Brave New World: a Unit Plan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Brave New World
BRAVE NEW WORLD by Aldous Huxley (1894-1963) Chapter One A SQUAT grey building of only thirty-four stories. Over the main en- trance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State's motto, COMMUNITY, IDEN- TITY, STABILITY. The enormous room on the ground floor faced towards the north. Cold for all the summer beyond the panes, for all the tropical heat of the room itself, a harsh thin light glared through the windows, hungrily seeking some draped lay figure, some pallid shape of academic goose- flesh, but finding only the glass and nickel and bleakly shining porce- lain of a laboratory. Wintriness responded to wintriness. The overalls of the workers were white, their hands gloved with a pale corpse- coloured rubber. The light was frozen, dead, a ghost. Only from the yellow barrels of the microscopes did it borrow a certain rich and living substance, lying along the polished tubes like butter, streak after luscious streak in long recession down the work tables. "And this," said the Director opening the door, "is the Fertilizing Room." Bent over their instruments, three hundred Fertilizers were plunged, as the Director of Hatcheries and Conditioning entered the room, in the scarcely breathing silence, the absent-minded, soliloquizing hum or whistle, of absorbed concentration. A troop of newly arrived students, very young, pink and callow, followed nervously, rather abjectly, at the Director's heels. Each of them carried a notebook, in which, whenever the great man spoke, he desperately scribbled. Straight from the horse's mouth. It was a rare privilege. -
Point Counter Point"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1940 Aldous Huxley's use of music in "Point Counter Point" Bennett Brudevold The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brudevold, Bennett, "Aldous Huxley's use of music in "Point Counter Point"" (1940). Graduate Student Theses, Dissertations, & Professional Papers. 1499. https://scholarworks.umt.edu/etd/1499 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A1D005 HUXLEY'S USE OF MUSIC IB F o m r c o i m m by Bennett BruAevold Presented in P&rtlel Fulfillment of the Requirement for the Degree of Master of Arte State University of Montana 1940 Approveds û&^'rman of Ëxaminl]^^ ttee W- Sfiairraan’ of Graduate Ccmmlttee UMI Number; EP35823 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation RMishing UMI EP35823 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. -
Brave New World Book Notes
Brave New World Book Notes Brave New World by Aldous Huxley The following sections of this BookRags Literature Study Guide is offprint from Gale's For Students Series: Presenting Analysis, Context, and Criticism on Commonly Studied Works: Introduction, Author Biography, Plot Summary, Characters, Themes, Style, Historical Context, Critical Overview, Criticism and Critical Essays, Media Adaptations, Topics for Further Study, Compare & Contrast, What Do I Read Next?, For Further Study, and Sources. (c)1998-2002; (c)2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design and Thomson Learning are trademarks used herein under license. The following sections, if they exist, are offprint from Beacham's Encyclopedia of Popular Fiction: "Social Concerns", "Thematic Overview", "Techniques", "Literary Precedents", "Key Questions", "Related Titles", "Adaptations", "Related Web Sites". (c)1994-2005, by Walton Beacham. The following sections, if they exist, are offprint from Beacham's Guide to Literature for Young Adults: "About the Author", "Overview", "Setting", "Literary Qualities", "Social Sensitivity", "Topics for Discussion", "Ideas for Reports and Papers". (c)1994-2005, by Walton Beacham. All other sections in this Literature Study Guide are owned and copyrighted by BookRags, Inc. Contents Brave New World Book Notes ...................................................................................................... 1 Contents ..................................................................................................................................... -
Brave New World: the Correlation of Social Order and the Process Of
Brave New World: The Correlation of Social Order and the Process of Literary Translation by Maria Reinhard A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in German Waterloo, Ontario, Canada, 2008 ! Maria Reinhard 2008 Author's Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This comparative analysis of four different German-language versions of Aldous Huxley’s Brave New World (1932) shows the correlation between political and socio- cultural circumstances, as well as ideological differences, and translations of the novel. The first German translation was created by Herberth E. Herlitschka in 1932, entitled Welt – Wohin? Two further versions of it were released in 1950 and 1981. In 1978, the East German publisher Das Neue Berlin published a new translation created by Eva Walch, entitled Schöne neue Welt. My thesis focuses on the first translations by both Herlitschka and Walch, but takes into account the others as well. The methodological basis is Heidemarie Salevsky’s tripartite model. With its focus on author and work, commissioning institution and translator, it was developed as a tool to determine the factors influencing the process of literary translation. Within this framework, the translations are contextualized within the cultural and political circumstances of the Weimar and German Democratic Republics, including an historical overview of the two main publishers, Insel and Das Neue Berlin. -
Pwc Asset Management 2020: a Brave New World 3 Introduction
Amid unprecedented economic turmoil and regulatory change, most asset managers have afforded themselves little time to bring the future into focus. But the industry stands on the precipice of a number of fundamental shifts that will shape the future of the asset management industry. To help asset managers plan for the future, we have considered the likely changes in the asset management industry landscape over the coming years and identified key gamechangers which will impact the competitive environment. Asset Management 2020 A Brave New World www.pwc.com/assetmanagement Contents Introduction 4 The landscape in 2020: 6 The industry expands, the investor base morphs 1. Huge rise in assets and shift in investor base 7 2. Pressures on the asset management industry 14 3. Nothing to hide,nowhere to hide and nothing at risk 16 AM 2020: 18 Gamechangers that will redefine the industry 1. Asset management moves centrestage 19 2. Distribution is redrawn – regional and global platforms dominate 24 3. Fee models are transformed 26 4. Alternatives become more mainstream, passives are core and ETFs proliferate 28 5. New breed of global managers 31 6. Asset management enters the 21st century 34 A shared vision: 36 Wei and the asset management industry Contacts 38 PwC Asset Management 2020: A Brave New World 3 Introduction It’s March 11, 2020. As Wei boards her train in the suburbs of Beijing, heading for her office in the capital of the world’s biggest economy, she checks her mobile device. She has been sent a message from international dating company eMatch’s sister site, eMatch Investments. -
Brave New World and the Rationalization of Industry by James Sexton
Brave New World and the Rationalization of Industry by James Sexton Reprinted from English Studies in Canada 12 (1986): 424-36, with the permission of the author and publisher. [reprinted in Jerome Meckier, Critical Essays on Aldous Huxley New York: G.K. Hall 1996 pp. 88-102.) Rationalization: "the methods of technique and of organisation designed to secure the minimum waste of either effort or material. They include the scientific organisation of labour, standardisation of both materials and products, simplification of processes, and improvements in the system of transport and marketing . [T]he judicious and constant application of . rationalisation is calculated to secure . to the community greater stability and a higher standard of life." —World Economic Conference, Geneva, sponsored by the League of Nations, 1927, defined in L. Urwick, The Meaning of Rationalisation, 1929. Near the passage which Huxley took as an epigraph to Brave New World, Nicolas Berdyaev speaks of socialist Russia as a satanocracy where the individual is subordinated to the collectivity. He asserts that human and spiritual values are being sacrificed to the false god of materialism, that life's centre of gravity has shifted to economics, and that man has been converted to a mere economic category. 1 Much of Berdyaev's thought is a footnote to the Grand Inquisitor chapter of Dostoevski's The Brothers Karamazov, which sets in opposition two views of human nature: wholly materialistic man (homo oeconomicus) versus "soul-encumbered" man. But interestingly the Grand Inquisitor's materialist vision of man is congruent with that of Henry Ford, whose My Life and Work is the Bible of Brave New World. -
Pledging Peace in Aldous Huxley's Eyeless in Gaza
Whitworth Digital Commons Whitworth University English Faculty Scholarship English 2012 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University, [email protected] Follow this and additional works at: http://digitalcommons.whitworth.edu/englishfaculty Part of the English Language and Literature Commons Recommended Citation Andrews, Charles. "Pledging Peace in Aldous Huxley’s Eyeless in Gaza." The Space Between: Literature and Culture, 1914-1945 8.1 (2012): 104-25. This Article is brought to you for free and open access by the English at Whitworth University. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of Whitworth University. 109 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University Nineteen thirty-six was a pivotal year for Aldous Huxley. Much of his en- ergy prior to this year was spent writing the satirical novels upon which his reputation still rests, including Crome Yellow (1921), Point Counter Point (1928), and Brave New World (1932). Huxley produced many of his nearly fifty books under contractual obligations to write two or even three books per year, a pace that seemed to cause him little concern. Yet Eyeless in Gaza, his under-read masterpiece, took four years to complete. Begun in 1932, published in 1936, Eyeless is in most ways typical of Huxley’s fiction—eru- dite, philosophical, and semi-autobiographical. His title alludes to Milton’s Samson Agonistes, and his characters each take competing positions on the issues most important to Huxley and his cohort of artists and intellectuals: human relations, mystical spirituality, and radical politics. -
Pofc TBI Main Octnov20.Indd
Insight on screen TBIvision.com | October/November 2020 Distributor's Survey The inside track Bible reading on the global sales The future of business formats Page 14 Page 34 pOFC TBI Main OctNov20.indd 1 02/10/2020 15:28 pIFC-01 Global Agency TBI OctNov20.indd 2 01/10/2020 10:35 pIFC-01 Global Agency TBI OctNov20.indd 3 01/10/2020 10:35 ABANDONED ENGINEERING S5 12 x 60’ Like a Shot Entertainment EDGES UNKNOWN RACE TO VICTORY 7 x 60’ 4East Media 6 x 60’ CIC Media SEX UNLIMITED 5 x 60’ Barcroft Studios For sales enquiries please contact: [email protected] www.beyondrights.tv pXX Beyond TBI OctNov20.indd 1 28/09/2020 09:44 Welcome | This issue Contents TBI October/November 2020 34. Future-proofi ng formats With the pandemic upending the TV industry across the world, Mark Layton fi nds out what the impact has been on the global format sales business and how it has adapted to the new normal. 38. Keeping the music playing through Covid Karen Smith, MD of Tuesday’s Child and Tuesday’s Child Scotland, on The Hit List. 10 40. Formats Hot Picks The formats that caught our eye this month including 9 Windows, Pooch Perfect and Tough As Nails. 10. Press record TikTok has exploded into the public consciousness like few – if 42. e colourful world of co-productions any other – video-led service before it. UK & Europe chief Rich Sharing production costs on unscripted projects was on the increase Waterworth tells Richard Middleton how he sees the future prior to Covid-19, but is the pandemic accelerating this further? Tim panning out. -
An Ecocritical View of Animal Imagery in Aldous Huxley's Brave New World
The Human Animal: An Ecocritical View of Animal Imagery in Aldous Huxley’s Brave New World Author: Erik Fredriksson Supervisor: Cecilia Björkén Nyberg Spring term 2013 English 91-120 Halmstad University i Abstract The early twentieth century saw the beginning of modern environmentalism. Intellectuals dreamed up solutions to the world’s problems and hoped for a better future being made possible by advances in science and technology. However, Aldous Huxley produced Brave New World which, as this essay argues, mocks the enthusiasm of his intellectual peers. The dystopian novel depicts a future in which technology dehumanizes the population, and uses a great deal of animal imagery to make this point. This essay analyses the use of animal imagery from an ecocritical perspective arguing that the “pathetic fallacy” is reversed. By examining the use of biotechnology and central planning in the novel, and applying the ecocritical perspective that humanity and nature are part of a whole, this essay argues that society resembles a farm for human animals, which is partly expressed by Huxley’s use of the image of a bee colony. The argument is presented that Huxley satirizes his environmentally concerned peers by depicting a totalitarian state which, though unconcerned with environmental issues, echoes the eco-fascist methods proposed by the author’s friends and family. Keywords: Aldous Huxley, Julian Huxley, ecocriticism, biofuturism, zoomorphism, dystopia, science fiction, animal imagery, environmentalism. ii Table of contents Introduction ............................................................................................................................... -
PERSONAL DETAILS NAME: Amanda Simone Oxenford Mcerlean TELEPHONE: 0413-615041 (Mob)
CURRICULUM VITAE - AMANDA McERLEAN PERSONAL DETAILS NAME: Amanda Simone Oxenford McErlean TELEPHONE: 0413-615041 (mob) EMAIL: [email protected] HEIGHT: 173 cm (5'8") COMPLEXION: Fair M.E.A.A Membership No: 4980759 EXPERIENCE Actor for Conflict Resolution Training Services (Brisbane) 2010 - 2015 ‘Carol’ Break – Short Film – Danielle Culleton 2014 ‘Bronwyn’s Mother’ Hold On – Australian Suicide Prevention Campaign – Soul Vision Films (PH) 2014 ‘DD’ Pipe Dreams – Feature - Revue Factory Productions – ( Dir: Aaron Singfield) 2014 ‘Guard Luxon’ Rise – Feature - Vision Films –( Dir: Mack Lindon) 2013 ‘Pam’ Ivan The Car – Short Film – (Dir: Chris Crawford) 2013 ‘Celia’ Calendar Girls – (Dir: Lynne Wright) - Arts Theatre (Brisbane) 2012 ‘Mary’ Welcome to the Lucky Country – Short Film - Soul Vision Films (Peter Hegedus) 2012 Voiceover for ‘Betty’ (E-learning animation) – Blackshoe Studios – (Brisbane) 2011 ‘Cleaner’ Slide – TV Series - Playmaker Media/Hoodlum – (Brisbane) 2011 ‘Montague Lady’ A Heartbeat Away (Dir: Gale Edwards) 2010 ‘Customer’ Deal or No Deal Instant Scratchits Commercial – Mojo (Brisbane) 2010 ‘Gretchen’ in Tide Line of July 15 (Dir: Daniel Jess) Short + Sweet P’hse (Bris) 2009 ‘Vera’ in Vera (Dir: Katrina Channells) – Short Film (Brisbane) 2009 ‘Jenny’ in Generation Pizza (Dir: Errol Bray) Emerge Project – JWC (Brisbane) 2009 ‘Queen Katiyana’ – MC of The Snow Ball – Top Floor (Brisbane) 2009 ‘Sally’ in ATSI Cultural Capability Training DVD –Carbon Media Events(Bris) 2009 ‘Shop Owner’ in Lamb Island (Dir: Tim Marshall) -
And Transhumanism Robert Ranisch & Stefan Lorenz Sorgner Scientific and Technological Advances Have Questioned Predominant Doctrines Concerning the Human Condition
Introducing Post- and Transhumanism Robert Ranisch & Stefan Lorenz Sorgner Scientific and technological advances have questioned predominant doctrines concerning the human condition. Transhumanism and posthumanism are among the most recent and prominent manifestations of this phenomenon. Debates on trans- and posthumanism have not only gained a considerable amount of aca- demic and popular attention recently, but have also created a widespread con- ceptual confusion. This is no surprise, considering their recent dates of origin, their conceptual similarities, and their engagements with similar questions, top- ics, and motifs. Furthermore, trans- as well as posthumanism frequently question their relationship to humanism1 and reconsider what it means to be human. In this regard both movements are streaming beyond humanism. What this means, however, is far from clear and shall be subject of discussion in this volume. In order to make sense of these two approaches and to investigate their inter- relationship, a clarification of these concepts is necessary. As a first approxima- tion, transhumanism can be seen as a stance that affirms the radical transfor- mation of human’s biological capacities and social conditions by means of tech- 1 We will not be able to address the complex histories and varieties of humanism in this chapter. Yet, the following must be noted: The word “humanism” (Humanismus) was coined in 1808 by the German theologian and philosopher Friedrich I. Niethammer in the context of educational curricula, as it is derived from the Latin word humanitas. This word has a variety of meaning but has strongly been identified with the Greek word paideia (παιδεία), e.g., i.) in Cicero’s De Oratore (I, 71) the meaning of the concept hu- manitas corresponds to that of the concept paideia; ii.) in the text Noctes Acticae (XIII, 17) by the Latin author Aulus Gellius, who lived in the 2nd century, an explicit identifi- cation of paideia and humanitas can be found. -
Brave New World at the General Assembly: the United Nations Declaration on Human Cloning
Minnesota Journal of Law, Science & Technology Volume 9 Issue 1 Article 8 2007 Brave New World at the General Assembly: The United Nations Declaration on Human Cloning Nigel M. de S. Cameron Anna V. Henderson Follow this and additional works at: https://scholarship.law.umn.edu/mjlst Recommended Citation Nigel M. Cameron & Anna V. Henderson, Brave New World at the General Assembly: The United Nations Declaration on Human Cloning, 9 MINN. J.L. SCI. & TECH. 145 (2008). Available at: https://scholarship.law.umn.edu/mjlst/vol9/iss1/8 The Minnesota Journal of Law, Science & Technology is published by the University of Minnesota Libraries Publishing. CAMERON N & HENDERSON A. BRAVE NEW WORLD AT THE GENERAL ASSEMBLY: THE UNITED NATIONS DECLARATION ON HUMAN CLONING. MINN. J.L. SCI. & TECH. 2008;9(1):145-238. Brave New World at the General Assembly: The United Nations Declaration on Human Cloning Nigel M. de S. Cameron & Anna V. Henderson* INTRODUCTION In the first year of the new millennium, a little-reported controversy began to unfold at the United Nations General Assembly (UNGA). The resulting debate spanned four sessions of the UNGA and roiled capitals around the globe. It seriously divided the United States and the United Kingdom, at a time when these two States were the closest of allies on issues of global terror and the invasion of Iraq. It united a remarkable coalition of dozens of developing world States with the conservative administration of President George W. Bush, who went in person to the podium of the Assembly to argue his case and theirs.