East H. South I. West

20 21 ulitsa Bol’shaya Lubyanka Tverskaya ulitsa Varsonof’evskiy pereulok

I ultisa Petrovka J

a

s i

Khachapuri t l

k u MARKhI Stoleshnikov pereulok o Glinishchevskiy per. a eul zd y

r e a Tverskoy bul’var e ro Denis Simachev Bar p y p n

ul n

y o i k k l Bol’shaya Bronnaya ul. ki rs o i s e ul t g v v e s T r e o Moskva pe a ul. Kuznetskiy Most

k N i v B n o ulitsa Malaya Lubyanka d ik o z hn l e les ’s 12 Milyutinskiy pereulok n to h G S a Furkasovskiy pereulok y y li a Kuznetskiy most a D Tverskoy bul’var M m Dmitrovskiy pereulok 11 it S Tverskaya ulitsa r hv o ed v Myasnitskaya ultisa sk ka Nedalniy Vostok i Leont’evskiy pereulok ultisa Petrovka y 09 tu p Pushechanaya ultisa ik TsUM Krivokolenniy per. Operetta Teatr

Neglinnaya ultisa

Teatr MKhAT u ulitsa Bol’shayaLubyanskiy Lubyanka proezd 08 l Voznesenskiy pereulok it a s 10 ltis a a u ay Bryusov pereulok B Bolshoy Teatr M tsk o yasni Biblio-globus l Tverskoy bul’var ’s h Lubyanka a y Kamergerskiy pereulok a Novy Manezh D Teatral’naya 3 City Comfort Hotel m ploshchad’ it Lubyanka Leont’evskiy pereulok ro Moskovsky Dom v k Teatral’niy proezd Kompozitorov a 07 Novaya ploshchad’ Hotel Metropol Georgiyevskiy pereulok Skver na 06 Ploshchadi Bol’shoy Cherkasskiy pereulok Tverskaya ulitsa Revolyutsii Nikoil’skaya ulitsa

eyka Nikitskiy pereulok aros Voznesenskiy pereulok Hotel Moskva sa M ploshchad’ Revolyutsii ulit ul. Okhotniy Ryad Ploshchad’ Kitay-Gorod Gazetniy pereulok Okhotniy ryad Nikitskiy bul’var Mayak Bol’shaya Nikitskaya ulitsa Revolyutsii 7 Bryusov pereulok Dr. Zivago

Hotel National

k Ugolek Ploshchad’

o

l 04

Jean-Jacques u Revolyutsii

e Coffeemania Lubyanskiy proezd

r Bogoyavlenskiy pereulok e

p Konservatoriya Kremlin - 05 Staraya ploshchad’ y i “P. I. Tchaikovsky” Nikoil’skaya ulitsa Il’inskiy k Manezhnaya Historic City Center John Donne s skver v ploshchad’ o l Kremlyovskiy proezd s Bol’shaya Nikitskaya ulitsa

i

K Vetoshniy pereulok N

y 01. Red Square and Lenin i

i k Nikitskiy bul’var l

o a l ’ Kalashniy pereulok s

M Mausoleum Mokhovaya ulitsa ulitsa II’inka k i y

02 GUM p 02. GUM Department Store e r Staraya ploshchad’ e u 03. Manege Square and the l Stolovaya n. 57 o k Moscow Manege building ki ovs y pereul Kisl ok Rybniy pereulok niy 04. Northern Insurance zh i Bol’shoy Kislovskiy pereulok

N ’ ulitsa II’inka 05. Mokhovaya residential Bar Cervetti Manezh d

a

h 01

c complex Krasnaya Gostiny Dvor 03 h Romanov pereulok s Svedine

o ploshchad’ Kitay-Gorod l Torgovye 06. Ulitsa Tverskaya Arbatskaya p

a Ryady y 07. Central Telegraphrka Office ulitsa Vozdvizhenka a ulitsa Varva

k

s Bryusov residential t 08.

a

Aleksandrovskiy sad n Sobor Vasilya Muzey e ulitsa Varvarka building Arbatskaya Arkhitektury S Blazhennogo (Filyovskaya liniya) 09. TSUM Department Store 13 Muzey

Kremlya M 10. Detsky Mir o

Biblioteka s k 11. KGB building

imeni Lenina v

o r e 12. Dinamo Society Building

sad t s

Nikitskiy bul’var k

Borovitskaya ulitsa a 13. Lenin Library y

Aleksandrovskiy a

Taynitskiy u 14. Cathedral of Christ 0 m 100 m 250 m Krestovozdvizhenskiy pereulok l Kitaygorodskiy proezd sad . Borovitskaya the Saviour ulitsa Znamenka

22 23 Kremlin - Historic City Center 01. Red Square and Lenin Mausoleum

Krasnaya ploshchad The Red Square (also known as “The Beauti- 101000 Moscow ful Square,” as the Russian words for red and beautiful share a common root), is located in the south-west section of Kitay Gorod, one January - December Tue - Thu / 10 am - 1 pm of Moscow’s historic urban settlements (po- Sat / 10 am - 1 pm sads) surrounded by stone fortifications. The Mon - Fri - Sun / closed space was originally dominated on the west by the walls of the Kremlin, and towards the +7 (495) 6235527 Moskva River by the Cathedral of the Inter- cession (St. Basil’s Cathedral). Its colorful www.lenin.ru and unique character is the result of a stra- tification of building works that culmina- ted during the 19th and 20th centuries with the construction of the History Museum (1874-1883) and the GUM department store 1 > Okhotny Ryad; (1889-1893), both masterpieces of Russian 2 > Teatralnaya; 3 > Ploshchad eclecticism, and of Lenin’s Mausoleum (1924 Revolyutsii -1930). GUM was Europe’s largest shopping center complex when it was built at the end of the 19th century. It has a very interesting spatial 25 > Krasnaya organization, with three levels of arcades co- ploshchad; vered by an enormous arched glass and steel 12ц/К > Teatralnaya roof by the engineer Vladimir Shukhov, one of ploshchad; the structural pioneers of the era. 158 > Lubyanskaya ploshchad

8 > Krasnaya ploshchad; 2/12/33 > Teatralnaya ploshchad; © Denis Esakov 63 > Lubyanskaya ploshchad

architects type construction A. Shchusev (mausoleum) monument 1924-1930

24 25 Kremlin - Historic City Center 13. Lenin Library

Vozdvizhenka ulitsa 3/5 The first expansion project for the Soviet 119019 Moscow Union’s most important library was designed by Vladimir Shchuko and Vladimir Gelfreykh on occasion of a competition held between January - December Mon - Fri / 9 am - 8 pm 1927 and 1929, a period still dominated by Sat / 9 am - 7 pm avant-garde ideas. The site was located at a strategic point for the reconstruction of the +7 (495) 6955790 capital of the USSR, in the very center of Mo- scow, in close proximity to both the Kremlin www.rsl.ru and what was planned to be the administra- tive and urban heart of the city, the . However, the library building presents a decidedly classical appearance, in conformance with the new tendencies man- dated by the Stalinist regime. It consists of 1 > Biblioteka imeni a complex of separate volumes with spaces Lenina; 9 > Borovitskaya; for reading rooms, offices and archives. A 4 > Aleksandrovsky sad monumental podium leading to the main en- trance opens the building to multiple points of view and establishes a deliberate rela- tionship of spatial permeability between the 6/12ц/К > building and the surrounding area. The motif Aleksandrovsky sad of the portico is elaborated by a double row of tetrahedral columns, emphasized by their cladding in polished black granite. Construc- 1/2/12/33/44 > tion of the building was begun in the 1930s Aleksandrovsky sad and substantially completed in 1941, though work on the interiors continued after 1945. © Pietro Savorelli © Pietro

architects type construction V. Shchuko, V. Gelfreykh cultural, educational 1928-1941

34 35 Kremlin - Historic City Center 14. Cathedral of Christ the Saviour

Volkhonka ulitsa 15 The cathedral we see today is substantially 119019 Moscow a faithful reconstruction — using modern building techniques — of the Neo-Byzan- tine church by Konstantin Thon, consecrated open to public in 1883. It was demolished during the Sta- linist era, in 1931, to permit construction of the Palace of the Soviets (designed by Boris www.xxc.ru Iofan, Vladimir Shchuko and Vladimir Gel- freykh), which was intended as a symbol of the new power. A giant statue of Lenin at the top of the Palace of the Soviets would have made it over 400 m tall, and thus the tallest building in the world at that time. It was never built, however, and during the period of de- Stalinization, the empty foundations were 1 > Kropotkinskaya transformed into an open-air swimming pool that was used through the 1990s. The reconstructed cathedral was inaugurated in 1997, coinciding with the jubilee celebrations for the 850th anniversary of the founding of Moscow. The Cathedral of Christ the Savior 6 > Muzey stands on the precise spot that would have Izobrazitelnykh been occupied by the monumental Palace Iskusstv; of the Soviets. Rebuilt over a stylobate that 015/05 > houses a lavish congress hall, its status has Kropotkinskaya been restored as a symbolic landmark in the skyline of Moscow. The interior decorations 1/33/16 > Muzey and furnishings of the church feature original Izobrazitelnykh fragments salvaged from the destruction of Iskusstv; 2/15/16/31/44 > the original 19th century building. Kropotkinskaya © Pietro Savorelli © Pietro

architects type construction © Mosproekt-2 K. Thon place of worship 1839-1883 demolition 1931 Mosproekt-2, M. Posokhin, 1994-1997 A. Denisov (reconstruction)

36 37

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38 39 Ostozhenka - Novy Arbat - Moscow City 15. Barkly Plaza

Kursovoy pereulok 19 Designed by Sergey Skuratov, the Barkly 119034 Moscow Plaza building stands out from the numerous structures that have sprung up along the quay of the recently renovated Ostozhenka external viewing only district. This mixed-use complex comprises, in vertical succession, an underground par- king level, a retail gallery on the ground floor, office spaces above, and luxury apartments on the topmost floors. Divided into several volumes by an internal axis path and by the access ways along the front, the complex also reveals its compo- site nature through the variety of forms of the facades. The play of volumes and the combination 1 > Kropotkinskaya of materials give a sense of compactness to the lateral facades and to the side facing the Ostozhenka district and a sense of great transparency to the facade facing the river, where the apartments are arranged in a che- ckerboard pattern. When viewed from the other side of the river, the facades of the va- rious volumes appear to merge into a single glazed screen, reacting instantly to the wide variety of weather and lighting conditions of 31 > Zachatyevsky Moscow. monastyr; 2/16/44 > Kropotkinskaya © Sergey Skuratov Architects Skuratov © Sergey © Sergey Skuratov Architects Skuratov © Sergey

architects type construction Sergey Skuratov Architects offices, residential 2003-2009

40 41 Ostozhenka - Novy Arbat - Moscow City 33. Pompeii House

Filippovsky pereulok 13с2 One of the more interesting examples of 119019 Moscow the eclecticism that characterizes much of the architectural production of post-Soviet Moscow, this complex makes reference to a external viewing only variety of sources, from Art Nouveau to the Stalin era. The brilliant colors and rich ornamentation are clearly inspired by Pompeian frescoes. The cornice is emphasized by projecting multicolored brackets and slender columns with floral motifs, bringing to mind recur- ring themes in the Muscovite architecture of the early 20th century, including certain no- table buildings from the 1930s by the archi- tect Burov, located in the Tverskaya district 3/4 > Arbatskaya in central Moscow. The false of the composition is justified by the location of the building, adjacent to the church of Voskreseniya Slo- vushchego, which dates to the 17th cen- tury. The two works of architecture appear 6/015 > Arbatskaya to have been designed in the same period, as ploshchad; part of a single project. 39 > Arbatskye Vorota

1/2/15/31/44 > Arbatskaya ploshchad; 44 > Arbatskye Vorota © Mikhail Belov © Mikhail Belov

architects type construction M. Belov residential 2005

66 67 Ostozhenka - Novy Arbat - Moscow City 40. Moscow City

Krasnopresnenskaya The Moscow International Business Center, naberezhnaya 8c1 better known as Moscow City, is the main 123317 Moscow business and commercial district near the center of Moscow. Strategically located in external viewing only terms of transport links, it lies adjacent to the in the Presnensky District, in the west-central quadrant of the city. Moscow City is destined to become Russia’s major multifunctional district, combining commercial activities, offices, recreational, and entertainment facilities within a single planned development. The planning stages of the project began in the 1990s with the elaboration of various scenarios and the subsequent involvement 3 > ; of a number of Russian and internationally- 3 > Mezhdunarodnaya; 8 > Delovoy tsentr prominent architects. Among them was Norman Foster, whose was never built. At 600 meters high, it would have been the tallest building in Europe. The main buildings that currently make up 12/12a > the complex are: Vystavochnaya Bagration Bridge and the Tower 2000 office complex [0] / Expocentre [1] / Evolution To- wer [2-3] / [4] / Central Core [5-7] / [8] / Naberenzhnaya Tower [9] / Iq-quarter [10] / [11] / Fe- deration Towers [12] / [13] / [14] / Oko Towers [15] / Towers [16-17] / [18] © Denis Esakov 18 16- 17

15 1 13 12 14 11

10 5-7

8 9 4 2-3

0 architects type construction various architects multipurpose 2005-2009

74 75 Tverskaya - Belorusskaya 54. Federal Court of Arbitration of the Region of Moscow

Seleznevskaya ulitsa 9 The Federal Court of Arbitration complex is 127473 Moscow rendered transparent and luminous by am- ple expanses of glass. The arrangement of the volumes around an inviting lobby, which external viewing only functions as the visitors’ entrance, together with the constructivist imprint of the overall composition, create a sense of hospitality and dynamism. The complex is divided into two volumes: a seven-story office building and a three- story public building. The latter is open to 7/19/19k > visitors, who, upon entering through the re- Novoslobodskaya ception area in the lobby, can access a variety of amenities, including shops, a dining area, and a multimedia center. The public building 5 > Novoslobodskaya also houses a press office for information provided by the Court of Justice personnel. Both a spiral staircase and a lift lead up from the lobby to the second and third floor, where the court rooms are preceded by a double- height foyer.

15/69 > Novoslobodskaya © Reserve © Reserve

architects type construction Reserve offices 2004-2007

98 99 74. Taganka Theater 73. Militarybarracks 72. ArtHouse 71. Winzavod 70. Gazgolder 69. Central Aerohydrodynamic 68. Tsentrosoyuz 67. Gostorg 66. NKPSPeople's 65. MinistryofTransport 64. Narkomzem 63. Ex-Garage Novo- 62. Yaroslavsky station 61. B02-Moffices Mira Sretenka -Prospekt Chistye Prudy- 108 0 m

Panteleevskaya per. Institute of Transportation Commissariat Ryazanskaya V e r k h ulitsa Gavrikova n y a y 200 m a

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500 m Bol’shoy Balkanskiy per. ulitsa Gavrikova 62 Krasnoprudnaya ul.

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l e u va e r ry e o p p y S i k h or s Kazansky ny a T Ol’khovskaya ulitsa a Dokuchaev pereulok . vokzal d Bakuninskaya ulitsa M l zh . Ryazanskiy proezd z l u e n i u Kalanchevskaya ul. ro y a p y p y e a . i r r k k 63 . e s s v p v Novoryazanskaya ulitsa Novoryazanskaya ul. o y h o i k y n lo h n E c a Sadovaya-Spasskaya ul. n sm a l Ba a 1-y 64 KrasnovorotskiyK pr. . er a p v Orlikov per. y ro 1-y Basmanniy per. Spartakovskaya ulitsa i a 65 Novaya Basmannaya ul. sk h Novaya Basmannaya ul. n k la a Krasnye U S a 67 vorota ik 66 em d a ka s Baumanskaya ulitsa A lit t u Sad im. Aptekarskiy pereulok k a e 68 y B p a B Baumana k a Tokmakov pereulok s o o ts s r i l Sadovaya-Spasskaya ul. p sn ’s m a h a o My n y n

K i y o t zl u o p v i s k k i r. y pe p iy e n per. Ogorodnoy Slobody r an Novokirochniy per. . m Gorokhovskiy pereulok ur Basmannaya Staraya ulitsa 2-ya Baumanskaya ulitsa Chistoprudniy bul’var F 69

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ar u v l ’ i l Park t u s N b Usad a y a i s k t s av ov r k n k lo i Po reu c Zolotorozhskaya ul. y pe stomarovs he Volochaevskaya ulitsa inski Ko kaya na Tess 72 bere s zh k n i ya a y zhna y abere a p aya n er anichesk bry e Ust’inskiy ere u S l skver o ya S h k J a u z a na el ezh apu J a u z ab er a na tin kay Nikoloyamskaya ul. sk ors iy dg Yauzskaya ul. p o er P . Nikoloya mskaya ul 8 Kotelnicheskaya its a shosse Entuziastov 100 G M o s k v a p e k a on go a c ko n h Teterinskiy per. vs sy a la it Shkol’naya ulitsa r is n n n e Rabochaya ulitsa a ta zh y S ol a sa S u lit ra lit u nd sa sa Bibliotechnaya ulitsa Yauzskaya ul. ek 74 ulitsa Zemlyanoy Val l l. A

109 u K j Chistye Prudy - Sretenka - Prospekt Mira 61. B0 2-M offices

Shchepkina ulitsa, 61/2 The contoured forms of this office tower 129110 Moscow by the firm Ostozhenka were determined by the unusual and irregular shape of the lot, located at the intersection of ulitsa Tri- fonovskaya and Orlovsky pereulok. With its sharp concave lines, it looks almost like the bow of the ship that has settled into the ur- ban environment. The building is organized around a vertical circulation core and is sup- ported by a structure that is set far back with respect to the perimeter. Because the struc- tural system is not visible from the exterior, the fully-glazed facade appears as if a cur- tain stretched across the edges of the floors. The corners are extremely transparent, with 10 > Maryina Roshcha; an almost immaterial appearance that con- 6 > Rizhskaya fers a sense of lightness to the building. The reflections on the concave surfaces of the facades vary greatly throughout the day and with changing weather patterns.

0/12/12a/19/24 > Olimpiyskiy prospekt; 38 > Ulitsa Shchepkina - Trifonovskiy khram © Ostozhenka © Ostozhenka

architects type construction Ostozhenka offices 2010

110 111 Chistye Prudy - Sretenka - Prospekt Mira 72. Art House

Serebryanicheskaya Art House is located in a former industrial di- naberezhnaya 11 strict that overlooks the north banks of the 109028 Moscow Yauza River and is rapidly becoming a cultural and artistic center of Moscow. A multi-fun- ctional complex of residences, offices and cultural venues, Art House is articulated in two offset volumes, both square in plan but differing in size. The site was originally occu- pied by a factory, the memory of which in- spired the dominant theme of dark-colored facebrick, the unifying element of the com- position. The apparent and purposeful monotony is belied by the wealth of chromatic shades of brick and resulting plays of light on the sur- 10 > Chkalovskaya faces. The smaller volume, a square tower with slightly inclined walls, is darker with re- spect to the larger, elongated volume that forms the main facade of the complex. The two volumes feature interesting variations in the composition of the facades, determined 158 > Yauzskiye by the rhythmic patterns of the full-height Vorota - Pamyatnik windows and by the diagonal impost of the Pogranichnikam roofline. Otechestva

45/63 > Yauzskye Vorota - Pamyatnik Pogranichnikam Otechestva © Sergey Skuratov Architects Skuratov © Sergey © Sergey Skuratov Architects Skuratov © Sergey

architects type construction Sergey Skuratov Architects residential, offices 2007-2012

118 119 Chistye Prudy - Sretenka - Prospekt Mira 74. Taganka Theater

Zemlyanoy Val ulitsa 76/21 This theater is one of the more interesting 109240 Moscow works of architecture from the 1970s-80s, and not just in the Soviet Union. Incorpora- ting and restoring parts of the existing bu- by appointment ilding, the architects brilliantly solved the main project constraint, consisting of a dif- [email protected] ficult, triangular shaped lot, the narrowest taganka.theatre.ru portion of which had to accommodate the backstage areas of the theater complex. The need to accommodate special theatrical staging requirements inspired the concept behind the arrangement of the stage areas and public spaces. With the support of am- bitious and innovative technical apparatus, the aim was to achieve an updated vision 7 > Taganskaya; of “total theater.” The building is completely 5 > Taganskaya; 8 > Marksistskaya clad in brick, which gives it a strong sense of material expressiveness while allowing it to dialogue with its eclectic surroundings. It appears as a sort of magic box, both magni- ficent and compact. The composition of the 156 > Taganskaya facades, with their rhythmic window ope- nings, intersecting geometries and plays of shadows, brings to mind certain fragments of the most avant-garde works by Konstan- 16/27/63/63k > tin Melnikov, in particular the rear of the Ru- Taganskaya sakov Workers’ Club. © Umberto Zanetti

architects type construction V. Asinimov, Y. Gnedovsky cultural 1973-1985

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1-y Obydenskiy per. 20

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Pozharskiy per. 1 8 22 9 Neskuchnaya naberezhnaya Neskuchnaya 122 123 Zamoskvorechye 79. Garage Museum of Contemporary Art

Krymsky Val ulitsa 9 The Garage Museum was founded in 2008 119049 Moscow and was previously hosted in the Bakhme- tevsky Bus Garage by Konstantin Melnikov. The museum has now found a permanent home in Gorky Park, following the comple- tion of an adaptive reuse project by the firm OMA of a prefabricated Soviet pavilion from the 1960s, which was originally designed as an entertainment venue for the working classes. The project for the conversion of the building into a center for exhibitions and cultural ac- tivities involved wrapping it in a translucent polycarbonate skin. The structural system and some of the original decorative elements 1/5 > Park Kultury; were preserved. 5/6 > Oktyabrskaya The double-layered membrane, a characte- ristic feature of the project, is raised 2.25 m with respect to the ground level, offering good views of the park, concealing the struc- ture and building systems, and providing a 111/196 > Gorodskaya surface that can be used for projections or bolnitsa № 1 graphic communications. The entrances are marked by two huge mo- vable walls that slide vertically, thereby 4/7/33/33K/62/84 freeing up the central area and permitting > Gorodskaya bolnitsa № 1; the passage of large artworks. 4/33/62 > Oktyabrskaya © Umberto Zanetti

architects type construction OMA cultural 2012-2014

130 131 Zamoskvorechye 80. Shabolovka residential complex

Shabolovka ulitsa 23 These three residential towers by the firm 119049 Moscow Ostozhenka are an imposing presence in their neighborhood, the historic Shabolovka district in Moscow’s southern outskirts, external viewing only near Vladimir Schukhov’s famous radio to- wer and several notable examples of early Soviet-era housing projects. These include, from the second half of the 1920s, the Com- munal House designed by Georgy Vol’fenzon (with others), and the housing development by Nikolai Travin, with its original layout. Di- 14/26/47/A > Fabrika stinguishing features of the towers are the Udarnitsa interesting arrangement of the volumes on the irregularly-shaped lot, the large cornices which unify the composition, and the color 5/6 > Oktyabrskaya; gradations of the facades which instead help 6 > Shabolovskaya to differentiate the three buildings. The design solution was a response to the constraints imposed by the shape of the lot, the surrounding buildings, the sun exposure, and lighting regulations. 111/196 > The complex was also arranged in such a way Kaluzhskaya ploshchad as not to interfere, in terms of urban lan- dscape, with the Church of the Holy Trinity.

4/62 > Oktyabrskaya; 7/33k/84 > Kaluzhskaya ploshchad © Ostozhenka © Ostozhenka

architects type construction Ostozhenka residential 2001-2004

132 133 Zamoskvorechye 84. Ozerkovskaya complex

Ozerkovskaya This mixed-use complex was designed by naberezhnaya 22 the Muscovite firm SPEECH (Tchoban & Kuz- 115184 Moscow netsov). The area on which it is built was ini- tially regulated by a redevelopment plan that external viewing only provided for the construction of office buil- dings and an apartment hotel. Though it was later decided not to include the northeast part of the island in the new redevelopment plan, the architects decided to follow the gui- delines of the previous plan in their design of this multipurpose complex. 3/39/A > The compositional solution centers on the Tretyakovskaya creation of a curved pedestrian street, star- ting from the embankment, with the group of four buildings organized around it. Shops, 2 > Novokuznetskaya; cafés and restaurants all along the ground 6/8 > Tretyakovskaya level of the pedestrian street are open to an- yone who wishes to take a break or stop and enjoy a view of the river. The architecture seems to hybridize the le- gacy of Soviet Neoclassicim, as developed by the architect Ivan Fomin, who spent most of his working life in Leningrad, and certain recent works in Germany that have un- doubtedly influenced the architect, Sergei Tchoban, who was born in St. Petersburg but established himself professionally in Ger- many. © Ilia Ivanov © SPEECH

architects type construction SPEECH offices 2005-2011

138 139 F G H ulitsa Kostyakova 0 m 200 m 500 m Timiryazevskaya ulitsa

Dmitrovskoe shosse d Zakaznik Chasovaya ulitsa zd z e e Petrovska-Razumovskoe o o r r p p y iy i k ulitsa Vucheticha k s s v v e te t p p Chasovaya ulitsa ul. Speranskogo o K Golovanovskiy per. Ko y oy li h a ’s M l Bo

proezd Solomennoy Storozhky Dmitrovskoe shosse ulitsa Usievicha Chasovaya ulitsa 2-y Baltiyskiy per. ul. Chernyakhovskogo 88 Dmitrovskiy proezd

ul. Aviakonstruktora Yakovleva Chuksin tupik Kochnovskiy proezd ulitsa Aseeva 2-y Khutorskaya ulitsa 89 ulitsa 8-go Marta Pl an ulitsa Usievicha e tn ul. Akademika Il’yushina a 2-y Khutorskaya ulitsa ya u 1-y Khutorskaya ulitsa Leningradskiy prospekt li Savelovskaya liniya ts Vyatskaya ulitsa ul. Chernyakhovs kogo ul. Usievicha a Bashilovskaya ulitsa Butyrskaya ulitsa

Savelovskiy Bol’shaya Novodmitrovskaya ulitsa Krasnoarmeyskaya ulitsa park

ulitsa Yunnatov Leningradskiy prospekt Planetnaya ulitsa 1-y Khutorskaya ul. Chapaevskiy park 5 Petrovsko-Razumovskiy pr-d a ulitsa 4-y Vyatskay

8-go Marta 1-ya ul. Bashilovskaya ulitsa 4-y Vyatskaya ulitsa Krasnoarmeyskaya ulitsa Planetnaya ulitsa ulitsa Ostryakova ulitsa Yunnatov Stariy Petrovsko-Razumovskiy proezd Leningradskiy prospekt ulitsa Verkhnyaya Maslovk ulitsa Mishina

Butyrskaya ulitsa

Pistsovaya ulitsa a

87 s P t

Pistsovaya ulitsa i e l tr 2-ya Bebelya ulitsa

o u vs ko a -R y ulitsa Viktorenko a a Nizhnemaslovskiy per. ul. Stepana Supruna zu Mirskoy pereulok k

ul. Seryogina m s Chapaevskiy pereulok 86 ov t

s a k y Leningradskiy prospekt a

y V

a

Bashilovskaya ulitsa North

a

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ul. Pilota Nesterova l e

Razdel’naya ulitsa ul.

y Poltavskaya ulitsa Poltavskaya 85. Central Dynamo Stadium Petrovskiy a park ulitsa Mishina 1-ya Bebelya ulitsa Letnyaya alleya 86. Mercedes-Benz Plaza Dvortsovaya alleya ulitsa Verkhnyaya Maslovka 87. Siemens-ya Pesch AG 3 ana ya ul 88. Aerobus residential. Pe tro vs complex ko -R az um 89. Alcon ov 85 ska ulitsa Novaya Bashilovka ya a 90. Metropolis Dinamo lleya Metro AG MoskovskayaStadium alleya 91. ulitsa Aviakonstruktora Mikoyana Leningradskiy prospekt 92. Khimki-IKEA

p

93.r Aeroflot headquarters o

e 94.z VDNKh Tower d

B 95.e VDNKh 5-ya Yamskogo Polya ulitsa r 6 K ulitsa Pravdy y Leningradskiy prospekt o o r 96. Ostankinoz Towerd a Bumazhniy proezd o h ’v ulitsa Aviakonstruktora Sukhogo v y l o u ulitsa Raskovoy n b pereulok Raskovoy 97. Monumenty tos the ulitsa Novaya Bashilovka y R k i i 59 o y k s Conquerorss of Spaceb n h u y c l h ’v d h a o 98. Burevestniki Workers’r Club K 99. Rusakov Workers' Club

140 141 North 86. Mercedes-Benz Plaza

Leningradsky prospekt 39с42 Designed by the firm ABD architects, this 125167 Moscow building is located in the northwest admini- strative district, near the TSSCA sports com- plex and Leningradsky prospekt. The building external viewing only consists of two volumes. The first is an elon- gated, two-floor structure facing directly onto Leningradsky prospekt. The second is a nine-floor tower situated over the first vo- lume, approximately triangular in plan, with a rounded front facade. The low volume relates directly to the street and to the public. It hosts the Mercedes- Benz exhibition space, a restaurant and of- fices. The glazed facades permit views of the interior exhibition spaces while at the same 2 > Aeroport, Dinamo time projecting the automobile showroom out towards the street. The executive offices are distributed in the tower around a concave atrium which communicates directly with the showroom spaces, in this way linking to- gether all of the elements of the building. 105 > Sportivny The facades were decorated in keeping with kompleks TsSKA the stylistic elements of DaimlerChrysler, as were the interiors, by IKS Hochtief-Frankfurt.

6/12/43/65/70/82 > Sportivny kompleks TsSKA © ABD architects © ABD architects

architects type construction ABD architects offices 2003-2005

142 143 a

d 0 m 200 m 500 m H I J

Neskuchniy sad oez r Donskoe ulitsa Ser a p pukhovskiy Val

y y na Kladbishche zh ulitsa Danilovskiy Val re ko ulitsa Serpu be s khovskiy Val a na n s

a o zd 9 y t e a i k l ro vs Leninskiy prospekt p ee u y dr ni -y D 82 An a zh 2 y ro a o ul. Ordzhonikidze M d k o i k n h s z ’ a e l l y a l u o Zhe v T s k

i y a K V e a y rkh h

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ec l y h o a n s n n ’ h . u p l z r d e oe r a z o e d a i b v 3-y l R ’ oshchinsk y a iy proezd B lo d n n

M i z a i a p e k a k av e y y v a a a k o V ’s s p r l l k o ulitsa Kosygina a a s p u e

s y v M t r

ulitsa Kosygina i y T a o l e l u o i a u TRTs k T n y s l a u o Churskaya Estakada a n l D Gagarinskiy l k o ’ s a D k M a l’t -y y e ko so 5 no a ort u sp l n it ra K s T Leninskiy prospekt a Danilovskoe a e r. - a 3-e Transportnoe kol’tso n pe 3 y y a Musul’manskoe ko vs a t ho c uk n h Kladbishche D h i Churskaya Estakada k z o e ul. Akademika Zelinskogo v e r s a s . s k d per be i o y a skiy a k l’ h u n p a T y s r t - 2 a o s ulitsa Vavilova e e E y o z Danilovskoe a

a k d y k s Kladbishche a s v k v

prospekt 60-letiya Oktyabrya a C s o r l hu u h s rs h ni k r a C a y a Avtozavodskaya ul. a d V Est o ulitsa Bardina akad v a o

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Klinicheskaya s k Danilovsky Fort u a 106. l 4 bol’nitsa 55 i y ts - a a y K Z n 107. House of the New Way ulitsa Kar’er ar a ’ g a e o b r r e o of Life e r d e s n e z s s iy os h 108. Southern experimental p h ho n s Varshavskoe shosse r a o e e o e s y districts n a ulitsa Shvernika z d o ulitsa Shvernika d ro n go d a o 109. Principal Plaza Z r o 109 g a 110. Tower Avant-garde Z 111. Nauchny Park sa lit u 112. Offices on Leninsky a N ulitsa Grimau 107 ay ulitsa Shvernika k o ns v Prospekt ki o h d M o s k v a p e k a s a u d z n 113. Avenue 77 residential m 5-y Zagorodniy proezd e i o l o o prospekt 60-letiya Oktyabrya y r r p v ulitsa Dmitriya Ul’yanova e s complex 108 h iy k C n a r a o y 114. Chertanovo Severnoye y a a ag h n N a ulitsa Grimau ’s District l b ulitsa Vinokurova Kotlovka o e B r Ploshchad Kho 115.e Yasenevo District ezd z 11 ro h Shi MIna p n niy or 116.a Nagatino-Sadovniki Novocheryomushkinskaya ulitsa ag y N a District

172 173 South 106. Danilovsky Fort

Novodanilovskaya This business center overlooking the south naberezhnaya 10 bank of the Moskva River stands out from 117105 Moscow the general landscape of commercial buil- dings in contemporary Moscow, with its in- external viewing only tricate play of volumes and the lively tones and textures of its brick cladding. It is one of the best works of architecture the city has seen in recent years. The complex is formed by three autonomous vertical blocks of varying heights (6, 12, and 15 floors) and a shared, transparent ground- 3/16/35/47 > floor volume that unifies the complex and Stadion Trud mediates its relationship with the land. The clarity and rationality of the layout are ba- lanced by the complexity of the facades. The 9 > Tulskaya projecting volumes and the irregular size and arrangement of the openings give rhythm to the main facade, while graceful curves and ZilL indentations soften the edges of its forms. The rooftop of the continuous ground-level volume features an open courtyard with 25/44/142/147/ a grassy hill at its center, punctuated by 275/700/907 > skylights. Stadion Trud

1/1к/8/40/46/71 > Stadion Trud © Sergey Skuratov Architects Skuratov © Sergey © Sergey Skuratov Architects Skuratov © Sergey

architects type construction Sergey Skuratov Architects offices 2005-2009

174 175 West 126. Mercury Theater

Rublevo-Uspenskoye The fluidity of form of the Mercury Theater shosse 114 marks one end of the Luxury Village shop- 143083 Moscow ping mall, with the foyer interior forming a continuous space with the public square in by appointment front of the building. +7 (495) 9333399 A series of vertical, wave-shaped blades cre- ates a deep facade whose a dynamic effect is www.barvikhaconcerthall.ru perceived from both the exterior of the buil- dings and from within the foyer. The central auditorium, the interiors of which were designed by the architect Antonio Cit- terio, is a flexible environment that can be used as a theater or for fashion shows or other types of events. The various floor sec- tions can be arranged in a variety of geo- metrical configurations with the aid of eight hydraulic mechanisms. When configured as a theater, the space can Barvikha host up to 600 spectators in the stalls and 50 people in the two tiers of box seats. © Proekt Meganom © Proekt © Proekt Meganom © Proekt

architects type construction Proekt Meganom cultural 2003-2006

198 199