Pledging Peace in Aldous Huxley's Eyeless in Gaza
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Point Counter Point"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1940 Aldous Huxley's use of music in "Point Counter Point" Bennett Brudevold The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brudevold, Bennett, "Aldous Huxley's use of music in "Point Counter Point"" (1940). Graduate Student Theses, Dissertations, & Professional Papers. 1499. https://scholarworks.umt.edu/etd/1499 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A1D005 HUXLEY'S USE OF MUSIC IB F o m r c o i m m by Bennett BruAevold Presented in P&rtlel Fulfillment of the Requirement for the Degree of Master of Arte State University of Montana 1940 Approveds û&^'rman of Ëxaminl]^^ ttee W- Sfiairraan’ of Graduate Ccmmlttee UMI Number; EP35823 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation RMishing UMI EP35823 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. -
Brave New World: a Unit Plan
BRAVE NEW WORLD: A UNIT PLAN Second Edition Based on the book by Aldous Huxley Written by Mary B. Collins Teacher's Pet Publications, Inc. 11504 Hammock Point Berlin, Maryland 21811 Copyright Teacher's Pet Publications, Inc. 1996, 1999 This LitPlan for Aldous Huxley’s Brave New World has been brought to you by Teacher’s Pet Publications, Inc. Copyright Teacher’s Pet Publications 1999 11504 Hammock Point Berlin MD 21811 Only the student materials in this unit plan such as worksheets, study questions, assignment sheets, and tests may be reproduced multiple times for use in the purchaser’s classroom. For any additional copyright questions, contact Teacher’s Pet Publications. 410-641-3437 www.tpet.com [email protected] TABLE OF CONTENTS - Brave New World Introduction 5 Unit Objectives 8 Reading Assignment Sheet 9 Unit Outline 10 Study Questions (Short Answer) 12 Quiz/Study Questions (Multiple Choice) 18 Pre-reading Vocabulary Worksheets 31 Lesson One (Introductory Lesson) 45 Nonfiction Assignment Sheet 49 Oral Reading Evaluation Form 48 Writing Assignment 1 58 Writing Assignment 2 64 Writing Assignment 3 67 Writing Evaluation Form 68 Vocabulary Review Activities 59 Extra Writing Assignments/Discussion ?s 61 Unit Review Activities 70 Unit Tests 72 Unit Resource Materials 100 Vocabulary Resource Materials 111 3 A FEW NOTES ABOUT THE AUTHOR Aldous Huxley HUXLEY, ALDOUS (1894-1963) Aldous Huxley was born on July 26, 1894 in Godalming, England to a well-educated, prominent family. He went to a preparatory school for his basic education, and then later earned his degree from Balliol College in Oxford. At a young age he contracted an eye disease which left his vision severely impaired. -
Progress, Elitism and Ideology in Point Counter Point As a Novel of Ideas
Progress, Elitism and Ideology in Point Counter Point as a Novel of Ideas Peter Grosvenor Throughout Huxley’s forty-year career as a novelist there was always an identifiable connection between the ideas he wanted to convey and the literary medium and technique through which he sought to convey them. As his ideas metamorphosed so did his approach to writing. As a result, Huxley is a moving target for those who would categorize his work, either in intellectual or stylistic terms. The challenge confronting students of Huxley is to place any given Huxley work in the context of the author’s evolving worldview at the time. After Brave New World (1932), Point Counter Point (1928) is undoubtedly Huxley’s most widely read and most controversial novel. There is no consensus among critics concerning what the novel tells us about the nature of Huxley’s thoughts as the first decade of the interwar period drew to a close. Neither is there a consensus about its literary merit. The work nonetheless provides an important freeze-frame of a pivotal moment in Huxley’s development as a social and political thinker, and as an experimenter in literary form. The purpose of this essay, therefore, is to examine the ideas contained in Point Counter Point, their mode of expression, and their place in the context of Huxley’s earlier and later work. Ultimately, what kind of novel one judges Point Counter Point to be depends very much upon whom one takes to be its central character. If it is Philip Quarles, the novelist within the novel, the work becomes the reductio ad absurdum of the novel of ideas, in 2 which the central preoccupation is the genre itself—a disengaged, even solipsistic, exercise, and an essentially derivative one at that—having been preempted by André Gide in Les Faux Monnayeurs in 1925. -
Cambridge Books Online
Cambridge Books Online http://universitypublishingonline.org/ The Cambridge History of the English Novel Edited by Robert L. Caserio, Clement Hawes Book DOI: http://dx.doi.org/10.1017/CHOL9780521194952 Online ISBN: 9781139013796 Hardback ISBN: 9780521194952 Chapter 38 - Wells, Forster, Firbank, Lewis, Huxley, Compton-Burnett, Green: t he modernist novel's experiments with narrative (II) pp. 612-628 Chapter DOI: http://dx.doi.org/10.1017/CHOL9780521194952.040 Cambridge University Press 38 Wells, Forster, Firbank, Lewis, Huxley, Compton-Burnett, Green: the modernist novel’s experiments with narrative (ii) jonathan greenberg 1 “So much life with (so to speak) so little living” – thus Henry James disparages the fiction of H. G. Wells during a debate about the nature of the novel that helps to establish the canon of modern fiction. Whereas the canonical modernists – Conrad, Ford, Joyce, Woolf, Lawrence – follow James in devel- oping narrative and linguistic innovations to accommodate a newly scrupu- lous attention to epistemology and psychology, the seven writers surveyed here generally spurn stream of consciousness, often appear indifferent to the exploration of the psyche, and sometimes follow Wells in renouncing Jamesian formal unity. Thus E. M. Forster breaks with modernist practice in relying on a prominent, moralizing narrator, Wyndham Lewis attacks his contemporaries’ obsession with interiority, and Wells and Aldous Huxley embrace a didacticism at odds with reigning protocols. Ronald Firbank, Ivy Compton-Burnett, and Henry Green follow James in their attention to style, but they depart from modernist orthodoxy in representing surfaces rather than depths. In voice, structure, style, and characterization, however, a rebellious spirit in all these novelists challenges both inherited and emergent ideas of what a novel is and how a novel’s prose can read. -
Pledging Peace in Aldous Huxley's Eyeless in Gaza
109 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University Nineteen thirty-six was a pivotal year for Aldous Huxley. Much of his en- ergy prior to this year was spent writing the satirical novels upon which his reputation still rests, including Crome Yellow (1921), Point Counter Point (1928), and Brave New World (1932). Huxley produced many of his nearly fifty books under contractual obligations to write two or even three books per year, a pace that seemed to cause him little concern. Yet Eyeless in Gaza, his under-read masterpiece, took four years to complete. Begun in 1932, published in 1936, Eyeless is in most ways typical of Huxley’s fiction—eru- dite, philosophical, and semi-autobiographical. His title alludes to Milton’s Samson Agonistes, and his characters each take competing positions on the issues most important to Huxley and his cohort of artists and intellectuals: human relations, mystical spirituality, and radical politics. Eyeless in Gaza also shows off some of Huxley’s most formally adventurous writing, par- ticularly with regard to narrative chronology. Each of the novel’s fifty-four chapters is set on a specific day between November 6, 1902 and February 23, 1935. Lacking any readily discernible regular pattern, the chapters jump back and forth within this thirty-three year range. The earliest dates show our main character Anthony Beavis as a young boy at his mother’s funeral, by the 1910s we see him at Oxford, by the 1920s Anthony is a struggling writer, and by the 1930s he is in a love affair with Helen, is briefly involved in a Mexican revolution, and ultimately converts to pacifism. -
Orienting Huxley: on B. L. Chakoo's Aldous Huxley and Eastern Wisdom
novelist also wants to suggest the hero's final vision of the cosmogonie cycle and so he starts and concludes his first book in a symbolic way. He begins with "The primroses were over" and he finishes by closing the circle—the cycle: "and together [Hazel and El-ahrairah] slipped away, running easily down through the wood, where the first primroses were beginning to bloom" (emphasis added). Defamiliarization was made possible, therefore, by a number of closely inter related factors. Watership Down's characters are a group of twentieth-century English rabbits who physically behave almost as real rabbits do. The narrator brings us closer to them by very often focusing the story from these small animals' viewpoint. Finally, the story itself proves to be an adaptation of the monomyth; the rabbits walk along the same path which many a great human hero—real or fictitious—has followed from the beginning of time. Furthermore, this path has been understood by many—Adams among them—as the external expression of man's inner struggle to search for the meaning of life; therefore, we can also speak of a conscious psychological appeal on the part of the author. But, after all, the truth which remains is that the mythical hero who fights almost to the death to fulfill his quest is a simple small rabbit—or, to be more precise, a group of rabbits. Defamiliarization arose because the storyteller, coming again from the past, has chosen to tell us the old adventure of a new mythical rabbit-hero. Orienting Huxley: On B. -
'Pleasure Too Often Repeated': Aldous Huxley's Modernity SHIACH, ME
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online 'Pleasure too often Repeated': Aldous Huxley's Modernity SHIACH, ME For additional information about this publication click this link. http://qmro.qmul.ac.uk/jspui/handle/123456789/3088 Information about this research object was correct at the time of download; we occasionally make corrections to records, please therefore check the published record when citing. For more information contact [email protected] ‘Pleasure too often repeated’1: Aldous Huxley’s Modernity Morag Shiach In an essay published in 1923, Aldous Huxley suggested that ‘of all the various poisons which modern civilization, by a process of auto-intoxication, brews quietly up within its own bowels, few are more deadly … than that curious and appalling thing that is technically known as “pleasure”.’2 By ‘pleasure’ Huxley here clearly meant something other than simple enjoyment. His use of inverted commas around ‘pleasure’ and his description of pleasure as ‘curious and appalling’ signal a profound and significant unease, which I will argue below can only be fully understood when considered in relation to Huxley’s sense of the corruption of ‘pleasure’ by the forces of modernity as he perceived them in the early twenties. Huxley goes on to argue in this same essay that pleasure has become something other than the ‘real thing’, has become ‘organized distraction’ (‘Pleasures’, p. 355), and to bemoan the emergence of ‘vast organizations that provide us with ready-made distractions’ (‘Pleasures’, p. 356). Pleasure thus appears to have become for Huxley not simply negative, but something other than itself (not real), and an experience that is both inauthentic and slightly sinister (‘organized’ and ‘ready-made’). -
Enslavement and Freedom in Aldous Huxley's Brave New World
Vol.7(4), pp. 57-61, April 2016 DOI: 10.5897/IJEL2015.0779 Article Number: F4D8E6B57947 ISSN 2141-2626 International Journal of English and Literature Copyright © 2016 Author(s) retain the copyright of this article http://www.academicjournals.org/IJEL Full Length Research Paper Enslavement and freedom in Aldous Huxley’s Brave New World Ahmed Ahmed Abdelaziz Farag Department of Languages and Translation, Umluj University College, Tabuk University, Saudi Arabia. Received 03 April, 2015; Accepted 11 March 2016 This research paper focuses on the subject of enslavement and freedom in Aldous Huxley’s Brave New World. It compares between two contrasting worlds: the primitive world, where John the Savage lives and the utopian world, where Bernard Marx, Helmholtz Watson, and their fellow-citizens inhabit. The primitive world, in this connection, symbolizes freedom, whereas the utopian world represents enslavement. The story of the novel, Brave New World revolves round these three central figures: John the Savage, Bernard Marx and Helmholtz Watson. The novel examines how the characters of the World State are enslaved and very few of them attempt to rebel against the principles of the World State. Key words: Enslavement, freedom, primitive world, the savage. INTRODUCTION The aim of this research paper is to investigate affected his life as a writer, most of his writings deal with enslavement and freedom in Aldous Huxley‟s Brave New scientific issues. World. Although Huxley is a famous writer in the Western Huxley‟s writings fall into three periods: Period one World, his works are sadly neglected in Egypt (the includes Crome Yellow, Antic Hay and Those Barren author‟s country) in particular and in the Arab World in Leaves; the second consists of Point Counter Point and general. -
Madness, Badness, Sadness: Aldous Huxley and the Shifting Shadow of Psychoanalysis
MADNESS, BADNESS, SADNESS: ALDOUS HUXLEY AND THE SHIFTING SHADOW OF PSYCHOANALYSIS by ADAM JAMES SIDAWAY A thesis submitted to The University of Birmingham towards the degree of MASTER OF PHILOSOPHY Department of English College of Arts and Law The University of Birmingham January 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. INFORMATION FOR ABSTRACTING AND INDEXING SERVICES The information on this form will be published. To minimize any risk of inaccuracy, please type your text. Please supply two copies of this abstract page. Full name (surname first): Sidaway, Adam James School/Department: English Full title of thesis/dissertation: Madness, Badness, Sadness: Aldous Huxley and the Shifting Shadow of Psychoanalysis Degree: MPhil (B) Literature and Modernity Date of submission: 31/01/11 Date of award of degree (leave blank): Abstract (not to exceed 200 words - any continuation sheets must contain the author's full name and full title of the thesis/dissertation): The influence of Freud on Huxley’s fiction has been frequently understated in criticism. Examining key periods both in history and in Huxley’s life, this thesis reassesses the long-held critical belief that Freud was frequently dismissed by Huxley as ‘bunk’, instead proposing that psychoanalysis was in fact one of Huxley’s major and most enduring intellectual obsessions. -
1 “I Refuse to Be Rampioned”: Huxley, D. H. Lawrence, and Point Counter
“I refuse to be Rampioned”: Huxley, D. H. Lawrence, and Point Counter Point Keith Cushman Point Counter Point, published in 1928, is the longest and most ambitious of the four social satires Aldous Huxley published in the 1920’s. The novelist L. P. Hartley wrote in his review of the book that Point Counter Point “contains all the ingredients of [Huxley’s] former books, but hotter and stronger and in greater abundance. It is an imposing and a dangerous dish, not meant for queasy stomachs” (Hartley 149). Huxley provides a comprehensive diagnosis of the sickness and aimlessness of modern English society a decade after the end of World War I. When it was first published, this irreverent chronicle of disillusionment, both despairing and humorous—and with a good deal of emphasis on lust—was genuinely shocking. Point Counter Point features an unusually large number of characters, almost all of whom are unhappy. Huxley organizes his novel around numerous parallel plots. The writer Philip Quarles—Huxley’s alter ego in the novel—explains Huxley’s idea of fictional counterpoint in his notebook: A novelist modulates by reduplicating situations and characters. He shows several people falling in love, or dying, or praying in different ways—dissimilars solving the same problem. Or, vice versa, similar people confronted with dissimilar problems. In this way you can modulate through all the aspects of your theme, you can write variations in any number of different moods. (PCP 301) 1 The parallels in Point Counter Point most often involve the split between emotion and intellect, body and spirit, instinct and social convention. -
A Comparative Study of Discontent with Modernity and Modernization in the Novels of A
A COMPARATIVE STUDY OF DISCONTENT WITH MODERNITY AND MODERNIZATION IN THE NOVELS OF A. L. HUXLEY AND A. H. TANPINAR A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY HİLAL KAYA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH LITERATURE DECEMBER 2014 Approval of the Graduate School of Social Sciences Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Assoc. Prof. Dr. Nurten Birlik Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Asst. Prof. Dr. Elif Öztabak-Avcı Supervisor Examining Committee Members Prof. Dr. Nursel İçöz (METU, FLE) Asst. Prof. Dr. Elif Öztabak-Avcı (METU, FLE) Assoc. Prof. Dr. Mine Özyurt Kılıç (DOGUŞ U, FEF) Assoc. Prof. Dr. Nazan Tutaş (ANKARA U, DTCF) Asst. Prof. Dr. Margaret Sönmez (METU, FLE) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Hilal Kaya Signature : iii ABSTRACT A COMPARATIVE STUDY OF DISCONTENT WITH MODERNITY AND MODERNIZATION IN THE NOVELS OF A. L. HUXLEY AND A. H. TANPINAR KAYA, Hilal Ph.D., English Literature Supervisor: Assist. -
Finding Aid to the Aldous Huxley Papers, 1961
FINDING AID TO THE ALDOUS HUXLEY PAPERS, 1961 Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, April 3, 2013 Descriptive Summary Creator Information Huxley, Aldous, 1894-1963 Title Aldous Huxley papers Collection Identifier MSP 83 Date Span 1961-1961 Abstract This collection contains three letters. Two letters concern Huxley’s novel Island, and are addressed to L. Rust Hills, who was the fiction editor at Esquire magazine from 1956 until 1963. One letter concerns the clinical availability of LSD and references the pharmaceutical companies that were manufacturing LSD, mescaline, and psilocybin in 1961. Extent 0.25 cubic feet (1ms box) Finding Aid Author Kristin Leaman, 2013 Languages English Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition Purchase, Bromer Booksellers, April 6, 2010 and Information: December 15, 2011 Accession Number: 20100416 20111215 Preferred Citation: MSP 83, Aldous Huxley papers, Karnes Archives and Special Collections, Purdue University Libraries Copyright Notice: Copyright restrictions may apply. Consult an archivist 4/4/2013 2 for details. Subjects and Genres Persons Huxely, Aldous, 1894-1963 Hills, L. Rust Topics LSD Mescaline Psilocybin Psychedelic drugs Form and Genre Types Correspondence 4/4/2013 3 Biography of Aldous Huxley Aldous Leonard Huxley was born on July 26,1894 in Godalming, England to T. H. Huxley and Julia Arnold Huxley.