Select Bibliography

Editions of Chekhov’s plays and short stories consulted or cited Bentley, E., ed. and trans., The Brute and Other Farces by , Grove Press, New York, 1958. Bristow, E. K., trans. and ed., Anton Chekhov’s Plays, W. W. Norton and Com- pany, New York, 1977. Chekhov, A. (unknown translator), The Plays of Anton Chekhov, J. J. Little and Ives Company, New York, 1935. Chekhov, A. (unknown translator), , Dover Publications, New York, 1991. Dunnigan, A., Chekhov: The Major Plays, The New America Library, New York, 1964. Fell, M. and West, J., trans., Tchekoff: Six Famous Plays, Gerald Duckworth and Co., London, 1949. Fen, E., ed., Chekhov Plays, Penguin, Harmondsworth, 1954. Frayn, M., trans., , Methuen, London, 1984. Frayn, M., trans., Chekhov Plays, Methuen Drama, London, 1988. Frayn, M., trans., , Allen & Unwin, London, 1989. Gems, P., : A New Version, Eyre Methuen, London, 1980. Griffiths, T., ed., The Cherry Orchard, new English version, from Rapaport, H., trans., Pluto Press, London, 1981. Guthrie, T. and Kipnis, L., trans., The Cherry Orchard, University of Minnesota Press, Minneapolis, 1965. Hingley, R., The Oxford Chekhov, Vol. 1, Short Plays, Oxford University Press, London, 1968. Hingley, R., The Oxford Chekhov, Vol. 2, , , The Seagull, Oxford University Press, London, 1967. Hingley, R., The Oxford Chekhov, Vol. 3, Uncle Vanya, , The Cherry Orchard, , Oxford University Press, London, 1964. Hingley, R., The Oxford Chekhov, Vol. 4, Stories 1888–1889, Oxford University Press, London, 1980. Hingley, R., The Oxford Chekhov, Vol. 5, Stories 1889–1891, Oxford University Press, London, 1970. Hingley, R., The Oxford Chekhov, Vol. 6, Stories 1892–1893, Oxford University Press, London, 1971.

267 Interpreting Chekhov

Hingley, R., The Oxford Chekhov, Vol. 7, Stories 1893–1895, Oxford University Press, London, 1978. Hingley, R., The Oxford Chekhov, Vol. 8, Stories 1895–1897, Oxford University Press, London, 1965. Hingley, R., The Oxford Chekhov, Vol. 9, Stories 1898–1904, Oxford University Press, London, 1975. Magarshack, D., trans., Platonov, Faber and Faber, London, 1964. Magarshack, D., trans., Chekhov: Four Plays, Unwin Books, London, 1969. Makaroff, D., trans., Platonov, Methuen, London, 1961. Mamet, D., Uncle Vanya (an adaptation), Grove Press, New York, 1989. Pavis-Zahradniková, E. and Pavis, P., Anton Tchékhov: ‘La Cerisaie’, Le Livre de Poche, Paris, n.d. Ross, P. P., trans., Anton Chekhov: Stories of Women, Prometheus Books, New York, 1994. Szogyi, A., Ten Early Plays by Chekhov, Bantam Books, New York, 1965. Van Itallie, J-C., ed., The Seagull: A New Version, Harper & Row, New York, 1977. Yarmolinsky, A., trans., The Cherry Orchard, The Avon Theatre Library, New York, 1965. Young, S., trans., Best Plays by Chekhov, The Modern Library, New York, 1956.

Chekhov correspondence cited Chekhov, A., Letter to V. Bibilin, 14 February 1886, quoted in Magarshack, D., Chekhov the Dramatist, Eyre Methuen, London, 1980, p. 151. Chekhov, A., Letter to A. Chekhov between 10 and 12 October 1887, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, pp. 284–5. Chekhov, A., Letter to Alexander Chekhov, 23 October 1887, quoted in Valency, M., The Breaking String, Oxford University Press, London, 1966, p. 83. Chekhov, A., Letter to Alexander Chekhov, 24 October 1887, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 285. Chekhov, A., Letter to A. Chekhov, 20 November 1887, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 286. Chekhov, A., Letter to A. Chekhov, 24 November 1887, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 287. Chekhov, A., Letter to A. Chekhov, 8 May 1889, in McVay, G., Chekhov’s ‘Three Sisters’, Bristol Classical Press, 1995, p. ix.

268 Chekhov, A., Letter to A. P. Chekhov, 10 May 1886 in Yarmolinsky, A., Letters of Anton Chekhov, The Viking Press, New York, 1973, p. 37. Chekhov, A., Letter to A. P. Chekhov, 8 May 1889, in Yarmolinsky, A., op. cit., p. 117. Chekhov, A., Letter to A. P. Chekhov, 11 April 1889, in Karlinsky, S. and Heim, M. H., Anton Chekhov’s Life and Thought, University of California Press, Berkeley, 1975, p. 142. Chekhov, A., Letter to M. P. Chekhov, 15 October 1896, in Friedland, L. S., Letters on the Short Story, the Drama, and Other Literary Topics by Anton Chekhov, Dover Publications, New York, 1966, p. 147. Chekhov, A., Letter to M. P. Chekhov, 18 October 1896, in Hellman, L., The Selected Letters of Chekhov, Hamish Hamilton, London, 1955, pp. 193–4. Chekhov, A., Letter to M. Chekhov, 3 December 1887, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 289. Chekhov, A., Letter to E. N. Chirikov, 7 October 1903, in Friedland, L. S., op. cit., p. 202. Chekhov, A., Letter to Davydov, 1 December 1887 in Hingley, R., The Oxford Chekhov, Vol. 2, p. 288. Chekhov, A., Letter to S. P. Diaghilev, 30 December 1902, in Yarmolinsky, A., op. cit., p. 438. Chekhov, A., Letter to S. P. Diaghilev, 12 July 1903, in Yarmolinsky, A., op. cit., p. 453. Chekhov, A., Letter to F. A. Fyodorov-Yurkowsky, 8 January 1889, in Hingley, R., The Oxford Chekhov, Vol. 2, p. 296. Chekhov, A., Letter to M. Gorky, 3 December 1898, in Yarmolinsky, A., op. cit., p. 320. Chekhov, A., Letter to M. Gorky, 3 January 1899, in Yarmolinsky, A., op. cit., p. 323. Chekhov, A., Letter to M. Gorky, 9 May 1899, in Karlinsky, S., op. cit., p. 357. Chekhov, A., Letter to M. Gorky, 16 October 1900, in Friedland, L. S., op. cit., p. 156. Chekhov, A., Letter to D. V. Grigorovich, 9 October 1888, in Yarmolinsky, A., op. cit., p. 84. Chekhov, A., Letter to M. V. Kiseleva, 14 January 1887, in Yarmolinsky, A., op. cit., p. 41. Chekhov, A., Letter to O. L. Knipper, 30 September 1889, quoted in Hingley, R., op. cit., pp. 301–2.

269 Interpreting Chekhov

Chekhov, A., Letter to O. L. Knipper, 2 January 1900, quoted in Tulloch, J., Chekhov: A Structuralist Study, Macmillan Press, London, 1980, p. 107. Chekhov, A., Letter to O. L. Knipper, 15 September 1900, quoted in Valency, M., op. cit., p. 208. Chekhov, A., Letter to O. L. Knipper, 9 October 1903, quoted in Hingley, R., The Oxford Chekhov, Vol. 3, p. 320. Chekhov, A., Letter to O. L. Knipper, 10 April 1904, in Yarmolinsky, A., op. cit., p. 466. Chekhov, A., Letter to V. Kommissarzhevskaya, 13 November 1900, in Yarmol- insky, A., op. cit., p. 383. Chekhov, A., Letter to V. Kommissarzhevskaya, 13 November 1900, in McVay, G., op. cit., p. xvi. Chekhov, A., Letter to A. Koni, 11 November 1896, in Hellman, L., op. cit., p. 197. Chekhov, A., Letter to Vukol Lavrov, 10 April 1890 in Karlinsky, S., op. cit., pp. 165–7. Chekhov, A., Letter to I. L. Leontyev-Shcheglov, 7 November 1888, in Friedland, L. S., op. cit., p. 169. Chekhov, A., Letter to I. L. Leontyev-Shcheglov, 31 December 1888, in Hingley, R., The Oxford Chekhov, Vol. 2, p. 295. Chekhov, A., Letter to I. L. Leontyev-Shcheglov, 22 March 1890, in Karlinsky, S., op. cit., pp. 162–4. Chekhov, A., Letter to I. L. Leontyev-Shcheglov, 9 March 1892, in Yarmolinsky, A., op. cit., p. 202. Chekhov, A., Letter to I. L. Leontyev-Shcheglov, 24 October 1892 in Yarmolinsky, A., op. cit., p. 225. Chekhov, A., Letter to I. L. Leontyev-Shcheglov, 20 January 1899, in Yarmolin- sky, A., op. cit., p. 329. Chekhov, A., Letter to N. A. Leykin, 7 April 1887 in Yarmolinsky, A., op. cit., p. 46. Chekhov, A., Letter to N. A. Leykin, 4 November 1887, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 285. Chekhov, A., Letter to N. A. Leykin, 15 November 1887 in Karlinsky, S., op. cit., pp. 70–1. Chekhov, A., Letter to M. P. Lilina, 15 September 1903, in Yarmolinsky, A., op. cit., p. 454.

270 Chekhov, A., Letter to A. F. Marks, 1 October 1902, quoted in Hingley, R., The Oxford Chekhov, Vol. 1, p. 189. Chekhov, A., Letter to O. P. Menshikov, 16 April 1897, in Yarmolinsky, A., op. cit., p. 286. Chekhov, A., Letter to V. Meyerhold, early October 1889 in Benedetti, J., The Art Theatre Letters, Routledge, New York, 1991, pp. 56–7. Chekhov, A., Letter to V. Meyerhold, October 1889, in Karlinsky, S., op. cit., p. 368. Chekhov, A., Letter to V. Mirolubov, 17 December 1901, in Hellman, L., op. cit., p. 296. Chekhov, A., Letter to L. S. Mizonova, 13 August 1893, in Yarmolinsky, A, op. cit., p. 237. Chekhov, A., Letter to V. Nemirovich-Danchenko, 2 September 1903, in Fried- land, L. S., op. cit., p. 201. Chekhov, A., Letter to I. I. Orlov, 22 February 1899, in Friedland, L. S., op. cit., pp. 286–7. Chekhov, A., Letter to A. N. Pleshcheyev, 4 October 1888, in Yarmolinsky, A., op. cit., p. 81. Chekhov, A., Letter to A. N. Pleshcheyev, 9 October 1888, in Karlinsky, S., op. cit., p. 112. Chekhov, A., Letter to A. N. Pleshcheyev, 13 November 1888, in Yarmolinsky, A., op. cit., p. 92. Chekhov, A., Letter to A. N. Pleshcheyev, 2 January 1889, in Hingley, R., The Oxford Chekhov, Vol. 2, p. 295. Chekhov, A., Letter to A. N. Pleshcheyev, 9 April 1889, in Josephson, M., ed., The Personal Papers of Anton Chekhov, Lear, New York, 1948, p. 150. Chekhov, A., Letter to A. N. Pleshcheyev, 15 February 1890, in Yarmolinsky, A., op. cit., p. 125. Chekhov, A., Letter to Yakov Polonsky, 22 February 1888, quoted in Magarshack, D., Chekhov: A Life, Westport, Greenwood Press, 1970, p. 144. Chekhov, A., Letter to G. I. Rossolimo, 11 October 1889, in Yarmolinsky, A., op. cit., pp. 352–3. Chekhov, A., Letter to C. Stanislavski, 2 January 1901, in Karlinsky, S., op. cit., p. 391. Chekhov, A., Letter to Ye. M. Shavrova, 16 September 1891, in Friedland, L. S., op. cit., p. 17.

271 Interpreting Chekhov

Chekhov, A., Letter to Ye. M. Shavrova, 28 February 1895, in Yarmolinsky, A., op. cit., pp. 256–7. Chekhov, A., Letter to E. Shavrova, 1 November 1896, in Hellman, L., op. cit., pp. 195–6. Chekhov, A., Letter to A. S. Suvorin, 30 May 1888, in Yarmolinsky, A., op. cit., p. 71. Chekhov, A., Letter to A. S. Suvorin, 11 September 1888, in Karlinsky, S., op. cit., p. 107. Chekhov, A., Letter to A. S. Suvorin between 4 and 6 October 1888, quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 289. Chekhov, A., Letter to A. S. Suvorin, 27 October 1888 in Yarmolinsky, A., op. cit., p. 88. Chekhov, A., Letter to A. S. Suvorin, 27 October 1888, in Karlinsky, S., op. cit., p. 117. Chekhov, A., Letter to A. S. Suvorin, 7 November 1888, in Yarmolinsky, A., op. cit., p. 91. Chekhov, A., Letter to A. S. Suvorin, 11 November 1888, quoted in Magarshack, D., Chekhov the Dramatist, pp. 31–2. Chekhov, A., Letter to A. S. Suvorin, 19 December 1888 quoted in Hingley, R., The Oxford Chekhov, Vol. 2, p. 290. Chekhov, A., Letter to A. S. Suvorin, 30 December 1888, in Karlinsky, S., op. cit., p. 79. Chekhov, A., Letter to A. S. Suvorin, 7 January 1889, in Karlinsky, S., op. cit., p. 84. Chekhov, A., Letter to A. S. Suvorin, 7 January 1889, in Friedland, L. S., op. cit., p. 142. Chekhov, A., Letter to A. S. Suvorin, 7 January 1889, in Yarmolinsky, A., op. cit., p. 107. Chekhov, A., Letter to A. S. Suvorin, 6 February 1889, in Hingley, R., The Oxford Chekhov, Vol. 2, p. 297. Chekhov, A., Letter to A. S. Suvorin, 14 February 1889, quoted in Magarshack, D., Chekhov the Dramatist, p. 23. Chekhov, A., Letter to A. S. Suvorin, 11 March 1889 in Yarmolinsky, A., op. cit., p. 111. Chekhov, A., Letter to A. S. Suvorin, 7 May 1889, in Karlinsky, S., op. cit., p. 143.

272 Chekhov, A., Letter to A. S. Suvorin, 15 May 1889, in Karlinsky, S., op. cit., pp. 143–4. Chekhov, A., Letter to A. S. Suvorin, 28 October 1889, in Yarmolinsky, A., op. cit., p. 122. Chekhov, A., Letter to A. S. Suvorin, 25 November 1889, in Friedland, L. S., op. cit., p. 193. Chekhov, A., Letter to A. S. Suvorin, 9 March 1890, in Yarmolinsky, A., op. cit., p. 129. Chekhov, A., Letter to A. S. Suvorin, 9 March 1890, in Karlinsky, S., op. cit., p. 159. Chekhov, A., Letter to A. S. Suvorin, 1 April 1890, in Yarmolinsky, A., op. cit., p. 133. Chekhov, A., Letter to A. S. Suvorin, 11 September 1890, in Karlinsky, S., op. cit., p. 171. Chekhov, A., Letter to A. S. Suvorin, 9 December 1890, in Yarmolinsky, A., op. cit., p. 170. Chekhov, A., Letter to A. S. Suvorin, 9 December 1890, in Karlinsky, S., op. cit., p. 174. Chekhov, A., Letter to A. S. Suvorin, 17 December 1891, in Friedland, L. S., op. cit., p. 102. Chekhov, A., Letter to A. S. Suvorin, 8 April 1892, in Karlinsky, S., op. cit., p. 221. Chekhov, A., Letter to A. S. Suvorin, 28 May 1892, in Yarmolinsky, A., op. cit., p. 212. Chekhov, A., Letter to A. S. Suvorin, 1 August 1892, in Yarmolinsky, A., op. cit., pp. 218–19. Chekhov, A., Letter to A. S. Suvorin, 10 October 1892, in Yarmolinsky, A., op. cit., p. 223. Chekhov, A., Letter to A. S. Suvorin, 18 October 1892, in Yarmolinsky, A., op. cit., p. 223. Chekhov, A., Letter to A. S. Suvorin, 25 November 1892, in Yarmolinsky, A., op. cit., p. 227. Chekhov, A., Letter to A. S. Suvorin, 25 November 1892, in Karlinsky, S., op. cit., p. 243. Chekhov, A., Letter to A. S. Suvorin, 3 December 1892, in Yarmolinsky, A., op. cit., p. 227.

273 Interpreting Chekhov

Chekhov, A., Letter to A. S. Suvorin, 2 January 1894, in Yarmolinsky, A., op. cit., p. 243. Chekhov, A., Letter to A. S. Suvorin, 27 March 1894, in Karlinsky, S., op. cit., p. 261. Chekhov, A., Letter to A. S. Suvorin, 21 October 1895, in Hellman, L., op. cit., p. 189. Chekhov, A., Letter to A. S. Suvorin, 2 November 1895, quoted in Van Itallie, J-C., The Seagull: A New Version, Harper & Row, New York, 1977, p. 90. Chekhov, A., Letter to A. S. Suvorin, 21 November 1895, in Friedland, L. S., op. cit., p. 146. Chekhov, A., Letter to A. S. Suvorin, 20 June 1896, quoted in Magarshack, D., Chekhov the Dramatist, p. 20. Chekhov, A., Letter to A. S. Suvorin, 18 October 1896, in Friedland, L. S., op. cit., p. 788. Chekhov, A., Letter to A. S. Suvorin, 22 October 1896, in Hellman, L., op. cit., pp. 194–5. Chekhov, A., Letter to A. S. Suvorin, 12 July 1897, quoted in Friedland, L. S., op. cit., p. 265. Chekhov, A., Letter to A. S. Suvorin, 13 March 1898, in Yarmolinsky, A., op. cit., p. 308. Chekhov, A., Letter to A. Tikhonov, 1902, quoted in Magarshack, D., Chekhov the Dramatist, p. 14. Chekhov, A., Letter to A. L. Vishnevsky, 3 November 1889, in Yarmolinsky, A., op. cit., p. 355. Chekhov, A., Letter to A. L. Vishnevsky, 7 November 1903, quoted in Moravcevich, N., ‘Chekhov and Naturalism: From Affinity to Diver- gence’, Comparative Drama, Vol. 4, No. 4, Winter 1970–71, p. 239. Chekhov, A., Letter to N. M. Yezhov, 27 October 1887, quoted in Simmons, E. J., Chekhov: A Biography, Jonathan Cape, London, 1963, p. 163. Chekhov, A., Letter to N. M. Yezhov, 21 November 1898, quoted in Hollosi, C., ‘Chekhov’s Reaction to Two Interpretations of Nina’, Theatre Survey, Vol. 24, Nos 1 & 2, 1883, p. 122. Danchenko, V., Letter to A. Chekhov, 27 October 1889, in Benedetti, J., op. cit., p. 63. Knipper, O., Letter to A. Chekhov, 26 September 1889, quoted in Hingley, R., The Oxford Chekhov, Vol. 3, p. 301.

274 Knipper, O., Letter to A. Chekhov, 27–29 October 1889, in Benedetti, J., op. cit., p. 65. Kommissarzhevskaya, V., Letter to A. Chekhov, 21 October 1896, in Karlinsky, S., op. cit., p. 283. Meyerhold, V., Letter to A. Chekhov, 29 September 1889, in Benedetti, J., op. cit., p. 55. Meyerhold, V., Letter to A. Chekhov, 23 October 1899, in Benedetti, J., op. cit., pp. 58–9. Nemirovich-Danchenko, V., Letter to C. Stanislavski, 26 October 1889, in Bene- detti, J., op. cit., p. 59. Nemirovich-Danchenko, V., Letter to A. Chekhov, 21 August 1898, in Benedetti, J., op. cit., p. 31. Nemirovich-Danchenko, V., Letter to A. Chekhov, 18–21 December 1898, in Benedetti, J., op. cit., p. 44. Nemirovich-Danchenko, V., Letter to A. Chekhov, 22 January 1901, in Benedetti, J., op. cit., p. 99. Stanislavski, C., Letter to Baron Drizen, 3 November 1909, quoted in Senelick, L., The Chekhov Theatre, Cambridge University Press, Cambridge, 1997, pp. 59–60. Stanislavski, C., Letter to A. Chekhov, in Benedetti, J., op. cit., p. 162. Yezhov, N. M., Letter to A. Chekhov, n.d., quoted in Hollosi, C., op. cit., p. 122.

Books consulted or cited Abrams, M. H., A Glossary of Literary Terms, 3rd ed., Holt, Rinehart and Win- ston, New York, 1971. Allen, D., Performing Chekhov, Routledge, London, 2000. Avilova, L., Chekhov in , Methuen Drama, London, 1989. Balukhaty, S. D., ed., The Seagull Produced by Stanislavsky, Dennis Dobson, London, 1952. Baring, M., Landmarks in Russian Literature, Methuen, London, 1960 (Chapter 7, ‘The Plays of Anton Tcekhov’, pp. 163–85). Barnet, S., Berman, M. and Burto, W., Types of Drama: Plays and Essays, Little, Brown and Company, Boston, 1981. Barricelli, J-P., ed., Chekhov’s Great Plays: A Critical Anthology, New York Uni- versity Press, New York, 1981. Benedetti, J., Stanislavski: A Biography, Methuen, London, 1988.

275 Interpreting Chekhov

Benedetti, J., The Moscow Art Theatre Letters, Routledge, New York, 1991. Bentley, E., The Playwright as Thinker, Meridian Books, New York, 1960. Bergson, H., Laughter: An Essay on the Meaning of the Comic, Macmillan and Co., London, 1935. Bill, V. T., Chekhov: The Silent Voice of Freedom, Philosophical Library, New York, 1987. Bitsilli, P. M., Chekhov’s Art: A Stylistic Analysis, Ardis Publishers, Ann Arbor, 1983. Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999. Brahms, C., Reflections in a Lake: A Study of Chekhov’s Four Greatest Plays, Weidenfeld and Nicolson, London, 1976. Braun, E., ed., Meyerhold on Theatre, Eyre Methuen, London, 1969. Braun, E., The Director and the Stage, Methuen, London, 1983 (Chapter 5, ‘Stanislavsky and Chekhov’, pp. 59–76). Brooks, C. and Heilman R. B., Understanding Drama, Holt, Rinehart and Winston, New York, 1966. Brownstein, O. L. and Daubert, D. M., eds, Analytical Sourcebook of Concepts in Dramatic Theory, Greenwood Press, Westport, 1981. Bruford, W. H., Chekhov and his Russia: A Sociological Study, Routledge and Kegan Paul, London, 1948. Bruford, W. H., Chekhov, Bowes and Bowes, London, 1957. Brustein, R., The Theatre of Revolt, Little, Brown and Company, Boston 1964 (Chapter 4, ‘Anton Chekhov’, pp. 135–79). Butova, I. S., Reminiscences, quoted in Worrall, N., File on Chekhov, Methuen, London, 1986. Callow, P., Chekhov: The Hidden Ground, Ivan R. Dee, Chicago, 1998. Chekhov, A., The Island: A Journey to Sakhalin, Washington Square Press, New York, 1967. Chudakov, A. P., Chekhov’s Poetics, Ardis Publishers, Ann Arbor, 1983. Clayton, J. D., Chekhov Then and Now: The Reception of Chekhov in World Culture, Peter Lang, New York, 1997. Clyman, T. W., ed., A Chekhov Companion, Greenwood Press, Westport, 1985. Constantine, P., trans., The Undiscovered Chekhov: Thirty-Eight New Stories, Seven Stories Press, New York, 1998.

276 Corrigan, R., Theatre in the Twentieth Century, Grove Press, New York, 1963. Corrigan, R. W. and Rosenberg, J. L., The Context and Craft of Drama, Chandler Publishing Company, Scranton, 1964 (Corrigan, ‘The Plays of Chekhov’, pp. 139–67). Debreczeny, P. and Eekman, T., eds, Chekhov’s Art of Writing, Slavica Publishers, Columbus, 1977. Delgado, M. M. and Heritage, P., eds, In Contact with the Gods?: Directors Talk Theatre, Manchester University Press, Manchester, 1996. Donaldson, I., Transformations in Modern European Drama, Macmillan Press, London 1983. Driver, T. F., Romantic Quest and Modern Query: A History of the Modern Theater, Delacorte Press, New York, 1970 (Chapter 10, ‘Anton Chekhov’, pp. 217–48). Eekman, T., ed., Anton Cechov 1860 – 1960: Some Essays, E. J. Brill, Leiden, 1960. Ehre, M., trans., Chekhov for the Stage, Northwestern University Press, Evanston, 1992 (translation of the four major plays). Ehrenburg, I., Chekhov, Stendhal and Other Essays, Macgibbon and Kee, London, 1962 (‘On Re-Reading Chekhov’, pp. 10–77). Ellis-Fermor, U., The Frontiers of Drama, Methuen, London, 1964. Elsom, J., Post-war British Theatre, Routledge and Kegan Paul, London, 1979. Emeljanow, V., Chekhov: The Critical Heritage, Routledge and Kegan Paul, Lon- don, 1981. Esslin, M., The Field of Drama, Methuen, London, 1987. Forsås-Scott, H., Notes on ‘The Cherry Orchard’, Longman York Press, Harlow, 1983. Friedland, L. S., ed., Anton Chekhov: Letters on the Short Story, the Drama, and Other Literary Topics, Dover Publications, New York, 1966. Furst, L. and Skrine, P., Naturalism, Methuen, London, 1971. Ganz, A., Realms of the Self: Variations on a Theme in Modern Drama, New York University Press, New York, 1980. Gaskell, R., Drama and Reality: The European Theatre since Ibsen, Routledge and Kegan Paul, London, 1972. Gassner, J., The Theatre in Our Times, Crown Publishers, New York, 1963. Gassner, J., Directions in Modern Theatre and Drama, Holt, Rinehart and Winston, New York, 1967.

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Gerhardie, W., Anton Chekhov: A Critical Study, St. Martin’s Press, New York, 1974. Gielgud, J., Early Stages, The Falcon Press, London, 1948. Gillès, D., Chekhov: Observer without Illusion, Funk & Wagnalls, New York, 1968. Gilman, R., Chekhov’s Plays: An Opening into Eternity, Yale University Press, New Haven, 1995. Glicksberg, C. I., Modern Literary Perspectivism, Southern Methodist University Press, Dallas, 1970. Gorky, M., Reminiscences of Tolstoy, Chekhov and Andreev, Hogarth Press, Lon- don, 1934. Gorky, M., Fragments from My Diary, Penguin Books, Harmondsworth, 1940 (Chapter 19, ‘Tchekoff’, pp. 170–7). Gottlieb, V., Chekhov and the Vaudeville, Cambridge University Press, Cambridge, 1982. Gottlieb, V., Chekhov in Performance in Russia and Soviet Russia, Chad- wyck–Healey, New Jersey, 1984. Gottlieb, V. and Allain, P., eds, The Cambridge Companion to Chekhov, Cambridge University Press, Cambridge, 2000. Grant, D., Realism, Methuen, London, 1970. Gross, R., Understanding Playscripts: Theory and Method, Bowling Green Univer- sity Press, Bowling Green, 1974. Guthke, K. S., Modern Tragi-Comedy, Random House, New York, 1996. Guthrie, T. and Kipnis, L., trans., The Cherry Orchard, University of Minnesota Press, Minneapolis, 1965. Hahn, B., Chekhov: A Study of the Major Stories and Plays, Cambridge University Press, Cambridge, 1979. Hellman, L., ed., The Selected Letters of Anton Chekhov, Hamish Hamilton, London, 1955. Hingley, R., Chekhov, Unwin Books, London, 1966. Hingley, R., Russian Writers and Society, Weidenfeld and Nicolson, London, 1967. Hingley, R., A New Life of Chekhov, Oxford University Press, London 1976. Hobgood, B. M., ed., Master Teachers of Theatre: Observations on Teaching Theatre by Nine American Masters, Southern Illinois University Press, Carbondale, 1988.

278 Hodge, F., Play Directing: Analysis, Communication, and Style, Allyn and Bacon, Boston, 1994. Hornby, R., Script into Performance: A Structuralist Approach, Paragon House Publishers, New York, 1987. Howard, J. E., Shakespeare’s Art of Orchestration, University of Illinois Press, Urbana, 1984. Jackson, R. L., ed., Chekhov: A Collection of Critical Essays, Prentice-Hall, New Jersey, 1967. Jackson, R. L., ed., Reading Chekhov’s Text, Northwestern University Press, Evanston, 1993. Josephson, M., The Personal Papers of Anton Chekhov, Lear Publishers, New York, 1948. Karlinsky, S., ed., Anton Chekhov’s Life and Thought: Selected Letters and Com- mentary, University of California Press, Berkeley, 1975. Kataev, V., If Only We Could Know!: An Interpretation of Chekhov, Ivan R. Dee, Chicago, 2002. Katzer, J., ed., 1860–1960 A. P. Chekhov, Foreign Languages Publishing House, Moscow, 1960. Kirk, I., Anton Chekhov, Twayne Publishers, Boston, 1981. Koteliansky, S. S. and Woolf, L., trans., The Notebook of Anton Tchekhov, The Hogarth Press, London, 1967. Krutch, J. W., ‘ Modernism’ in Modern Drama, Russell and Russell, New York, 1962 (pp. 66–77). Laffitte, S., Chekhov, Angus and Robertson, London, 1974. Levin, I. and I., Working on the Play and the Role: The Stanislavsky Method for Analysing the Characters in a Drama, Ivan R. Dee, Chicago, 1992. Lewis, A., The Contemporary Theatre, Crown Publishers, New York, 1971. Magarshack, D., Chekhov: A Life, Greenwood Press, Westport, 1970. Magarshack, D., The Real Chekhov, Allen and Unwin, London, 1972. Magarshack, D., Chekhov the Dramatist, Eyre Methuen, London, 1980. Magarshack, D., Stanislavsky: A Life, Faber and Faber, London, 1986. Maugham, W. S., Points of View, Bantam Books, New York, 1961 (pp. 137–50). McVay, G., Chekhov’s ‘Three Sisters’, Bristol Classical Press, London, 1995. Meister, C. W., Chekhov Bibliography, McFarland and Company, Jefferson, 1985. Melchinger, S., Anton Chekhov, Frederick Ungar, New York, 1972.

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290 Keyssar, H., ‘The Strategy of Drama in Recognition Scenes’, Proceedings of the Modern Language Association, Vol. 92, 1977. Kilroy, T., ‘The Seagull: An Adaptation’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999. King, F., Review of Uncle Vanya, Sunday Telegraph, quoted in London Theatre Record, 15 July–15 August 1982. King, F., Review of The Seagull, Sunday Telegraph, 5 May 1985. King, F., Review of The Seagull, Sunday Telegraph, 11 August 1985. Kingston, J., Review of The Seagull, The Times, 12 July 1991. Kitchin, L., ‘Chekhov Without Inhibitions: The Moscow Art Theatre in London’, Encounter, Vol. 11, No. 2, August 1958. Kleber, P., ‘The Whole of Italy is Our Orchard: Strehler’s Cherry Orchard’, Modern Drama, Vol. 42, No. 4, 1999. Knipper-Chekhova, O., ‘The Last Years’, in Katzer, J., ed., 1860–1960 A. P. Chekhov, Foreign Languages Publishing House, Moscow, 1960. Kobatake, M., ‘Soliloquy and Modern Drama’, Theatre Annual, Vol. 18, 1961. Kovitz, S., ‘A Fine Day to Hang Oneself: On Chekhov’s Plays’, in Barricelli, J-P., ed., Chekhov’s Great Plays: A Critical Anthology, New York University Press, New York, 1981. Kozhevnikova, I., ‘The Artists of Chekhov’s Time’, Soviet Literature, January 1980. Kramer, K. D., ‘Chekhov at the End of the Eighties: The Question of Identity’, Études Slaves et Est-Européennes, Vol. 2, 1966. Kramer, K. D., ‘Three Sisters or Taking a Chance on Love’, in Barricelli, J-P., ed., Chekhov’s Great Plays: A Critical Anthology, New York University Press, New York, 1981. Kramer, K. D., ‘”A Subject Worthy of Ayvazovsky’s Brush”: Vanya’s Misdirected Fury’, Modern Drama, Vol. 42, No. 4, 1999. Krause, D., ‘Freil’s Ballybeggared Version of Chekhov’, Modern Drama, Vol. 42, No. 4, 1999. Krutch, J. W., Nation, 31 October 1928, in Emeljanow, V., op. cit., pp. 338–9. Kuprin, A., ‘Reminiscences of Anton Tchekhov’, in Koteliansky, S. S., ed., Anton Tchekhov: Literary and Theatrical Reminiscences, Benjamin Blom, New York, 1965; Haskell House Publishers, New York, 1974.

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294 O’Connor, F., ‘The Slave’s Son’, The Kenyon Review, Vol. 25, No. 1, 1963. Odesskaya, M., ‘Chekhov’s Tatyana Repina: From Melodrama to Mystery Play’, Modern Drama, Vol. 42, No. 4, 1999. Orr, J., ‘The Everyday and the Transient in Chekhov’s Tragedy’, in Tragic Drama and Modern Society, The Macmillan Press, London, 1981. Osborne, C., Review of The Seagull, Daily Telegraph, 25 April 1991. Paperny, Z., ‘Truth and Faith: Reading Chekhov’s Rough Drafts and Notebooks’, Soviet Literature, January 1980. Paul, B., ‘Chekhov’s “Five Sisters”’, Modern Drama, February 1972. Pavis, P., ‘Ivanov: The Invention of a Negative Dramaturgy’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Phil- adelphia, 1999. Peace, R., ‘Chekhov’s “Modern Classicism”’, Slavonic and East European Review, Vol. 65, No. 1, January 1987. Pearson, A., Review of Uncle Vanya, Independent on Sunday, 18 August 1991. Pearson, A. G., ‘The Cabaret Comes to Russia: “Theatre of Small Forms” as Cul- tural Catalyst’, Theatre Quarterly, Vol. 9, No. 36, Winter 1980. Pedrotti, L., ‘Chekhov’s Major Plays: A Doctor in the House’, in Barricelli, J-P., ed., Chekhov’s Great Plays: A Critical Anthology, New York University Press, New York, 1981. Pinter, H., ‘Writing for the Theatre’, in Pinter Plays, Vol. 1, Methuen, London, 1976. Pitcher, H., ‘The Chekhov Play’, in Wellek, R. and N. D., eds, Chekhov: New Perspectives, Twentieth Century Views, Prentice-Hall Inc., New Jersey, 1984. Pitcher, H., ‘Chekhov’s Humour’, in Clyman, T. W., ed., A Chekhov Companion, Greenwood Press, Westport, 1985. Poggioli, R., ‘Realism in Russia’, Comparative Literature, Vol. 3, 1951. Polakiewicz, L., ‘Selected Bibliography’, in Clyman, T. W., ed., A Chekhov Companion, Greenwood Press, Westport, 1985. Polotskaya, E., ‘Chekhov and His Russia’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999. Quinn, M. L., ‘Reading and Directing the Play’, New Theatre Quarterly, Vol. 3, No. 11, August 1987. Rabkin, G., ‘The Play of Misreading: Text/Theatre/Deconstruction’, Performing Arts Journal, Vol. 7, No. 1, 1983.

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296 Senelick, L., ‘Chekhov and the Irresistible Symbol: A Response to Peter Holland’, in Redmond, J., Drama and Symbolism: Themes in Drama 4, Cambridge University Press, Cambridge, 1982. Senelick, L., ‘Chekhov on Stage’, in Clyman, T. W., ed., A Chekhov Companion, Greenwood Press, Westport, 1985. Senelick, L., ‘Stuffed Seagulls: Parody and the Reception of Chekhov’s Plays’, Poetics Today, Vol. 8, No. 2, 1987. Senelick, L., ‘Offenbach and Chekhov; or, La Belle Yeliena’, Theatre Journal, Vol. 42, No. 4, December 1990. Senelick, L., ‘The Department of Missing Plays, Chekhov Division’, Theater, Vol. 22, No. 2, 1991. Senelick, L., ‘Chekhov and the Bubble Reputation’, in Clayton, J. D., ed., Chekhov Then and Now: The Reception of Chekhov in World Culture, Peter Lang, New York, 1997. Senelick, L., ‘Director’s Chekhov’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999. Sevastyanov, V., ‘Tribute to Chekhov’, Soviet Literature, Vol. 1, January 1980. Seymour, A., ‘Summer Seagull, Winter Love’, The London Magazine, May 1964. Shakh-Azizova, T., ‘A Russian Hamlet’, Soviet Literature, Vol. 1, January 1980. Shakh-Azizova, T., ‘Chekhov on the Russian Stage’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999. Shestov, L., ‘Anton Chekhov: (Creation from the Void)’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999. Shorter, E., Review of Three Sisters, Daily Telegraph, 3 April 1986. Shulman, M., Review of The Seagull, Standard, 27 April 1984. Shulman, M., Review of The Seagull, Standard, 29 April 1985. Shulman, M., Review of Uncle Vanya, Evening Standard, 15 September 1989. Silverstein, N., ‘Chekhov’s Comic Spirit and The Cherry Orchard’, Modern Drama, Vol. 1, No. 3, September 1958. Skaftymov, A., ‘Principles of Structure in Chekhov’s Plays’, in Jackson, R. L., ed., Chekhov: A Collection of Critical Essays, Prentice-Hall, New Jersey, 1967. Smeliansky, A., ‘Chekhov at the Moscow Art Theatre’, in Bloom, H., Anton Chekhov: Modern Critical Views, Chelsea House Publishers, Philadelphia, 1999.

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300 Borny, G. J., Petty Sessions, a verse translation of Racine’s Les Plaideurs, Univer- sity of New England Press, Armidale, 1988. Davison, D., ed., Andrew Marvell: Selected Poetry and Prose, Harrap and Company, London, 1952. Robbins, H., The Dream Merchants, New English Library, London, 1980. Shakespeare, W., Hamlet. Shakespeare, W., Julius Caesar.

301