Ovid on Cosmetics: and Related Texts

Total Page:16

File Type:pdf, Size:1020Kb

Ovid on Cosmetics: and Related Texts Johnson, Marguerite. "Bibliography." Ovid on Cosmetics: and Related Texts. London: Bloomsbury Academic, 2016. 143–158. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474218696.0010>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 10:54 UTC. Copyright © Marguerite Johnson 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. B i b l i o g r a p h y Ancient texts (Commentaries, editions and translations) Alexis ( 1959 ) Th e Fragments of Attic Comedy aft er Meineke, Bergk, and Kock , J. M. Edmonds ( Leiden : Brill ). Vol. 1 . —— ( 1996 ) Alexis : Th e Fragments: A Commentary , W. G e o ff rey Arnott ( Cambridge : Cambridge University Press ). Aristotle ( 1943 ) Generation of Animals , A . L . P e c k ( C a m b r i d g e , M a s s . : H a r v a r d University Press ). —— ( 1965 ) History of Animals , A. L. Peck ( Cambridge , Mass. : Harvard University Press ). Books I– III . —— ( 1970 ) History of Animals , A. L. Peck ( Cambridge , Mass. : Harvard University Press ). Books IV – VI . —— ( 1991 ) History of Animals, D . M . B a l m e a n d A . G o t t h e l f ( C a m b r i d g e , M a s s . : Harvard University Press ). Books VII –X. Athenaeus ( 1890 ) Athenaei Naucratitae deipnosophistarum libri xv , G . K a i b e l ( L e i p z i g : Teubner ). Vol. 3 . Callimachus ( 1965 ) Callimachus I : Fragmenta , 2nd edn, Rudolph Pfeiff e r ( O x f o r d : Oxford University Press ). —— ( 1953 ) Callimachus II : Hymni et Epigrammata , R u d o l p h P f e i ff e r ( O x f o r d : O x f o r d University Press ). Celsus ( 1935 – 38 ) De medicina , W. G. Spencer ( Cambridge , Mass. : Harvard University Press ). 3 vols. Cicero ( 1991 ) Cicero : On Duties , M . T. G r i ffi n and E. M. Atkins ( Cambridge : Cambridge University Press ). Dioscorides ( 1958 ) De materia medica libri quinque / Pedanii Dioscuridis Anazarbei , M. Wellman ( Berlin : Berolini and Weidmannos ). 3 vols. —— ( 2011 ) De materia medica by Pedanius Dioscorides , 2 n d e d n , L i l y Y. B e c k ( Hildesheim : Olms-Weidmann ). 143 144 Bibliography Galen ( 1826 ) Claudii Galeni Opera Omnia , D . C a r l o s G o t t l o b K ü h n ( L i p s i a e : C. Cnobloch ). Vol. XII . —— ( 1827 ) Claudii Galeni Opera Omnia , D . C a r l o s G o t t l o b K ü h n ( L i p s i a e : C. Cnobloch ). Vol. XIV . Greek Magical Papyri in Translation, including the Demotic Spells ( 1986 ), H. D. Betz ( Chicago : University of Chicago Press ). Horace ( 2003 ) A Commentary on Horace’s Epodes , L i n d s a y Wa t s o n ( O x f o r d : O x f o r d University Press ). Juvenal ( 2014 ) Juvenal Satire 6 , L i n d s a y Wa t s o n a n d P a t r i c i a Wa t s o n ( C a m b r i d g e : Cambridge University Press ). Lucilius ( 1967 ) Remains of Old Latin . Vol. III , revised edn, E. H. Warmington ( Cambridge , Mass. : Harvard University Press ). Martial ( 1993 ) Epigrams , D . R . S h a c k l e t o n B a i l e y ( C a m b r i d g e , M a s s . : H a r v a r d University Press ). 3 vols. Nicander ( 1953 ) Nicander : Th e Poems and Poetical Fragments , A. S. F. Gow and A . F. S c h o l fi eld ( Cambridge : Cambridge University Press ). Ovid ( 1727 ) P. Ovidii Nasonis opera Omnia cum integris Micylli, Ciofani et Dan. Heinsii notis et Nic. Heinsii curis secundis, cura et studio Petri Burmanni ( Amsterdam : R. et J. Westenios et G. Smith ). Vol. 1 . —— ( 1881 ) P. Ovidii Nasonis libellus De medicamine faciei , A . K u n z ( V i e n n a : V i n d o b o n a e ) . —— ( 1955 ) P. Ovidi Nasonis Amores , 2nd edn, F. Munari ( Florence : La Nuova Italia ). —— ( 1958 ) E. J. Kenney , ‘ Notes on Ovid ’, Classical Quarterly 8 : 54–66 . —— ( 1961 ) E. J. Kenney , ‘ Review ’, W. Lenz , Ovid: Heilmittel gegen die Liebe. Die Pfl ege des weiblichen Gesichts Lateinisch und Deutsch , Gnomon 33 : 577–81 . —— ( 1962 ) Ovid II : Th e Art of Love and Other Poems , J . H . M o z l e y ( C a m b r i d g e , Mass. : Harvard University Press ). —— ( 1965 ) G. P. Goold , ‘ Amatoria Critica ’, Harvard Studies in Classical Philology 69 : 1–107 . —— ( 1965 ) Il Codice Hamilton 471 Di Ovidio (Ars Amatoria, Remedia Amoris, Amores) , F. M u n a r i ( R o m e : S t o r i a e L e t t e r a t u r a ) . —— ( 1965 ) Remedia Amoris; Medicamina Faciei , F. W. Lenz ( Turin : Paravia ). —— ( 1973 ) Amores Book 1 , J . A . B a r s b y ( O x f o r d : C l a r e n d o n P r e s s ) . —— ( 1977 ) Ars Amatoria Book I , A. S. Hollis ( Oxford : Clarendon Press ). —— ( 1977 ) Ovid I : Heroides and Amores , 2nd edn, G. Showerman and G. P. Goold ( Cambridge , Mass. : Harvard University Press ). —— ( 1979 ) Ovid II : Th e Art of Love and Other Poems , 2nd edn, J. H. Mozley and G. P. Goold ( Cambridge , Mass. : Harvard University Press ). Bibliography 145 —— ( 1979 ) Remedia Amoris , A. A. R. Henderson ( Edinburgh : Scottish Academic Press ). —— ( 1980 ) A. A. R. Henderson , ‘ Notes on the Text of Ovid’s Remedia ’, Classical Quarterly 30 : 159–73 . —— ( 1983 ) Ovid : Th e Erotic Poems , Peter Green ( Harmondsworth : Penguin ). —— ( 1985 ) I cosmetici delle donne , G i a n p i e r o R o s a t i ( I t a l y : M a r s i l i o ) . —— ( 1987 ) Amores Vol. I. Text and Prolegomena , J . C . M c K e o w n ( L i v e r p o o l : L i v e r p o o l Classical Press ). —— ( 1989 ) Amores Vol. II. A Commentary on Book One , J. C. McKeown ( Leeds : Francis Cairns ). —— ( 1995 ) P. Ovidi Nasonis : Amores, Medicamina Faciei Femineae, Ars Amatoria, Remedia Amoris , 2nd edn, E. J. Kenney ( Oxford : Oxford University Press ). —— ( 2003 ) Ars Amatoria Book 3 , R o y K . G i b s o n ( C a m b r i d g e : C a m b r i d g e University Press ). —— ( 2004 ) Th e Erotic Poems , Peter Green ( Harmondsworth : Penguin ). —— ( 2004 ) E. J. Kenney , ‘ Review ’, Antonio Ramírez de Verger , Ovidius. Carmina Amatoria , Bryn Mawr Classical Review : u n p a g e d . Philaenis ( 1972 ) E. Lobel , ‘P. ox y. n 2891 ’ in E. Lobel (ed.) Th e Oxyrhynchus Papyri , vol. 39 ( London : Egypt Exploration Society ), 51–4 . Plautus ( 2011 ) Plautus , W o l f g a n g d e M e l o ( C a m b r i d g e , M a s s . : H a r v a r d University Press ). Vol. II . —— ( 2011 ) Plautus , W o l f g a n g d e M e l o ( C a m b r i d g e , M a s s . : H a r v a r d U n i v e r s i t y P r e s s ) . V o l . I I I . Pliny ( 1938 – 62 ) Natural History , Harris Rackham , W. H. S. Jones , and D. E. Eichholz ( Cambridge , Mass. : Harvard University Press ). 10 vols. Propertius ( 2007 ) Sexti Properti Elegos , S . J . H e y w o r t h ( O x f o r d : C l a r e n d o n Press ). Scribonius ( 1983 ) Compositiones , S e r g i o S c o n o c c h i a ( L e i p z i g : Te u b n e r ) . Seneca ( 1935 ) Seneca : Moral Essays , J o h n W. B a s o r e ( C a m b r i d g e , M a s s . : H a r v a r d University Press ). Vol. III . Th eophrastus ( 1916 ) Enquiry into Plants , A r t h u r F. H o r t ( C a m b r i d g e , M a s s . : H a r v a r d University Press ). Vol. I . —— ( 1916 ) Enquiry into Plants (including On Odours and Weather Signs ) , A r t h u r F. Hort ( Cambridge , Mass. : Harvard University Press ). Vol. II . Virgil ( 1988 ) Virgil : Georgics. Vol. 1: Books I–II , R i c h a r d F. Th omas ( Cambridge : Cambridge University Press ). —— ( 1994 ) Georgics , R . A . B . M y n o r s ( O x f o r d : O x f o r d U n i v e r s i t y P r e s s ) . 146 Bibliography Modern texts Acosta-Hughes , Benjamin ( 2009 ) ‘ Ovid and Callimachus: Rewriting the Master ’ in Peter E. Knox (ed.) A Companion to Ovid ( Oxford : Wiley-Blackwell ). 236–51 . Adams , J. N. ( 1982 ) Th e Latin Sexual Vocabulary ( London : Duckworth ). Barchiesi , A. ( 1988 ) ‘ Ovid the Censor ’, American Journal of Ancient History 13 : 96–105 . Balsdon , J. P. V. D. ( 1962 ) Roman Women : Th eir History and Habits ( L o n d o n : Bodley Head ).
Recommended publications
  • Heather Juliussen-Stevenson, M.A., 2008
    ABSTRACT Title of Document: PERFORMING CHRISTIAN FEMALE IDENTITY IN ROMAN ALEXANDRIA. Heather Juliussen-Stevenson, M.A., 2008 Directed By: Professor Kenneth Holum, Ph.D., History Department The Christian women of Roman Alexandria are something of a mystery, but they were integral to the transformation of religion. They Christianized the space they occupied, their bodies becoming houses for sanctity. While it is difficult to verify the accuracy of male representations of female subjects, discourse exposes the underlying assumptions upon which gender was understood. Reformed prostitutes, women who traveled to the shrine at Menouthis, collectors of pilgrim flasks from Abu Menas who sat in front of the Virgin Mary fresco at Kom el-Dikka, and virgins who shut themselves away—none of these women may have thought of themselves as men suggested. Yet when men referenced the feminine, they introduced alterity, indicating resistance to a master discourse or even competition among rival discourses. This negotiation, combined with a daily expression of agency through the use of space, reveals how women must have asserted their rights to salvation. PERFORMING CHRISTIAN FEMALE IDENTITY IN ROMAN ALEXANDRIA. By Heather Juliussen-Stevenson. Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Masters of Arts 2008 Advisory Committee: Professor Kenneth Holum, Ph.D., Chair Professor Arthur Eckstein, Ph.D. Assistant Professor Janna Wasilewski, Ph.D. © Copyright by Heather Juliussen-Stevenson 2008 Acknowledgements I am extremely grateful for the advice and support of Drs. Holum, Eckstein and Wasilewski. In addition, I would like to thank my brother, my favorite sibling.
    [Show full text]
  • December 3, 1992 CHAPTER VIII
    December 3, 1992 CHAPTER VIII: EARLY HELLENISTIC DYNAMISM, 323-146 Aye me, the pain and the grief of it! I have been sick of Love's quartan now a month and more. He's not so fair, I own, but all the ground his pretty foot covers is grace, and the smile of his face is very sweetness. 'Tis true the ague takes me now but day on day off, but soon there'll be no respite, no not for a wink of sleep. When we met yesterday he gave me a sidelong glance, afeared to look me in the face, and blushed crimson; at that, Love gripped my reins still the more, till I gat me wounded and heartsore home, there to arraign my soul at bar and hold with myself this parlance: "What wast after, doing so? whither away this fond folly? know'st thou not there's three gray hairs on thy brow? Be wise in time . (Theocritus, Idylls, XXX). Writers about pederasty, like writers about other aspects of ancient Greek culture, have tended to downplay the Hellenistic period as inferior. John Addington Symonds, adhering to the view of the great English historian of ancient Greece, George Grote, that the Hellenistic Age was decadent, ended his Problem in Greek Ethics with the loss of Greek freedom at Chaeronea: Philip of Macedon, when he pronounced the panegyric of the Sacred Band at Chaeronea, uttered the funeral oration of Greek love in its nobler forms. With the decay of military spirit and the loss of freedom, there was no sphere left for that type of comradeship which I attempted to describe in Section IV.
    [Show full text]
  • Classical Memories/Modern Identities Paul Allen Miller and Richard H
    CLASSICAL MEMORIES/MODERN IDENTITIES Paul Allen Miller and Richard H. Armstrong, Series Editors All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. Ancient Sex New Essays EDITED BY RUBY BLONDELL AND KIRK ORMAND THE OHIO STATE UNIVERSITY PRESS • COLUMBUS All Rights Reserved. Copyright © The Ohio State University Press, 2015. Batch 1. Copyright © 2015 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Ancient sex : new essays / edited by Ruby Blondell and Kirk Ormand. — 1 Edition. pages cm — (Classical memories/modern identities) Includes bibliographical references and index. ISBN 978-0-8142-1283-7 (cloth : alk. paper) 1. Sex customs—Greece—History. 2. Sex customs—Rome—History. 3. Gender identity in literature. 4. Sex in literature. 5. Homosexuality—Greece—History. I. Blondell, Ruby, 1954– editor. II. Ormand, Kirk, 1962– editor. III. Series: Classical memories/modern identities. HQ13.A53 2015 306.7609495—dc23 2015003866 Cover design by Regina Starace Text design by Juliet Williams Type set in Adobe Garamond Pro Printed by Thomson-Shore, Inc. Cover image: Bonnassieux, Jean-Marie B., Amor clipping his wings. 1842. Close-up. Marble statue, 145 x 67 x 41 cm. ML135;RF161. Photo: Christian Jean. Musée du Louvre © RMN-Grand Palais / Art Resource, NY Bryan E. Burns, “Sculpting Antinous” was originally published in Helios 35, no. 2 (Fall 2008). Reprinted with permission. The paper used in this publication meets the minimum requirements of the American Na- tional Standard for Information Sciences—Permanence of Paper for Printed Library Materials.
    [Show full text]
  • Naked Power: the Phallus As an Apotropaic Symbol in the Images and Texts of Roman Italy
    University of Pennsylvania ScholarlyCommons Undergraduate Humanities Forum 2005-6: Word Penn Humanities Forum Undergraduate & Image Research Fellows 4-1-2006 Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy Claudia Moser University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/uhf_2006 Part of the Classics Commons Moser, Claudia, "Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy" (2006). Undergraduate Humanities Forum 2005-6: Word & Image. 11. https://repository.upenn.edu/uhf_2006/11 2005-2006 Penn Humanities Forum on Word & Image, Undergraduate Mellon Research Fellows. URL: http://humanities.sas.upenn.edu/05-06/mellon_uhf.shtml This paper is posted at ScholarlyCommons. https://repository.upenn.edu/uhf_2006/11 For more information, please contact [email protected]. Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy Abstract Representations of the phallus abound in both the art and the literature of the first-century A.D. Roman world. On frescoes in both private homes and public buildings, on amulets, statues, etchings, tripods, drinking cups and vases, exaggerated phallic images, these purportedly apotropaic symbols protect the inhabitant, the passerby, the wearer, the user from outside evil. The contemporary Latin literature, Roman satire and elegy in particular (Catullus, Martial, Juvenal, Horace, Tibullus), and the Priapea, a collection of poems about the phallic god Priapus, offer descriptions of the phallus and its functions that both coincide with and differ from the material examples. This paper will investigate these correspondences and discrepancies between verbal and artistic representation, and, in particular, what these similarities and inconsistencies reveal about the public function of this private imagery in the contemporary culture of ancient Roman Italy.
    [Show full text]
  • Durham Research Online
    Durham Research Online Deposited in DRO: 12 May 2015 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Schachter, Marc (2015) 'Lesbian philology in early print commentaries on Juvenal and Martial.', in Ancient Rome and the construction of modern homosexual identities. Oxford: Oxford University Press, pp. 39-55. Classical presences. Further information on publisher's website: http://ukcatalogue.oup.com/product/9780199689729.do Publisher's copyright statement: This is a draft of a chapter that was accepted for publication by Oxford University Press in the book 'Ancient Rome and the construction of modern homosexual identities' edited by Jennifer Ingleheart and published in 2015. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk Chapter Two: Lesbian Philology in Early Print Commentaries on Juvenal and Martial Marc D. Schachter DRAFT—not to be cited without the author’s permission Scholars primarily concerned with vernacular traditions have explored the ways in which the reception of classical texts during the Renaissance influenced the representation of sex between women.1 In the pages that follow, I extend this exploration by considering early neo-Latin print commentaries on Martial’s Epigrams and Juvenal’s Satires.
    [Show full text]
  • Investigating the Ambiguities and Contradictions in the Representation
    Ghent University Faculty of Arts and Philosophy Investigating the ambiguities and contradictions in the representation of female same-sex desire in eighteenth- century erotica, particularly Memoirs of a Woman of Pleasure. Paper submitted in partial Supervisor: fulfilment of the requirements Prof. Dr. Gert Beulens for the degree of “Bachelor in de Prof. Dr. Sandro Jung Taal- en Letterkunde: May 2011 Nederlands-Engels” by Hannah Eeckhout 1 Table of Contents 1. Introduction ......................................................................................................................................... 3 2. Historical context ................................................................................................................................ 4 2.1 Female sexuality in the eighteenth century ................................................................................... 4 2.1.1 The passionless woman .......................................................................................................... 6 2.1.2 Women of pleasure: prostitution in the eighteenth century .................................................... 8 2.2 Lesbianism in the eighteenth century ............................................................................................ 9 2.2.1 Representations of lesbianism in eighteenth-century erotica ............................................... 10 2.3 Eighteenth-century erotica .......................................................................................................... 12 3. Memoirs
    [Show full text]
  • And Marriage) Between Women Cameron, Alan Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; Proquest Pg
    Love (and marriage) between women Cameron, Alan Greek, Roman and Byzantine Studies; Summer 1998; 39, 2; ProQuest pg. 137 Love (and Marriage) between Women Alan Cameron T USED TO BE THOUGHT that love between women in Greco­ Roman antiquity, though no doubt as common as at most I other periods of human history, was a subject the surviving male writers of the times either did not notice or could not bring themselves to mention. But an important book by Bernadette Brooten has revealed that there is more evidence than most of us had supposed. Almost all of it hostile, to be sure, but evidence nonetheless. There can be no question that she has expanded the frontiers of the subject, and that female homoeroticism is at last a viable area for research.l But not content with bringing her subject into the mainstream of modern scholarly study, Brooten went further and claimed that some women sought the public recognition of marriage for their relationships. Notoriously, John Boswell made the same claim about gay men in Roman and mediaeval times in his Same­ Sex Unions in Pre-modern Europe (1994). I have no intention of reopening that debate here, but it has to be said that his ancient evidence was particularly thin.2 At one point Brooten remarks casually that "Iamblichus was one of several second-century authors to write about marriage between women" (51). In fact her case rests essentially on four Greek texts: Lucian, Clement of 1 Bernadette J. Brooten, Love between Women: Early Christian Responses to Female Homoeroticism (Chicago 1996); see the reviews by Corey Brennan, BMCR 8 (1997) 506-515; Elizabeth Castelli, The Women's Review of Books 14.6 (1997) 15-16.
    [Show full text]
  • Tiberius on Capri and the Limits of Roman Sex Culture
    Tiberius on Capri and the Limits of Roman Sex Culture BILL GLADHILL McGill University [email protected] This paper examines Suetonius’ representation of Tiberius and sex on Capri at Vita Tiberii 43-44. Tiberian sex requires neologisms (sellaria, spintria) to define it; ancient paintings and obscure books are collected to give it shape and form; herds of prostitutes (greges) from everywhere (undique) are gathered to perform it; dehumanized children (pisciculi, Panisci) are fundamental to its articulation. While this passage is famously notorious, it has been relatively understudied, apart from discussions of certain lexical and sexual cruces1. Surely, Tiberius’ philhellenism and inclination to the obscure explain some of Suetonius’ material2. Likewise, brothels, erotic art and Roman elite gardens illuminate certain aspects of the narrative3. However, these various aspects do not sufficiently quantify the disturbing horror of Suetonius’ Caprineum. The emperor’s gravitational force is so great that it creates a sexual event horizon; nearly 1 — See, most notably, Hallett 1978, Clarke 1993: 287-88, Champlin 2010, and Hallet 2018. Scholars gesture to the passage in passing, of course, but extended exegesis (let alone translation) is generally avoided. 2 — Pollitt 1978:167-68, Houston 1989: 189-90, Rutledge 2008: 461-63. 3 — Clarke 1998, Bartman 2002, Newby 2012: 352. EuGeStA - n°8 - 2018 TIBERIUS ON CAPRI AND THE LIMITS OF ROMAN SEX CULTURE 185 every structuring category that might delineate and demarcate Roman sexuality is distorted, obscured and blurred4. Bodies are controlled and transformed. New functions and constructions of human embodiment are conceived. States of being become iterative replications of images imprinted in paint or on stone.
    [Show full text]
  • Medicamina Faciei Femineae and Related Texts
    O v i d o n C o s m e t i c s i Also available from Bloomsbury Ovid and his Love Poetry, Rebecca Armstrong Th e Metamorphosis of Ovid, Sarah Annes Brown Prescribing Ovid, Yasmin Haskell Ovid’s Myth of Pygmalion on Screen, Paula James Ovid’s ‘Metamorphoses’ , Genevieve Liveley Ovid: Love Songs, Genevieve Liveley ii Ovid on Cosmetics Medicamina Faciei Femineae and Related Texts M a r g u e r i t e J o h n s o n Bloomsbury Academic An imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY iii Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC 1B 3 DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2016 © Marguerite Johnson, 2016 Marguerite Johnson has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Author of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the author. British Library Cataloguing- in-Publication Data A catalogue record for this book is available from the British Library.
    [Show full text]
  • Mimiambic Poet
    Durham E-Theses The Bookish Turn: Assessing the Impact of the Book-Roll on Authorial Self- Representation in Early Hellenistic Poetry CHESTERTON, BARNABY How to cite: CHESTERTON, BARNABY (2016) The Bookish Turn: Assessing the Impact of the Book-Roll on Authorial Self- Representation in Early Hellenistic Poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11933/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 The Bookish Turn: Assessing the Impact of the Book-Roll on Authorial Self- Representation in Early Hellenistic Poetry Barnaby Chesterton Thesis submitted to the Department of Classics and Ancient History, Durham University, for the degree of Doctor of Philosophy 19th August, 2016 Table of Contents Abstract .....................................................................................................................................
    [Show full text]
  • Love, Lust and Literature in the Late Sixteenth Century
    Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2009 Love, Lust and Literature in the Late Sixteenth Century Kristin J. Johnson Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Johnson, Kristin J., "Love, Lust and Literature in the Late Sixteenth Century" (2009). Electronic Theses and Dissertations. 165. https://digitalcommons.georgiasouthern.edu/etd/165 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. LOVE, LUST AND LITERATURE IN THE LATE SIXTEENTH CENTURY by KRISTIN JOHNSON (Under the Direction of Julia Griffin) ABSTRACT I have chosen to focus on several poets of the “long 1590’s,” since I would argue that together they represent, for the first time, a confluence of literary love traditions that have previously existed independently across multiple centuries, nations and languages. First, I consider Ovid and the influence of the witty, Ovidian elegy love tradition as practiced by Christopher Marlowe and John Donne. Then I will discuss Petrarch and the serious sonnet sequence tradition, the influence of which is evident in the sonnet sequences of Sir Philip Sidney and Edmund Spenser. Next, since both the afore-mentioned love traditions are based outside of marriage, I will discuss how the reality of the place for marriage in society in the 1590’s and the literary representations of love and marriage create a gap, one that Edmund Spenser bridges with his joint publication of his sonnet sequence, Amoretti, with his marriage poem, Epithalamion.
    [Show full text]
  • Loeb Lucian Vol7.Pdf
    4 I THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMBS LOBB, LL.D. EDITED BY t T. E. PAGE, C.H., LITT.D. t E. CAPPS, PH.D., LL.D. t W. H. D. ROUSE, litt.d. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., f.r.hist.soc. LUGIAN VII LUCIAN WITH AN ENGLISH TRANSLATION BY M.D. MACLEOD LECTURER IN CLASSICS, UNIVERSITY OF SOUTHAMPTON, SOMETIME SCHOLAR OF PEMBROKE COLLEGE, CAMBRIDGE I IN EIGHT VOLUMES VII LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXI (g) The President and Fellows of Harvard College 1961 Printed in Great Britain CONTENTS PAGE LIST OF LUCIAN S WORKS vii PBEFACE ix DIAIiOQUES OP THE DEAD . 1 DIALOGUES OF THE SEA-GODS 177 DIALOGUES OF THE GODS . 239 DIALOGUES OF THE COURTESANS 355 INDEX .... 469 LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION I Volume I Phalaris I and II—Hippias or the Bath—^Dionysufi Heracles—Amber or The Swans—The Fly—Nigrinus— Demonax—The Hall—My Native Land—Octogenarians —A True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Cate- chized—Zeus Rants—^The Dream or The Cock—Prometheus —Icaromenippus or The Sky-man—Timon or The Mis- anthrope—Charon or The Inspector—Philosophies for Sale. Volume III The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite—The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses.
    [Show full text]