DOCSLIB.ORG

Her Impact on Virginia Woolf, Dh Lawrence, and Aldous Huxley

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Her Impact on Virginia Woolf, Dh Lawrence, and Aldous Huxley University of Kentucky UKnowledge Theses and Dissertations--English English 2014 KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D. H. LAWRENCE, AND ALDOUS HUXLEY Nicola Anne Tarrant-Hoskins University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Tarrant-Hoskins, Nicola Anne, "KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D. H. LAWRENCE, AND ALDOUS HUXLEY" (2014). Theses and Dissertations--English. 17. https://uknowledge.uky.edu/english_etds/17 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. I retain all other ownership rights to the copyright of my work. I also retain the right to use in future works (such as articles or books) all or part of my work. I understand that I am free to register the copyright to my work. REVIEW, APPROVAL AND ACCEPTANCE The document mentioned above has been reviewed and accepted by the student’s advisor, on behalf of the advisory committee, and by the Director of Graduate Studies (DGS), on behalf of the program; we verify that this is the final, approved version of the student’s thesis including all changes required by the advisory committee. The undersigned agree to abide by the statements above. Nicola Anne Tarrant-Hoskins, Student Dr. Jerome Meckier, Major Professor Dr. Andy Doolen, Director of Graduate Studies KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D. H. LAWRENCE, AND ALDOUS HUXLEY ____________________________________________ DISSERTATION ____________________________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences At the University of Kentucky By Nicola Tarrant-Hoskins Lexington, Kentucky Director: Dr. Jerome Meckier, Professor of English Lexington, Kentucky 2014 Copyright © Nicola Tarrant-Hoskins 2014 ABSTRACT OF DISSERTATION KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D.H. LAWRENCE AND ALDOUS HUXLEY Katherine Mansfield among the Moderns examines Katherine Mansfield’s relationship with three fellow writers: Virginia Woolf, D. H. Lawrence, and Aldous Huxley, and appraises her impact on their writing. Drawing on the literary and the personal relationships between the aforementioned, and on letters, diaries, and journals, this project traces Mansfield’s interactions with her contemporaries, providing a richer and more dynamic portrait of Mansfield’s place within modernism than usually recognized. Hitherto, critical work has not scrutinized Mansfield in the manner I suggest: attending to representations of her as a character in other’s work, while analyzing the degree to which her influence on the aforementioned authors affected their writing and success. Albeit, her influence extends in vastly different ways, and is affected by gender and nationality. While Woolf’s early foray into Modernism is accelerated by Mansfield’s criticism of her work, several of Woolf’s texts – “Kew Gardens,” Jacob’s Room, and Mrs. Dalloway – are similar in certain respects to Mansfield’s work – “Bliss” and “The Garden Party.” A repudiation of Mansfield, personally, and a retelling of her work are seen in Lawrence’s The Lost Girl and Women in Love. Huxley’s Those Barren Leaves and Point Counter Point, contain characterizations of Mansfield that undermine her writing, and her person: both are affected by the mythical misrepresentation of Mansfield, created by Murry after her death, known as the “Cult of Mansfield.” Using Life Writing, this study asserts that Mansfield had impact on the writing of Woolf, Lawrence, and Huxley. Taking into account the many issues that surround the recognition of this, among them: gender politics, colonialism, marginality by genre, and personal relations – these all, to varying degrees, prevented critics from acknowledging that a minor modernist author played a role in the undisputed success of three major authors of the twentieth century. KEYWORDS: British Modernism, Katherine Mansfield and Virginia Woolf, Katherine Mansfield and D.H. Lawrence, Katherine Mansfield and Aldous Huxley. Nicola Tarrant-Hoskins _________________________________ Student’s Signature 12/12/2014 _________________________________ Date KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D. H. LAWRENCE, AND ALDOUS HUXLEY By Nicola Tarrant-Hoskins Dr. Jerome Meckier _________________________________ Director of Dissertation Dr. Andy Doolen __________________________________ Director of Graduate Studies 12/12/2014 __________________________________ For Roger Because I promised ACKNOWLEDGMENTS Most assuredly without the guidance and support of so many fine mentors and friends at the University of Kentucky this project could not have been completed. I am thankful to Dr. Janet Eldred, Dr. John Cawelti, Dr. Walt Foreman, Dr. Armando Prats, Dr. John Greenway, Deborah Kirkman, Andy Johnson, and Jennifer Walton who have shown immense kindness to me during my years at UK. I am grateful to my committee members – Dr. Ellen Rosenman, Dr. Jonathan Allison, and Dr. Karen Tice, for their enthusiasm for my project, and for remaining on board even when personal crises have meant that this dissertation has taken longer than most. Not only have they been exemplary mentors, but their friendship has been most appreciated. A special thanks goes to Dr. Phil Harling, my outside committee member, who has so generously given his time. I am overwhelmingly grateful and honored for the generosity of my director, Dr. Jerome Meckier, who provided me with years of mentoring and support. He has gone above and beyond all that is required of a director, and I believe this means he may now officially retire. Special thanks goes to my friend, Dr. Rebecca Huffman, for her support and gentle nudging over the years. Without her constant mantra – “you can do this” – I might not have done it. I am also grateful for my friends who have shown such love during the years in which my dissertation, by necessity, took a backseat to my family’s needs: Emily Dotson, Mark Woods, Cassie Fetters, Judi Prats, Diane and Bill Campbell, Katherine iii Rogers-Carpenter, Lisa Schroot, and George Phillips –whether it was a cooked meal, a card, or a bottle of wine, you’ve all seen me through. There aren’t words enough for my adopted family – Richard Greissman and Randolph Hollingsworth—you’ve made my second home, Kentucky, just that – home. I am forever indebted to Gary – my “behind-the-scenes” – cook, cleaner, moral support, even research assistant, above all, the person who always has my back. I’m thankful for his optimism and encouragement which pushed me to the end, and for sharing the journey – the moments of success and discovery, as well as those of doubt and failure. In this final phase, I’ve tested his love. As for my birth family… My father instilled in me a love of learning; my mother taught me endurance, and my sister, Kristi, taught me what courage looks like: these qualities have seen me through this project. I wish they were here to share this moment with me. The last promise I made to my husband was to finish my dissertation. I’ve often wished he had asked me to take a cruise, or travel the world. But he didn’t. So here I am – finally finished. And while I completed this project for Roger, I started it for my daughter, Frith, my heart. More than anything I wish to make her proud. iv TABLE OF CONTENTS Acknowledgments…………………………………………………………………… iii List of Abbreviations………………………………………………………………… vi Chapter One: Introduction: New Zealand Context – Woman Alone ………………....1 Mansfield in Her Place………………………………………………………...8 Current Mansfield Studies…..………………………………………………..13 Chapters………………………………………………………………………15 Chapter Two: Katherine Mansfield and Virginia Woolf: Unattempted……………...19 The Civet Cat –Petty & Personal Criticism…………………………………..25 The Public of Two: Spectators, one of the other……………………………..31 Influences: Conversation Set to Flowers……………………………………...35 The Genesis for “Kew Gardens” …………………………………………….40 “The Wind Blows,” and Jacob’s Room ……………………………………...42 “Bliss,” and Mrs. Dalloway…………………………………………………..45 Death Comes to the Party: “The Garden Party,” and Mrs. Dalloway………..50 Rivalry, Remorse, and Recognition…………………………………………..60 Chapter Three: Katherine Mansfield and D.H. Lawrence: Old Moorings…………...65 Literary Confrontation: Rejection, Repudiation
Load more

Recommended publications
  • Kimber20168934.Pdf
    This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Article Title: Katherine Mansfield’s modernist short stories Creator: Kimber, G. Example citation: Kimber, G. (2016) Katherine Mansfield’s modernist short stories. Gale Researcher. It is advisable to refer to the publisher's version if you intend to cite from this work. Version: Accepted version Official URL: http://learn.cengage.com/GaleResearcher NECTARhttp://nectar.northampton.ac.uk/8934/ Katherine Mansfield’s Modernist Short Stories Gerri Kimber University of Northampton Department of English and Creative Writing Gerri Kimber is coeditor of the annual yearbook Katherine Mansfield Studies and chair of the Katherine Mansfield Society. She is the series editor of the four-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2012–2016). Kimber is author of Katherine Mansfield: The Early Years (2016), Katherine Mansfield and the Art of the Short Story (2015), and Katherine Mansfield: The View from France (2008). Katherine Mansfield employed free indirect discourse, literary impressionism, and the innovative use of time and symbolism, culminating in her position as one of the most important early exponents of the modernist short story. Mansfield’s fiction—and literary modernism as a whole—is associated with a rejection of conventional plot structure and dramatic action in favor of the presentation of character through narrative voice. Many different influences converged to create Mansfield’s own personal aesthetic philosophy, which continually evolved and developed throughout her short lifetime. She presents a down- to-earth kind of “truth,” with its foundations in her observations of the everyday world.
    [Show full text]
  • AWAR of INDIVIDUALS: Bloomsbury Attitudes to the Great
    2 Bloomsbury What were the anti-war feelings chiefly expressed outside ‘organised’ protest and not under political or religious banners – those attitudes which form the raison d’être for this study? As the Great War becomes more distant in time, certain actions and individuals become greyer and more obscure whilst others seem to become clearer and imbued with a dash of colour amid the sepia. One thinks particularly of the so-called Bloomsbury Group.1 Any overview of ‘alter- native’ attitudes to the war must consider the responses of Bloomsbury to the shadows of doubt and uncertainty thrown across page and canvas by the con- flict. Despite their notoriety, the reactions of the Bloomsbury individuals are important both in their own right and as a mirror to the similar reactions of obscurer individuals from differing circumstances and backgrounds. In the origins of Bloomsbury – well known as one of the foremost cultural groups of the late Victorian and Edwardian periods – is to be found the moral and aesthetic core for some of the most significant humanistic reactions to the war. The small circle of Cambridge undergraduates whose mutual appreciation of the thoughts and teachings of the academic and philosopher G.E. Moore led them to form lasting friendships, became the kernel of what would become labelled ‘the Bloomsbury Group’. It was, as one academic described, ‘a nucleus from which civilisation has spread outwards’.2 This rippling effect, though tem- porarily dammed by the keenly-felt constrictions of the war, would continue to flow outwards through the twentieth century, inspiring, as is well known, much analysis and interpretation along the way.
    [Show full text]
  • The Blue Review Literature Drama Art Music
    Volume I Number III JULY 1913 One Shilling Net THE BLUE REVIEW LITERATURE DRAMA ART MUSIC CONTENTS Poetry Rupert Brooke, W.H.Davies, Iolo Aneurin Williams Sister Barbara Gilbert Cannan Daibutsu Yone Noguchi Mr. Bennett, Stendhal and the ModeRN Novel John Middleton Murry Ariadne in Naxos Edward J. Dent Epilogue III : Bains Turcs Katherine Mansfield CHRONICLES OF THE MONTH The Theatre (Masefield and Marie Lloyd), Gilbert Cannan ; The Novels (Security and Adventure), Hugh Walpole : General Literature (Irish Plays and Playwrights), Frank Swinnerton; German Books (Thomas Mann), D. H. Lawrence; Italian Books, Sydney Waterlow; Music (Elgar, Beethoven, Debussy), W, Denis Browne; The Galleries (Gino Severini), O. Raymond Drey. MARTIN SECKER PUBLISHER NUMBER FIVE JOHN STREET ADELPHI The Imprint June 17th, 1913 REPRODUCTIONS IN PHOTOGRAVURE PIONEERS OF PHOTOGRAVURE : By DONALD CAMERON-SWAN, F.R.P.S. PLEA FOR REFORM OF PRINTING: By TYPOCLASTES OLD BOOKS & THEIR PRINTERS: By I. ARTHUR HILL EDWARD ARBER, F.S.A. : By T. EDWARDS JONES THE PLAIN DEALER: VI. By EVERARD MEYNELL DECORATION & ITS USES: VI. By EDWARD JOHNSTON THE BOOK PRETENTIOUS AND OTHER REVIEWS: By J. H. MASON THE HODGMAN PRESS: By DANIEL T. POWELL PRINTING & PATENTS : By GEO. H. RAYNER, R.P.A. PRINTERS' DEVICES: By the Rev.T. F. DIBDIN. PART VI. REVIEWS, NOTES AND CORRESPONDENCE. Price One Shilling net Offices: 11 Henrietta Street, Covent Garden, W.G. JULY CONTENTS Page Post Georgian By X. Marcel Boulestin Frontispiece Love By Rupert Brooke 149 The Busy Heart By Rupert Brooke 150 Love's Youth By W. H. Davies 151 When We are Old, are Old By Iolo Aneurin Williams 152 Sister Barbara By Gilbert Cannan 153 Daibutsu By Yone Noguchi 160 Mr.
    [Show full text]
  • Angels and Daemons Aspects of the Mans Point Counter Point
    Eger Journal of English Studies XII (2012) 21 29 Angels and Daemons Aspects of the Mans Point Counter Point Angelika Reichmann Among the continental writers who had a profound impact on major figures of English Modernism, the Russian classic F. M. Dostoevsky ranks highly. As - starting in 1912 (cf. Kaye 1 7). He was a presence few writers of the time could escape Katherine Mansfield and John Middleton Murry were no exception. The latter published his monograph entitled Fyodor Dostoevsky: A Critical Study in 1916, and, parallel with that major novels (Mansfield 63 5) an experience that would stay with her until the 1919 article of the Athenaeum she compares the London literary scene to the -writers declaring Kaye 19). Indeed, as a fascinating episode of those times illustrates, Russianness or Dos Boxing Day, 1916, saw the acting out of a half- - Mansfield and her husband featured (Alpers 227). It is in this context that I would like to discuss a most curious phenomenon: Aldous Huxley, in 1916 an ardent participant not only in this Dostoevskian play -like admiration associated with Murry, launched, in his 1928 Point Counter Point, a harsh attack against his fellow writer -turning exploitation of his de idolisation of his dead wife. In my analysis I will argue that this specific feature aesthetics, but it gains such prominence because Murry/Burlap is an Point Counter Point. It is 22 Angelika Reichmann i.e. spiritual quest as a solution for the dilemmas of modern consciousness summed up for Huxley at the time in 1920s and his representation as a Dostoevskian figure.
    [Show full text]
  • KMS Newsletter Issue
    12 ISSN 2040-2597 (Online) NEWSLETTER Issue 20 April 2015 Published by the Katherine Mansfield Society, Bath, England Illustrated Postcard c. 1915/16 Alexander Turnbull Library ref. MS-Papers-11326-016 Inside: De petits itinéraires littéraires autour de Katherine Mansfield by Bernard Bosque, KMS News and competition results, page 2 page 14 Katherine Mansfield and Antipodean Modernism Margaret Scott Obituary (continued) by C. by Helen Rydstrand, page 3 K. Stead, page 15 An Indiscreet Journey : KM and Francis Carco Announcement : KM Essay Prize, page 16 in Gray by Gerri Kimber, page 7 The Mansfield Garden Party by Martin Announcement : Katherine Mansfield, Leslie Griffiths, page 17 Beauchamp & World War One, Belgium, September, page 11 Announcement : Katherine Mansfield and the ‘Bloom Berries’ in May, page 21 2 Issue 20 April 2015 It has been a great pleasure editing the KMS newsletter for the first time. To take over from Jenny McDonnell was daunting: Jenny has been a fabulous editor and is a hard act to follow. However, I think we have an exciting April edition for you and to keep us up to date with international events we begin with Helen Rydstrand’s report on the conference Katherine Mansfield and Antipodean Modernism, held in Sydney in January 2015. Helen is currently completing her doctoral thesis at UNSW and presented Modernist aesthetics and antipodean nostalgia: Mansfield’s rhythm in theory and practice at the Sydney conference. Also, Dr Gerri Kimber gives us ‘An Indiscreet Journey’: Katherine Mansfield and Francis Carco in Gray, a report on the conference that took place in February near Dijon in France.
    [Show full text]
  • Fictional Versions of the Myth of Jesus
    FICTIONAL VERSIONS OF THE MYTH OF JESUS IN THE MODERN PERIOD by SYLVIA PERRY B.A. (Hons. English), University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1974 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver V6T1W5, Canada Date ii ABSTRACT For a brief period in the history of Western literature, liberated, yet disturbed, by the decline in faith, some important writers sought to "improve" upon the myth of Jesus by re-constructing his historical life in imaginative presentations of various types. This paper is concerned with such works of fiction and prose drama, not poetry, poetic drama, or conventional biography. Ernest Renan's Life of Jesus, published in 1863, provided the impetus for fictional versions of the life by such writers of the early modern period as George Moore and Bernard Shaw; Moore's The Brook Kerith was a major influence on the writers of the next generation, including D.H.
    [Show full text]
  • Lady Ottoline Morrell Papers (1896-1938) (Add MS 88886) Table of Contents
    British Library: Western Manuscripts Lady Ottoline Morrell Papers (1896-1938) (Add MS 88886) Table of Contents Lady Ottoline Morrell Papers (1896–1938) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 1 Add MS 88886/1/1–3 Add MS 88886/1 Letters.Add MS 88886/1/1–3. Lady Ottoline Morrell Papers. Vols. i–iii. Letters of Lady....................................................................................................... 2 Add MS 88886/2/1–32 Add MS 88886/2 Diaries. (1905–1938)............................................................ 4 Add MS 88886/3/1–15 Add MS 88886/3 Notebooks. (1896–1937)...................................................... 20 Add MS 88886/4/1–41 Add MS 88886/4. Journals. (1901–1937)......................................................... 29 Add MS 88886/5/1–3 Add MS 88886/5 Visitors' Books. Add MS 88886/5/1–3. Lady Ottoline Morrell Papers. Vols. xcii–xciv. .......................................................................................................... 50 Add MS 88886/6/1–20 Add MS 88886/6 Transcriptions. (1907–1997)................................................. 52 Key Details Collection Area British Library:
    [Show full text]
  • Point Counter Point"
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1940 Aldous Huxley's use of music in "Point Counter Point" Bennett Brudevold The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brudevold, Bennett, "Aldous Huxley's use of music in "Point Counter Point"" (1940). Graduate Student Theses, Dissertations, & Professional Papers. 1499. https://scholarworks.umt.edu/etd/1499 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A1D005 HUXLEY'S USE OF MUSIC IB F o m r c o i m m by Bennett BruAevold Presented in P&rtlel Fulfillment of the Requirement for the Degree of Master of Arte State University of Montana 1940 Approveds û&^'rman of Ëxaminl]^^ ttee W- Sfiairraan’ of Graduate Ccmmlttee UMI Number; EP35823 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation RMishing UMI EP35823 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author.
    [Show full text]
  • Downloaded from Manchesterhive.Com at 09/25/2021 02:53:58AM Via Free Access
    9 Public commentary on familiar themes The ‘herd instinct’ versus the individual Throughout this book, contemporary evidence has been the key to unlocking the emotions of the past – both private and public. Although some excerpts have appeared from the numerous books and memoirs generated by the war (and largely written after the event), comparatively little evidence has been cited from the wider contemporary sphere, the exception being the case of the Cambridge Magazine’s vocal support of Bertrand Russell as part of its balanced and humane view of the wider conflict. Now it is perhaps appropriate that some attention is drawn to contemporary newspapers and periodicals – jour- nalistic reactions fully exposed to public scrutiny and in contrast to the en- closed world of intimate diaries and letters. In summing up one of the main themes of humanistic and aesthetic opposi- tion to the Great War – the friction that existed between the structure of the war-state with its resultant ‘herd instinct’ and notions of the sacredness of the individual – there is perhaps no more apposite personal example than that of Gilbert Cannan, an individual who, like Bertrand Russell, specifically projected his concerns into the public sphere. Cannan was a friend of D.H. Lawrence (who, together with his wife, had moved to Buckinghamshire in August 1914 to be near Cannan and his wife Mary), and he saw himself as a defender of that which he described as ‘a man’s most precious possession’ – human dignity. He had first expounded on this theme in an article for the
    [Show full text]
  • D. H. Lawrence and the Idea of the Novel D
    D. H. LAWRENCE AND THE IDEA OF THE NOVEL D. H. LAWRENCE AND THE IDEA OF THE NOVEL John Worthen M MACMILLAN ~) John Worthen 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-21706-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended). Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1979 Reprinted 1985 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke. Hampshir!' RG21 2XS and London Companies and representativ!'s throughout the world British Library Cataloguing in Publication Data Worthl'n, John D. H. Lawrence and the Idea of the Novel I. Lawrence. David Herbert Criticism and interpretation I. Title 823' .9'I2 PR6023.A93Z/ ISBN 978-1-349-03324-9 ISBN 978-1-349-03322-5 (eBook) DOI 10.1007/978-1-349-03322-5 Contents Preface Vll Acknowledgements IX Abbreviations XI Note on the Text Xlll I The White Peacock I 2 The Trespasser 15 3 Sons and Lovers 26 4 The Rainbow 45 5 Women in Love 83 6 The Lost Girl 105 7 Aaron's Rod 118 8 Kangaroo 136 9 The Plumed Serpent 152 10 Lady Chatterley's Lover 168 II Lawrence, England and the Novel 183 Notes 185 Index 193 Preface This is not a book of novel theory.
    [Show full text]
  • Biographical Sketches of Key Pupils
    Appendix E Biographical Sketches of Key Pupils John Godolphin Bennett (1897–1974) was a scientist and philosopher who first met Gurdjieff in Istanbul in 1921 when he was working as an interpreter and personal intel- ligence officer in the British Army. In London that year Bennett began attending meet- ings held by Ouspensky on Gurdjieff’s teaching, and in 1922 he met Gurdjieff again. Bennett made brief visits to Gurdjieff’s Institute at Fontainebleau in February and August of 1923. In the 1930s Bennett formed his own group of followers, and rejoined Ouspensky’s group. In 1946 Bennett established an Institute at Coombe Springs, Kingston-on-Thames in Surrey. After a twenty-five year break Bennett renewed his ties with Gurdjieff in Paris in 1948 and 1949, at which time Gurdjieff taught him his new Movements. In 1949 Gurdjieff named Bennett his ‘official representative’ in England, with reference to the publication of Tales. After Gurdjieff’s death Bennett became an independent teacher, drawing from Sufi, Indian, Turkish, and Subud traditions. In 1953 he travelled through the Middle East hoping to locate the sources of Gurdjieff’s teach- ing among Sufi masters. By the end of his life he had written around thirty-five books related to Gurdjieff’s teaching.1 Maurice Nicoll (1884–1953) studied science at the University of Cambridge before travelling through Vienna, Berlin, and Zurich, eventually to become an eminent psy- chiatrist and colleague of Carl Gustav Jung. Nicoll was a member of the Psychosynthesis group, which met regularly under A.R. Orage, and this connection led Nicoll to Ouspensky in London in 1921.
    [Show full text]
  • Pledging Peace in Aldous Huxley's Eyeless in Gaza
    Whitworth Digital Commons Whitworth University English Faculty Scholarship English 2012 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University, [email protected] Follow this and additional works at: http://digitalcommons.whitworth.edu/englishfaculty Part of the English Language and Literature Commons Recommended Citation Andrews, Charles. "Pledging Peace in Aldous Huxley’s Eyeless in Gaza." The Space Between: Literature and Culture, 1914-1945 8.1 (2012): 104-25. This Article is brought to you for free and open access by the English at Whitworth University. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of Whitworth University. 109 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University Nineteen thirty-six was a pivotal year for Aldous Huxley. Much of his en- ergy prior to this year was spent writing the satirical novels upon which his reputation still rests, including Crome Yellow (1921), Point Counter Point (1928), and Brave New World (1932). Huxley produced many of his nearly fifty books under contractual obligations to write two or even three books per year, a pace that seemed to cause him little concern. Yet Eyeless in Gaza, his under-read masterpiece, took four years to complete. Begun in 1932, published in 1936, Eyeless is in most ways typical of Huxley’s fiction—eru- dite, philosophical, and semi-autobiographical. His title alludes to Milton’s Samson Agonistes, and his characters each take competing positions on the issues most important to Huxley and his cohort of artists and intellectuals: human relations, mystical spirituality, and radical politics.
    [Show full text]