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Politics and Power in the Gothic Drama of MG Lewis
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF LAW, ARTS & SOCIAL SCIENCES School of Humanities Politics and Power in the Gothic Drama of M.G. Lewis By Rachael Pearson Thesis for the degree of Doctor of Philosophy December 2011 1 2 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF LAW, ARTS AND SOCIAL SCIENCES SCHOOL OF HUMANITIES Thesis submitted for the degree of Doctor of Philosophy POLITICS AND POWER IN THE GOTHIC DRAMA OF M.G. LEWIS Rachael Pearson Matthew Lewis‟s 1796 novel The Monk continues to attract critical attention, but the accusation that it was blasphemous has overshadowed the rest of his writing career. He was also a playwright, M. P. and slave-owner. This thesis considers the need to reassess the presentation of social power, primarily that of a conservative paternalism, in Lewis‟s dramas and the impact of biographical issues upon this. -
Dvigubski Full Dissertation
The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Anna Dvigubski All rights reserved ABSTRACT The Figured Author: Authorial Cameos in Post-Romantic Russian Literature Anna Dvigubski This dissertation examines representations of authorship in Russian literature from a number of perspectives, including the specific Russian cultural context as well as the broader discourses of romanticism, autobiography, and narrative theory. My main focus is a narrative device I call “the figured author,” that is, a background character in whom the reader may recognize the author of the work. I analyze the significance of the figured author in the works of several Russian nineteenth- and twentieth- century authors in an attempt to understand the influence of culture and literary tradition on the way Russian writers view and portray authorship and the self. The four chapters of my dissertation analyze the significance of the figured author in the following works: 1) Pushkin's Eugene Onegin and Gogol's Dead Souls; 2) Chekhov's “Ariadna”; 3) Bulgakov's “Morphine”; 4) Nabokov's The Gift. In the Conclusion, I offer brief readings of Kharms’s “The Old Woman” and “A Fairy Tale” and Zoshchenko’s Youth Restored. One feature in particular stands out when examining these works in the Russian context: from Pushkin to Nabokov and Kharms, the “I” of the figured author gradually recedes further into the margins of narrative, until this figure becomes a third-person presence, a “he.” Such a deflation of the authorial “I” can be seen as symptomatic of the heightened self-consciousness of Russian culture, and its literature in particular. -
Drama Audition Female Senior Monologues
Drama Audition Female Senior Monologues Northmead Creative & Performing Arts High School NSW, Department of Education and Training N S W , Classical and contemporary audition pieces. Department of Education and T r a i n i n g Imagine, Endeavour, A c h i e v e Northmead CAPAHS Campbell Street Northmead N S W 2 1 5 2 02 96304116 P r i n c i p a l – N . V a z q u e z Northmead Creative & Performing Arts High- Drama Audition The following pieces have been chosen from standard editions of the works. You may use the equivalent monologue from a different edition of the play, for example, if you have access to a different edition of the Shakespeare plays. For translated works, we have chosen a particular translation. However, you may use another translation if that is the version available to you. If you cannot access the Australian plays through your local library, bookshop or bookshops on our suggested list, published editions of the Australian plays are generally available through Currency Press. AUDITION PROCESS You will be required to choose one monologue from the list provided to perform. Please note the delivery time of a monologue may vary depending on your interpretation of the chosen piece. Usual estimated time is between three to eight minutes. So please make sure your monologue is within this time frame. You may be asked to deliver your chosen piece more than once. You will also be tested for improvisation skills. So be prepared to use your imagination and creativity. A script may be handed to you during the audition. -
The Characterization of the Physician in Schnitzler's and Chekhov's Works
THE PHYSICIAN IN SCHNITZLERIS AND CHEKHOV1S WORKS THE CHARACTERIZATION OF THE PHYSICIAN IN SCHNITZLER 'S Al''-ID CHEKHOV I S WORKS By LOVORKA IVANKA FABEK, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master Gf Arts McMaster University September 1985 MASTER OF ARTS (1985) McMaster University Hamilton, Ontario TITLE: THE CHARACTERIZATION OF THE PHYSICIAN IN SCHNITZLER'S AND CHEKHOV'S WORKS AUTHOR: LOVORKA IVANKA FABEK, B.A. (McMaster University) SUPERVISOR: Dr. Gerald Chapple NUMBER OF PAGES: viii, 146. ii ABSTRACT Arthur Schnitzler (1862-1931) and Anton Pavlovich Chekhov (1860-1904) were both writers as well as physicians. The latter profession had a significant influence on their works, which is evident in the frequent use of the doctor figure in their plays and prose works. What distinguishes Schnitzler and Chekhov from other writers of the fin-de,...si~c1e, is their ability to clinically observe psycho logical and social problems. Sclmitzler's and Chekhov's works contain "diagnosesJl made by their doctor figure. This study examines the respective qualities of a spectrum of six major types. There are mixed, mainly positive and mainly negative types of doctor figures, ranging from the revolutionary type down to the pathetic doctor figure and the calculating type. Dealing with differences as well as with similarities, the thesis concludes by showing how the characterization of the doctor figure sh.eds light on the authors that created them. iii ACKNOWLEDGEMENTS I would like to express my gratitude to my Supervisor, Dr. Gerald Chapple, for initially suggesting the topic of this thesis and for his guidance and advice. -
EDUCATION PACK 1 Bristol Old Vic | the Cherry Orchard | Education Pack “A Poem About Life and Death and Transition and Change” PETER BROOK, 1981
EDUCATION PACK 1 Bristol Old Vic | The Cherry Orchard | Education Pack “A poem about life and death and transition and change” PETER BROOK, 1981 FOREWORD CONTENTS The Cherry Orchard was written over a hundred 2. Introduction years ago and the dominant issue of anxiety and 3. Chekhov, A History change are still with us in a tumultuous twenty-first century. As teachers, we are in a position where we 5. Exploring the Story can challenge ideas and stimulate discussion within 7. Dissecting the Characters our classrooms while exploring a wide range of performance opportunities. This is a play where 9. A Note from the Director seemingly very little happens on stage but events of 11. A Note from the Designer rapid economic and cultural change are happening all around. We know the old way of life is doomed 13. The Moscow Arts Theatre but are not sure whether the new dawn will 14. Under the Microscope ultimately be any better than that which is being cast aside. 15. Key Themes This is a play of many contradictions and is wide 16. How to Write a Review open to a director’s interpretation. Does the future 17. Activities look bleak or alluring? Chekhov wrote The Cherry Orchard while he was dying and knew that this would be his last play. Does this create an air of melancholy? How does this sit with the conjuring tricks and circus skills in this self-declared ‘comedy in four acts’? Is it a naturalistic or symbolic play or a combination of the two? We can decide on any one or all of these interpretations and each are as Introduction valid as any other. -
A Companion to Andrei Platonov's the Foundation
A Companion to Andrei Platonov’s The Foundation Pit Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman A Companion to Andrei Platonov’s The Foundation Pit Thomas Seifrid University of Southern California Boston 2009 Copyright © 2009 Academic Studies Press All rights reserved ISBN 978-1-934843-57-4 Book design by Ivan Grave Published by Academic Studies Press in 2009 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com iv Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com CONTENTS CHAPTER ONE Platonov’s Life . 1 CHAPTER TWO Intellectual Influences on Platonov . 33 CHAPTER THREE The Literary Context of The Foundation Pit . 59 CHAPTER FOUR The Political Context of The Foundation Pit . 81 CHAPTER FIVE The Foundation Pit Itself . -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s Permalink https://escholarship.org/uc/item/74g4p86x Author Erley, Laura Mieka Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s by Laura Mieka Erley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Olga Matich Professor Eric Naiman Professor Jeffrey Skoller Fall 2012 Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and its Eastern Borderlands from the 1840s to the 1930s © 2012 by Laura Mieka Erley Abstract Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s By Laura Mieka Erley Doctor of Philosophy in Slavic Languages and Literatures and the Designated Emphasis in Film Studies University of California, Berkeley Professor Irina Paperno, Chair This dissertation explores the cultural topos of soil in Russian and early Soviet culture. Centered on the Soviet project of land reclamation in Central Asia in the 1930s, this dissertation traces the roots of Soviet utopian and dystopian fantasies of soil to the ideological and discursive traditions of the 19th century. It considers how Soviet cultural, scientific, and political figures renovated and adapted 19th-century discourse in order to articulate for their own age the national, revolutionary, and utopian values attached to soil. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-88077-0 - The Cambridge Introduction to Chekhov James N. Loehlin Index More information Index Aleksandrinsky Theatre, xi, 12, 31, Bonaparte, Napoleon, 21 109, 124 Brata, Gaetano Alexander II (Tsar of Russia), x, 17, “Angel’s Serenade”, 87 21–2 Brecht, Bertolt Alexander III (Tsar of Russia), x, xi, 18, The Petit-Bourgeouis Wedding, 65 22, 64 Bromide (dog), 11 Allen, David Brustein, Robert, 109, 147 Performing Chekhov, 175 The Theatre of Revolt, 175, 186 Antoine, André, 32, 59 Bulgakov, Mikhail, 173 Avilova, Lydia, xi, 9, 11, 45, 118 Bunin, Ivan, 90 Badenweiler, xii, 16 Calderon, George, 165 Barrault, Jean-Louis Carver, Raymond The Cherry Orchard (1954), 170–71 “Errand”, 174 Bartlett, Rosamund, xiii, 174 Catherine II (Tsarina of Russia), 20, 31 Anton Chekhov: A Life in Cervantes, Miguel de Letters, 185 Don Quixote, 4 Battleship Potemkin uprising, 18 Ceylon, xi, 10 Beale, Simon Russell, 123 Cheever, John, 174 Beckett, Samuel, 131 Chekhonte, Antosha (pseudonym), x, 6 Molloy, 147 Chekhov, Aleksandr, 3, 4, 6, 13 Waiting for Godot, 33, 135 Chekhov, Anton Belinsky, Vissarion, 163 collections Bely, Andrey, 155 Gloomy People, xi Benchley, Robert In the Twilight, xi, 8 The Treasurer’s Report, 61 Motley Stories, xi, 8 Bentley, Eric, 124 Tales of Melpomene, xi, 32 Bergson, Henri novels “Laughter”, 64 The Shooting Party, xi, 92 Bitsilli, Peter plays Chekhov’s Art: A Stylistic Along the Highway, 58 Analysis, 169 The Bear, xi, 8, 62–63, 69 Blakemore, Michael The Cherry Orchard, xii, 5, 16, 18, Country Life (1994), 174 20, 37, 63, 66, 107, 123, 148–61 Boleslavsky, Richard, 167 The Evils of Tobacco, 61 188 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88077-0 - The Cambridge Introduction to Chekhov James N. -
The Seagull(1896)
Summer 1, 2021 GBS Theatre The Seagull (1896) by Anton Chekhov adapted by Joan Oliver Cast (in alphabetical order) Creative Team Simon Medvedenko Director Ian Bouillion Joan Oliver Eugene Dorn Designer Dylan Corbett-Bader Louis Carver Masha Russian Translator and Literary Advisor Florence Dobson Viktorija Rasciauskaite Boris Trigorin Associate Designer Raphel Famotibe Anita Gander Irina Arkadina Lighting Designer Elizabeth Hollingshead Amy Mae Konstantin Associate Lighting Designer Gabriel Howell Ollie Morrill Paulina Sound Designer Megan Langford Dylan Marsh Nina Cellist Aliyah Odoffin Elizabeth Hollingshead Ilia Shamrayev Movement Coach Samuel Tracy Mixalis Aristidou Peter Sorin Voice and Dialect Coach Benjamin Westerby Deborah Garvey Fight Coach Bret Yount Student Production Team Production Manager Radio Mic Runner Scenic Art Assistants Sam Kelly Abraham Walkling-Lea Jordan Deegan-Fleet Roma Farnell Technical Manager Broadcast Lucinda Plummer Jack Hollingsworth Andrea Scott Spiky Saul Stage Manager Sound Crew Props Maker Rosa Watson Alfie Sissons Pip Beattie Daberechi Ukoha-Kalu Deputy Stage Manager Abraham Walkling-Lea Props Assistants Jaimie Wakefield Isabelle Whitehill Aidan O’Sullivan Sylvia Wan Assistant Stage Manager Construction Project Manager Thomas Fielding Jeff Bruce-Hay (RADA Staff) Show Crew Alfie Sissons ASM 2s Assistant Construction Project Daberechi Ukoha-Kalu Aidan O’Sullivan Manager Abraham Walkling-Lea Sylvia Wan Joel Mansi Thomas Isabelle Whitehill Chief Electrician Scenery Builders Special thanks: Sammy Emmins Alice -
The Wood Demon Nyhedsbrev
Press October 07: AARHUS INTERNATIONAL THEATRE COMPANY presents WOOD DEMON A romantic, funny play, Chekhov's early masterpiece rediscovered by AAITC. WOOD DEMON You people call me a Wood Demon, but I am not the only one. You've all got a demon inside you and you are all wandering in dark woods and feeling your way. - Krushchov It is always fascinating to encounter early drafts or versions of works that move through promise to fulfilment. A perfect example of this is Chekhov's The Wood Demon. Chekhov himself initially dismissed it. Seven years later, however, he rewrote it as Uncle Vanya. We take our hat off to Mikhail Belinson for putting on this odd, uneven but brilliantly promising play. Chekhov wrote it in 1889 when he was 29. At times, the play feels more like dramatised fiction than drama. But the promise is all there in the swift characterisations, the hilariously painful and painfully hilarious situations, the nagging sense of unachieved lives. Anybody who likes Chekhov will want to see it. The theme may be familiar: the tragedy of wasted, trivial, boring lives. The approach, however, is much lighter. PLAY DATES 2007 October: 5th - 11th & 15th - 24th all nights at 19:00 TICKETS 100kr. / 70kr. / 50kr. Foreigners FREE Booking : +45 86760073 or +45 50525733 or at www.aaitc.dk PERFORMS AT AAITC Jægergårdsgade 152, 3C 8000 Århus C. CAST Morten Svartveit, Lena Sandvand, Maria Y. Mouni, Hartvig Hansen, Jarle Bertnsen, Jo A. Haavind, Sarah M. Berge, Daniel A. Fjellgaard, Morten J. B. Olaussen PRODUCTION Director : Mikhail Belinson Light design: Mikhail Belinson Set: Vladimir Korshunov Producer: Thomas Biehl THE PLAY Voynitsky, who has scrimped and saved his whole life at great personal cost to find his livelihood - and, by extension, his life - threatened at the worst possible moment. -
Round Lake Elementary Schoo
Round Lake Elementary School - 2007 Accelerated Reader List - By Title http://www.lakeline.lib.fl.us/resources/accelerated_reading_lists/html/R... Round Lake Elementary School 2007 Accelerated Reader List - By Title Book Quiz No. Title Author Points Level 48028 EN 100-Pound Problem, The Dussling, Jennifer 2.5 0.5 17351 EN 100 Unforgettable Moments in Pro Baseball Italia, Bob 5.5 1.0 17352 EN 100 Unforgettable Moments in Pro Basketball Italia, Bob 6.5 1.0 17353 EN 100 Unforgettable Moments in Pro Football Italia, Bob 6.2 1.0 17354 EN 100 Unforgettable Moments in Pro Golf Italia, Bob 5.6 1.0 17355 EN 100 Unforgettable Moments in Pro Hockey Italia, Bob 6.1 1.0 17356 EN 100 Unforgettable Moments in Pro Tennis Italia, Bob 6.4 1.0 17357 EN 100 Unforgettable Moments in Summer Olympics Italia, Bob 6.5 1.0 17358 EN 100 Unforgettable Moments in Winter Olympics Italia, Bob 6.1 1.0 18751 EN 101 Ways to Bug Your Parents Wardlaw, Lee 3.9 5.0 14796 EN 13th Floor: A Ghost Story, The Fleischman, Sid 4.4 4.0 67305 EN 17 Kings and 42 Elephants Mahy, Margaret 3.7 0.5 8251 EN 18-Wheelers Maifair, Linda Lee 5.2 1.0 661 EN 18th Emergency, The Byars, Betsy 4.7 4.0 15903 EN 19th Century Girls and Women Kalman, Bobbie 5.5 0.5 103480 2 Good 2 B True Alfonsi, Alice 4.4 2.0 EN 7351 EN 20,000 Baseball Cards under the Sea Buller, Jon 2.5 0.5 11592 EN 2095 Scieszka, Jon 3.8 1.0 6201 EN 213 Valentines Cohen, Barbara 4.0 1.0 30629 EN 26 Fairmount Avenue De Paola, Tomie 4.4 1.0 68113 EN 3, 2, 1 Go! A Transportation Countdown Schuette, Sarah L. -
The Cambridge Companion to Chekhov Edited by Vera Gottlieb and Paul Allain Index More Information
Cambridge University Press 0521581176 - The Cambridge Companion to Chekhov Edited by Vera Gottlieb and Paul Allain Index More information INDEX OF WORKS BY CHEKHOV Aga®a 4, 9 Conspirator, The 9 Anna on My Neck 149±50 Anniversary, The Esee also Jubilee) 58, 66, Daughter of Albion, The 149, ®lm, and see 166, 236 also Appendix 1 Ariadna 205, 207 Dark Eyes E®lm) 154 and see Appendix 3 At a Country House 51 Dead Body, A 9 At Dusk 10 Death of a Clerk, The /Death of a Petty August E®lm adaptation of Uncle Vanya Of®cial 8, 150 directed by Anthony Hopkins ± see also Disturbing the Balance 211 Uncle Vanya) 158±9 Don Juan Bin the Russian Manner) Esee also Platonov)48 Bear, The/The Boor 7, 10, 57±8, 59, 61, 62, Duel, The 9, 10, 206, 208, 211 63, 65, 66, 68 n.9, 100 n.3, 162, 163, 166 Dreary Story, A 7, 23, 204, 205, 206, 208, Belated Blossom/Late Blossoms/The Flowers 209 are Late 7, 112, 149 Big Volodia and Little Volodia 210 Easter Eve 9 Bishop, The 9, 13, 204 Enemies, The 9 Black Monk, The 7, 26, 208 Bride, The/The FianceÂe/The Marrigeable Girl Fat and Thin 7, 8 24, 211 Fatherlessness Esee also Platonov) 43, 47, 163 Burbot, The 208 Fireworks on the James Esee also Platonov) 48 Cases of Mania Grandioza 20 Fortune 205, 212 Chameleon/A 6, 8, 150 Fragments/Fragments of Moscow Life Children 9 BOskolki) 6, 9, 228 Cherry Orchard, The xxii Eillus.), xxx, xxxiii, 7, 13, 14, 18, 22, 24±5, 29, 30, 31, 55, 55 Gloomy People 10 n.3, 59, 60, 62, 63±4, 65, 66, 68 ns.5, 9 Grasshopper, The 153, 207 and 11, 69 n.19, 91, 93, 95, 97, 104, 108, Gusev 4, 10 109 n.6, 110